032 002025917

Referencias Concierto Hummel páginas 41 y 42
British Library: Music Collections
Add MSS 32,169-32,239, are from the Library of

Johann Nepomuc Hummel. (18th century-19th century)
(Add MS 32169-32239)
Table of Contents
Add MSS 32,169–32,239, are from the Library of Johann Nepomuc Hummel. (18th century–19th
century)
Key Details........................................................................................................................................ 1
Provenance........................................................................................................................................ 1
Add MS 32176–32177 'La Costanza alla Fine premiata'. An opera in 2 acts. (Late 18th century)............... 7
Add MS 32181–32182 A collection of vocal and instrumental compositions of Franz Xavier

Süssmayer, and part of a requiem by.................................................................................................. 11
Add MS 32184–32237 Original compositions, for the most part unpublished, by Johann Nepomuk
Hummel (18th century–19th century).................................................................................................. 16
Key Details
Collection Area British Library: Music Collections
Reference Add MS 32169-32239
Creation Date 18th century-19th century
Extent and Format 71 items
Title Add MSS 32,169-32,239, are from the Library of Johann Nepomuc Hummel. (18th
century-19th century)
Scope and Content

Johann Nepomuk Hummel, composer: Musical collections: 19th cent.
Provenance
Legal Status Not Public Record(s)
Add MS 32169 A collection of arias from operas and oratorios, duets, a

motet and part of a sonata (18th century-19th century)
Reference Add MS 32169
Extent and Format 1 volume (201 folios)
Languages of Material Italian; Latin
Title A collection of arias from operas and oratorios, duets, a motet and part of
a sonata (18th century-19th century)
Physical Characteristics Paper. Oblong Folio.
Scope and Content

passim. Arias, etc., most of them, if not all, from Operas; 18th-19th cent. Unless the
contrary is stated, they have accompaniments for strings, in score. Nos. 1-14 are described as
'Ariette del P. Attilio Ariosti,' and are taken apparently from one and the same Opera. The
instruments employed in most of them include chalumeaux, oboes, trumpets, strings (viole di
gamba, lutes, etc.), and harpsichord. 1. Short introductory symphony for 4 instruments. f.
10b. 2. 'Già dal ciel cade ogni stella.' f. 13b. 3. 'Ciò che la vita dolce.' f. 14b. 4. 'Senta
il cor.' f. 15b. 5. 'Non sa che sian pene.' f. 17. 6. 'Un cor che senza speme adora.' f. 20.
7. 'In sua man sta la mia sorte.' f. 24. 8. 'Finche lunge alla mia bella.' f. 26. 9. 'Per uoi
vissi.' f. 27b. 10. 'Così grande è la gioia.' f. 33. 11. 'Tal uicina a Giglio è Rosa.' f. 44.
12. 'Oh felice (sic) miei martiri': duet. f. 45. 13. 'Più che tra rie procelle.' f. 49. 14.
'Dell' Augusto alloro eterno.' f. 54. 15. 'Riposa in me'; for bass voice, with violin, viola,
and basso, in parts. 'Caldara.' f. 74. 16. 'Ognun con saldo ciglio.' This and the two
following arias are by 'Porsile.' f. 79. 17. 'A chieder pace.' f. 85. 18. 'E tu, Figlia,
consenti.' f. 89. 19. 'Vo disperato a morte'; from an Opera ['La Clemenza di Tito'] composed
at Turin in 1760. 'Baldassarre Galuppi detto Buranello.' f. 143. 20. 'Se non ti moro allato'
[from 'Didone abbandonata,' 1751]. 'David Perez.' f. 147. 21. 'Quercia annosa' [from 'L'
Innocenza giustificata,' 1755]; with trumpets, etc. 'Cristofforo Gluk.' f. 153. 22. 'Infelice
in tal momento'; with clarinets, horns, bassoons, etc. From 'L'inganno amoroso' [1766].
'[Pietro] Guiglielmi.' Transcribed by Wenzel Sukowatij. f. 165. 23, 24. 'Vien qua,' and
'Quando le Donne vogliono': arias, with bass, from 'Le Contadine bizzarre'; but whether from
N. Piccinni's Opera of that name or from another by J. N. Hummel (in whose hand the piece,
with its numerous alterations, appears to be) is not stated. ff. 185, 185b.
Page 1 2018-06-21
ff. 1, 5b, 94-135b. Duets, with a bass, in score. The first two are by Alessandro Stradella,
the others by Benedetto Marcello, in whose hand they all appear to be; 18th cent. Two pieces
according to the original numeration are missing after no. 10. 1. 'Ahi, che posar.' f. 1. 2.
'La dolcissima speranza.' f. 5b. 3. 'Lontan dall' idol mio.' f. 94. 4. 'Per saettarmi.' f.
96b. 5. 'Chi può resister.' f. 101b. 6. 'Porto lungli (sic) le piante.' f. 105. 7. 'Deh,
quando afflitti lumi.' f. 109. 8. 'Lontananza me troppo accerba.' f. 112. 9. 'Bevo da tuoi bei
lumi.' f. 115. 10. 'Spieggasti tropp' alto mio cor.' f. 119b. 11. 'Madrigale,' begins 'Giù ne
tartarei Regni.' f. 125. 12. 'Tacete, amanti.' f. 128b. 13. 'Se non volete la morte mia.' f.
132. 14. 'A voi, donna, volando.' f. 134.
ff. 61-73b. Four arias with accompaniments for strings and a figured bass for organ, in score,
[from 'Il testamento di nostro Signor Gesù Cristo sul Calvario'], by Giovanni Giuseppe Fux;
about 1726 (date of composition). The first two are followed by ritournelles. 1. 'Al tuo
piè,mio figlio e Dio.' f.61. 2. 'Dammi de le mie colpe un pien dolore.' f.62b. 3. 'Veder
l'eterno verbo morir.' f. 65b. 4. 'Si tempra il mio martir.' f. 70b.
ff. 136-142. 'Exaltate Dominum‘; for 4 voices, with a bass, in score and separate string
parts, by [G. Andrea?] Fioroni; 18th cent.
ff. 188-201. Sonata [in E flat], 'Per il Clavicembalo con Violini (sc. violino) obligate,' by
Giuseppe Sardi (sc. Sarti); late 18th cent. The melodies of the three movements (Moderato,
Adagio, Rondo) appear to be taken from one or more of the composer's operas, one of them being
probably 'Le nozze di Dorina,' 1782. This volume contains the pianoforte part; for the violin
part see Add MS 32171.
Custodial History The MS. belonged to Johann Nepomuk Hummel. The Motets belonged to Baron Du
Beine. Amongst the Operas, Nos. 18 (f. 89) and 19 (f. 143) belonged to Baron
du Beine.
Add MS 32170 A collection of services and arias (18th century)

Creation Date 18th century
Languages of Material Latin; Italian
Title A collection of services and arias (18th century)
Physical Characteristics Paper. Oblong Quarto.
Scope and Content

ff. 1-33b. Four Services, consisting of Introit, Gradual, and Communion (or Offertory), for
the first, second, and fourth Sundays in Lent, and Passion Sunday; written for 4 voices with a
figured bass for organ, in score, by L. Leo, for the royal chapel at Naples; 1744. 1.
‘Reminiscere miserationum tuarum.’ f. 1b. 2. ‘Tribulationes cordis mei.’ f. 3. 3. ‘Intellige
clamorem meum‘; with an additional treble solo. f. 4b. 4. ‘Judicame, Deus.’ f. 10. 5. ‘Eripe
me, Domine.’ f. 12. 6. ‘Hoc corpus quod pro vobis tradetur‘; with additional parts for 2
treble voices, f. 13b. 7. ‘Invocabit me.’ f. 20b. 8. ‘Angelis suis Deus mandavit.’ f. 21b. 9.
‘Scapulis suis obumbrabit tibi.’ f. 23b. 10. ‘Lætare, Jerusalem.’ f. 26. 11. ‘Lætatus sum in
his.’ f. 28b. 12. ‘Laudate Dominum‘; with additional parts for 2 treble voices. f. 30b.
ff. 34, 42. Arias, with accompaniments for strings, etc., in score; 18th cent. 1. 'Quel augel
che in rete è colto'; from 'Amare per Regnare,' 1723. 'Porpora.' f. 34. 2. 'Ah! che parlar non
posso'; with oboes, horns, etc. 'Ferdinando Bertoni.' Apparently sung by Gaetano Scovelli in
1777. f. 42.
Page 2 2018-06-21
Add MS 32171 A collection of short symphonies, the violin part of a sonata,

