PantoneView Colour Planner - View Publications

12/31/2018 PantoneView Colour Planner | View Publications
PANTONE VIEW COLOUR PLANNER #42

by Pascalle Bartlett | Jul 17, 2018 | PantoneView Colour Planner
THE SEA
Deep sea animals follow a surprisingly regular pattern when it comes to

colour. Blue animals live near the surface. Deeper down they are blue
on top and white underneath, further below they take on transparent
qualities but have red stomachs and below that, they are all red or all
black. At the deepest level, they are pale red or cream.
Our colour card for S/S 2020 is not quite so consistent. For example, our
deep darks move to lofty pales. But, just like the sea creatures, our
di erent palettes have di erent depths, from the inky blues of the
sperm whales to the brightest orange of a clown sh.
In previous seasons, we saw a lot of ethereal shades, but what begins to
come through for spring summer, is a profundity of colour. Each palette
seems to live in a sea of its own not necessarily related to the world
around it. This is very re ective of the tribal behaviour going on in
consumption right now and even of the ways in which people generally
regard water: fear, excitement, energizing, challenging, relaxing; beach
and resort, work and struggle.
When we come to harmonies and cross-fertilization, the step forward
lies in the contrasts. There is so much more than before. Although the
pales are presented tone-on-tone in their own story, they are contrasted
with harder colour in the harmonies – a turquoise with lagoon grey or a
bright orange with the taupe family. We see hot with cold colours. This is
because our colour expressions explore all depths of water, re ecting
the coolest of streams as well as thermal beds of underwater volcanoes.
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LOST AT SEA
This palette comprises four ethereal shades: a dark slate, a wispy blue, a
muted khaki and a ghostly green. Genderless in outlook, they possess a
certain gravitas that lends itself to re ned products with handmade elements.
LEVIATHON
Four deep and weighty personalities to dive into. At their heart, a fantastic
‘eyes-wide-open’
black sets up differences with the inkiest, darkest blue and a profound purple
shading. All of this is given a shaft of intensity with a jeweled and saturated
blue.
BIOLUMINOUS
Mysterious colours appear in the deep. In this abyssal blue, illuminated by

arti cial light, exist pink crustaceans, transparent echtoplasms, green, deep
purple, yellow carapaces, multi-coloured jelly sh and pink crustaceans…
NUTOPIA
Like jumping into a fresh and cool waterscape lled with bubbles and plant
fronds, we combine our four key colours move from turquoise to dark silt with
two light and super-cool menthol blues.
PRIMORDIAL
This is a range based on new medium tones and neutrals that come from the
sea with either a humid and hydrated expression or a salty dryness, so
different from the earthy and dusty hues of previous seasons.
SHELL
Ultra soft, pearly shades that offer a neutral and subtly feminine environment.
Pinks and nudes are de-saturated and cooled, while beiges act in duotone,
one bright and one with a gently gold twinkling, serving as a summer
substitute for the ubiquitous camels of the previous winter.
SEASIDE
A jolly quartet of at, vibrant colour leads the way in this seaside palette of
painterly hues. Highly contrasting, hugely fun and very, very graphic, the
feeling in this family of brights is rooted in nostalgia and old-fashioned
seaside towns.
NEW LILACS (TRANSITIONALCOLOURS)
The four tones we have called “New

Lilac” transition A/W 19 to S/S 2020. Our rst tone is the clearest and suits
transparency; the second suggests relaxed atmospheres; the third acts as a
highlight; and the fourth, opaque and dense, is the base for further
combinations.

