Violin I

Invierno Porteño
Astor Piazzolla


               
  
          

          
6
                



11


                        
        


15
       
     
            
17
           

   

   

3 3 3 3 3 3

          
18
          
   
3

3

  
       
3 3 3
3
3 3 3 3 3 3
19

           

            
       
25

   
5

             
29


           

  

32 
         

          
V.S.
2
35
                         
Violin I

  
 

             
          
39

  


43

                     

 
50

                
  

      
55

                 

60
                


        


                     
64

    
  

           
   
   
69
  
   

                              

74

    

                      

78

    


 
                         
84

   
 Violin I 3

  
89
       
    

           
96

      
    

  
100 pizz. arco

  
        
Violin II
Invierno Porteño
Astor Piazzolla

      
     
  
        

 
      

7

     

               
  
 
 
  

12
   
                
          
          
17 
     
       
24

   

    
   

 
31
        
                      
   
               
 
34
   
  

                   
  
37




41

                                 


45

   
             
    
 V.S.
2 Violin II


 
50
     
         
3
    
   

     
55

                   

    
60

              
 

              
    
 
66

         

   

    
71

              


76

    


80

    
       
         

  
85

                    
         


89

       

       


93

        


100 pizz. arco

                  
  
     
Violoncello
Invierno Porteño
Astor Piazzolla

     
             
   

                      
7

     


                 
13

  
     

         
 
          
20
   
   

           
      
25
    

               
29
     


           

s.
glis

32
           


                                     
s.
37 glis

            

          
43
  
                  

  
49

    
    
V.S.
2 Violoncello

   
57

       

65
           
              


70                
  
     

77
   
               
  

   
     
85
     

92
 
       


  
          
99
  
pizz. arco
  
Double Bass
Invierno Porteño
Astor Piazzolla

       
                
pizz.

7
                  
   


             
  
13

 

   
    
20
   
arco
 

  
26

               

                       
31

 
Golpe
                       
36 XX X Golpe X X Golpe X X Golpe X X Golpe X X Golpe X
 


X Golpe
  X  
                    
42
  


               

48 pizz.
  
 
 

 
                      
54


V.S.
2 Double Bass
60

arco
                 
     

                           
66

   

                               
72

  
                            
78


                    
84
 
pizz.

                 
90

       

96
                 

     
100 arco
            
Piano
Invierno Porteño
Astor Piazzolla


   
 
 
 


 
    

                       


7

             
      

  
 
               
  


 
12

   
          

    
   
        
         

                  



17 
  
   
    


            


23

               

    
     
     

    

2 Piano
28

                 
        
           
          


 

32

                   
        
    
     

                  




                              
36

                               
 
     





  
 

    


          
   
40
   
                            

 
     






  
       


          
                      
44

            


     





                                     
           


    
  
49

          

     
   
            


Piano 3

 

55


     
  

     
                       




60

   

 
 
 

 


                 
3

     


 
65

 
                        
   
                
   



69

                                

     
       

  

 

 
       
  



               
73
  
          

         
    
   
    
 

        


    
     



77

           
  
         
     
      
      
 

        
             
  
      
V.S.

4 Piano


82

  
         
       
                 
  



87

     

        
      
         
    


 
94

          


      
      
     


                         
100  
   

         