LA STORIA

(Jacob de Haan)

Film music is usually written to match the action in a scenario.

Sometimes the opposite is true as is proved by Jacob de Haan’s piece
La Storia. Written for creative musicians and audiences, the listener is
given the opportunity of making up his own story to fit the music,
without even the restriction of composer’s comments
 LA STORIA Jacob de Haan
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
Andante 
     
     
Clarinet in B  1    

 
       
Clarinet in B  2      


           
Clarinet in B  3
  

 
Clarinet in B  4       
  
Clarinet in B  5   
    

 
     
  
Bass Clarinet

   

         
 
Allegro 
 
B  Cl. 1     

       

molto ritenuto.

B  Cl. 2         

     
      
B  Cl. 3
 

   
          
B  Cl. 4
 

B  Cl. 5              
  
 
        
     
B. Cl.
 

©Gino Gonçals
 LA STORIA 2

  
A

B  Cl. 1      

   
B  Cl. 2         

         
     
B  Cl. 3
  

  
B  Cl. 4                               
                       

   
     
B  Cl. 5
                   

   
        
            
B. Cl.

 
   
B  Cl. 1        
 
          
B  Cl. 2   
 

        

   
         
       
B  Cl. 3
 
  
  
B  Cl. 4                                  
                           

B  Cl. 5    
                      
           
         
            
          
B. Cl.

 
 LA STORIA 3

            

         
        
B  Cl. 1 
 
        
B  Cl. 2                    
   

B  Cl. 3                  
   
    
   
B  Cl. 4                         
             

B  Cl. 5     
                  
        
   
                 
 
B. Cl.

   
 

           
                       
B  Cl. 1      

         
B  Cl. 2                       
   

B  Cl. 3                    
 
   
    
B  Cl. 4                              
             

B  Cl. 5      
                       
    
                 
 
B. Cl.

   
 
 LA STORIA 4

               
  
B
B  Cl. 1     
 
     
B  Cl. 2    
 
     
 

  

 

 
         
B  Cl. 3

   
    
B  Cl. 4            
 
B  Cl. 5      
         
 
  
     
     
B. Cl.

          


                              
a la CODA C
B  Cl. 1   
  
a la CODA 
        
B  Cl. 2                      
  
a la CODA 
B  Cl. 3           
                    
   
   
a la CODA
         
             
B  Cl. 4

 a la CODA   
B  Cl. 5          
          
 a la CODA   
B. Cl.                       

          
 LA STORIA 5

B  Cl. 1                           

B  Cl. 2  
 
                

               
B  Cl. 3       

       
B  Cl. 4
         

         
 
B  Cl. 5
      

          
   
      
B. Cl.
    

   
  
        
D

B  Cl. 1
     
 3 
3

                      
B  Cl. 2         

 3 
3

                 
     
3 3

B  Cl. 3

 
 

                
3 3
B  Cl. 4
      
    
 


       
3 3
B  Cl. 5

             
 3   3 
  
               
         
B. Cl.
    
 LA STORIA 6

               
       
        
B  Cl. 1
    

                              
B  Cl. 2     

                          
B  Cl. 3        

    
B  Cl. 4                                

B  Cl. 5                   
         
   
    
                
           
B. Cl.
  
 

     
E

    
B  Cl. 1                
        
                         
B  Cl. 2         

                       
B  Cl. 3             

   
                        
    
B  Cl. 4
 

                
    
B  Cl. 5

         
  
   
               
            
B. Cl.

  
  
 LA STORIA 7
  
          
Larghetto 

                   
  
B  Cl. 1
  

                              
B  Cl. 2         

            
           
B  Cl. 3


   
B  Cl. 4         
  
      

   
     
B  Cl. 5
   
       
   
B. Cl.         
               
         


  
F
          
        

B  Cl. 1

 
            
B  Cl. 2
       
          
B  Cl. 3                   

   
B  Cl. 4
       


B  Cl. 5    
          

                            
B. Cl.
    
   
 LA STORIA 8

          
          
B  Cl. 1

          
B  Cl. 2            
   
     
B  Cl. 3
    

  
B  Cl. 4
      

B  Cl. 5 
        

                                    
 
B. Cl.
     

       
           
G
        
  
B  Cl. 1

        
            
  
     
B  Cl. 2

        
     
        
B  Cl. 3


    
 
B  Cl. 4


B  Cl. 5  
    

                           
           
B. Cl.
 LA STORIA 9

   
            
B  Cl. 1
 

        
B  Cl. 2         

  
  
              
B  Cl. 3


B  Cl. 4         
   

      

B  Cl. 5
      

                                  
 
B. Cl.
     

                    
    
H
B  Cl. 1   
 
                
B  Cl. 2             
 
             
B  Cl. 3                  
 
       
B  Cl. 4 
                             
 
  
         
    
B  Cl. 5
       
 
 
     
              