and a concerto (18th century)
Title A collection of short symphonies, the violin part of a sonata, and a

concerto (18th century)
Physical Characteristics Paper. Folio.
Scope and Content

ff. 1-11b. Two short symphonies for 1st and 2nd violin, viola, and bass, in parts, by
[Christoph] Nichelmann; 18th cent. The first may possibly be autograph. 1. Allegro, Andante,
Presto; in F. f. 1. 2. Allegro, Adagio, Presto; in G. f. 7.
ff. 12-16b. Sonata [in E flat], 'Per il Clavicembalo con Violini (sc. violino) obligate,' by
Giuseppe Sardi (sc. Sarti); late 18th cent. The melodies of the three movements (Moderato,
Adagio, Rondo) appear to be taken from one or more of the composer's operas, one of them being
probably 'Le nozze di Dorina,' 1782. This volume contains the violin part; for the Pianoforte
part see Add MS 32169.
ff. 17-42b. Concerto in D (Allegro di molto, Andantino, Andante, and Allegro), for pianoforte,
with 2 trumpets or horns, drum, 2 flutes, 2 violins, 'braccio' (sc. viola), violoncello, and
double bass, in parts, by Johann Nicolaus Forkel; 1789. Autograph. Copied from the score by
the composer in 1789, for Hummel.
Custodial History Belonged to Hummel.
Page 3 2018-06-21
Add MS 32172 Franz Joseph Haydn: 'Orlando Paladino', opera (1782)
Creation Date 1782
Languages of Material Italian
Title Franz Joseph Haydn: 'Orlando Paladino', opera (1782)
Scope and Content

'Orlando Paladino': described in the printed libretto (see Add MS 32174, f. 1), as a 'Dramma
Eroicomico in Tre Atti'; with symphonies and accompaniments for horns, oboes, flutes,
bassoons, trumpets, drums, and strings, in score. Signed 'di me Giuseppe Haydn, 1782.'
Autograph. Characters: Eurilla, Licone, Rodomonte, Angelica, Alcina, Medoro, Pasquale and
Orlando. About twelve leaves are wanting between ff. 162 and 163, together with the whole of
Act iii. The missing portions are included in the German version of the opera in Add MS 16027,
16028.
Add MS 32173 A collection of songs, duets, choruses, cantatas, and a

divertimento (18th century-19th century)
Title A collection of songs, duets, choruses, cantatas, and a divertimento (18th

Scope and Content

ff. 1, 25-32b. Songs with pianoforte accompaniment, in score, by Joseph Haydn; about 1782,
etc. 1. 'Beym Schmerz der dieses Herz durch-wühlet.' Autograph. The paper is similar to that
on which Add MS 32172 (1782) is written. f. 1. 2. 'She never told her Love.' This and nos. 3,
4 are in the hand of J. N. Hummel, written about 1794 (watermark), f. 25. 3. 'In t[h]ee I bear
so dear a part.' f. 27b. 4. 'High on the giddy bending Mast.' f. 30b.
f. 3. Duet (Nisa and Tirsi), beginning 'Guarda qui che lo vedrai'; with pianoforte
accompaniment, in score, by 'Giuseppe' Haydn; 1796. Autograph.
ff. 7-24. 'Der Sturm': chorus for 4 voices, with symphony and accompaniments for trumpets,
drum, horns, oboes, clarinets, trombones, flutes, bassoons, and strings, in score, by Joseph
Haydn; after 1791 (?- supposed date of composition). The music for the wind instruments, for
some of the strings, and on the whole of the last page is autograph. The chorus begins 'Hort!
die Winde furchtbar heulen,' but the music was originally composed to English words.
ff. 33-38b. Divertimento (Moderato, Andante, Allegro di Molto) in E flat, by Haydn; 1766.
Autograph. See Pohl's 'Joseph Haydn', i, p. 352. {Hoboken XVI/45.}
ff. 39, 75. Two sacred compositions, of the nature of odes, in honour of St. Rupert of
Page 4 2018-06-21
Salzburg, divided into two parts, Figura (wanting in the first) and Applicatio; 1778, etc.
They are written for solo voices (Filia Petri, 2 Priests, and 2 Levites) and a 4-part chorus
of people, with symphonies and accompaniments for horns (once a cornetto di postiglione),
trumpets, oboes, flutes, strings, and harpsichord, in score. The second Cantata begins ‘In
emigratione nostra,’ and is headed ‘Canticum in Tono peregrino.’ Dated Salzburg, 7 June, 1778,
and 24 Aug. 1782. By Johann Michael Haydn. Autograph.
ff. 135-141b. Metrical versions of portions of the Psalms, etc., in German, set to music by J.
Michael Haydn; 18th-19th cent. Autograph. They consist of melodies (two verses of each) in the
ecclesiastical tones, with accompaniments for trumpets or horns, and a figured bass for organ,
in score. Nos. 1-4 are J. B. Depisch's Choral-Vespern, each of which is divided into three
psalms; nos. 6-10 appear to be from 'Davids Psalmen und Biblischen Gesangen' by Franz Karl
Kirnle. 1. 'Kommt ihr, Christen' (f. 135), 'Ew'ger' and 'Auf dieser Welt' (f. 135b). 2. 'Warm
ich von Zerstieuung fern' (f. 136), 'Der Erdkreis' and 'Geh, Mensch' (f. 136b). 3. 'O grosser
Gott' (f. 137), 'Gott sorgt fur mich' and 'Heilig ist, Herr, dein Wesen' (f. 137b). 4. 'Vor
dir ist alles offenbar' (f. 138), 'Herr! Dir kann ich sicher glauben' and 'Du strafest und
belohnst' (f. 138b). 5. A version of the Magnificat, beg. 'In dir ruht, Herr, mein ganz
Gemuthe.' f. 139. 6. Another, beg. 'Ganz vom Dankgefühl geruhret.' f. 139b. 7. 'Wer dahier in
seinen Plagen.' From Ps. xc. f. 140. 8. 'Lasst uns dem Hochsten singen.' From the Song of
Moses. f. 140b. 9. 'Wie selig ist dor Mensch.' From Ps. cxviii. f. 141. 10. 'Der Herr bekam
ein Konigreich.' From Ps. xcii. f. 141b.
ff. 142, 145. Hymns for 4 voices, with accompaniments for horns, or trumpets, and a figured
bass for organ, in score, by M[ichael] Haydn; 1784, etc. Autograph. 1. ‘Erhebt euch,
Christen.’ ‘Litaneygesang der Heiligsten Dreyfaltigkeit . . . Salzb[urg], den 29 März [1]784.’
f. 142. 2. ‘Herr! grosser Gott!‘ ‘Te Deum . . . Salzb[urg], 5 Junii, [1]805.’ f. 145.
f. 144. 'Glorreiche himmels königin‘: ‘Regina cœli lætare‘; with a figured bass, in score, in
the band of Johann Michael Haydn, who is evidently the composer of it; 1798. It is followed by
the first few bars of an 'Alleluja,’ for 2 voices, with horns and figured bass.
Custodial History Apparently belonged to Anna Peyerl (f. 38b).
Add MS 32174 A collection of numbers from operas, string quartets,

cantatas, and a symphony (2nd half of the 18th century)
Creation Date 2nd half of the 18th century
Languages of Material Italian; German
Title A collection of numbers from operas, string quartets, cantatas, and a

