Beruflich Dokumente
Kultur Dokumente
SCREENWRITING RESOURCES
SCREENWRITING UPDATED: NEW (AND CONVENTIONAL) WAYS OF WRITING FOR THE SCREEN
https://www.oscars.org/nicholl/screenwriting-resources 1/11
12/21/2018 Screenwriting Resources | Oscars.org | Academy of Motion Picture Arts and Sciences
Aronson, Linda.
STEALING FIRE FROM THE GODS: THE COMPLETE GUIDE TO STORY FOR WRITERS & FILMMAKERS
Bonnet, James.
WRITING DIALOGUE
Chiarella, Tom.
REWRITE: A STEP-BY-STEP GUIDE TO STRENGTHEN STRUCTURE, CHARACTERS, AND DRAMA IN YOUR SCREENPLAY
Chitlik, Paul.
https://www.oscars.org/nicholl/screenwriting-resources 2/11
12/21/2018 Screenwriting Resources | Oscars.org | Academy of Motion Picture Arts and Sciences
THE CREATIVE WRITER’S COMPANION: SELLING YOUR IDEAS FOR MOVIES, BOOKS, ELECTRONIC MEDIA, AND MORE
Corwin, Stanley J.
THE ART OF PLOTTING: ADD EMOTION, SUSPENSE, AND DEPTH TO YOUR SCREENPLAY
Cowgill, Linda.
GLOBAL SCREENWRITING
Dancyger, Ken.
DEVELOPMENT GIRL
Davis, Hadley.
ANATOMY OF A SCREENPLAY
Decker, Dan.
ON SCREENWRITING
Dmytryk, Edward.
“I LIKED IT, DIDN’T LOVE IT”: SCREENPLAY DEVELOPMENT FROM THE INSIDE OUT
Edwards, Rona & Monika Skerbelis.
Engel, Joel.
SCREENWRITERS ON SCREENWRITING
Engel, Joel.
SCREENPLAY
Field, Syd
THE ART AND CRAFT OF SCREENWRITING: FUNDAMENTALS, METHODS AND ADVICE FROM INSIDERS
Frome, Shelly.
SCREENWRITING
Geller, Stephen.
THE SCREENWRITER WITHIN: HOW TO TURN THE MOVIE IN YOUR HEAD INTO A SALABLE SCREENPLAY
Gilles, D. B.
https://www.oscars.org/nicholl/screenwriting-resources 4/11
12/21/2018 Screenwriting Resources | Oscars.org | Academy of Motion Picture Arts and Sciences
WRITING THE SECOND ACT: BUILDING CONFLICT AND TENSION IN YOUR FILM SCRIPTS
Halperin, Michael.
SCREENWRITING 101
Hicks, Neill D.
HOLLYWOOD CREATIVE DIRECTORY
SCREENWRITING FOR A GLOBAL MARKET: SELLING YOUR SCRIPTS FROM HOLLYWOOD TO HONG KONG
Horton, Andrew.
Lerch, Jennifer.
STORY SENSE: WRITING STORY AND SCRIPT FOR FEATURE FILM AND TELEVISION
Lucey, Paul.
https://www.oscars.org/nicholl/screenwriting-resources 7/11
12/21/2018 Screenwriting Resources | Oscars.org | Academy of Motion Picture Arts and Sciences
THE EVERYTHING SCREENWRITING BOOK: FROM DEVELOPING A TREATMENT TO WRITING AND SELLING YOUR SCRIPT
Pollock, Robert.
THE HOLLYWOOD STANDARD: THE COMPLETE & AUTHORITATIVE GUIDE TO SCRIPT FORMAT AND STYLE
Riley, Christopher.
THE PERFECT PITCH: HOW TO SELL YOURSELF AND YOUR MOVIE IDEA TO HOLLYWOOD
Rotcop, Ken, as told to James K. Shea.
HOW TO SELL YOUR SCREENPLAY: THE REAL RULES OF FILM AND TELEVISION
Sautter, Carl.
AMERICAN SCREENWRITERS
Schanzer, Karl and Thomas Lee Wright.
ADVANCED SCREENWRITING
https://www.oscars.org/nicholl/screenwriting-resources 8/11
12/21/2018 Screenwriting Resources | Oscars.org | Academy of Motion Picture Arts and Sciences
Seger, Linda.
THE POWER OF THE DARK SIDE: CREATING GREAT VILLAINS, DANGEROUS SITUATIONS & DRAMATIC CONFLICT
Smith, Pamela Jaye
SAVE THE CAT! GOES TO THE MOVIES: THE SCREENWRITER’S GUIDE TO EVERY STORY EVER TOLD
Snyder, Blake.
SAVE THE CAT! THE LAST BOOK ON SCREENWRITING YOU’LL EVER NEED
Snyder, Blake.
https://www.oscars.org/nicholl/screenwriting-resources 9/11
12/21/2018 Screenwriting Resources | Oscars.org | Academy of Motion Picture Arts and Sciences
CINEMATIC STORYTELLING: THE 100 MOST POWERFUL FILM CONVENTIONS EVERY FILMMAKER MUST KNOW
Van Sijll, Jennifer.
Vorhaus, John.
Vogler, Christopher.
SCREENWRITING: THE ART, CRAFT AND BUSINESS OF FILM AND TELEVISION WRITING
Walter, Richard.
https://www.oscars.org/nicholl/screenwriting-resources 10/11
12/21/2018 Screenwriting Resources | Oscars.org | Academy of Motion Picture Arts and Sciences
THE MORAL PREMISE: HARNESSING VIRTUE & VICE FOR BOX OFFICE SUCCESS
Williams, Stanley D.
SELL YOUR SCREENPLAY: YOUR GUIDE TO THE INDEPENDENT FILM AND TELEVISION PRODUCER
Wolf, Andrea Leigh.
SCREENWRITING IS STORYTELLING
Wright, Kate.
https://www.oscars.org/nicholl/screenwriting-resources 11/11