B. Cl.
   
 
 LA STORIA 10

       
     
I J
B  Cl. 1        

       
B  Cl. 2              

           
B  Cl. 3                               

B  Cl. 4                               
     

        
B  Cl. 5                  

       
            
B. Cl.
  

          
B  Cl. 1    

         
B  Cl. 2      

                       
B  Cl. 3                               

B  Cl. 4                               
                 

   
B  Cl. 5
         
  

     
            
B. Cl.
 
 LA STORIA 11

              
B  Cl. 1         

     
B  Cl. 2  
        
    

     
B  Cl. 3                         

B  Cl. 4                         
     

                 
      
B  Cl. 5

         
   
B. Cl.           
 

                 
   
K

B  Cl. 1    

         
           
     
B  Cl. 2

           
B  Cl. 3                         

B  Cl. 4                         

                    

     
B  Cl. 5
    

   
B. Cl.             
 LA STORIA 12
      
Allegro  128

B  Cl. 1              
       
molto ritenuto.

                                
B  Cl. 2            

                                  
B  Cl. 3


   
B  Cl. 4               
                                
 
                            
 
B  Cl. 5
    
 

       
         
 

B. Cl.
  


  al Coda 
      
       
D.S.
B  Cl. 1                
    
 D.S. al Coda 
                     
B  Cl. 2         
D.S. al Coda 
                         
B  Cl. 3     
D.S. al Coda 
   
B  Cl. 4                                
        
D.S. al Coda 
B  Cl. 5

      
              
              

 
D.S. al Coda 
  
                     
   

B. Cl.

  
 LA STORIA 13
 a la CODA            
        
             
B  Cl. 1


 a la CODA 
        
rallentando


B  Cl. 2  
       
    
       
a la CODA 
                      
       

   
B  Cl. 3
  
 a la CODA 
 
B  Cl. 4             
               
 a la CODA     
B  Cl. 5         

                    
 a la CODA      
 
          
                  
B. Cl.
  
      

   Andante expressivo 

B  Cl. 1    
        

 
    
B  Cl. 2         

 
B  Cl. 3               

  

         
B  Cl. 4
             

B  Cl. 5             
             

    
        
 
B. Cl.
           

 LA STORIA 14


     
L
B  Cl. 1

 
B  Cl. 2       

  
B  Cl. 3    
   
  
   
 
 
B  Cl. 4      

  

  

      



B  Cl. 5        

 
              
 

       
        
 
B. Cl.
        



B  Cl. 1      

  
B  Cl. 2                                      

        
B  Cl. 3                        


B  Cl. 4             
  
                  


       
      
         
  
B  Cl. 5
  

       
                 
B. Cl.
  
 LA STORIA 15
   
  
     
M
B  Cl. 1

  
   
B  Cl. 2              
 

   
B  Cl. 3   
              
 


B  Cl. 4   
           
 


 
  
B  Cl. 5
      
 
 
      
   
B. Cl.
    


             
B  Cl. 1 

     
B  Cl. 2    
   
  

 

B  Cl. 3       
  

  

  


B  Cl. 4                  

  

  
 


B  Cl. 5      
           
         

   
B. Cl.                 

 LA STORIA 16
                
N

B  Cl. 1   

                
B  Cl. 2        

     
B  Cl. 3                       


B  Cl. 4        
   
  
 
    
 
    

B  Cl. 5        
                    
 
          
                 
B. Cl.
  

        
             
B  Cl. 1   

              
B  Cl. 2              
  

B  Cl. 3        
       
   

      
  

B  Cl. 4        
       
       

B  Cl. 5      
              

       
         
B. Cl.
      
 LA STORIA 17
 
  
        
           
O
B  Cl. 1 

 
       
B  Cl. 2        



   
B  Cl. 3 
                       


  
B  Cl. 4          
 


      
B  Cl. 5
   


       
         
          
B. Cl.

    


                 
       
B  Cl. 1      

                 
        
B  Cl. 2      

       
                           
3
B  Cl. 3


  
                
3
B  Cl. 4
        

 
 
                      
B  Cl. 5
 

 
        
      
B. Cl.
        
 LA STORIA 18
            

         
B  Cl. 1 
molto ritenuto.

          

                    
B  Cl. 2  
3

 
B  Cl. 3                 

 
                  
3
B  Cl. 4
     

 
   

       
B  Cl. 5
       
 
      
B. Cl.
     
      
 Clarinet 1ºB 
LA STORIA Jacob de Haan
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals


                       
Andante 

     
    

         molto 
   ritenuto. 
Allegro 
  
A

       

       
    
                       
  
      B
                                             
       

a la CODA 
                                  
            
  
  
                 

                       
C
   
 
  3
3



                        
D

           
    
    
                 Larghetto 



       
     
   
 
     
E
   
          
            
       
               
F

         

            
           
 
       
 

                
                    
G
 
   

©Gino Gonçals
 LA STORIA
2

     H                         
I

   
J
         
 
 
             
                     

   

                      128
    
Allegro
                         
K

  
molto ritenuto.