symphony (2nd half of the 18th century)
Physical Characteristics Paper. Duodecimo and Oblong Octavo.
Scope and Content

passim. Numbers from operas, with oboes, flutes and bassoons (in nos. 1, 2), horns and
strings; 1782, etc.. 1, 2. Instrumental numbers, without titles, viz. the overtures to 'L'
Isola disabitata,' 1779 (ff. 33-71 passim), and to 'La Vera Costanza,' 1779 (ff. 35-72
passim), written by Franz Joseph Haydn, in parts, and originally published by Artaria as nos.
1 and 4 of a set of <Sei Sinfonie a grand orchestra, opera xxxv>. 3. 'Se mai più
sarò geloso': cavatina [from 'Alessandro nelle Indie']. 'Carlo Monza.' In score. f. 207. Scena
(Alceste), with aria, 'Ombre, larue.' 'Francesco de Majo.' In score. f. 214
ff. 33-79. Overtures [by Haydn], for 2 oboes, flutes, bassoons (in nos. 1, 3, and 6), 2 horns,
Page 5 2018-06-21
and strings, in parts; published about 1785 by Artaria as Sei Sinfonie a grand orchestra,
opera xxxv; before 1784 (see C. F. Pohl's Joseph Haydn, vol. ii, p. 283). They appear as nos.
3-8 in Pohl's thematic catalogue of the overtures. The folios below refer only to the 1st oboe
part. 1. In G minor [overture to 'L'Isola disabitata,' 1779]. f. 33. 2. In D. f. 33b. 3. B
flat. f. 34. 4. In C [overture to 'La Vera Costanza,' 1779]. f. 35. 5. In G. f. 35b. 6. In C
minor [overture to Il ritorno di Tobia,' 1775]. f. 36-79b.
ff. 80-101. Symphony in E flat, for 2 oboes, flute, 2 bassoons, 2 horns, and strings, in
parts, by Haydn, being no. 3 of the set published at Paris in 1786, and of that published by
Longman and Broderip as op. 51; about 1786.
ff. 102-146b. Nos. 45, 46, and 48-50 in Carl Ferdinand Pohl's thematic catalogue of Franz
Joseph Haydn's string quartets, sc; about 1787 (date of composition). 5 out of the set of 6
published in 1787, and dedicated to the King of Prussia. In parts. 1. In B flat. f. 102. 2. In
C. f. 110. 3. In F sharp minor. f. 122. 4. In F. f. 130. 5. In D. f. 138.
ff. 147-206. Cantatas, nos. 10 and 11 (probably from a series of twelve), for a soprano voice,
with symphonies and accompaniments for horns, oboes, flutes (in the former), and strings, in
score, by [Joseph] Misleweczeck; second half of 18th cent. 1. 'Ebbe, non ti smar[r]ir.' ff.
147-182b. 2. 'No, non turbarti, o Nice'; with a German version added in a later hand. ff.
183-206.
Add MS 32175 A collection of operatic pieces in score (2nd half of the 18th
century)
Creation Date 2nd half of the 18th century
Languages of Material Italian; French
Title A collection of operatic pieces in score (2nd half of the 18th century)
Physical Characteristics Paper. Oblong Octavo.
Scope and Content

1. 'L'Isle de Merlin': comic opera (? in 1 Act), with symphonies and accompaniments for
flutes, oboes, horns, bassoons, and strings. 'Ch. [W. von] Gluck' [1758]. Characters: Scapin,
Argentine, Diamantine, Pierrot, Merlin, a Philosopher, etc. f. 2.
2. Recitative (Cleopatra) and aria, 'A voti miei'; with string accompaniments. From 'Tolomeo'
[1780]. 'Giuseppe Colla.' ff. 164, 170b.
3. Rondo (Sammete), begins 'Se I'affanno'; with flutes, horns, and strings. Composed by the
Abbate 'Luigi Gatti' of Mantua, to be sung in the Opera of 'Nitteti,' 1779, by Giovanni
[Maria] Rubinelli. f. 186.
Page 6 2018-06-21
Add MS 32176-32177 'La Costanza alla Fine premiata'. An opera in 2 acts.
(Late 18th century)
Creation Date Late 18th century
Extent and Format 2 volumes
Title 'La Costanza alla Fine premiata'. An opera in 2 acts. (Late 18th century)
Scope and Content

'La Costanza alla Fine premiata: Opera in due Atti del Maestro Orodoet all' attual Servizio
della Vice-Regina d' Italia'; with overture, symphonies, and accompaniments for flutes,
bassoons, horns, trumpets, (trombe, clarini, or trombette), clarinets, trombones, harp,
kettle-drums, and strings, in score, besides some Turkish music (cymbals, triangle, ordinary
drum and bass drum), the latter in separate score. Autograph. Characters: Zenida, Togharri,
Saed, Ali, [uno] Imano, Fattme, Gulindi, Kadi, [uno] Ufficiale, Usbek; with Choruses of
Beggars, Imani, etc.
Add MS 32176 Volume I of 'La Costanza alla Fine premiata' (Late 18th
century)
Title Volume I of 'La Costanza alla Fine premiata' (Late 18th century)
Scope and Content

Page 7 2018-06-21
Add MS 32177 Volume II of 'La Costanza alla Fine premiata' (Late 18th
century)
Title Volume II of 'La Costanza alla Fine premiata' (Late 18th century)
Scope and Content

Add MS 32178 A collection of numbers from operas, choruses, songs, and

a pianoforte solo (18th century-19th century)
Languages of Material German; French; Italian; Latin
Title A collection of numbers from operas, choruses, songs, and a pianoforte solo
(18th century-19th century)
Scope and Content

ff. 1-51, 56, 70-111. Numbers from Operas, with strings, etc., in score; late 18th cent. 1, 2.
Trio, 'Ach, lasset mich'; and duet, 'Veillons, mes sœurs'; in compressed harpsichord score.
From '[Zémire et] Asor' [1771]. 'Grétry.' ff. 1, 3. 3. Prayer and cavatina, 'Alma Dea'; with
flutes, horns, etc. 'Giuseppe Gazaniga.' f. 7. 4-7. Three arias, 'Se mai più sarò geloso,' 'Se
mai turbo iltuo riposo,' 'Chi vive amante'; and a duet, 'Se mai turbò.' Sung by Signor
Rauzzini and Signora Schindlerin in 'Alessandro nelle Indie' [1774]. 'Dco Corri.' ff. 23, 25b,
31, 38. 8. 'Se costante ognor sarai': rondo, with oboes, horns, etc. 'Francesco Gardi,' 1786.
f. 56. 9. 'Guardami in volto': aria, with horns, oboes, clarinets, bassoons, etc. From 'Lo
stravagante Inglese.' 'Domenico Mombelli.' f. 70. 10. 'Sol m' affanna': scena and rondo, with
instruments as above. From 'Il conte di Saldagna' [1795]. 'Nicola Zingarelli.' Sung by [Luigi]
Marchesi. f. 88.
Page 8 2018-06-21
ff. 52-54. 'Exultet orbis ': aria for soprano, by [Francesco di] Majo; 18th-19th cent. This
volume contains the melody with harpsichord accompaniment, in score. For separate parts for
flute, 2 horns, 2 violins, viola, violoncello, and bass, see Add MS 32179.
f. 55. Menuetto I, in D; 18th-19th cent. Anonymous.
ff. 68-69b. Part of the second and the whole of the last two of a series of four Songs, with
pianoforte accompaniment, in score, by Salieri; 18th-19th cent. Apparently in the hand of J.
N. Hummel. 1. '... Oh, che crudel tormento.' Imperfect at the beginning, f. 68. 2. 'Languir d'
amore.' ib. 3. 'Oh teneri piaceri.' f. 69.
ff. 112-138. Sacred Choruses for 4 voices (unless the contrary is stated), most of them with
quartets, in score, by J. G. Schicht; 1813-1822. Autograph. Nos. 1, 3 and 4 are described as
‘Mottetti.’ 1. ‘Gott ist unser Zuversicht,’ 25 Aug. 1818. The words by Gellert. f. 112. 2.
‘Vater, den uns Jesus offenbaret,’ 25 July, 1822. The words by Witschel. f. 114. 3. ‘Lobet den
Herrn in seinem Heiligthum ‘ (8 voices), June, 1818. f. 118. 4. ‘Gross ist der Herr,’ with
parts for 3 trombones, in separate score, October, 1821. f. 122. 5. ‘Wir nahen uns von heisser
dankbegier,’ 5, 6 Nov. 1813. f. 131.
Custodial History Most of the MS belonged to Baron du Beine.
Add MS 32179 (18th century-19th century)

Extent and Format 1 item
Scope and Content

1. PARTITA for 2 horns, 2 flutes, 2 violins, and a bass, in score, by Leopold Mozart. f. 1.
2. Instrumental parts to the aria "Exultet orbis" (see 32,178, f. 52), by Francesco di Majo.
f. 9.
3. Mozart's concerto in B, 1784, arranged as a quintet for piano-forte and strings by J. N.

