Lento

q= 50
Cris Mejia

            
molto rubato
   
             
  
    
 




 


  
 
mf
             






      
    
          
4
   
 

       
3


 3
 
        
  

         
        
7

      


 3

        
 
       
pp
 fusion q = 116
C. Mejia

A
 
    

         
               
Piano

     
 
fusion q = 116

   

  
      


A
  
                
(TACiT 1st time)
       
 

    


               

  
Pno.

  



   

 
  
     


      
                     
Bass  

            

5 $

   
       
C7#9
  
C7(#9)

                   
        



Pno.
       
       

      
$
C7(#9)
      
                    
Bass
    
2
8
          
      

!st time Chord Changes
Dbmaj6

                     
C7#9
    
Pno.



                          

!st time Chord Changes

                       
Bass    


                       
11

 

A¨Œ„Š7 Gº7 C7#9

                 


    
Pno.
       
              


A¨Œ„Š7 Gº7
      
Bass               

14

                          

Dbmaj7
              


 
         
Pno.
       

       
Bass         
 3

          

17

  

C7#9 G¨Œ„Š7

              

      
Pno.

 
  

   

 

         

       
       
G¨Œ„Š7
     
Bass       

      
       
20
    
1. 2. TO CODA

            
FŒ„Š9
            
           
Pno.



     

            
 



FŒ„Š9 1.
 2.
     
Bass      

         

B
23
 
                    
A¨Œ„Š9(b5)/B¨ D¨Œ„Š7(b5)/C F©Œ„Š9(b5)/G© B¨7(“4)/F A¨Œ„Š7(b5)/C B¨‹%

         
     
  

   



   
   
Pno.
        
          
       
B !x Eb pedal
    2x Notes   
Bass         
4
26

                             
  
A¨6
 
E¨‹9(;5)/F
 A¨Œ„Š7(b5)/CA¨6(;3) E¨‹/B¨ D11(b5)/F©

B¨7(;5) C‹7(;5)

       
            
  
 

Pno.        
  
          
 
            

        
Bass      

SOLOS (OPEN)

30 C
    D¨Œ„Š7(#11)
                           
F‹9

                                  


  
Pno.
                           
    

C
   
Bass                              

D
37 C blues

                   
G(“2)

                       
  
Pno.


 
            
 

REPEAT C for solos


   

 
     


  
LAst solo to D
D 
 
            
Bass                 
 E 5
41 DRUM SOLO until CUe
            


                    

   
Pno.

 
  

   


 
     


   

       
E 
            

     


 
Bass      

44 DAl Segno al Coda

     


                      


Pno.


        

  

  


    
                     
Bass 

CODA
47

  
C7#9
      
                          
Pno.


                               
  

CODA
                               
Bass   
6
49

  
C7#9
               
                    


 
                                      
Pno.

           
Bass
                         

51

   
DRUM FILL C7(#9)

             






           
Pno.
 


           
DRUM FILL
Bass  