Beruflich Dokumente
Kultur Dokumente
‘Swimming Home is the beautiful story of two fiercely strong and deter-
mined women in their own right . . . Five stars.’
—Mrs B’s Book Reviews
‘At once chilling yet strangely beautiful. The book touches on the contri-
butions made by a group of pioneering women who succeed despite
society’s bias toward their gender; the strong friendships that develop,
particularly between Iris and ambulance driver Violet Heron; Iris’
increasing love for medicine and her involvement with a man she meets
during the war; the men and boys whose lives are sacrificed for a cause
many of them don’t identify with or understand; and the far-reaching
effects of the war on the generations that follow . . . MacColl’s narrative is
fortified by impeccable research and her innate ability to create a powerful
bond between readers and characters. Well done.’
—Kirkus Reviews (starred)
10 9 8 7 6 5 4 3 2 1
London, 1921
‘I’m worried about the baby,’ she said quietly. ‘The baby,’
she repeated when the nurse appeared not to hear.
‘Oh, nowt to worry there,’ the nurse said, sniffing dismiss-
ively. ‘He’ll suck the marrow from your bones before he’ll go
without. Lusty, that one.’
The nurse smiled but her smile was without kindness, as if
she’d sucked on the marrow of a lemon and was trying to see
the funny side of it. ‘You’ll perish long before he does, dearie,
and keep producing milk until the end.’
That was the funny side of it.
A missing tooth at the lower front might have been the
reason the nurse whistled on her esses. It might have been
what made the smile look bitter. Perhaps underneath was a
soul seeking the light.
‘But you can’t stay here with a bairn. You must know that,
a lass like you.’
A lass like her.
‘You’ll find it easily enough. They keep the lamp burning
all through the night.’
And there it was.
It’s one hard thing. That’s what the nurse had said, her steely
blue eyes. ‘It’s one hard thing and then it’s over.’
She was shivering now. The mist that had gathered around
them with the darkness had collected itself into a light rain.
She wrapped her shawl more tightly about the child as she
stared at the lamp.
She stood suddenly, awkwardly, as if her mind had made
itself up and ordered her body to follow, resistance taking up
residence in the large muscles of her legs as she bade them walk.
Above the lighted window was a shallow awning that didn’t
quite shield them from the rain, and under the awning a window
box shaped like a half a wheel. It housed a tiny crib lined with
soft straw over which was a blanket. Someone had crocheted a
blanket of little squares in different colours backed with thick
wool. Someone had cared enough to do that.
She laid him on the straw and put the blanket on top. He
didn’t cry, even though the rain was still falling and the awning
was not keeping them dry.
She bent over to wipe a droplet of water from his cheek with
her thumb. He only looked at her, big eyes filled with that light,
brightest in babies and the dying, the inner light that ebbs and
flows with the passing of years.
Years they would not pass together.
‘We don’t always know the right thing,’ she said, her voice
surprisingly true.
The rain was more like sleet now; she mustn’t tarry. Quickly,
she started turning the handle, her fingers numb with the cold.
The wheel creaked and began to turn inwards. The baby
stirred a moment and then settled, eyes closing. As she wound
the handle and the crib moved slowly away from her, she felt the
rush of cold in her belly, a cold that would never now altogether
leave her.
Away from her, towards his life.
He raised a hand, just an involuntary gesture, but she took
it as a wave, that little hand, those tiniest of fingernails she
already knew so completely.
Her last view was of the shawl, her only shawl, a brilliant
blue, disappearing into the church, and a second empty crib that
came around from inside to stand ready, a different eiderdown
in this one, no crocheted blanket.
Empty.
She walked away and did not look back.
She will have to hurry because her milk will dry up and
she’ll not get it back. Once she has the job, she is sure they’ll
accept her with a child. Of course they will.
She walked into the dining room. The newspaper was on
the table. The headline.
She put the paper back down on the counter, smoothed the
creases she’d accidentally made in it.
She couldn’t remember what she was doing, why she was
standing there at all. The world was moving slowly around
her, herself not moving.