Hummel; the string parts only (for the pianoforte part, see 32,180, f. 1). f. 18.
4. String-quartet in A minor, op. 13, in score, by Felix Mendelssohn- Bartholdy, with numerous
autograph corrections and marks of expression. f. 45.
5. "Le Rossignol Russian song by - Albieff; 1831. Printed. f. 65. Paper; ff. 66.
XVIIIth, XIXth centt. Folio.
includes:
• f. 1 Leopold Mozart: Partita: 18th cent.

• f. 9 Giovanni Francesco di Majo: "Exultet orbis": 19th cent.
• f. 18 Johann Chrysostom Wolfgang Gottlieb Mozart, alias Wolfgang Amadeus; composer:
Compositions, arranged by J. N. Hummel: 19th cent.
• f. 45 Jakob Ludwig Felix Mendelssohn-Bartholdy, composer: Quartet in A minor, op. 13: 19th
cent.: Partly autogr.
• f. 65 Alabieff: Song: " Le Rossignol": 1831.: Printed.
Page 9 2018-06-21
Add MS 32180 (Early 19th century)

Creation Date Early 19th century
Extent and Format 1 item
Scope and Content

1. PIANO-FORTE part of Hummel's quintet arrangement of Mozart's concerto in B; 1784. (See Add.
32,179, f. 18.) f. 1.
2. Three divertimentos for violin, viola, and violoncello, in score, by lgnaz Pleyel.
Autogr.
f. 11.
3. Symphonies in D minor and C, in full score, by Francesco Danzi. Autogr. f. 21.
4. Overture in C minor, by Friedrich Heinrich Hummel, arranged as a trio for violin,

violoncello, and piano-forte, and also as a pianoforte duet, by J. N. Hummel; 1819. f. 85.
5. Two fugues, in two and three parts, for the piano-forte, by Ferdinand Hiller; 1826.
Autogr. f. 106. Paper; ff. 106. Early XIXth cent. Obl.
Folio.
includes:
• f. 1 Johann Chrysostom Wolfgang Gottlieb Mozart, alias Wolfgang Amadeus; composer:

Compositions, arranged by J. N. Hummel: 19th cent.
• f. 11 Ignaz Joseph Pleyel, composer and music publisher: Divertmienti for strings: 19th cent.:
Hologr.
• f. 21 Franz Danzi: Symphonies: 19th cent.: Autogr.
• f. 85 Friedrich Heinrich Himmel, composer: Overtures arranged by J. N. Hummel: 19th cent.
• f. 106 Ferdinand von Hiller, conductor and composer: Fugues: 1826.: Hologr.
Page 10 2018-06-21
Add MS 32181-32182 A collection of vocal and instrumental compositions
of Franz Xavier Süssmayer, and part of a requiem by
Languages of Material French; German; Italian
Title A collection of vocal and instrumental compositions of Franz Xavier

Süssmayer, and part of a requiem by Wolfgang Amadeus Mozart (18th
Scope and Content

Autograph.
Custodial History The manuscripts belonged to J. N. Hummel.
Add MS 32181 A collection of music by Franz Xaver Süssmayr and part of a

requiem by Wolfgang Amadeus Mozart (18th century-19th
Languages of Material Italian; French; German
Title A collection of music by Franz Xaver Süssmayr and part of a requiem by

