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Ins

and outs or how mechanics should be permeated


Anders Skibsted

1. Ins and outs or how mechanics should be permeated

         
Clarinet in B♭ 

        
Bass Clarinet 

        
Flute 1 

        
 
Alto Flute


               
                

 
        

Accordion 1


            
          
              

        
        

Accordion 2


     
         
              

     
        

Accordion 3

        
  


Viola


  pizz.        
  
Violoncello


2 Ins and outs or how mechanics should be permeated

9       

A



Cl. in B♭

       
B. Cl. 


        
 

Fl. 1

       
 
A. Fl.


               
               

 
        
Accord. 1


            
           
              

       
        
Accord. 2


     
         
             

     
        
Accord. 3

      
    
 
 
Vla

          
  
Vc.
Ins and outs or how mechanics should be permeated 3

17   
      
B

        
 
Cl. in B♭

   

         
B. Cl.      
     
 
   
               
 
  
Fl. 1

         
 
       
A. Fl.

   


             
             


       
Accord. 1


           
           
             

       
       
Accord. 2


     
         
            

     
       
Accord. 3


             
     
   
Vla

   
           
     
Vc.
4 Ins and outs or how mechanics should be permeated

24      
    
C

      
Cl. in B♭

  

         

     
B. Cl.

  
     
           
  
Fl. 1

         

     
A. Fl.

  


        
             
                

   
         
Accord. 1


    
         
             

  
         
Accord. 2

   


          
    
               

    
         
Accord. 3

       
     
 
 
Vla

            

 
Vc.
Ins and outs or how mechanics should be permeated 5

33  
              
       
Cl. in B♭

  

          
     
 
B. Cl.

    
      
     
                
    
    
Fl. 1





          

 

   

   

A. Fl.

     



      
             
              

 
        
Accord. 1


    
         
            

  
        
Accord. 2

   


          
    
              

   
        
Accord. 3


             
   
  
Vla

      
        
  

Vc.
6 Ins and outs or how mechanics should be permeated

41        
  
  
Cl. in B♭

         
B. Cl.    

           
 

Fl. 1

         

  
A. Fl.


      


             
               

 
         
Accord. 1


     
           
  
            
   
         
Accord. 2

   


       
   
      

                
    
         
Accord. 3

        
  


Vla

          
 
Vc.
Ins and outs or how mechanics should be permeated 7

50    
       
        

Cl. in B♭

  

          
     

B. Cl.

   
   
    
      
         
  
   
Fl. 1



          
         
A. Fl.

   


      


             

              
 
        
Accord. 1


    
         
  
          
  
        
Accord. 2


   
          
    

              
   
        
Accord. 3


              
     
   
Vla

   
            
     
Vc.
8 Ins and outs or how mechanics should be permeated

58    
        
   
 
Cl. in B♭

 

        
 
    
B. Cl.

    

       
       

      
Fl. 1

         
    
    
A. Fl.

   
      


             
              

 
        
Accord. 1


    
         
            

  
        
Accord. 2

        


  
    
              

   
        
Accord. 3



              
   
  
Vla


             
    
Vc.
Ins and outs or how mechanics should be permeated 9

66      
    
      

Cl. in B♭


         
B. Cl.     
   

   
          
      


senza vib.

   
Fl. 1

         

      
A. Fl.

  
      


             
              

 
        
Accord. 1


    
         
            

  
        
Accord. 2

   


          
    
              

  
        
Accord. 3

  
              
senza vib.

 
sul tasto nat.

   
 
Vla


           
  
Vc.
10 Ins and outs or how mechanics should be permeated

74 
                
      
senza vib.

     
Cl. in B♭

     
     
     
   
B. Cl.

    

   
                 
  
senza vib.

     
Fl. 1

          
       
senza vib.

      
A. Fl.

 
 


       
               

                
  
         
Accord. 1

 


       
       
  
            
  
         
Accord. 2

   


       
   
      

                
   
         
Accord. 3

 
               
senza vib.

