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Iohn Patitucci

- 60 Melod.ic Etudes
for Acoustic and Electruc Bass

I would" like to thank God, my wife Sachi, and my daughters-Gracie


and Bella, and all the other members of my Farnily especially my
brother Thomas, my Mom and Dad, and sisters. Thanks are also
due to Chris Poehler, David Baker and all of the other teachers I
have had in my musical journey to this point (whose names could
take up as many pages as this book). Thanks also to the many
musiciàns I have *àrÈed with who have inspired me and taught me
(another very long list) and to Sandy Feldstein and John Castellano
for urging me to write this book.

Special Thanks to Mindy Sax, for the preliminary music copying.

Finally, thanks also to all the folks at Carl Fischer for the fine work
and support, especially Alex Teploff.

Cover photo by Bill Bytsura.

CARL FISCHERo
65 Bleecker Street, New York, NY 10012
Copyright O 2005 by Carl Fischer, LLC
ntern ational Copy rig ht Secu red.
I

All rights reserved including performing rights.


WARNINGI Th s pLrb ication is protected by Copyr ght lalv. To photocopy or reproduce by
any method is an infr ngement of the Copyrìght law Anyone who reproduces copyrighted
matter is subject 1o substantial penaÌt es and assessments for each rnfringement.
BF22 Printed n the U.S. A.
Gb Lydian Scale (GbmajT'il1) . . .........................37
B Lydian Scale (Bmaj7fr11)........... .......38
E Lydian Scale (Ernaj7ll 1). .... . .... ........39
A Lydian Scale (Amaj7frl1). . ........ ......40
D Lydian Scale (Dnaj7i11) .......... ......41
G Lydian Scale (Gmaj7* 11)... . .. ......42
C Mixolydian Scale (C7).. . . ... ..."....43
FMixolydianScale(F7). .... ...............44
Bb Mixolydian Scale (Bb7)......... .............45
Eb Mixolydian Scale (Eb7)......... .."..........46
Ab Mixolydian Scale (Ab7)......... ...".........47
Db Mixolydian Scale (Db7) .. .. ..............48
Gb Mixolydian Scale (Gb7) .....................49
B Mixolydian Scale (87) ..............50
E lv{ixolydian Scale (E7) .......... ... ...".......51
A Mixolydian Scale (A7)........... ..............52
D Mixoll,dian Scale (D7).......... ..............53
G lr,{ixolvdian Scale (G7).... . .. ..............54
C Locrian Scale (Crn7b5) .....55
Ab Melodic-minor ScaÌ,,. (Ih7l'.5) .........56
pb tr,lelodic-minor Scale (Bbmzbs) ......57
I r 1 r'
Gb Melodrc-mlnor Scale
-l (Ebn7b5)..
t ,r,
.....58
Gf, Locrian Scale (Gtrn7b5) ....................59
Cf Locrian Scale (CfmZbS).. ...................60
Ff Locrian Scale (Ffm7b5) ......................61
B Locrian Scale (Bn7bS) .....62
G Meiodic-minor Scale (Em7b5) ..........63
C Melodic-minor Scaie (Am7b5) ..........64
F Melodic-rninor Scale (Dm7b5) ..........65
G Locrian Scale (Gm7b5) .......................66
PartII: 60 Melod.ic Scales
Gb Lydian Scale (GbmajT il 1,1 ) ................................... 99
B Lydian Scale (BmajTf 11)......... . .
.....................100
E Lydian Scale (Umaj7#LL)..... .
. . .......................101
A Lydian Scale (Ar.rraj7#11) ............. .,..102
D Lydian Scale (Drr'aj7|"l1)............. ....103
G Lydian Scale (Gn.aj7|"l1)............. ....10-+
C Mixolydian Scale (C7)........... ............105
F Mixolydian Scale (F7)........... ...."........106
eb Uixolydian Scale (Bb7)......... ...........107
nb Vtixolydian Scale (Eb7)......... ...........108
eb Vixolydian Scale (Ab7)......... ...........109
Db Mixolydian Scale (Db7) ..................110
Cb Uixolydian Scale (Gb7) ...................111
B Mixolydian Scale (87).. ....... ............I12
E Mixolydian Scale (87)........... .............113
A Mixolydian Scale (A7).......... .............1i-+
D Mixolydian Scale (D7).......... ............115
G Mixolydian Scale (G7) .......... ............116
C Locrian Scaie (Cm7bS) ...117
eb Uelodic-minor Scale (Fm7b5) .......118
Db trrtelodic-minor Scaie (VbmZbS) ....1D
Cb tvtelodic-minor Scale (Ebn^TbS) ....120
G# Locrian Scale (C#mzbs). .................i21
C# Locrian Scale (C#mZbS) ..................122
Ff Locrian Scale (ffmZbS) ...................123
B Locrian Scaie (Bm7bs) ...721
G Melodic-minor Scale (Em7b5\... .....125
C Melodic-minor Scale (Am7b5)... .....126
F Melodic-minor Scale (OmZbS).. ......127
G Locrian Scale (Gm7b5) .....................128
John Patitucci Biography
John Patitucci has been at the forefront of the jazz world for the last tu,enty
years and active in all sryles of rnusic. He is a two-time Grammy award r,vinner
and has been nominated eleven times. He has won many rnagazine poils and
awards as a double bassist and bass guitarisr, most recently as a member of
the lVayne Shorter Quartet which won the 2003 Downbeat critics'poll for Best
Acoustic Jazz Group and Best Jazz Recoding for Footprints - Liue!. He has
performed andf or recorded wtrh jazz giants such as Dizzy Giliespie, Wayne
Shorter, Herbie Hancock, Chick Corea, Stan Getz, Freddie Hubbard, Roy
Haynes, Wynton Marsalis, Michael Brecker, John Scofield, Joe Lovano, Kenny
Garrett, Victor Feldman and countless others.