Wolfgang Amadeus Mozart (18th century-19th century)
Scope and Content

ff. 1-19 passim. Songs, with pianoforte or harpsichord accompaniment, in score or compressed
score, by Franz Xaver Süssmayr; late 18th cent. Autograph. 1. 'Je t'aime autant'; sung by [P.
J.] Garat. f. 1. 2. 'Te bien aimer': reply to the above, f. 2. 3. 'Le petit ménage,' begins
'La fortune at ses largesses'; the words by J. Rousseau, f. 3b. 4. 'Jamais nous ne verrions
briller.' The words of this and nos. 5 and 6 are by — de Florian. f. 5. 5. 'Voulez vous être
heureux amant.' f. 6. 6. 'Loin de toi, ma Félicie.' f. 6b. 7. 'L'amour est enfant trompeur';
without accompaniment, f. 7. 8. 'Das wahre Gleichniss,' begins 'Süsses affektirtes Wegen.' f.
8. 9. 'Komm, Doris.' ff. 9, 12b. 10. 'Cara, Tu sei il mio bene': Canzonetta. f. 11b. 11.
'Frisch auf, Ihr Freunde': Drinking-song with chorus. f. 17.
f. 3. Organ part of the first 31 bars of the 'Dies iræ,' in the Requiem by Mozart, written on
the back of a song which is in the hand of F. X. Süssmayr; late 18th cent. It corresponds
exactly with the published bass, which Süssmayr claimed to have received from Mozart; but is
without the figuring.
f. 10. Sketches of the melody and figured bass of a prayer, beginning 'Heiliger Geist, breiten
Page 11 2018-06-21
über uns dein Gnaden-licht,' by Franz Xaver Süssmayr; late 18th cent. Autograph.
f. 15. Sketches of two Canons for 3 voices, in score, by F. X. Süssmayr; 1803. Autograph. They
are 'Perchè mai, ben mio,' and the answer, 'Perchè sento un foco in me.'
ff. 19, 96. Choruses for 4 voices, with accompaniments, in score, by F. X. Süssmayr; 1800,
etc. Autograph. 1. 'Heil dem Jüngling' (à 8). '[1]800.' The following solo and chorus (with
pianoforte accompaniment), 'So übst du sie durch harmonie,' and the 4-part chorus, 'O könnten
wir Körper-Gesundheit dir geben,' appear to form part of the same composition, possibly
intended for a cantata, f. 19. 2. 'Lob der Hässlichkeit'; with symphonies for strings. In four
strophes, without the words, f. 96.
f. 20. 'Triumph! Wir stecken um das Schwert': so-called 'Marsch,' for 4 voices, in score;
18th-19th cent. By F. X. Süssmayr. Autograph. Divided into four strophes.
ff. 21-22b. 'Ovunque il guardo io giro ‘: chorus for 4 voices, in score, with separate score
for accompaniment of trombones, trumpets, and drums, by F. X. Süssmayr; late 18th cent.
Autograph.
ff. 23-26b. 'Le ninfe al Mare': short Italian cantata for 2 voices and chorus, with
harpsichord accompaniment, in score, by Franz Xaver Süssmayr; late 18th cent. Autograph.
Begins 'Alla sorgente.'
ff. 27, 36, 111. Cantatas, two of them imperfect, in score, by F. X. Süssmayr; 1798.
Autograph. 1. Recitative and aria, without words, from 'Der Retter in Gefahr,' with symphonies
and accompaniments for clarinets, oboes, horns, and bassoons. ff. 27-35. 2. 'Sey uns dreymal
hoch willkommen,' described as 'Jubelfeyer,' for solo and chorus, with similar accompaniments,
sung on the name-day of Freifrau Anna Maria von Lang, 1798. ff. 36-49b. 3. Chorus of Shepherds
and Shepherdesses, 'Fra si dolci amene rive'; with flutes, oboes, horns, and strings, from
'Alcidoro e Dalisa,' or 'Gli amanti in Tempe.' Imperfect at the end. ff. 111-114b.
ff. 50-242b passim. Fragments of Operas, with instrumental accompaniments, in score, by Franz
Xaver Süssmayr; 1796, etc. Autograph. 1. Sinfonia, 'Ein Geist' (duet), and 'Vor etwa dreysig
Jahren' (aria); from 'Der Wildfang,' comic opera in 2 Acts, the text arranged by Franz Xaver
Huber from the original by Kotzebue, 1796. ff. 50-95b. 2. Duet from a German opera. Imperfect
at beginning and end. ff. 97-98b. 3. Aria from an Italian opera. Imperfect at beginning and
end. ff. 99-102b. 4. 'Pensieroso il vostro sposo'; with horns, oboes, bassoons, and strings.
From Act i of 'Gli Equivoci' [1796]. Imperfect at the end. ff. 103-110b. 5. Two short pieces,
the first ('no. 7') for basset horns, hunting horns, and bassoons; the second (to follow 'no.
8') for instruments whose names are not given. Possibly from the same Opera as no. 4. f. 242.
ff. 115-130b. Sketches of a Concerto in D for clarinet, with oboes, horns, and strings, in
score, by Franz Xaver Süssmayr; 1792. Autograph.
ff. 131-138, 243-244b. Short compositions for orchestra, in score, by Süssmayr; 1793.
Autograph. 1. Two sketches of a March, followed by a 'Contradanse' in E flat, for two
orchestras, one of mixed instruments, the other of wind instruments, ff. 131, 133. 2. 'Le
Naufrage,' consisting of 'Rappel,' March, and 'Contradanse,' in D, for flutes, oboes,
clarinets, small drum, and strings; apparently composed for Monsieur R. ... de Wezlar. ff.
135-138. 3. Andante amoroso and Allegro, in B flat; for flute, clarinets, bassoons, and
strings, ff. 243, 243b. 4. Andante in B flat, for oboes, horns, and strings, 1793. f. 244. 5.
Unfinished movement (6/8 time) in E flat, for clarinets, horns, and strings. f. 244b.
ff. 139-141b. 'Deutsche Tänze': nos. 1-7 and 12 of a set of dances for various combinations of
flutes, clarinets, oboes, horns, trumpets, bassoons, strings, and drums; 1793.
ff. 142-143. March in C, for oboes, clarinets, horns, trumpet, and bassoons, in score, written
by Süssmayr, for a German volunteer corps; late 18th cent. Autograph.
ff. 144-155. Serenata (Allegro moderato, Andante, Minuet, Rondo), in C, for violin, guitar,
oboe, English horn, and violoncello, in score, by F. X. Süssmayr; late 18th cent. Autograph.
ff. 156-160. Quintet in 'Robert und Caliste' [? by P. Kurzinger, published in 1794], arranged
for 2 clarinets, 2 horns, and 2 bassoons, in score, by Siessmayr (sc. Süssmayr); 1793 (or
1795). Autograph.
ff. 161-178b. Allegro con brio, in D, by F. X. Süssmayr; late 18th cent. Autograph. Unfinished.
ff. 179-183b. Trios for violin, viola, and violoncello, in score, by '[F.] Sav. Siessmayr,'
sc. Süssmayr; late 18th cent. Autograph. 1. Trio I (Largo maestoso, Dolce, Finale—Allegro), in
Page 12 2018-06-21
D minor. f. 179. 2. Trio II (Larghetto—unfinished), in G. f. 183.
ff. 184-190. Sketches of a serenata in E flat, for flute, viola, and horn, in score, by F. S.
Siessmayr (sc. Süssmayr); 1793. Autograph.
ff. 191-194b. Sketch of duet in D, for 2 Flutes, in score, by Siessmayr (sc. F. X. Süssmayr);
late 18th cent.
ff. 195-200. Sketches of a sonata in E flat for pianoforte and horn (cor de chasse), in score,
by P. X. Süssmayr; late 18th cent.
ff. 201-227b. Sonata (Allegro vivace, Rondo allegretto), in C, for harpsichord with violin, in
score, by Saverio Siessmayr (sc. Süssmayr); late 18th cent. Autograph (wanting the first
leaf). It is preceded (ff. 201-218) by a neat copy of the harpsichord part.
ff. 228-234b. Sketches of a set of Twelve Minuets for Pianoforte, by Franz Xaver Süssmayr;
1793. Autograph.
ff. 235-241. Pianoforte solos by Franz Xaver Siessmayr [sc. Siissmayr]; late 18th cent.
Autograph. 1. Sonata (Allegro vivace, — , Minuet, Air with variations), in B flat, dedicated
to Luigi, conte di Fux. f. 235. 2. Adagio in F. f. 241.
ff. 245-249b. Fragments of two symphonies in C, in score, by Süssmayr; late 18th cent.
Autograph. 1. Movement in common time, for flutes (piccolo and traverso), oboes, horns,
bassoon, strings, and drum. f. 245. 2. Another, for oboes, horns, and strings. f. 248.
ff. 250-252b. Fragment of what appears to be the end of a pianoforte concerto in A, by

Süssmayr; late 18th cent. Autograph.
Custodial History The MS belonged to J. N. Hummel.
Neue Mozart-Ausgabe, Serie V/15/8: Klavierkonzerte, Band 8, ed. Wolfgang Rehm

(Kassel: Bärenreiter, 1960), p. 173; Kritischer Bericht, ed. Wolfgang Rehm (1998), p.
h/67
Page 13 2018-06-21
Add MS 32182 A collection of pieces by Franz Xaver Süssmayr (Late 18th
century)
Title A collection of pieces by Franz Xaver Süssmayr (Late 18th century)
Scope and Content

ff. 1-179b. 'Piramo et (sic) Tisbe': unfinished Opera for solo voices with accompaniments for
trumpets, horns, oboes, flutes, clarinets, bassoons, and strings, in score. [By F. X.
Süssmayr.] Autograph. It consists of an introductory sinfonia, two versions of Part I (ff. 17
and 109), and a few fragmentary sketches of Part II (ff. 170-179b). Characters: Pyramus,
Thisbe, Correbus, and Eupaltes.
ff. 180-215b. 'Ariana a Naxos: Cantata 'for a single voice, with accompaniments for clarinets,
horns, bassoons, and strings, in score, by F. X. Süssmayr. Autograph. The cantata proper,
begins 'Teseo, mio ben,' occupies ff. 184b-213; the remaining folios contain portions of the
harpsichord score.
ff. 216-260b. 'O voi dell' Istro fortunate piaggie.' This Cantata appears to have been used in
the composition of 'Der Ritter in Gefahr' (see Add MS 32181, f. 27). Written upon the combined
occasions of the birth of a second royal archduchess, and of several victories gained by the
Austrian arms [? Verona, 1799]; the words by Conte Giovanni Arrivabene, the music by Franz
Xaver Süssmayr. It is for solo voices (Fame, a Shepherdess, and Pallas), with symphonies and
accompaniments for flutes, oboes, horns (English, etc.), bassoons, and strings, in score.
Custodial History The MS. belonged to J. N. Hummel.
Page 14 2018-06-21
Add MS 32183 A collection of numbers from operas, songs, a cantata, a
part-song, and a mass (18th century-19th century)
Languages of Material German; Italian; Latin
Title A collection of numbers from operas, songs, a cantata, a part-song, and a

mass (18th century-19th century)
Physical Characteristics Paper. Small Quarto and Oblong Folio.
Scope and Content

