Beruflich Dokumente
Kultur Dokumente
Maria Morrison
Submission Guide
February 2008
Table of Contents
INTRODUCTION ........................................................................ 3
CATEGORIES OF SUBMISSIONS........................................... 3
SUBMITTING A PROPOSAL OR RESPONDING TO A
CALL FOR PROPOSALS........................................................... 4
FIRST REVIEW PROCESS ....................................................... 4
PUBLICATION PROCESS......................................................... 5
CONTRACT ................................................................................... 5
MANUSCRIPT PREPARATION ........................................................ 5
POST PUBLICATION ...................................................................... 6
ELECTRONIC MANUSCRIPT PREPARATION
GUIDELINES ............................................................................... 7
NINGWAKWE LEARNING PRESS STYLE SHEET ............. 9
PUNCTUATION .............................................................................. 9
QUOTATIONS ................................................................................ 9
NOTES AND BIBLIOGRAPHY ......................................................... 9
COMPOUND WORDS ................................................................... 10
SPELLING ................................................................................... 10
ALSO NOTE:................................................................................ 10
NUMBERS ................................................................................... 11
BULLETED AND NUMBERED LISTS ............................................. 11
PROOFREADERS MARKS ..................................................... 12
1-888-551-9757
Categories of Submissions
In the remainder of this guide, we will refer to both consultants and authors as ‘authors’.
We ask the CDTT reviewers to answer the following questions about the manuscript:
• Does the work make an original contribution to the subject area?
• Is the manuscript as it stands acceptable for publication? If not, would a revised
manuscript be publishable? What revisions would be required?
• What suggestions do you have for improving the manuscript, relating to style,
inaccuracies, omissions, etc.?
If the reviewers recommend revisions, their report will be passed on to the author to assist
with revisions. Each manuscript reviewed will also be assessed financially. Press staff will
assess the manuscript’s estimated production costs including any special features (e.g. colour
reproductions) and potential market. All scholarly books require some form of financial
assistance to be economically viable, and Press staff will discuss with the author if an
application to funders will be required to make publication financially feasible.
Contract
The author is given a contract for the book. Ningwakwe Learning Press’s contract is
written in plain language, and author are encouraged to discuss the terms of the
contract with the Publishing Manager, or seek their own legal advice. The contract
details the responsibilities of both the Press and the author; for example, it is the
responsibility of the Press to edit it, to design the cover and insides, to bear financial
responsibility for publication, and to pay the author on a regular basis. It is the
responsibility of the author, for example, to obtain permissions to reprint all material
that is copyright elsewhere and to follow the Press’s style guide and meet deadlines.
Manuscript Preparation
The Publishing Manager will provide information regarding acceptable formats for
electronic submission of the manuscript, including computer programs, operating
systems, how to set up files for and submit endnotes, graphs, maps, etc., basic
formatting instructions, etc. For example, we prefer electronic submissions to be in
Microsoft Word, or as an RTF file, and that footnotes and endnotes not be
embedded. We require a paper copy of the manuscript that matches the electronic
copy exactly.
The Ningwakwe Learning Press uses the Chicago Manual of Style and the Oxford
Canadian Dictionary as guides for house style.
1. Title page
2. [Dedication page]
3. Table of Contents
4. [Foreword]
5. [Preface]
6. [Acknowledgements]
7. Complete text (chapters, articles, etc.)
8. [Tables]
9. [Figures, maps, and other illustrations]
10. [Appendices]
11. Bibliography
NLP Submission Guideline
Page 5 of 12
Editing and Production
The press will edit the manuscript, electronically or on hard copy, and return it to the
author. At this stage, the manuscript will be edited to conform to house style, and for
grammar, punctuation, spelling, logical development, consistency, etc. The Press uses
a Publishing Review Task Team (PRTT) that reviews all materials. One of their main
duties is to edit for cultural accuracy. The author may approve or reject suggested
changes; this is a process of consultation. At this time the author may also make final
changes. The Press will do final proofreading.
The design, cover, and typography of the book are the responsibility of the Press and
the designer. The input of the author is welcome.
Post Publication
After the book is released, the Press will market the book through a combination of
publicity, advertising, and direct mail campaigns, which may include, for example, a
book launch, author readings and book signings, author interviews, submission of
copies for reviews to appropriate journals and newspapers, advertising, displays, and
inclusion in catalogues. The author may be asked to be available for media
promotion.
The Press attends conferences and trade shows, where its books are displayed. As
well, the title is featured in the biannual catalogue, and listed on the Press’s web site.
Copies of the book may be sent to selected instructors to review for text adoptions.
The Ningwakwe Learning Press prefers manuscripts submitted in electronic form. The
advantage of electronic manuscripts is that they can be edited and made into a book without
having to retype anything. Please keep in mind, however, that whatever software you use to
prepare your manuscript, the Press will then convert your manuscript to a software of the
editor’s choosing. This version is eventually submitted to a compositor who will make pages
in yet another software program. So please keep it simple—if you spend a lot of time
using your software to format your manuscript and customize the way it looks, we, in turn,
must spend time paring your manuscript back down to its basic elements to ensure that the
whole process goes smoothly.