John has been active as a composer u,rth eleven solo recordings of his own. He
has also been commissioned to write for various chambe r music groups, most
recently the New York-based string quartet Elements. John r.l,as nominated for
a Grammy rn 2003 for Best Instrumental Arrangement Accompanying a Vocal
for his arrangement of In the Bleak Midwinter From l-ris CD Song Stories and
Spiritwals. He was nominated for a Grammy rn 2002 for Best Instrurnental
Composition for a piece encitled Communion that featured Branford Marsalis,
Brad Mehldau and violist Lawrence Dutcon of the Emerson String Quartet.

Mr. Patitucci has been involved in education for many years, writing books,
making instruccional videos and giving master classes around the world. He
was formerly the Artistic Director of The Bass Collective, a specialized school
in New York. In 2002, he began teaching at The City College of New York
(CUNY) and was named Associate Professor of Music there in2003.
Foreword
This book is designed for acoustic bassists, electric bassists and cellists who
want to:

. Improve their knowledge of the fingerboard.


. Practice interpreting and phrasing melodies.
. Improve their intonation and time.
. Learn to play with more flexible time by practicing rwbato passages.
. Strengthen their ears to hear the five basic chord sounds within the diatonic
major scale: major, minor 7, dominant 7, minor 7b5 andrnajor 7#1I.
. Learn to hear and use various diatonic modes and scales against these five
basic chords: Major, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and
Locrian.
. Gain valuable experience on the use of the melodic-minor scale over the
minor-seventh b5 chord.

As far as I know, this is the first book to have a separate melodic etude for each
of these five chord sounds in all twelue key. I also left room on a few occasions
for you to try your hand at improvising for a few measures within an etude. The
etudes have tempo markings, but should be practiced at different tempos and
even rubato (í.e., elastic and flexible time with room for speeding up and
slowing down to enhance the freedom of the artist's expression). These etudes
also help the bassist and cellist tackle the common technical problems that all
must deal with, such as shifting on one string, string crossing and alternating
right-hand plucking and bowing. For acoustic bassists and cellists, every etude
can be played pizzícato andf or arco. I deliberately shied away from providing
fingerings and bowings because I would rather you explore many alternatives
for each passage.

In Part II of the book (pp. 69-L28), I have included a complete fingering chart
for both acoustic and electric bass for all the scales. The scale examples are
given in two ways: 1) Starting on the root note and 2) starting on the lowest
note available on the fingerboard. The second example is provided to foster a
more comprehensive knowledge of the instrument.

If you have a teacher*which I feel is extremely important-s/he may want to


write down ideas for you as well. Also, as you vary the tempo of each etude, you
may have to alter fingerings and bowings.

In closing, I sincerely hope and believe that this book will help you grow as a
musician and be a useful tool for manv vears to come.

-John Patitucci
Pa:tt I:
60 Melod"ic Etud-es
C Major Scale
F Major Scale
Bb M ajor Scale

J LJI J -J-
L-J -J J
-:- J

| _; LJ
-l-l
10

Eb vtajor Scale

):132

BF22
11

Ab Major Scale
T2

Db Major Scale

'3'

D.C. al Fine
r3

Gb M ajor Scale
Lento rubato ):54

To Coda-rS

D.C. al Coda
cooa
$ A
L4

B Major Scale

D.C. al Fine
l5

E Major Scale
Rubato

To Coda I

opt. D.C. al Coda $ coou


t6

A Major Scale
,:88

D.C. al Fine
1'7
tt

D Major Scale
.: 66
r--J ----r r-_J -----r r-J _____--r

To Coda$
------t
t-- J
18

G Major Scale
rl-

poco rit.
19

C Aeolian Scale (Ballad)


(Cm7)

To Coda$
20

F Dorian Scale (Ballad)


(Fm7)

D.C al Fine
2I

Db Aeolian Scale

optional repeat at m. l3
22

Eb Dorian Scale
pbr.r.T)
):162
L-')

G# Ph rygian Scale
(Gf m7)
J:86

D.C. al Fine

3422
1A

Cf Phrygian Scale
(C#rn7)
t:70

To Coda $ l_J ____r

'--J_: tr r_J _-__r I


r-l ---r

r __ì.-_ J
r-J ----r r- J
-]
T-J-------] | I

r_J ____r r-J ____r

D.C. al Coda $ coou


r-J --r
2-5

Ff Ph rygían Scale
(F#mZ)
r-J -r r-J -r

r-J --r r-J --r

I r ll
26

B Phrygian Scale
(Bm7)
,:118

JJ D.C. al Coda $ coou


r-J
21

E Dorian Scale
(Ern7)
J:130

To Coda$

D.C. al Coda
t8

A Aeolian Scale
(Am7)
J:80

To Coda$

D.C. al Coda
29

D Dorian Scale
(DmZ)
J:101
30

G PhrygLan Scale
(bm/)
E\

):128

To Coda$

D.C. al Coda $ coou


3l

C Lvdian Scale
(Cr.'r'aj7f"II)

To Coda$

D.C. al Coda

45 S."9"
JZ

F Lvdian Scale
(rmaj7# 11)