ff. 1-48. 'Perlen glänzen auf der Flur': Cantata for solo voices and 3-part chorus, with
symphonies and accompaniments for flutes, oboes, clarinets, bassoons, horns, and strings, in
score, by [Joseph] Tribensee; 18th-19th cent. Autograph.
ff. 49, 66, 89. Numbers from Operas, with symphonies and accompaniments for strings and (in
nos. 1, 2) oboes and horns; 18th-19th cent. 1. 'Ah, chi frenar può mai': aria [?from
'Aladino']. 'Andreozzi.' f. 49. 2. 'Figlia, coragio': scena from 'Cajo Mario.' Sung by Giacomo
Davide at Mantua in 1780. 'Domenico Cimarosa.' f. 66. 3. 'Il tuo destino': duet introduced in
Nasolini's Opera, 'La morte di Mitridate,' but really by M. Portogallo. f. 89.
ff. 106-153. Mass in E flat, for 4 voices, with symphonies and accompaniments for oboes,
trumpets, drums, bassoons, and strings, and a figured bass for organ, in score, by Giorgio
Lickl; 18th-19th cent.
ff. 154, 160-166b. Songs with pianoforte accompaniment, in score; 1826, etc. No. 1 is
anonymous; nos. 2-5 are by Karl Eberwein, and have a chorus in unison. 1. 'Um mich rauschen
Himmel's Töne.' [To J. N. Hummel, on his birthday.] 1826. Autograph. f. 154. 2. 'Zwei Mädchen
sandte Gott herab.' f. 160. 3. 'Ohne Leben lebt der Welt.' ff. 160b, 167. 4. 'Wer nicht in
Freundes Kreis' sich freu'n.' f. 162b. 5. Another song, withoul the words, f. 166b.
f. 157. 'Zum fest an dem der Töne Meister'; written for 4 voices, in score, by M. C. Eberwein,
on the occasion of J. N. Hummel's birthday, 14th Nov. 1831. Probably autograph; 1831. The
words are by — Schormüller.
Custodial History The MS. belonged to J. N. Hummel. Folios 49-88 belonged to Baron du Beine;
folios 89-105 to the Abbé Bevilacqua and C. de Jankvitz.
Page 15 2018-06-21
Add MS 32184-32237 Original compositions, for the most part unpublished,
by Johann Nepomuk Hummel (18th century-19th century)
Languages of Material English; German; French; Italian; Latin; Russian
Title Original compositions, for the most part unpublished, by Johann Nepomuk
Hummel (18th century-19th century)
Physical Characteristics Paper. Oblong Folio, Quarto, Octavo, and Duodecimo.
Scope and Content

In the case of works in full scores, the music for wind instruments will generally be found at
the end of the volume.
Add MS 32184 A collection of sacred compositions by Johann Nepomuk

Hummel (Early 19th century)
Languages of Material Latin; German
Title A collection of sacred compositions by Johann Nepomuk Hummel (Early 19th

century)
Scope and Content

ff. 1, 83-164. Offertoria and other sacred Latin compositions, by J. N. Hummel; 1805-1806,
etc. Unless the contrary is stated, they are written for solo voices and 4-part chorus, with
symphonies and accompaniments for flutes, oboes, horns, trumpets, bassoons, drums, and
strings, in score. Most of the wind instruments are generally added in a separate score, after
the vocal score. 1. ‘Graduale,’ beg. ‘Quodquod in orbe’ (German words ‘Christus schenkt
Frieden’). Op. 88. With a figured bass for organ, but no trumpets, ff. 1-14. 2. ‘Offertorium,’
beg. ‘Alma virgo’ (‘Holde Jungfrau’). Op. 89, 1805. This also has a figured bass. Sung by Mme.
Schmidt-Dollinger. f. 83. 3. ‘In æternum jubilantes‘; with clarinets, etc. Sung by Signora
Marconi at Eisenstadt in 1806. f. 101. 4. ‘Offertorium,’ beg. ‘Pro te respiro’; preceded by a
recitative, ‘Plus non timet cor.’ With clarinets, etc. ff. 109, 111. The remaining numbers are
for 4 voices only: — 5. ‘Salve, Regina‘ (‘ Herr unser Heiland’). f. 132. 6. ‘Sub tuum
præsidium’ (‘Kein sterbliches Aug'); with figured bass for organ, but without drums, f. 143.
7. ‘Tantum ergo’; arranged in 1806 from the Priests' March in Gluck's 'Alceste.’ With figured
bass for organ, but without trumpets, f. 151.
ff. 15-44. 'Litaniæ B.V.M. Lauretantæ,’ in A minor; for 4 voices, with flutes, oboes,
clarinets, horns, trumpets, bassoons, and strings, and a figured bass for organ, in score. By
J. N. Hummel; early 19th cent. Autograph. Some German words, beg. ‘Vater im Himmel, huldreich
und milde,’ have been written over the Latin text.
Page 16 2018-06-21
ff. 45-82. ‘Morgenopfer,’ beg. ‘In Aurorens goldner Stunde‘; for 2 choirs of 4 voices each and
tenor and bass solos, with symphonies and accompaniments for strings and (in one case) harp,
in score, and a separate score for the wind instruments (piccolo, flutes, oboes, clarinets,
horns, trumpets, bassoons, trombones, and ophicleide), and for drums; early 19th cent. [By
Johann Nepomuk Hummel.] Autograph.
ff. 165-212. 'Te Deum'; in D, for 4 voices, with symphonies and accompaniments for oboes,
trumpets, and strings, in score, and a separate score at the end (f. 201) for flutes,
clarinets, bassoons, horns, and drums. By Johann Nepomuk Hummel; 1806. Autograph.
Add MS 32185 Johann Nepomuk Hummel: 'Missa solemnis’ in C (1806)

Creation Date 1806
Languages of Material Latin
Title Johann Nepomuk Hummel: 'Missa solemnis’ in C (1806)
Scope and Content

'Missa solemnis’ in C, for solo voices and 4-part chorus, with symphonies and accompaniments,
for flutes, oboes, clarinets, horns, bassoons, trumpets, drums (the last three in a separate
score), and strings, in score, by Johann Nepomuk Hummel. Autograph. Composed on the occasion
of the marriage of Princess Leopoldina Eszterhazy.
Page 17 2018-06-21
Add MS 32186 Two masses by Johann Nepomuk Hummel (1804-1808)
Creation Date 1804-1808
Languages of Material Latin
Title Two masses by Johann Nepomuk Hummel (1804-1808)
Scope and Content

'Missæ solemnes‘ (two in number) for 4 voices (solo and chorus), with symphonies and
accompaniments for flutes, oboes, clarinets, horns, trumpets, drums, bassoons, and strings,
and a figured bass for organ, in score, by Giovanni Nepomuk Hummel. Autograph.
1. In E flat (op. 80), ‘[1]804.’ ff. 1-88b.
2. In D minor (op. 111), ‘[1]808.’ ff. 89-174. With additional parts for 3 trombones in a
separate score at the end.
Add MS 32187 Johann Nepomuk Hummel: 'Der Durchzug durch's rothe

Meer', oratorio (Early 19th century)
Languages of Material German
Title Johann Nepomuk Hummel: 'Der Durchzug durch's rothe Meer', oratorio (Early
19th century)
Scope and Content

Oratorio ['Der Durchzug durch's rothe Meer'], in two parts, for solo voices and chorus, with
symphonies and accompaniments for trumpets, horns, flutes, oboes, clarinets, bassoons, guitar,
harp, strings, and drums, in score [by J. N. Hummel]. Autograph. The principal characters are
Moses, Aaron, the Destroying Angel, and an Israelite. The choruses are divided between
Israelites and Heavenly Spirits.
Page 18 2018-06-21
Add MS 32188 A collection of mostly vocal compositions by Johann