One of the other women was behind her. ‘Come on, slow
coach,’ she said. ‘Haven’t got all day to read.’
She turned. She would remember the woman’s face for the
rest of her life, cheeks like little cherries, stupid brown eyes
like a cow. ‘I’m sorry,’ she said. And then she fainted.
Brisbane, 1981
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for an ambulance. ‘He’s just a stupid baby crow who wants his
mother to feed him. He’s been running that routine since the
spring. It’s high time you grew up!’ I yell at the bird.
‘Oh,’ Andrew Shaw says. ‘He is just a baby. Down feathers.’
He smiles at the bird. I start to think he’s always smiling, odd
in a builder, odd in anyone really. ‘Look at that eye.’
I look at the crow, see what he means; an eye of milky lapis
looking not at us but at the future. I’m about to say as much when
I realise I can see. Without my glasses, I am seeing. I am seeing
Andrew Shaw’s smiling face and the crow’s milky blue eye. I’m
blind as a bat without those glasses. Andrew Shaw has been sent
by a goodly spirit, I decide, to help me with what’s to happen
next, even if what’s to happen next is unclear. A beautiful girl
like her; she has no idea what happens next either. But I know.
Or I know more than she does.
Andrew Shaw is a good omen, a sign from the Lord. I’m fairly
sure he’s an angel. Or the sun. He has the name of Andrew, the
youngest and most favoured apostle. It can’t be a coincidence.
‘I think we’re all right,’ he says. ‘You see . . .’ He looks behind
him down my stairs. Two treads have rotted out. When I fell
from the roof and onto the steps, the first step gave way. I went
over but my leg stayed where it was. It was a bad break, the
shinbone exposed, which has turned me vegetarian, the experi-
ence of my own meatiness giving me a newfound respect for the
meatiness of other creatures.
The worst part with the broken leg was the awful waiting for
someone to notice, and it was Ed who noticed, God bless him,
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not Alice and the children who left in their Volvo, pretending not
to hear my cries. Ed called the ambulance and brought me
whisky to drink until they arrived. I couldn’t abide whisky,
I told him, not so early, but would he sit with me? Of course
he would, he said, and there we sat, him sipping the whisky.
I wish he’d offered sweet tea. But it would never occur to Ed.
Blessed are the poor, Jesus said, and he meant the alcoholics.
‘I just need to get my glasses,’ I say to Andrew Shaw now.
‘You’re wearing them,’ he says, pointing to the bridge of his
own nose.
I put my hand to my face. He’s right. Not so spiritual then.
He smiles again.
Lovely all the same. An angel, I am almost certain.
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London, 1997
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own feelings to draw him out and found something she took
for depth of character as the interview went on.
‘You seem unimpressed by me,’ he said after half an hour,
tilting his head in a way she found attractive even as she wanted
to dislike him.
‘You make zombie films,’ she said, surprising herself with
her frankness.
‘And?’
‘They’re wonderful films, and my friend’s son adores you,
but I’m not sure I’m your demographic.’
‘Money and power?’
‘I imagine you have those.’
‘But they don’t impress you, Victoria.’ He said her name
softly. She noted that for the article, his voice somewhat at odds
with the almost superhuman nature of the character he played
and the initial brashness she’d disliked.
‘Why do you want to impress me?’ she asked, flirting a little.
He was beautiful. The notion he was interested in Victoria’s
view was terribly flattering, she admitted to her friend Claire
afterwards. Claire didn’t always like the men Victoria dated,
but she’d like Ben Winter, Victoria said. ‘I’ve seen his picture
on the side of the bus,’ Claire said. ‘Quite the yummy.’
‘I want to impress everybody,’ Quite-the-yummy said, rubbing
his thumb along the tops of his fingernails, as if he’d just had
a manicure and was admiring the work. He probably had. He
probably was. ‘Doesn’t everybody want to impress everybody?’
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Ben had left before dawn. He’d said the night before that they
were driving down to Bath to start filming in the ruins. He was
wearing dark blue jeans, brown suede boots and a white t-shirt
that showed the lean muscle he’d worked on for the role he was
playing. His beauty always seemed so effortless. She’d looked at
him and thought how lucky she was.