To Coda $

D.S. al Coda $ coou


33

Bb Lydian Scale
(Bbnajz#Ir)
):132

To Coda$-

cooa
D.C. al Coda $
1, /1

Eb Lydian Scale
(Ybmajz#rr)
j:89
35

Ab Lydian Scale
(Abmaj7#rI)
): ll2

D.C. al Fine
(no repeats)
36

Db Lvdian
,/
Scale
(Dbmajz#11)
,:130

To Coda

cooa
J8 D.C. al Coda $'
37

Gb Lvdian
,/
Scale
(Gbmaj7l"IL)
Rubato

r-- J --r

D.C. al Fine
3B

B Lydian Scale
(Bmaj7# 11)
t:124

)7

J-t

D.C. al Fine
39

E Lydian Scale
(Emaj7ilrr)
J:89

To Coda$

D.C. al Coda
$ cooa
-10

A Lvdian Scale
(ArnajzilII)

^ /-\
G€>+ /,_- /--

Amaj7fi1l (Improvise on A Lydian)

r-3 ___- r-J ----


r-1----r r-J
-r

AmajTfrWlmprovise on A Lydian)
,--.-----^,---.,.......-*- /-----
41

D Lvdian
/ Scale
(Drnaj7#II)
,: 115

To Coda$
^-o-*

D.C. al Coda

ltoco ritcrtdartclo .-
A)

G Lydian Scale
:100 (Grnaj7|"LI)
J

[ ---- + ll f-

-=.---- -----/

D.S. al Fine

----/-
43

C Mixolydian Scale
(c7)
i:162-200

To Coda$

D.C. al Coda $ coau


44

F Mixolvd.ian
/ Scale
(F7)
):142

-=_----' ---=----' ---=---/


45

Bb Mixolvdian Scale
J
pbzl
): l4l-170
46

Eb Mixolydian Scale
(Eb7)
Slowly J :81

r-3-r r_3r r--l-r rJr


47

Ab Mixolydian Scale
(^b7)
Medium .: 116
48

Db Mixolvdian Scale
1obz1
Slowly and freely i:96

To Coda

D.C. al Coda $ coau


49

Gb Mixolydian Scale
(cbz)
,:156
50

B Mixolyd"ian Scale
(87)
Slowly ): 67
rJ-

opt. D.C. al Fine


5l

E Mixolydian Scale
(E7)

To Coda$

Second time
D.C. al Coda

--'--- G+

$ coou
52

A Mixolvd.ian Scale
,/
( A7\
,: 150

D.C. al Fine
53

D Mixolydian Scale
(D7)
J1

G Mixolydian Scale
(G7)
):770-200
55

C Locrian Scale
/^ rr
(Lm/pJ)
-l

optional D.C. al Fine

3
molto rubato
-5
(,

Ab Melodic-minor Scale
/n al rr
(f m/rJ/

D.C. al Fine
57

Db Melodic-minor Scale
(Bbm7bS)
-58

Gb Melodic-minor Scale
(Ebrn7bs)
):93

r-J r-3 D.C. al Fine


s9

G# Locrian Scale
(c#m7bs)
l: 64

D.C. al Fine
60

C# Locrian Scale
(C#m7bs)
): 67

D.C. al Fine
(optional repeat at m. l7)
61

F# Locrian Scale
(Ff rnzbs)
):112

sub. p
D.S. al Fine
(no repeats on D.S.
62

B Locrian Scale
(Bm7bs)
.:140 X

To Coda $

D.S. al Coda
63

G Melodic-minor Scale
/r al rt
(|,m / 2J,l

/-\
'€> /-\

r\-/
lenÍo poco accel

): ll4

Second timeo
D.C. al Coda
64

C Melodic-minor Scale
(Am7bs)
):136

To Cod*O

,, + Coda
65

F Melodic-minor Scale
(Dm7bs)
66

G Locrian Scale
) :66

r-J ---
Gmlb5 ftmprovise on G Locrian)

Rtrbato ctd libitunt


68

Pa:rt II:
60 Melodic Scales
69

C Major Scale

3r
;.
rll,t
11
,ll 74 T*l
ia
)t
2 t4 24 41
4C 240 14 1+ 17
lo42o4,
IIIII t I il Im

241
2 a 12 2 + !3 t!2
1,
2142,

III--J II ' I II I III-J

o3
74
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tl Tr T4 t

i+ t4
2
tAcousd-tBaGl 2 2
IA
2
o 1 402- 4C-2 o_4 2 o
+1
4o 14 41 oqz 4| O

IV IIII III I I Iì IIII II\/-

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o1401,
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4_21o4to

IV rIIl rII | ] II I ilI 'IV I

- "T" denotes thumb (for Acoustic Bass only).


nn
t- lvl- r
À lr t.- -!- .)cíllc

1-1 |
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IIIJ IVJ

aA.