Nepomuk Hummel (19th century)
Languages of Material English; French; German; Italian
Title A collection of mostly vocal compositions by Johann Nepomuk Hummel (19th

century)
Physical Characteristics Paper. Quarto and Folio.
Scope and Content

ff. 2-32b, 35, 68. I. Words and melodies of some Scotch songs sent by George Thomson, of
Edinburgh, to Johann Nepomuk Hummel, for the latter to write accompaniments to them; 1822 (see
below). Nos. 1-3 were sent in 1831; the others, in 1829. For the accompaniments, see Add MS
32189, ff. 110-132b. 1. 'The smiling spring.' f. 2. 2. 'I see the flowers.' ib. 3. 'What ails
this heart.' ib. 4. 'When the stream is flowing.' f. 3.5. 'True-hearted was he.' ib. 6. 'Here
is the glen.' ib. 7. 'I know not why.' f. 3b. 8. 'O were I on Parnassus' hill.' ib. 9. 'Again
rejoicing Nature sees.' f. 4. 10. 'Poor flutt'ring heart.' ib. 11. 'Pibroch of Donald Dhu.' f.
4b. 12. 'The blossom that silver'd the tree.' f. 5. 13. 'Came you by Athole.' ib. 14. 'The sun
upon the Weirdlaw hill.' f. 5b. 15. 'Will ye go. Lassie.' ib. II. Songs in the autograph of J.
N. Hummel, in score:- 16. 'Beneath the Laurels' friendly shade'; with flutes, horns, bassoons,
and strings. At the end Add MS vocal and instrumental parts are given, f. 8. 17. 'Festgesang
am 28ten August [1]822 von [Friedrich Wilhelm] Riemer und Hummel'; consisting of several
verses, some for a tenor and others for a bass voice, and a refrain for chorus, with
pianoforte accompaniment, in score, and additional vocal parts at the end. Begins 'Heute lasst
im edlen Kreis'. f. 35. 18. 'Tyrolienne pour la Malibran' (op. 118), begins 'Carina, senti un
poco'; with symphony and accompaniments for flutes, clarinets, bassoons, horns, and strings,
f. 68.
f. 33. 'Think on your friend, Johann Nepomuc Hummel': a very short composition (seven bars)
for 4 voices, in score, without accompaniment, by J. N. Hummel; early 19th cent. Antograph.
Preceded by a compressed score.
f. 33b. Allegro moderato in F, by Hummel; early 19th cent. Autograph.
ff. 41-67b. Finale to Act v of Auber's 'Die Ballnacht' (not the same as 'Gustave III'),
composed by [J. N.] Hummel in 1836; for solo voices (Elisa, Zapolga, Herzog, Turanicz,
Aradiz), with accompaniments for flutes, piccolo, oboes, clarinets, horns, bassoons, and
strings, in score, with an Add MS score for trombones, trumpets, and drums; 1836. Autograph.
ff. 90-96b. 'Placa gli sdegni tuoi'; for 5 voices without accompaniment, in score, in the
hand, and evidently the composition, of J. N. Hummel; early 19th cent.
Page 19 2018-06-21
Add MS 32189 A collection of songs, choruses, and arias (Late 18th
century-Early 19th century)
Creation Date Late 18th century-Early 19th century
Languages of Material English; French; German; Italian; Russian
Title A collection of songs, choruses, and arias (Late 18th century-Early 19th
century)
Scope and Content

ff. 1-57 passim, ff. 105-142. Songs, with pianoforte accompaniment (unless the contrary is
stated), in score, in the hand, and probably the composition, of J. N. Hummel, though his name
is only appended to nos. 4 and 16; 1829, etc. 1. 'Here rests his head': Epitaph. Melody only.
f. 1. 2. 'Se[e] the blushing morn.' f. 3. 3. 'Chantons I'ami'; with a refrain for chorus, f.
4. 4. 'Séparés par le cours des ondes'; described as 'Couplets [pour la] Comtesse Rosalie de
Rzrewuska (sic) née P[rin]cesse Lubomirska.' f. 7. draft, ff. 26, 28. 5. 'Toute la vie ayes
etudié'; words by — Cuny. f. 9.6. 'Tu me dis refrain menteur': Romance, f. 13.7. 'Eins nur.'
Melody only. f. 14.8. 'Es ist ein Mädel.' Melody only. f.15.9. 'Zu Göthen's 80te Geburtstag'
[1829]. This and nos. 10-12 (without words) appear to have been copied about the same time. f.
16. 10. Romanze, in E-flat (6/8 time), f. 18b. 11. 'Meine Geliebte.' f. 20b. 12. 'Neidisch
trennen Thal und Hügel'; followed by the original draft. ff. 26, 28. 13. 'O ihr Geliebten':
Romance, f. 29. 14. 'Die Sehnsucht,' begins 'Die stille Nacht.' f. 30. 15. 'Der
Whist-spieler,' begins 'Ach, Gott, das ganze Leben.' f. 32. 16. 'Dem edlen Schmaucher-orden.'
Words by [J. Aloys] Blumau[e]r. f. 35. 17. 'Der hat nichts gesehen der nie in Wien war.' f.
38. 18. 'Als d' Jude unsern Herrn habe g'fanger g'habt.' f. 38b. 19. 'Ich ward zu Wien in
Östreich geboren.' ff. 41b, 43. 20. 'Bald ist das Patrocinium.' f. 45. 21. 'Der Nachts wenn
alles schläft.' f. 47. 22. 'Der Tanz-meister,' begins ' Trallal, fein langsam.' f. 51. 23.
'Das ist alles aus.' Melody only. f. 52. 24. 'Cieco ciascun mi crede.' f. 56. Nos. 25-42 are
described as 'Russische Original Lieder.' They are accompanied by a bass, partly figured, for
pianoforte. 25-28. 'Akh ruichenki,' 'Kakh vecherr toska napadala,' 'Akh kakh totno,' and
'Vspomni moi lyu.' f. 105. 29-32. 'Kakh prokhodit,' 'Tem tebya ya ogorchila,' 'Ya poidu,' and
'Vo polye bereza.' f. 105b. 33-35. 'Natalhyushki,' 'Akh u nashikh,' and 'Ay na gorye.' f. 106.
36-39. 'Vui razdaytes,' 'Akh vo sadu,' 'Akh u tushka,' and 'Kakh poshlina.' f. 106b. 40-42.
'Za svyatuimi,' 'Za dolati,' and 'Uzh ya zoloto khoronyu.' f. 107. Nos. 43-48 (f. 108) are
described as ' Schottische Melodien.' 43. 'Maggie Lauder,' begins 'Wha wadna be in love.' 44.
'Auld Robin Gray,' begins 'When the sheep are in the fauld.' 45. 'The blue bell of Scotland,'
begins 'O where, tell me where, is your highland laddie gone.' 46. 'Macpherson's farewell,'
begins 'Farewell, ye dungeons.' 47. 'The auld gudeman,' begins 'I'll hae my coat o' good
snuff-brown.' 48. 'The weary pund o' tow.' Nos. 49-59 are 'Irländsche Lieder.' 49. 'The
Shamrock,' begins 'Thro' Erin's Isle.' f. 108b. 50. 'Tis the last rose of summer.' ib. 51.
'The minstrel boy.' ib. 52. 'Oh had we some bright little isle of our own.' ib. 53. 'Oh doubt
me not.' f. 109. 54. 'No, not more welcome.' ib. 55. 'The time I've lost in wooing.' ib. 56.
'Come, rest in this bosom.' ib. 57. 'When cold in the earth.' f. 109b. 58. 'To ladies' eyes.'
ib. 59. 'This earth is the planet.' ib. Nos. 60—79 are Scotch, and have accompaniments for
flute, violin, violoncello, and pianoforte, written for George Thomson of Edinburgh, nos.
60-62 in 1831, nos. 63-74 in 1829. The initial words of these fifteen songs are given in the
description of Add MS 32188, where they occur (f. 2-5b) in the same order. Nos. 75-79 were
published by Thomson in 1826. 75. 'Why weep you by the tide, Lady.' f. 133. 76. 'My heart is
sore.' f. 135. 77. 'I saw thee weep.' f. 137. 78. 'Lord Ullin's daughter,' begins 'A chieftain
to the Highlands bound.' f. 139. 79. 'At ev'n, when on each heather- bell.' f. 141.
ff. 5, 24, 58, 62. Arias, etc., with pianoforte accompaniment (unless the contrary is stated),
in score, in the hand, and apparently (nos. 1, 2 certainly) the composition of, Johann Nepomuk
Hummel; 1795, etc. 1. 'Peuple, nagueres si sensible.' f. 5. 2. 'Kein einziger von jenen
Trieben': romance in 'Angelica,' 1812. Two copies, ff. 22, 24. 3. 'Figlio, le femmine sono
falsissime.' Finished in 1795. f. 58. 4. 'Per te d' eterni allori'; with horns, trumpets,
oboes, flutes, bassoons and strings, f. 62.
ff. 74-104b. 'Polymelos. Russischer Nationallieder': being apparently a string of Russian
Page 20 2018-06-21
songs, arranged for solo voices and chorus, with introductory symphony and accompaniments for
flutes, oboes, clarinets, bassoons, horns, trumpets, drums, and strings, in score, by J. N.
Hummel; 1818. Autograph. Begins 'Ach, es klopft mein Herz' ({cyrilic}).
ff. 105-107. 'Russischer original Lieder'; with basses by J. N. Hummel; early 19th cent.
Add MS 32190 A collection of compositions, including choruses, canons,