  


sul tasto

     

Vla



              
     
Vc.
Ins and outs or how mechanics should be permeated 11

83   
       
  

Cl. in B♭

          
   

B. Cl.


  
 
            
  
 
Fl. 1

         
 
   
A. Fl.


      
             

              


        
Accord. 1


    
         
 
             

    

       
Accord. 2

 

  
       


 
   
             

 
         
Accord. 3



    
     


Vla

            
    

Vc.

   
12 Ins and outs or how mechanics should be permeated

91  
  
      

    
     
Cl. in B♭

 
  
B. Cl.        
          
  

    
  
     
       
  
Fl. 1

         
           
A. Fl.

  


      
             

              


        
Accord. 1


  
       
   
 
             
   
 

       
Accord. 2


 


   
        
  
             







  
          
Accord. 3



      
   
  
  
Vla

           
    
Vc.


Ins and outs or how mechanics should be permeated 13

99        
D

    

Cl. in B♭

          
B. Cl.    

          
 

Fl. 1

        

  
A. Fl.


     
             

            

  
        
Accord. 1


  
     
    
      


        
Accord. 2


   
        
          
  
 
        
Accord. 3

        
    
pizz.



Vla

       
   
pizz.

Vc.
  
14 Ins and outs or how mechanics should be permeated

107  
E

   
 
Cl. in B♭

  
    
  
B. Cl.

    
Fl. 1 

    

A. Fl.


                 
   

 
     
Accord. 1


           
 

  
     
Accord. 2


    

     
Accord. 3

      
                  
Vla
   

        
              
Vc.
          
Ins and outs or how mechanics should be permeated 15

112 
    
   
Cl. in B♭

  
   
B. Cl.

 

      
  
Fl. 1

  
   
A. Fl.


      
  

 
   
Accord. 1



                                   
  
sub. 
 
           
Accord. 2

    


  

   
Accord. 3

      
          

              
Vla
  

        
       
   
Vc.
16 Ins and outs or how mechanics should be permeated

115   
F



Cl. in B♭

   


B. Cl.

   
Fl. 1 

   

A. Fl.


       
   


    
Accord. 1


   

   

Accord. 2


       


  
    
Accord. 3

         
     
      

Vla

     
 
                 

Vc.
Ins and outs or how mechanics should be permeated 17

119

  
 
Cl. in B♭

 

 
  
B. Cl.

  
 
      
  
Fl. 1

 
    

A. Fl.


  


     

   
Accord. 1


                
 
 

        
 
Accord. 2

 



                                   
 
sub.  
 
           
Accord. 3

    

   
        
  

Vla

 

    
        
    

Vc.


18 Ins and outs or how mechanics should be permeated

122
  
G

      

Cl. in B♭

  
   

B. Cl.

   

   
Fl. 1                       

  
          
A. Fl.



 
   


     
Accord. 1


              
 
 

  
   

Accord. 2


              
       

    

Accord. 3


             
     
Vla

   
                
Vc.
      
Ins and outs or how mechanics should be permeated 19

127 
       

  
Cl. in B♭

   
     
  
B. Cl.

 
    
senza vib.

   
Fl. 1

 
    
senza vib.

   
A. Fl.


   
        
  


      
Accord. 1



       


     

Accord. 2


     

     

Accord. 3

     
                    
   
Vla

                       
Vc.
            
20 Ins and outs or how mechanics should be permeated

133
      
 
Cl. in B♭

B. Cl.      

 

 
  
 
Fl. 1

 
  
 
A. Fl.



   



    
Accord. 1


    
                  


   

Accord. 2


   

   

Accord. 3

        
                            
    
Vla

         
                           
Vc.
  
Ins and outs or how mechanics should be permeated 21

137 
     
  
Cl. in B♭

 

   
B. Cl.

  


      
 
Fl. 1

  
    
 
A. Fl.


    

     
Accord. 1


    

    

Accord. 2


   
          

 
    

Accord. 3

           
                     
    
Vla

               
Vc.
                               
22 Ins and outs or how mechanics should be permeated

142  
  
H

 
Cl. in B♭

  



B. Cl.


     
  
Fl. 1

   

 
A. Fl.



  


 
    
Accord. 1


 

    

 
 
   

Accord. 2


  
      






 
   

Accord. 3

  
    

Vla

   
  
      
Vc.
                