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r + I

IV IIII I
ilrI IVt

EcousticJa"sn
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Eiiltriclast
o1412-
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113 !:LLi iLLt.' | 4 3 '-
o''
' 4 1o

IV IilT III I I Ilrlllrlv-


71

Bb Major Scale

r3 -:,
lAcoustic Bass I
-+
14
7l
t_
1L
12 r
T4
1 ;I
-z
14 17
I

I
17 2g
t40l 1

4 | O4 |

II I TI--J

I
tl /-
^f

,1 I
j+ 12 l'13 1+
+l 2t
l401+ot+ O2 4l 42 O4

IV-r III r lI I
IITIIITIV_J

), l1
2_t 4 2

IV________________ lll I II I I_ rII_rIIIrIVl


12

Eb Major Scale

13 31
Ecousiic Ba;al qT T4
t401

III III

ECA;Enasal
t41

IIIIIII III

4I
1
^4
4l
13
4T li l3
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+l 21
41
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II I IIII IV I

r42t
12 ? LLíLi 2F ?; 2 '?^ | 4
1-lat-242-+

IV'IIIIIIII II IIII I
t3

Ab Major Scale

FamAcia*t 4ì 4T
2
ii ll 3r
IT
_t
1y
'
tJ, t
is.l24 t) --)

2r o +

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3
y4

IV_J II] I II I I II ìIII IIV '

a 3
r31 3r
Eóóustic Bassl 1
L"/ 1i 41
t2412+14 e,\ iLitf
'147
Lit I o + | 4
2_1421

IV 'III I II---J IIJ III I IV I

Et$tíc Ba"{l t
l-+l*1221 I:2 t qz z

IV ]ilI I II II urlt]rIVl
1A

Db Major Scale

Ecou-stic Basl
A1t4l

IIIII I I

[I I III_J

lTcoustic Bast
"r3r.*711
t '^: t
1z4lzqtz '$*r 1

IV_____J III I Il I I____ TI IIII fIV I

IEtecffi Ba$l -1 I-l--l


)Jl

|Lir !
"
+lAl
tz41+z+t , ;-'!+ 2l

IV-r III r ll--__r I--------- II I III rIV r


75

Gb Major Scale

Eaoustic Bassl +/1t


r472nr'',4
L1-l

IVIIII III il |III I I I

'

'
-t412)Ar)
À L -
4,'!Iiii 2Llt! \' , 4-2i+

IVrlil rII I I II IIII IIV '

Fcousticiaft
Jr'llr
tz.4lzqrz -aL

IV rUI- | II I I [I IIII I

3
11 14 31 A^

I III- | II I I IIII
IV I I
76

B Major Scale

1{ t3) 7,t
FóoumcBast )+ :T 1/'l 3
T +1 2d 1t
, o t,'r
À

I 4l 4i 4)
4 42141

III-J II I
II I III-J

EìAEFBast
1-+ z 21

III-J II I
II I IT--J

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,"1 4t
ò 4 L ^ tl
4114
3
T
t3't
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IVIilI'IIII II |III IIV______J

7:Lii tiLLL\,
EGA;ióu-a*l ,
Aln12 24 , Li t^ 422 |4 2-1 4r o

IV-----J III I II I
II ITII IIV-----J
7',|

E Major Scale

T rlt
lrl Tt 1a
t'\! 3i 4)
Ecoustic Ba$l
îI
J

or40r-L ,'tl
4l'-. L!, , oL , + r-o 4 r o

IV--J III I II ' ] il 'III 'IV I

,)4')
ot+o1- * 4,2?l|ii
lEGctrlóT-aGl
LZz t 42 t4 1-o + ro

IV------JIII Iil ' I II |III |IV____J


78

A Major Scale

lAcoustic Bass
^ r 4
O
I

| 4
\iLírt
I"')41.1ài3
z
t'î t 3
lT it 4,t
rz 1r
r2 loroaJl
-2-a4
III'UrI II -r ilI I

FtectrftEassl
,14 \21
z4t2 24v2 2
42t^n.141
-rîLLÈ

IV--JIII III II II 'ilI - rIV_r

r2l
tÀcousti-cBa$l
o1401: .- 4 'Liilli
T
3 1rl "[c
rl It ':!l I | o 4 t o 41 o
^
IV IIII 'II I I II rIIl rry

ECA;itE-assl
4121Li,Lì
LLLLIL o, tr!, 4241o
ot+24- 'Z 1 4 2 21

l\-1 | III ' II I II 'III I IV I

--J
79

D Major Scale

2 2
2 2
Fcoustic Bast
o 14 o 1

III

III-J II I I T I TI.-I

lTcoustmast y4
I
T ?l
t3t
lt 1
T^+ t +),
r 4O .,t24
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;;??t??;:^+l
or2ot-! r z 2-! ríii 14r^
j^- L t424lo2r o

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IV IIII I II I I II 'III IIV I
80

G Major Scale

EcoustL Bast
+o21ot,+o
r1 +\
l+ l+
ii +l 31 ?r
IA
i\ 4t
O-t r -.
.LJ

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I ..,
-
'
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t l'ì
iíLLL\' ,

IV-J III I II I I lI I lll l\' I

,) 3 3r
131 T1
fÀcoGtic Bass"l
+\ it^
o2 402j +o ii
l+
l+ T 1
1
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IV ITI III II

IEtAt[ Basl
or )41 , ^ LSLL|
2
'.iLi:t r4

IV rIlI I II I I Ilrlllrl\',

=î22
81

C Aeolian Scale (Ballad)


(Cm7)

a
-ttl
lL

II III

-J

I |III rIV r
82

F Dorian Scale (Ballad)


(Fm7)

II I IIIJ IV I

I IIII IIV '


83

Db Aeolian Scale
( BbmT)

Ecousric Ba$l 2
tT
l3
lr 4)t4 I
1 \4 a
.1
t)41
^

IV IIII III I

IV I III
84

Eb Dorian Scale
(Ebm7)

trcoustitFass-l
1)41

tEtecrricB-assl
134

III IIIilII

lAcousticBassl r 4I1r 1 ,iLL3 : o ,


124t,2+12 +tlliitl )^
'lA1

IV------rI[ 'il rI II IIII ' IV I

IEtec iE Basil
tz41,z+13 4 , ) rlZii LiírLi, ^
3

7\0, 421

IV------rIIIrilrI II IIII I
lvl
8,s

G# Ph rygian Scale
(cfim7)

tTcoustic Ba$l r 4l" dl31 4t1,+r


a ilZe ttt 2;lLl l_4 t O
A,o14l r4 2 4

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IV 'III I II I I [I I III IIV I
86