by Pascalle Bartlett | Jan 2, 2018 | PantoneView Colour Planner
# Back
The Circle
AUTUMN/WINTER 2019-20
Circles signify everything and nothing at all. They are both historic and
forward-facing. They represent inclusivity in a world that generates
more and more diversity. Perfectly balanced and without bias, they
radiate neutrality yet embrace us all. This is something we hope to
achieve with our circle of colour for A/W19/20.
We foresee a winter palette that continues to be colour intense. Why are
people in love with colour? The answer lies in our emotions. It’s about
generating happiness and lifting our spirits while connecting emotionally
to our own state of mind. Colour forms an important part of our visual
identity. Self-promotion and self-branding is a way of life for so many
people; colour is becoming an increasingly important part of that
journey through a sel e-oriented world.
Overall, we see a season of colour that radiates diversity, ranging from a
new level of at, painterly primaries to pastels that are more active than
romantic. Our palette embraces the division between colour as an
exercise in maximalism
–shades that generate multi-dimensional visual perspectives –
and colour used on a functional basis –
down to earth utility shades, recycled hues and core essentials.
DOT
A small family of tinted neutrals form the base of this colour group. Jet-
black is paired with a warm grey: a dusted blue lies with a paler partner.
They form duos of dark and light, allowing a layered approach to colour
application.
PLANET
This is a ‘
respectful’ range, whose aim is not to excite or shock but to partner any
chromatic proposal without judgement.
CYCLICAL
This is a modern and future facing palette of colours that combines the
natural and the manmade. Taking inspiration from the world we nd
about us, the colours are jarred and at odds.
ORB
A new, warm winter range is characterized by a ltered and false tonal
palette that sees a soft, hot red against a lightened orange, and a matt,
subdued taupe that speaks to a cloud of ochre dust.
LEGEND
Colours that tell the tale of the circle of life, where we turn to Buddhist
paintings and mandalas, Chinese creation myths and Roman frescoes of
Persephone for inspiration.
ECLIPSE
The unknown of the past and what is yet to be known materialize in
shades that only hint at their internal nature and in dark tones that just
hint at a colour.
CIRCLE
Fulsome winter pigments that have a retro ambiance. They are not pure
primaries, they are blended and slightly impure, but still have an
enduring appeal.

PANTONEVIEW COLOUR PLANNER #40 LOVE

by Livia | Jun 23, 2017 | PantoneView Colour Planner
# Back
LOVE
Love lifts us up, yet, paradoxically, we fall in love. We experience many
different forms of love in our lives. When we are children we experience
unconditional love that is simple and pure. It cocoons us. As we grow, it
becomes less steady, more widely given and more unpredictable. We fall in
love with our idols, we love our friends, we love objects, places and ideas.
These different forms of love can be rich, fun, deep or shallow. This notion of
waxing and waning, the eeting and the constant, is expressed in our
seasonal palettes. Just like our concept of love, the palettes are designed to
uplift us, make us feel happy and, yes, sad too.
These are turbulent times, both politically and socially. In 1967 John Lennon
and Paul McCartney wrote “All You Need Is Love”. Surely now is the perfect
time to reiterate that message to all mankind?
“Gravitation is not responsible for people falling in love.”

Albert Einstein.
WISTFULBarely-there tints that are tranquil and discreet: these colours are
important summer staples and work across all end-use areas, equally strong
in exclusive luxe products, fashion forward ranges and new architectural
expressions.
UNREQUITEDColour drains away leaving a small family of neutral shades.

We start with white, the purest base from which to commence, closely
followed by silver, a re ective point amongst the calm. Grey and black
complete a sombre picture.
TRANSPORTIVEA cool graduation of buoyant and frothy turquoises,

greens and deep water tones cleanly sparkle together against a restrained
and soft, cool taupe. They are the multi-taskers of the season.
SENSUALThis reduced palette of adapted and evelved pinks is employed

to explore ideas of opposites: dark and light, masculine and feminine.
Layered together and in any order, there are no rules concerning proportion.
BUDDINGThis range of transitional greens and browns continues to be

important and can be used across varied end-use platforms, both in casual,
relaxed environments and in more vibrant, modern products.
TREASURED
In our brightest summer palette, we see a power-based red and a startling
orange glow throb against a utilitarian blue and a fresher turquoise.
CELEBRATIONTimeless tones from earth and clay that rely on basic instinct
to point us back to true and certain things –
what really matters, our history, our ancestors and the physical world beneath our feet.
LIFE FORCE
A lilac, a soft yellow, a cheesy pink and a menthol green make up a
proposal where colour is transparent and light, mutant or static but, by its
very essentiality, always welcoming and friendly.
VENERATION
After our last winter selection of transitional blues ebbing into turquoise, we
choose new densities for summer, from the material to the airy, bearing in
mind how these hues affect the raw material they are applied to.
WHITE LOVE
Choosing white is a strong and assertive choice that takes us away from
confused, recurring chromatics. White in art, architecture, design and fashion
signi es renewal, starting again with purpose.
TRANSITIONAL COLOURSVeneration + White LoveAfter our last winter

selection of transitional blues ebbing into turquoise, we choose new densities
for summer, from the material to the airy. We balance these with a strong
and assertive choice of four hues of white. We nish off with a touch of gold.