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asked where she was going and she told him Knight News,
he’d said, ‘Of course. I expect they’ll be needing all hands.’
She hadn’t enquired why; it was clearly something she should
already know, and she didn’t feel like being informed of the
news by a London cabbie. Victoria was supposed to inform
the cabbie of the news.
By the time she walked in through the big glass doors of
Knight News it had just gone eight. At the desk she flashed her
ID and didn’t stop to talk to Mac on security as she normally
might have. Mac smiled all the same.
‘Morning, Miss Byrd,’ he said politely. Mac always called
her Miss Byrd, no matter how many times she told him it was
Victoria, then, after Ben, Tori.
Knight News occupied two seven-storey terraces on Norfolk
Square, a glass atrium joining the two buildings across a narrow
laneway. There were risk-your-life bridges on level three, where
The Eye newspaper crossed both buildings, and on level five,
where Vicious, the monthly magazine Victoria wrote for, did
the same. No one except Mac knew that if Victoria had to go
from one building to the other, she never used the walk bridge.
She took the elevator down to the ground floor and went up in
the elevator on the other side of the atrium, passing Mac each
time, which was how she’d come to know him so well.
Mac had four kids who’d all studied at the university, he’d
told Victoria with considerable pride, showing her a photograph
of each of them over several weeks as she walked between
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elevators. He and his family had come from Nigeria, where the
future was much harder, he said.
Here was the face of social change, Victoria would have
written, if she’d done a profile on Mac, one reason New Labour
was so important, a living example of why Blair’s free tertiary
education policy—the one Victoria’s father had authored—was
so necessary. She’d write it without ever seeming patronising.
She’d mention her father’s name proudly, Michael Byrd, the new
prime minister’s education adviser and friend.
They put on security a year ago, after the IRA Docklands
bombing. Now it was standard for news organisations. A target,
that’s what the two detectives from Scotland Yard said when
they visited afterwards. Media will be a target. Victoria wasn’t
in the meeting, but Ewan was. Liars, he said later. She worried
Ewan might actually side with the IRA, given a choice. You
could never tell which way he’d blow on some issues. But ever
since Mountbatten in 1979—fishing trip, young children, the
bomb directly under an old man’s fishing chair—you couldn’t
side with the IRA publicly. You’d be lynched.
Victoria emerged from the lift on the fifth floor and saw, through
the glass doors, more people than she’d ever seen in the magazine
bullpen, staring up at the few screens mounted on the walls
while talking on phones. Large plate-glass windows flooded the
space with London’s soft summer light. They’d had an architect
in when Harry Knight bought the buildings for his empire,
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and it showed. The light! The light! Ewan used to say, trying,
unsuccessfully, to imitate the architect, who did talk about light
more than the average person.
It couldn’t be bad news, not today, Victoria thought, the
sun having found its way through those awful clouds. But then
someone she’d never seen before rushed past her, newspaper
galleys in hand. There was never that much hurry for good news,
only tragedy. She looked for someone she knew but they were
all strangers, other than one or two she thought she recognised
from downstairs and a sub from The Eye. There were extra
phones, she noticed, cords running along the floor.
Victoria hadn’t seen this many people in a newsroom since
John Lennon’s death. She’d been at The Guardian in December
1980, just starting out. Everyone was on that story through the
night. Journalists were calling friends who lived in New York,
family, getting them to go down to the Dakota and call back. It
was mad. They held printing then went to print then reprinted.
He was dead. John Lennon was dead.
They’d gone together to an all-night bar near the offices
afterwards to numb the emotions that began to wash over
them, a deep sadness that felt like a comfortable old cardigan to
Victoria. They were all together, senior journalists, subs, cadets.
The bar was the kind of place that seemed beyond hope, and
with Lennon dead hopelessness might have set in. But someone
had a guitar, and they all sang ‘Imagine’. Victoria watched the
sun come up through the smoky windows. Imagine.
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