D.S.  al Coda   CODA     
      
                      
     
   
              
    
Andante expressivo 
               
    
 rallentando

  M
                   
   
L

     



                                      
N

   

        
               
 O
       
  

           
                 
  

          
               



molto ritenuto. 
 LA STORIA
Clarinet 3ºB  (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Arr. by Gino Gonçals
Andante 

               
   

Allegro 
   
      
A
            
molto ritenuto.

 
      

 
         

  
     
          
 
            




                              
B

       
      

     
a la CODA
                
            
  

   
C

                              
3 3

  


               

                                                  
D



                                    
Larghetto 

E
             
 
       
F

                       
 

         
  
G
   
   
      
      


    

                
H

         
 
©Gino Gonçals
 LA STORIA
2

  

                                          
I J

  

                                          

      

K

      

                                             
Allegro  128
    
molto ritenuto. 

D.S. al Coda  CODA

         
                           

 
    
Andante expressivo 

 
                  
L

        
rallentando 
       
                                     

 M

                                
  
 
 
 
               
         
         
 
       
N

      

    
O

      
                    

    
                           
3



  
               
     
molto ritenuto.

  
 LA STORIA
Clarinet 2ºB  (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Arr. by Gino Gonçals

 
Andante 

         
        


           

Allegro 
  
     
molto ritenuto.

     
A

   


             
  
  
                        
     

        
                     
B

   
     

          a la CODA
           
                  
C
    
  

                  D             
                      
 
 
3 3

                                              
      

                                    
E
  
Larghetto 

               
   
 
               
F
             
          

                    
           
G
             
      
         
                         
           
H
     
  

©Gino Gonçals
 LA STORIA
2

                               
I

   
J

        

       
                                        
K


molto ritenuto.

                        
                     
Allegro  128

 

D.S.  al Coda   CODA
                 
      
        
           
  rallentando

   
                        
Andante expressivo 

     
L


 M
          
                   
          
 


           
        
 

   
N

                                         

 O   
        
     
      

                 
        
     

          

                   
molto ritenuto.

  
3
 Clarinet 4ºB 
LA STORIA
(Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Arr. by Gino Gonçals
Andante 

  
    
 
Allegro 

A

                          
                         
                molto

ritenuto. 

                                              
                                   

                                            
                                   

                      
B
   
                        
  
a la CODA  C
         
                     
  

             
D
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
3 3

  

            

      
                                               

   
Larghetto 

E

          
      
      

       

   
F
      
           

 
    
G
           
   

©Gino Gonçals
 LA STORIA 2
H

                                    
I

                                    
J

           

                                    
           


K
                                  
 
molto ritenuto.

      
Allegro  128
                                                    
 

D.S. al Coda   CODA

              
       
                      rallentando

    

          
Andante expressivo  L
                 
 
 
      
     

  

                        
 

 
                     
M

      
 

                   
N
                
 


            
        

   
             

O

   
                        
3


 
 
                   
molto ritenuto. 3

            
 Clarinet 5ºB  LA STORIA Jacob de Haan
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals

 
Andante 

molto ritenuto.

        
   
 
Allegro 
  
A
  
                                         

     
          
                                         

      
B

               
                     

a la CODA  C
               
                
   

            
D
     
3 3

  
        
        
        

                            
          
      
   
       Larghetto
 


   
E
              
       
           
 F
   
                  

 G

       
              

H

               
J

          
I

            



©Gino Gonçals
 LA STORIA
2

        
    

             
         
       

                                      
K molto ritenuto. Allegro  128

      


                       
  
            
             
 
 
D.S.  al Coda   CODA
  
              
       
                    
       rallentando
     
Andante expressivo 
    
L
   
                
 

            
          
     
          


      
M

            
 
 

    
        
                     


         
N
 
                          



O

         

 

         
molto ritenuto.

    
      
 LA STORIA
Clarinet Bass (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Arr. by Gino Gonçals


Andante 

molto ritenuto.

              
      

  
Allegro 
         
A
          
       


       
    

    
                
          
  

                             
B

       
      
a la CODA 
                
          
           

   
C

                              
3 3

                   
 
            
             
D

             
     
        Larghetto



                      
E

    
       
         
   
 
                                   
F

          

                                          
         

                           
G
     
        

©Gino Gonçals
 LA STORIA 2

 
                                    
H

             
 
I J
              
                        

                      
                


K

                
molto ritenuto. Allegro  128
    
  
 
      


   CODA
                 D.S. al Coda      
              
   
    
     
        
Andante expressivo 
    
             
        rallentando       

        
L
   
                       
 

         
                         
  

    

   
   
M
        
     
 
   N
             
                                      


              
O
    
                    
 
 
              
molto ritenuto.

   
                     