# Back
“We all have our time machines, don’t we? Those that take us back
are memories… and those that carry us forward, are dreams.” –
HG Well
The concept of time is an integral part of our lives, woven into our everyday
language. Time de nes what we are doing, thinking, planning and feeling.
We constantly measure time to see how much we can accomplish.
Information must be relayed in “real time”. Time limits frustrate us, while
spare time is a luxury. Time is a commodity; we spend it, we waste it, we use
it wisely, we devote it to others, we lose track of it.
Time is something that we don’t want to run out of. Like a spool of everlasting
thread, anchored somewhere in the darkness, it winds out of the past and on
into the future, connecting us all in complex ways. It is the one unalterable,
dependable thing that cannot be broken or stretched – yet.
This season’s Colour Planner tries to capture the many facets of time: the fast
and furious, the slow and simple, the past and future. We reinterpret tropes
that feel conventional and pair them with scenarios that are far removed
from conventional. Colours range from classic formats through to fully
saturated, punchy narratives. It’s a balance between the familiar and the
strange, the dark and the light.
CONTENTS
TIME LESS
A simple but nuanced set of four near-neutrals quietly headline this enduring
and naturally inspired story – a mute, honest and calm introduction to the
season.
TIME HONOURED
Rusts, and corroded greens – coloured neutrality each symbolising the
passing of time and how this affects living matter.
THE BEGINNING OF TIME
The myths of the beginning of time tell of deep darkness, which we represent,
here, with a inde nite, dusty blue teamed to the colours of rocks, illuminated
by light.
TIME STOPS
These rich, weighty, winter brights are used liberally and with exuberance.
They are equal in importance and can be used as single colour, solid
statements or together in simple combinations.
TIME LAPSE
The speed of light and blurred vision in uence all the colours here. Obscure
darks are the background against which rushing brights hit, collide, and
slam into each other.

SPLIT SECOND
From a base of vivid, fractured and heated brights, we explore the split
second movement that animated colour brings. Intensely hot shades of red
gradually chill down to rst purples and then blues.
FLOW
A predominately monochrome palette with touches of the lightest hues that
in ltrate and permeate each other. Black and white are universal and ever-
present.
ANOTHER TIME
Last season’s transitional blues ebb into the realm of turquoise. Although
they are content to mingle with one another, they are, in fact, designed to be
contrasted with other shades from outside the blue family.
KEEPING TIME
The green colours here make up a seasonless, transitional range featuring
various hues, each one with its own identity.
COLOUR PLANNER #38

by Pascalle Bartlett | Jun 18, 2016 | PantoneView Colour Planner
# Back
MUSE
COLOUR PLANNER 38 FOR SUMMER 2018
In Greek and Roman mythology the word “muse”, referred to the nine
goddesses, daughters of Zeus, the supreme deity of the ancient Greeks and
Mnemosyne, the ancient Greek goddess of memory. These nine goddesses
presided over the Arts and Sciences, two areas that are today developing
hand in hand at an incredibly rapid pace. Because of this, we feel that they
are the perfect inspiration for Spring/Summer 2018. Right now, we are
experiencing a moment of acceleration in our desire to merge science and
art. By doing this, we uncover new approaches and ideas, not just in colour,
but also in form, material and shape.
Our palettes are designed to encourage adventure without the fear of losing
touch, about exploration of the new without losing sight of the known –
which is crucial when dealing with commercial product. Our new palettes
are diverse, rather than limited and all-embracing, because we live in a
post-trend world of multiple ideas and cult items.
Last season, we explained how different brands are now using our palettes
as a starting point to create and merchandise a more unique approach to
colour that can be tailored to their very own customers. We continue to
develop this approach for Spring/Summer 2018 as brands grow in
con dence to do what is right for them rather than follow the mainstream.
COLOUR PLANNER 38: MUSE CONTENTS
ENLIGHTENMENT
The enlightenment palette includes inexpressive shades oating, ying,
hovering to nd a direction, a muse. The two neutrals – white and warm grey
– are sprinkled with a layer of wind-whipped blue and glacier green.
SOURCE
This palette is based on four reassuring hues of ligneous browns. Wood has
been used by men for tens of thousands of years as the basic source material
and the colours of wood are part of our evolution.
INGENUITY
Four grounded shades, rooted in nature, are the foundation of our story –
green, blue and brown. Trustworthy khaki and cool slate act as well loved
base colours, from which olive and lichen spring forth.
ARTISTRY
Fragrant and restful colours: a creamy pink sits with a passionate coral, rich
warm brown and a gentle aromatic cumin. These serene tones are perfect for
creating tranquil groupings that are also decoratively rich and layered.
REVELATION
Four heavily pigmented, opaque colours convey a strong commercial
statement about the solidity and essential con dence you get from a good,
mid-toned summer selection.
AWAKENING
A range with a touch of core yellow in every hue: from the new yellowish
greens to the more acidic shades, yellow initiates every tint here.
ENRICHMENT
White is the start point for this group and is a key summer colour, particularly
when offset with other high energy brights. The pinks continue to be
important.
UNCHARTERED
Bridging our way from S/S 2018 towards A/W 18/19, we introduce a
quartet of transitional colours – four strong and atmospheric blues, each
bearing a contrasting character, but that work as a family.
FORMATION
Another transitional range where four soft, warm and cold tones carry
forward our winter dark narrative from last season, but are dusted and
greyed into a softer expression for the transition into summer.
PANTONEVIEW COLOUR PLANNER #37