Ins and outs or how mechanics should be permeated 23

146

      
Cl. in B♭

       

B. Cl. 
      
       

       
       
Fl. 1

       
A. Fl.

       
  


     
         

 
       
     
Accord. 1

     


      
         
          
 
    
      

Accord. 2


    
         
           


      
      
Accord. 3

     

       
Vla 

       

Vc.
2. Ins and outs or how mechanics should be permeated

      
 = 80



Clarinet in B♭


     


Bass Clarinet


      
Flute 1 

      
 
Flute 2


  
        
       
 
      
Accordion 1


     
           
            
 
      

Accordion 2


                 
            

 
      

Accordion 3

     
                 
                 
        
Viola
(  )


      
 
Violoncello
Ins and outs or how mechanics should be permeated 25

7  
A


  
Cl. in B♭

    

 

  
B. Cl.

   
    
Fl. 1 

    

Fl. 2



       
         
close bellow fast
so it makes a sound

 
     
Accord. 1


   
       
         
close bellow fast
so it makes a sound

 
     
Accord. 2


          
       
 
close bellow fast
so it makes a sound

 
     
Accord. 3

           
         
                  
               
 
Vla

     

Vc.
26 Ins and outs or how mechanics should be permeated

12  


Cl. in B♭

 
 


B. Cl.

 
  
Fl. 1 

  

Fl. 2



    
      

   
Accord. 1


  
     
     

   
Accord. 2


       
     


   
Accord. 3


  














  

  
Vla

   

Vc.
Ins and outs or how mechanics should be permeated 27

 


 
  
 
   
B


 
   
15

    
Cl. in B♭

 

    
    
  
    
B. Cl.

         
   

    
Fl. 1 

    

Fl. 2



   
      
     
  
 
     
Accord. 1


           
       

  
     
Accord. 2



         
      

  
     
Accord. 3

  

 
                  
                  
   
Vla

     

Vc.
28 Ins and outs or how mechanics should be permeated

 

  
 
 

  
C

 

   
20


Cl. in B♭

  

      
  

B. Cl.

      
 

    
Fl. 1 

    

Fl. 2


  
    
   
 
     
Accord. 1


   
        
       
 
     
Accord. 2


           
        

 
     
Accord. 3

    
      
   
nat. harm. gliss

     
  






    
   
gliss.








Vla

 

     

Vc.
Ins and outs or how mechanics should be permeated 29

25 
    
D
Cl. in B♭       

     
      
B. Cl.

      
Fl. 1 

      

Fl. 2



       
            
close bellow fast


so it makes a sound

     

       
Accord. 1


     
           
             
close bellow fast
so it makes a sound

   
       
Accord. 2


                
           
 
close bellow fast
so it makes a sound

 
       
Accord. 3

      
   ss.      gliss. 
       gli          
Vla  

       

Vc.
30 Ins and outs or how mechanics should be permeated

 
32 
      
E

  

Cl. in B♭

   

             
B. Cl.

     
Fl. 1 

     

Fl. 2



 
            
     
      
     
   
      
Accord. 1


   
      
              
     
          
   
      
Accord. 2


         
           
      
   
       
 
      
Accord. 3

 

      
        
       
  gliss.    
    ss.           

       
 ( 
 ) 
gli


Vla

 

      

Vc.
Ins and outs or how mechanics should be permeated 31

       
   
F

     
 
molto rit.

 
38

 
Cl. in B♭

  
        
B. Cl.

           

    
Fl. 1 

    

Fl. 2


 
       
       
legatissimo

       
         
      
     

    
     
Accord. 1

 
 


        
legatissimo

           
    
           
            
  
 
     
Accord. 2


   
         
       
         
legatissimo

         
        
   
 
     
Accord. 3

  

   
  
 

Vla

     

Vc.
32 Ins and outs or how mechanics should be permeated

       
43     

G

  

Cl. in B♭

     
  
        
B. Cl.


      
Fl. 1   

      
  
Fl. 2


    
               
       
Tacet al ne

       
      
      

       
Accord. 1

 



 
     
          
          
     
     
Tacet al ne

     
  
 
       
 
Accord. 2



       
             
    
Tacet al ne

          
        
 
       
Accord. 3

 
 

     
            
          
Vla

       
Vc.
  
