Analytical Techniques II

Assignment 1
Antonio Espinal
2/6/19

Clarinet Concerto
K. 622 first movement (1791)

Bar # 1 16 24 25 39 49 53 57 75
Structure EXPOSITION 1 T K Pi (K) (MC=Medial K EXPOSITION K
(orchestra) (in Cesura) 2
P Canon) (solo)
P
Key A=I To HC I I PAC PAC I PAC
HC

Bar # 78 86 100 115 128 141 154

Structure T modulation K S theme T P’’ K K
to e Continue (double (Solo Tutti
modulation Canon) closing) closing
to e as (V of section of
A) the
exposition)
(Codetta)

Key a minor i Now in E PAC I (E) I I

Major PAC
V

Bar # 170 172 181 188 200 216 227

Structure K DEVELOPMENT T K t k Tutti
Solo
P theme
Key PAC I= E PAC V7-f#m D f#m PAC (f#m)
(V= A) I Modulatory
section
leading to
D with a
PAC
Bar # 239 246 251 272 279 288 292
Structure K1 K2 (back to A RECAP t S
And to RECAP) Solo
Key D Pivot chord PAC a minor PAC Now in A I
section A-I to A A Major=
E=I-(V7/IV) V
A=V7

Bar # 315 316 322 343 352 356

Structure Solo P’’ K GRAN Codetta Codetta 2
Cadenza Now a Triple (solo CODA made of
canon closing) (orchestral (MC=Medial
closing) cesura)
Key V I I PAC I PAC I PAC I PAC