C# Phrygian Scale
(Cfrrn7ìr

,
EcousticJ-Basil a
)
t L:
^" t ^

IIIIIIII UIIIII

fÀcoustF Mssl
,n74

[V IIII III I I II IIII 'IV-

[I 'III IIV I
81

F# Ph tygLan Scale
(Ff,m7)

oi
Lij f1t:-ZA.
14 r-..rltalÀ
2
t4 4r 4r .?+?:1^4) 1t
AZ
24or+otq 91 !1 o +

IVJ III I II I
II IilI IIVI

22
EGmcEaTs.l
r241,2413 41 i tl'lti '.ííLí.i, 4
421

IV rilI- | II | ì II IIII I
IVI

Ecoust]iBasl '., 3 rlr


lrl îi3r 4t
t1 i4
r'l T
l4 /1
lr
)4 2
1-o+zo
o24olj 40 1+ +l
o41o4

JV------J III I III I I II IIII IIV I

22
,.iLl:
3 4 ,iiiii
fEGctric Bassl
341 t? ,
.|4 l-4 2
ot z4 L? t- o 3 1o

[V IIII ìII II II IIII IIV I


88

B PhrygLan Scale
(Bn;'7)

.? ,ì
, | 4;
I i :;;ttr Í l'' I
iit

4 | o 4 2

III.J II I I

4 13 1Liii iL:L!,
III'III

r3l
r)
t)
4I 11
3
I i3i îi3r iT
o2+o2 +ol 4O l+ 14
lil t 1 o 4 2o+zo
^
lvrlllrllrl II rlll rlv I

EiéAiiciafsl
or 24 3 4,1:Lit
2^
,ill L:1 ,

IVIIIIIIIII JIrlllrIVr
89

E Dorian Scale
(Em7)

EGcÍic Ba$l
or )41

IVIIIIIIII IIIilIIIVI
90

A Aeolian Scale
(Am7)

FaousticJassl
nr 4O
"?arrìl
4 I IZLLLL LLLLLz', ; ^ I 2Ol
4 rr () )

III I II_ I I II IIII I

EAEFBassl 431,
l'-t' + 2 L-+
rlt-ìlt4_
141 2 lt31t,:l J 3
-- I

lv rIII- | II_J II-J III I IV J

Ecoustiè Bassl rl
ll
l?
.-l
L-
)t

iLr!
t"

to+z o-0,2 o
ot 402: 4I o

IVIIIIIIIII lI rilI rIV I

EGctriclassl 4 t 1Llr^ 0,
^1tl
.? 413 4,1 tlLLi \il:t, 4 3
| 41r
ts--"r4lO

IVIilIIil--JI Ilr IIT I IV_


91

D Dorian Scale
(Dm7)

3l r^ 1t 4t
t7

ECaffi;ssl
t 3 41

IIIIIII

3 t,t
T \+ ?t
4) +l
+l o qzoq2 04 t o

II IIII IIV I

2
EGcÍióEassl 3r 3

A i n n2 4 ?ttíLyt, 13142_o+t o

€>
II I III rIV I
9)

G Phrygían Scale
(Lrm,/
/A E\
l

II 'III IIV.l

ECArfc Ba$l
r ) 41

IV IIII III II II IIII I

IV IIII '
93

C Lydian Scale
(Crnaj7frrr)

r3)
252

IIIII I I II IUI

ilIril

11
Fcousti-cBass-l r: 13 /. 1
Tr 1
T4
o24024 ii:!, oo ,
o4)n
tÉ--v42O

II rlll rIV_

ECArLEassl 4 t^ it.-t- a
rz!!liii
z

o1241- iL3 L I , 1 4 '-',t o2I o

IV 'III r il r
II IIII IIV I
ol

F Lydian Scale
'ql)
(F rnal/+t 11)

3r
lL
ìî
LII I o + z. o o-l o o t
r +o2,+ozq

IVJ III I II I II ' III 'IVI

EtecEic Bast
12at-24r2
,. lil!1,, L3:t,214 ztt421

IVIUIIII IIIIIIIIVI


ri I
Fcousti-c Bast Tr -l T4
o r 4o2: 'rL:! r. o + z o_4 t o 4 1o

IVIIIIIII'I II IIII IIV '

IEGAiITassl 4112.110.,. o3-ro2ro


o1z4 241 \L3: ^ , 2,
IIII III II I ilI IIV
IV
I
95

gb Lvdian Scale
J
(BbmajzfrII)

fÀcoustia Basal
t4o2^2'rtr )t* +1 +j I
I ii
t--.é
-l f I
12 o 41

III---I II I I

ECA;icla{l
t1l-r

IV--J III I
IIII IIIIIVI

rZl lr
lAcoustic Bass

o 1 4 o r + o,z
I

iI ))+
3
T
I
l/l l1
)t
+
1

+O t4 L!'^, ^
2| r-o 4 1o

IVIIIIIIII] II IIII II\'-

EGAricra$l
or+ol-
,iiil 1 , ,
1-o + I o

IVIIIIIIIII IIIIII,IVI
96

Eb Lvdian
/ Scale
(Ebmaj7f,rI)

II'

Ecoust6Bassl t4
7l irr3
tqol+ g2 tri
9',l

Ab Lydian Scale
(AbnajzilrI)

Faoumc Ba$l
t 1+O

II I III.I IV

ECAric BÍì-{l
tltzl

IIII IIIIIVI

T lr

Fconsttr-Basil t1
+,I '^ tl
t2al+o11 or! I
o+ro4J42 7

I\/ I III I TT I IIIJ


I
[I IV I

ElécÍitBaEl ./,1-' '?