3. Ins and outs or how mechanics should be permeated


  senza vib.  
 = 80

                    
A

       

Clarinet in B♭

  


senza vib.

        
Bass Clarinet 

 senza vib.
                         
     
Flute 1


 senza vib.     
                               

Flute 2


      


      

Accordion 1


      


      

Accordion 2


      


      

Accordion 3

       
Viola 

      
 
Violoncello
34 Ins and outs or how mechanics should be permeated

7   
       
B

      
   

Cl. in B♭

   
      
 

B. Cl.

                        
      
Fl. 1

    
       
          
Fl. 2


    

     
  
     
Accord. 1

      
              
 


    

     
Accord. 2

    



    

     
Accord. 3

     
Vla 

     

Vc.
Ins and outs or how mechanics should be permeated 35

12  
         
C

  
   
 
Cl. in B♭

    
 
        

 
B. Cl.

                      
      
Fl. 1

   
         
        
Fl. 2


             
          
    
     
Accord. 1

     
     
             

     


       
 
    

  
        
     
Accord. 2

             



    

     
Accord. 3

     
Vla 

     

Vc.
36 Ins and outs or how mechanics should be permeated

17   
         
D E

        
   

Cl. in B♭

   
     

 
B. Cl.

                   
     
Fl. 1

    
        
        
Fl. 2


         
          
   
         
Accord. 1

     
         
  

      


      
   
      

           

  
Accord. 2

        
  


    

     
           

    
Accord. 3

     
Vla 

     

Vc.
Ins and outs or how mechanics should be permeated 37

22  
             
F

       

Cl. in B♭

   
      


B. Cl.

                     
     
Fl. 1

   
                 

Fl. 2


        
         
   
      
Accord. 1

     
         

     


        
 
     

    
        
Accord. 2

        

   


        
 

       

             
  
       

Accord. 3

     
Vla 

     

Vc.
38 Ins and outs or how mechanics should be permeated

27  
     
G

       
   

Cl. in B♭

      
       

   
B. Cl.

          
 
Fl. 1

  
        
    
Fl. 2


       
        
   
     
Accord. 1

     
         

  


 
        
 

    

   
         
Accord. 2

        

   


    
      

      
     
          
      

Accord. 3

    
Vla 

    

Vc.
Ins and outs or how mechanics should be permeated 39

31  
      
H

      
   

Cl. in B♭

      
       

   
B. Cl.

               
  
Fl. 1

   
         
    
Fl. 2


        
        
   
    
Accord. 1

        
              
   
     


        
 

    

  
         
Accord. 2

         
  
    
  


      

     
               
  
        
Accord. 3

   

 

   
   
 

 
     
     
   

Vla

         
  
       
senza vib.

      
Vc.
40 Ins and outs or how mechanics should be permeated

35  
             
   

Cl. in B♭

   
     


B. Cl.

  
               

Fl. 1

   
        
      
Fl. 2


      
   
 
   
       
Accord. 1

         
          
   


      


       
      
Accord. 2

     



   

   
      
Accord. 3

           
      


   
Vla 
      

     
       
Vc.


Ins and outs or how mechanics should be permeated 41

39 
        

     

Cl. in B♭

      
   

   
B. Cl.


   
              

Fl. 1

  
      
     

Fl. 2


   
  
   
   
         


 

  
  
          
Accord. 1

     
   

 
  


                   
   
 
      
              
Accord. 2

     
  



            

    
  
     
           
Accord. 3

   
    
 

    
             
        
Vla

        
        
    
Vc.
42 Ins and outs or how mechanics should be permeated

45  
  


Cl. in B♭

  
  


B. Cl.


     

Fl. 1


     

Fl. 2



    

   


         
Accord. 1



     
         


 
        
Accord. 2

 






    

      

      
Accord. 3

   

 


    
      
senza vib.