# Back
AUTUMN-WINTER 2017-18
GENERAL INTRODUCTION TO A RE-STYLED COLOUR PLANNER
Welcome to our new version of the PANTONEVIEW Colour Planner. With
colour becoming more lifestyle in nature, we wanted to make it easier for
you to use our colour trend stories across multiple product categories and
merchandising
DISGUISE
We have grouped our major colour messages for A/W 17/18 under a
common title, Disguise, which we feel suits the current lifestyle zeitgeist in the
marketplace.
The process of colouring ful ls our fundamental desire for change. We apply
colour to our walls, the oors we walk on, the face we see in the mirror each
day, the car we drive. We clothe ourselves in different colours for different
occasions. Colour is at the heart of what we do, and our need to disguise
and transform appearance. We have said before that colour goes hand in
hand with texture, and the focus this season on materiality remains unbroken.
This season, however, we are also interested in materials that emit and re ect
light; we explore embellished nishes and perfect smooth, shining surfaces.
We see how transparency reveals and alters colour, and how thick
cocooning materials muf e shape and change its meaning.
00:47
CONTENTS
WINTER NEUTRALS
We begin with three lofty neutrals anchored by a warm grey. Their neutrality
is the key to their exibility – they are designed to mix easily with each other
and also with more saturated colour.
DERMIC PINKS
Next season, pink evolves into a series of paler, more fragile shades to
express a transparent nudity. Beiges, off white and blues are all subtly
in uenced by pink, while pink mauves are the new baby pink.
WINTER ROOTS
We re ect our concern with the health of planet earth in a key palette based
on nature such as brown, ochre, and grey mud, together with the colours of
its vegetable root products such as carrot orange.
WINTER DARKS
Compelling and essential winter hues, these deep and rich colours are all
about texture and surface. It’s a group that works well together or, as each
colour has such a strong identity, thrives as single statements.
NEW TRADITIONS
This is a palette of iconographic colours, ags to remind us where we are

from and where we are going. But aristocratic and classic though they are,
they can still be radicalised by new harmonies to represent and celebrate
diversity in all its forms!
MODULATING MID-TONES
A group of modulating mid-tones that form an unexpected union: they create

a modern ambiance and act as unusual winter anchors in a wide range of
materials. Wilder, brighter, high-energy colours should with them.
TRANSITIONAL REDS
A story of iconic reds that vibrate from a hot scarlet, through pink, to a deep
lacquer red and a soft coral creating a forceful, con dent energy. It’s a
range of colours that transitions between grandiose display and concealed
masquerade.
TRANSITIONAL CELADONS
This is new cool, iconic greyed but strong turquoise camaïeux story. It
ampli es a layered, altered look from a cold pale mist to a deep resinous
green. It is an important monochrome to nuance or animate the season in
equal measure.
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12/31/2018 PantoneView Colour Planner | View Publications

PANTONE VIEW COLOUR PLANNER #42

Deep sea animals follow a surprisingly regular pattern when it comes to

Mysterious colours appear in the deep. In this abyssal blue, illuminated by

NEW LILACS (TRANSITIONALCOLOURS)

The four tones we have called “New

PANTONE VIEW COLOUR PLANNER #41

PANTONEVIEW COLOUR PLANNER #40 LOVE

“Gravitation is not responsible for people falling in love.”

UNREQUITEDColour drains away leaving a small family of neutral shades.

TRANSPORTIVEA cool graduation of buoyant and frothy turquoises,

SENSUALThis reduced palette of adapted and evelved pinks is employed

BUDDINGThis range of transitional greens and browns continues to be

TRANSITIONAL COLOURSVeneration + White LoveAfter our last winter

PANTONE VIEW COLOUR PLANNER #39

are memories… and those that carry us forward, are dreams.” –

slam into each other.

COLOUR PLANNER #38

COLOUR PLANNER 38: MUSE CONTENTS

PANTONEVIEW COLOUR PLANNER #37

by Pascalle Bartlett | Jan 4, 2016 | PantoneView Colour Planner

This is a palette of iconographic colours, ags to remind us where we are

A group of modulating mid-tones that form an unexpected union: they create

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