,-) ' ^a
'-r1,
2+ i + -1

1311,2124 1421t-]--03 r

IIIIIIIIVI
Db Lydian Scale
(DbrnajZIrr)

^?
tlz
EcousJir Ba*l
A1t(1 14
I I *; -c?tl

.'t3't.l
lTcoustEBtCl t4 t4
À1 4r
I r-:oZ'^tî
tz4\,2+r4 gl

IV IIII IIIJ
99

Gb Lydian Scale
(Gbmaj7HII)

FcousticBAt
14y412 4 rq ?lriii '.-LlLLt, o r^qzl 12t A

IVJIII 'II I
II IIII IIV I

Ba*l 13
ECAri-c
2413 qt34 2ilLly o, 1- 4 3 | o-', t o

IVrIIIrill I rIII rIV-

zLlif ti|Lz t o ,
lÀóoustfEasl
,r 41A. r42l
l24rz+12 4 --L

IV |III I II I I II |III I IV I

EGAri-cia*l
tz4rzq13 4I? LLZL|
Liir!2, o 2-,4 3

IV |III I II I I II |III I IV I
r00

B Lydian Scale
(Bmaj -zIl
/tl 11)

3r
I3
tl 4t
ît
3
T t4
2+ 4t
zl

Eb-Aiió Ba#l
t)4, 1

IIIrilrl IIIIIII

Ecoustic Basl
alZa
LàeàL! z q

II IIII IIV I
101

E Lydian Scale
@rnaj7|rI)

T ata T
Ecoustic Ba$l '4 I 14 14
r),r41
11la ^A
- tt2!LtÈ.| 'r!lt42tq 2-t4ro

IV----JIII rII rI T IIII IJV----J

EleciirBa*l Atz
oz4t2- 2 4, ?llii ,iLLLt, ,
L? t 422 t 4 2_t+zo

IV------JIII ril rI II IIII IIV '


iìl

A Lvdian
/ Scale
(Amaj7f,rI)

Eaousti--Eassl
o14l.t 4I \ LLLL| iLLi:,^ , ,4^
1,4

IIIIIIII II IIII I

IV IIII I II '] llrlllrlvl

Ecousti-c Bassl

o l4u ^11 \L:t, , 4 2 t,.1-!4ro

IVIIIIIIIII IITIII rIV I

Etecr'itBa{l t t),LLt.. +? t-1 2 | 4


ArÀ12 rl ^,4 ' zi!12 | 4 ? ro

IV IIII III I I II iIII IIV I


103

D Lydian Scale
(Dmaj7frrr)

III

III-J II I
IIITII

t T --l 3r. T,I


coustic Bass t)
I +-i
+)
lr
i 3 litttl) 3j +l
1q )t
I
0410,*9' 4 12 t' 'l 21 4| O 4 t_o 4 | O

{€}
IV IIII III 'I II 'III IIV I

f1'1t
ECA;ic Ba{l I + I -t - \ 1 l
21) L+:
ol4u'-^14 1.,t41
| - ^a 42t41o40 0

<>
IV r lll---------------- lI r I II | III rIV I
104

G Lydian Scale
(Gmaj7frIL)

FcoustitBassl t) ^) fr rl-l2r
-ttri. l r-lrj
L'f!1 ,o+r uJ, rcz
I
14
zol4014o 14

IVIII III II

lElectric Bass I

Z+13+t-r4 !+-r I

IV-JIII IT I II I III IIVI

. .1.
EcousriE Baft t-1i=o T l:o?o-^l r4 l4 I
)t
o24o1-f: 4ot!í+"1 -+ lg

{€}
IV IIII Iil II ll ,lll rIV r

EtdrrF Basal z+lll^ll-


o 1 2 + 1J 3 4, !riii
IV IIT III I |III rlv I

'I
105

C Mixolydian Scale
\\-/i

ìl:1
'rt1

FcousdaBast
1
1o24c

II I III

rr r ________________ TT I
lIl III I

rì))?ìl
iAcoustF Basil T l: ta'- T t
o l 401: ai:!, oo, oS?o,o

IV IIII III I I II IIII IIV '

Emt'[ easn +, i+2+l+


| 2.4:1 "
2

o1+ol _:ru

IV I III IIII II ITI


r06

F Mixolydian Scale
(F7)

13r
aii
3
I i+ 41
t+o1,+ot+ OZ ! LLLL; LLt 2o+ r o
4-1 041

IVJ III I II I
iI I ilI 'IVI

tz42+r24 a-2+zr

IIII'I lIrlllrlv,
r07

Bb Mixolvdian
/ Scale
(Bb7)

r--:---------=--
lAcoustrc lJass I

y1
Li
14 Tr
ll ii 2
T
l;1 o-.+
r'---- 4 O | j ^| r
| 4 r

II ' IIII

IECA;icJassl
t4t2

IV-J III I II I III III I IV-I

1
|RcoustióBa$l
1241,+ot+ s 1 \ LLLLil L),\, o 4to +fAt
-a
/ I

IV I IIII II I
ll I
III--I IV I

EÉÍ[ MCl
tl42cl24 LI), ,4 2 r
4) A t

IV ITI I lVt
108

Eb Mixolydian Scale

fEiamEm az AI
2 + lt ,i t- 4 2|
l24r '-
lll'll'l [I|IIIr

"t3t
rIJA?ÀJI

lil;!
2 J
musrFBa$l I ^t}t'^)

tz4r24r4 OI \ILLLI zo, o4t4'!0, 1

IV 'III IIIJ IIJ III 'IV '

lElectric Bass
tr4l34r2
I

^t24
,3 r! lLLiLiLt i 4),
4 214tJ! t 1

_
IV IIII III I
IIl UI IIV I

BF22
109

Ab Mixolydian Scale
( b7)