Vla

        
         
Vc.


Ins and outs or how mechanics should be permeated 43

51 
   

Cl. in B♭




  


B. Cl.

Fl. 1      


    
     
senza vib.


Fl. 2


       
  
   
    
Accord. 1


     
          

    

     
Accord. 2

     


      
  
     

   
       

Accord. 3

    

    


     
           
                


Vla

           
               

Vc.


44 Ins and outs or how mechanics should be permeated

56       
I

 
only air

 
Cl. in B♭


loose embrouchere --->

        

tight embrouc
B. Cl.

 

  

 

    

f.t.

  
f.t. nat.


To Picc. nat.

    
Picc.

      
     
gliss by turning ute

   
 

Fl. 2




   
  

  

       
 
Accord. 1


           
     
    
         
Accord. 2

    


  

      


        
        
Accord. 3

   

     
         
tratto

  
nat. col legno

 
Vla

       
tratto

 
    
nat. col legno

 
Vc.
Ins and outs or how mechanics should be permeated 45

65
        
        
Cl. in B♭

   
        
only air


simile
chere
B. Cl.

     
 


loose embrouchere ---> tight embrouchere


simile

   
   
f.t. nat.
Picc.

  
   

Fl. 2




  
   


 

       
Accord. 1


    
         
air sound

   
    
       
Accord. 2


 
            
air sound air sound

   
      
       
Accord. 3

 
Vla                

   
             

Vc.
46 Ins and outs or how mechanics should be permeated

72
 
J


          
Cl. in B♭

B. Cl.  

         
    
       
         
         
f.t. --->
nat. f.t. ---> nat.

   

Picc.

simile

   gliss. 
       
       gliss.    gliss. 

     

  
Fl. 2
gliss.


   
   



         
Accord. 1


            
       
         
Accord. 2 simile


            
       
         
Accord. 3 simile


  
       
Vla

 
         
Vc.
Ins and outs or how mechanics should be permeated 47

81 
L
  
K

  
nat.

          
Cl. in B♭


nat.

 
         
B. Cl.

     
  Fl.
     
          
To Fl.

  
nat.


Picc.


  
 
      
    
nat.

  
aeolian
Fl. 2


     
          
  
 

       
Accord. 1

  





    
 
        
below turn ad lib.


       
Accord. 2

    




           
below turn ad lib.

  

      
Accord. 3



    


  


   

   
slightly turning bow towards nat.


nat.

             
Vla

    
 
slightly turning bow towards nat.

      
nat.

           
Vc.
48 Ins and outs or how mechanics should be permeated

88  
     
M

    
 
Cl. in B♭

        
             
 
   
B. Cl.

    

                
   
nat. nat.
Fl. 1

   
              
nat. nat.


Fl. 2


  
    
     
    
 
       
    

    
Accord. 1

      


 

        


       
  
               
    

              
Accord. 2

       

             


 
   
                     
      
  
  
   
Accord. 3

            
                
 

    
             
          
     
Vla
  

      
  
                  
        
Vc.
Ins and outs or how mechanics should be permeated 49

92 
     

 
Cl. in B♭

   
   
f.t.

          

 
B. Cl.

         
  
 
nat.
Fl. 1

   
           
nat.


Fl. 2


 
      
   
 
              
             
Accord. 1

    

   


  
       
           
     
   
      
        

 
               
Accord. 2

   

          
 


           
         
      


         
      
Accord. 3

        
   

  

     
          
     
      
 

Vla

                           
              
  

Vc.
50 Ins and outs or how mechanics should be permeated

96     
Cl. in B♭ 

    
B. Cl.   
 

    
Fl. 1 

    

Fl. 2


             
               
   
           
                
Accord. 1


 


    

     
Accord. 2


    

    

Accord. 3

     
Vla 

                                   


                                

   

  
Vc.
Ins and outs or how mechanics should be permeated 51

101  
Cl. in B♭ 

 
B. Cl. 

 
Fl. 1 

 

Fl. 2


 

    
      
Accord. 1



 

  
Accord. 2


 

 

Accord. 3

  
Vla 

       
     
 

 
Vc.