Use the following guidelines to ensure that the electronic manuscript and printout you
submit to us will be ready to edit:
• All the elements in your manuscript should be easy to identify. Clearly identify each
chapter and each additional part of your manuscript—front matter, introduction,
references, appendixes, figures, endnotes etc.
• Your manuscript should be double-spaced throughout.
• Make sure that there are no comments, annotations, or hidden text whatsoever in the
final version of the manuscript that you submit to the press. In addition, make sure
that all “tracked changes” or other revision marks have been accepted as final (i.e.,
there should be no revision marks in the final manuscript).
• Do not use the space bar to achieve tabs or indents or to align text.
• Do not use the automatic hyphenation feature. There should be no “optional”
hyphens in your manuscript.
• Use the same typeface, or font, throughout the entire manuscript. If a second font
containing special characters not available in standard typefaces is used, please alert
your editor.
• If a chapter has more than one level of subheads, differentiate them visually (with
centering, bolding, underlining, etc.) or, preferably, by typing (using angle brackets)
<A>, <B>, or <C> at the beginning of each subhead, as appropriate.
• To insert notes, use your software’s built-in endnotes feature. Use the feature “as is”;
please don’t reset any of the options. The benefit of the built-in notes feature is that
it connects the text of a specific note with a specific place in the text. These
“embedded” notes can be moved, combined, or deleted with ease; the number in the
text will always carry its text with it, and the notes will automatically renumber as
needed. All formatting (of number size and style, placement of the notes relative to
the book as a whole, and even conversion of endnotes to footnotes and vice versa)
will be performed by the Press. If you do not use your word processor’s note-making
feature, use superscript to indicate note numbers in text.
• Do not assign “styles” to achieve different formats for subheads, block quotes,
paragraph indents, etc. The default, or “normal,” style should be the only style in
your manuscript. If your program assigns a special style to automatic endnotes or
footnotes, however, that’s okay.
Punctuation
• do not use serial commas
• use double quotes; if there is a quote within a quote, use single within double
• punctuation following italic copy is to be italic, same for bold
• use , ’ ” not ‘, ”
• commas and periods go inside quotation marks; exclamation points, question
marks, colons and semicolons go outside unless part of a quotation
• for ellipses, use three spaced dots. . . . If the ellipsis follows a complete sentence,
the period falls normally at the end of the sentence and the ellipsis afterward. Don’t
begin or conclude quotations with ellipses, even if the quotation is a fragment.
• don’t put parentheses within parentheses; use square brackets instead. E.g. (see Jim
Smith [1966]).
• possessive, word ending in s: James’s
• possessive, plural word: the Mortons’
Quotations
• quotations of fewer than 100 words should be run into text with quotation marks;
for quotations of 100 or more words, remove quotation marks and set the material
as a block quotation, which will be set down in size and spaced from text by the
formatter.
• make sure that a source is cited for all quotations
• authorial interpolations should be placed within square brackets
• don’t put brackets around letters at beginnings of quotes to signify changes in
upper or lower case (i.e., according to CMS, we may take the liberty of changing the
case of the first word at the beginning of a quote to allow for smooth syntax)
• [sic] use roman type
• syntax: all quotations must be incorporated into the text with appropriate
punctuation (i.e., no quotation should stand alone without being part of a preceding
or following sentence)
Compound Words
In general, follow the rules and principles set forth in Chicago Manual of Style or the
Oxford Canadian Dictionary.
Spelling
Use “Canadian” spelling: Oxford Canadian Dictionary
Also note:
• “de facto,” “ibid.,” “et al.” “a priori,” and similar foreign terms now commonly
Numbers
• numbers under 100 are spelled out, 100 and over are numerals (unless numbers are
particularly dense in one section and refer to unit quantities, or if manuscript is more
scientific)
• 2 x 4 mm, not 2 mm x 4 mm
• dates, page numbers, and percentage numbers, chapter numbers, part numbers are
in numerals
• 1990s (no apostrophe)
• 2nd, not 2d when referring to editions in bibliography and notes (in text, however,
write these out)
• dates: June 1992, 12 June 1992, 12 June
• equals sign has a space on either side (x = y)
• when specifying ranges of dates or numbers use “between/and” or “from/to”
don’t use dashes except in parenthetical material
• between 1950 and 1962 (not between 1950–62) (but, the 1980–81 academic year)
• from 12 to 15 percent (not from 12–15 percent)
• currency: spell out or use numerals in accordance with above rule (write out
numbers under 100); fractional amounts over one dollar are expressed in numerals
($l.25); whole-dollar amounts are set with zeros after the decimal points when they
appear in the same context with fractional amounts, and only then ($6.95 and $7.00;
$325 and $400); a price of $3 million, or $7.3 billion)