IIIII I II I I II IIII I IV

IV-J III I II I
IIIIIIIIVI

FcoustiaEassl
124tzq
,')+
4 1 \ at Llr 142 | 4
2J+zt

IV IIII I II I I II rilI rIV '

EGctricBast
' )4
z + \at
,34 ,iiL!,1 t-+ z 414 tJ-1 r,
r24Lzq
IV ITI III II II rUI rIV r
il0

Db Mixolydian Scale
(Db7)

ECAri-cEa$l
"\At')

III-J II ' I II ' ilI--J

^?^
r ),o?o).r 7

IV------J[I rII rl IJ rilI rIV I

,12
t24tz+r3 qt-llie

IV---JIII IU I I
111

Gb Mixolydian Scale
(G67)

lÀcousticJaúl
,l
I Z \LLLL| o,
I
+21,t
r4l2^r\d
'rll-'--
=LLLLI
ffi IVJ III I II I
II IIII IIV I

F;---- _------- 2
l-blecmc bass
z4l2tt)4
I

Z + LILLi- LilLlv o , 4z1A

IVJ III II IIII IIV


' II I I

,1l
ol+12412
I
4t , LLLL| l,ii LLr, o 21n\
--Z

lv rilI- ì u I
[I ITI I IV I

))
3+3 t,
, ,- LLtLi .?+i2 rq
lElectric B-aTal 3^
4 31d,. 42o
024lz+r2

lv r III- | lI I I il ITI '


IVI
tt2

B Mixolvd.ian
,/
Scale
(87)

lAcoustic Bass I
TÀ lr
14 1/ lr
L 142
îl

III.J II I I II I IIII

ECArfteassl
cltL

III_J II I I II ' IIIJ

|ncoútictassl t4t,lrtl
ot4u'-^r4 2o-)r!: I I I ' + I O I | .ì

IV---J UI------r IJr I I[ | ilI_____r IV_ r

EGctriciast 3 1.1,1.1,1 .. +?
o14o2- ' 2i:1r142'-*, ,o,1 1o

IV-_J III-----.J II I I II , III..---J IV- I


113

E Mixolydian Scale
(87)

EcdsticJasil
o 1 4 0 l: y ,,ll;à.c.|
^ | t | 4 |

LLr r 4 1 o + 1-o 4 1 o

IV-----r III I II I I II IIII IIV-

, t4t
EierJlrM;al
'----,- r 21 1,
4t
t42t 4141o
ol4l*-)4- --'J

IVIIIII III I
IVI
Ll+

A Mixolydian Scale
(47)

fr
mcoustrc M;al
l 11
I
t1 Ì+ rT.íJ
t^rl
)r
+',
ol40 LA
o4to4Jo

II -I III I

rl
z+íi. 1t 4 l-+ 2

IV-J ill I
II ,IT IIV-I

31 3r
\i îi
3
tÀcousiicEa{l I t1 11
I

? t7 tr!t^oo r o4 l-o 4 I
I

o1+u'- ^r4 1.1


4() - o

IV rlII I II I I II IIII IIV I

ECAftgasal
^14
i,^lii.l t , ,
4-1 2 I o

IV r III I ll-j I____ lI I TII I IV r


r15

D Mixolydian Scale

III-J II I I

-l rl3l?, lr
Tr:t?o"-l îí î) 11 I
l4 l9

IVIIIIIilII

IV 'III III II
116

G Mixolydian Scale
(G7)

tI Íl? r3 21 ;ir3r 4t
EcoustFBa*l t) +\
1+ 2+ t4 )) -+
4l r

+o24o24o l+ ,1to+zo+
IVIII I II I
II IIII IJV

1,
EtdfffBasal 2t'-
1.
| 4
)4lL^

IVJIII 'il II IIITIIIVJ

3 o3),3
tÀEousrEBa$l 4l AI T'-atzL- t

o 1 402: 4O 1+
t)
14 L
T 4
4
2 àî it o42 o4)n-
-l
v 4 | O

IV IIII III ' II IilI IIV '

iECAilciassl
, ?4r
1'^LtLt- 4
I:lLLi
z
241 o-t, t o
o1401- 21 4| o

IV IIII III II [I ' TI IIV I


tl7

C Locrian Scale
(Cm7bs)

AI
13 T/-a
2
14
l?
l- 3ií 14),
2 4 | 2 4
t4L
L- tr )t'^+1 4zt4

III-J II I I II I IIIJ

IIIIII' IIIIIII

t3r Tt
Fcousîicjast
T
3 î3i .-l 2
41
12412+12 4, r iLLLi Ii: \ + z t 4 ,-o o , ,

IVIilIIIIII II 'IIì IIV I

tl4l;-^
lElectric Bass | .t 4 )c?p -'^ | 4
| 2 4 1 + z + t z z llíe LIlr, |4 2
4_1421

IVITIIII,I II |III rIV r


118
Ab Melodic-minor Scale
(Fm7bs)

IIr III I IV__-_r


Dt Melodic-minor Scale 119

(BbmTbs)

ilI IT II IlIIIIJ

EGcúictsassl
r 3 4l

III III I

II |III r IV I
Gb Melodic-minor Scale
110

(Ebmzbs)

3 .T
T I 3
i
trcoustlA MGI .1
1

I
2
Ì
3 2
I
ì
l4
Ttt-+ LLi 2 h
1

lE-tecJJjr Bast 31l,LLL;L:


ri41

II I I

3
1

fÀcoustlcra$l 4 t4 24 2
3
2 l4 )n
I 1 ,1 t4 lnrl - L
t24O1412 4l 2 '-" 1

IVrlllrllrI II I III_r IV I

',aLLi;LL, ,
124O1413 4 1,2 LLLii Ilrtrl + :r q
lo,4')
-"-'1

IVIIIIIIIII [I IIII I IV I
1ll

G# focrian Scale
(cf,m7bs)

r3
T3 it 14 l4
T
Fcousti-c Ba"{l
+o110141 )o )2iiii 2n!
): | 1 -l l o 4

1r 1!liii LLiL: t 1 4 3r
t).+ 3

IV IIII I II I I II IIII I IV r

Fóoustic Basn r1
lL
1t
l__ il I
t4
o | 4o I 4
iil:) r 4, Oarn
4ro

IV IIII III I I II IIII IIV I

ECA;ia Bast r{
2
4L|Ll.^3
ot+21- t z ! lJitf
^,1 l''
ili ! I ,, 4
2_1 4 2
4 I O

IVIIIIIilI] II IIII IIV I


r22

Cf Locrian Scale
(Cf,m7bs)

EcousticE-assl
4C-140

IIIII I
IIIUI

IIIIIIII IrIIIl

atJta

|Acousti-cia$l L -^tlt-^ | 4

o24o1j |i3! to+t o-1, 1 o


42o

IVIIIIIIIII II rIII rIV_

Ei&rricJasn ,13
t 3 \Lt l_4 1 4
o1211- t)4 2 | O

IV I U{_J II rul rIV '


123

F# Locrian Scale
(Ff;m7b5)

I \t<t^ 1^ 1,
EcousticBast '.í+í )r^ q t
24o2+ot+ O I !:LLLI LI:lo+ro o2o+z

IV-I III I II ,
II I III IIVJ

))
EteAffiassl 3+3
,1
1)+t)

IVIIIIIIIII II IIII IIV I

I .r3r
lAcúsiicia$]
oz4o2-L 40
z
1+
4l
i4
.a
4i
l+ T I 1)cL'-r
3o
1í iI 4t14 19 4ro+2-o+z o

€>
IV IIII III I] I rIII rlv I

EGctrilBast +t!lL!t'
or2q13 2ilL1;0, | 4 | 2 t-+ 2 t o

€>
IVIIII'IIII II IIII IIV I
124

B Locrian Scale
(Bm7bs)

r1
EcoustiaBassl .f4t.+lJl r4 4r
4t44
2!t ^r
4t
24o2 ^ 1e -a l4
42042

III-J II I I II I II--r

FCAd-c Bast
t''0,'r24 4 2l 421

IIIrIIl ill IIIl

lAcousticBassl 12+lttr +1r1+t4r 2


:.4o2 ^ Lt?t)\
o | 4 o 2-L-Z lîl+
Lil oo 2o4 2o4ro
+
4 o L l; +21

IV 'ilI III I
II rIIl 'IV I

))
lElectric Bass | "> r3+31^
'-tf2t)\ 3
î I j n'_2--
, 4 r _1 -[, I, t o 2--
Lli ^ t
lZ 1 4 2 | 4 2 1 o 4l o
-e

lv rilI rII rI [I 'TI IIV '


t25

G Melodic-minor Scale
(EmZbs)

tTcousticBast
^^,l-r14 Lrlio 4|o 4 t.o + z o

II IIII IIV I

IV IIII IT I
1t6

C Melodic-minor Scale
(Am7bs)

lÀcousficiast rÀr
,tl-ì1
^'>40

IIIIIIII

EreAiióTa$l
^r24

IllrII'

r3 )t
I )J xr
t7 I

trcoustia Ba^st
3 t4
l4o2-+o14 s 1 I:i LLt 1 o + 1o 12Ot,

IVJ III I II I III I IVJ

ECctrfaEassl
,.ii1),\, , 41a,
| 2 4I,z + +r1 :L4 2+^ | 4 2 14
3

IIII I II I Il rilI rIV t

IV I
r21

F Melodic-mi nn r,Se;rie
íili::l';,ì

ITI I II I I I ll.---,.---i lll_r

trcou-sti.^ Ba^st
/\rall
.rJ

T\i r lllJ ll I I

ECEiI Ba{]
n14

lv rlll rll rl
128
G Locrian Scale
(cm7bs)

EcousiicJa;n , t 2 -l

2 412 + | 4 14 7!í"?l g
O
=LLL)I
IVJ III I II-J ]

Electilc Ba$l
t)4, 1

IVIilIIII' IIIIIVI

Ecoúiiciast
| 2 q t,z 41 4 O I \ LLLLL liLr!,0 ,
o+r-+2J-02

IV I IIJ----I IIJ III III I IV I

ECAiFEAssI
14141224 12 I:iLLi |ílL,-, ^ ,
IV IIII I II II [IIIIIIIVI