songs, numbers from operas, and cantatas by, or in the
Languages of Material French; German; Italian
Title A collection of compositions, including choruses, canons, songs, numbers

from operas, and cantatas by, or in the hand of, Johann Nepomuk Hummel
(Early 19th century)
Scope and Content

ff. 1-36, 93-114. Compositions by, or in the hand of, Johann Nepomuk Hummel; early 19th cent.
1. Numbers and sketches of numbers, apparently from one or more Italian operas, in the hand,
and probably the composition, of Hummel. They are in vocal score, with an occasional bass for
pianoforte, and comprise settings for 1 to 6 voices of the following words: 'Caro, adorabile.'
f. 1;—a duet (Lisietta and Giacinto), begins 'Sento che in petto' [probably from 'Il
viaggiator ridicolo']. f. 2;—'Mentre dormi amor.' fl. 4, 9;—'La Pastorella al prato.' ff. 6,
17;—'Per pietà, bell' idol mio' [?from 'Artaserse']. ff. 10, 12, 12b, 14b;—'Ah, felice amor.'
f. 13;—'Se lontan, ben mio.' f. 16;—'Già nel cor nascer mi sento.' f. 18b;—'lo mi voglio
maritare.' ff. 20b, 25b;—' Anima mia sei tu.' f. 23;—'Ti sento, bel fior.' f. 24;—'A goder ci
chiama amore.' f. 28;—'Ogn' anno passa un' anno.' f. 29;—'Al lavoro, alla campagna.' f.
30;—'Soave sia il vento.' f. 31b;—'Giovani liete' (difierent from the chorus in Mozart's
'Nozze di Figaro'). f. 32b;—'Oh, che incanto.' f. 34;—'Se questo mio core.' f.
35b;—'Secondate, aurette amiche.' f. 36. On f. 21 are some fragments of passages in
Paisiello's 'Don Chisciotte' [about 1775]. 2. Three vocal scores of the buffo trio,
'Spiritelli, che intorno volate,' from Hummel's 'Il viaggiator ridicolo' [1797]. Sung
originally (?) by Fräulein Hesse, Herr Rathmayer, and Ignaz Sonnleithner. ff. 93, 101, 106.
Followed by an aria, 'Su][l]e sponde del torbido Lete,' from the same opera. (f. 114).
f. 23b. Rondo (? in E flat) in common time, in score, from a trio in Hummel's hand; early 19th
cent. Last 30 bars only.
f. 37. 'In gut-gesinnter Freunde-Kreise'; for 4 male voices, in score, apparently by J. N.

Hummel, and autograph; early 19th cent.
ff. 39-129 passim. Choruses, etc., most of them for 4 voices and interspersed with solos, with
pianoforte accompaniment, in score, in the hand of J. N. Hummel, and in all probability his
composition; 1804, etc. 1. Two songs written by Goethe in honour of Madame Mara; the first,
'Klarster Stimme,' set as a chorus, referring to her début (1771); the second, 'Sangreich war
dein Ehrenweg,' a quartet, referring to her 82nd birthday (1831). ff. 40, 42. 2. 'Heil, dieses
Tages Stern'; with accompaniments for flutes, oboes, clarinets, bassoons, horns, trumpets.
drums, trombones, cymbals, and strings. f. 116. 3. 'Wieder seh ich's.' '1804.' f. 122. 4.
'Landestreue,' begins 'Mit neuer Kraft.' '[1]835.' f. 125. 5. 'Auf, Bürger, auf'; with
accompaniments for flutes, oboes, clarinets, bassoons, horns, trumpets, drums, trombones
(wanting), and strings f. 129.
ff. 46-50. 'Muntre Gärten lieb' ich mir'; for 3 voices, with pianoforte accompaniment, in
Page 21 2018-06-21
score, by the Grand-duchess Maria Pawlowna; 1834. Words by Goethe.
f. 48. ' Muntre Gärten lieb' ich mir': Canon for 3 voices, by J. N. Hummel, founded upon the
melody of a secular trio (described below) by the Archduchess aria Pawlowna; 1834.
ff. 51-120, passim. Songs, with pianoforte accompaniment, in score, by J. N. Hummel; 1814,
etc. Autograph. 1-3. A series of three songs: — 'Einmal nur in unserm Leben,' 'Lasst fahren
hin das allzuflüchtige,' and 'Nun auf und lasst verlauten'; written for the Amalia society at
Weimar on the occasion of the jubilee of the Grand Duke Karl August of Saxe-Weimar [?1807].
Rough draft and fair copy. ff. 51-58b. 4. 'Strahlen die aus Osten stammen,' 1826. f. 90. 6.
'Lieblich war der Traum.' On Goethe's birthday, 1831. f. 91. 6. 'Frohlo[c]ket, freunde'; with
violin obbligato, 1814. f. 120.
ff. 59, 76. 'Musique [d'occasion]'; for solo voices and chorus, with pianoforte accompaniment,
in compressed score, by J. N. Hummel; 1804. Autograph. 1. 'Le boncheur de virere (sic) au
village'; written for Count Charles Zichy. '12de (sic) Dec. [1]804.' f. 59. 2. 'Des Berger[e]s
de nos hameaux nous chantons la plus belle'; written in honour of Princess Leopold Eszterhazy.
'15 Nov. [1]804.' f. 76.
Add MS 32191 Two cantatas for solo voices by Johann Nepomuk Hummel
(1806-1807)
Languages of Material Italian; German
Title Two cantatas for solo voices by Johann Nepomuk Hummel (1806-1807)
Scope and Content

Two Cantatas for solo voices and 4-part chorus, with overture (or introduction) and
accompaniments for flutes, oboes, clarinets, bassoons, horns, trumpets, basset-horn (or corno
Inglese), drums, and strings, in score, the drums and some of the wind instruments being
generally in a separate score. By J. N. Hummel. Autograph.
1. 'Diana ed Endimione,' begins 'Si stanchin le fiere.' ' [1]806.' f. 1.
2. 'Das Lob der Freundschaft,' begins 'Der Kranz von grosser Ahnenthat umlaubt.' ' [1]807,
Marzo.' f. 225.
Page 22 2018-06-21
Add MS 32192 A cantata by Johann Nepomuk Hummel (1807)
Creation Date 1807
Title A cantata by Johann Nepomuk Hummel (1807)
Scope and Content

Cantata for solo voices and 4-part chorus, with overture and accompaniments for trumpets,
horns, clarinets, oboes, flutes, bassoons, drums, harp, and strings, in score, with a separate
score for some of the wind instruments; the words written by F. W. Tesché in honour of the
name-day of Prince Prosper von Sinzendorf, the music by J. N. Hummel. Autograph. Begins
'Herbei, ihr Freunde.'
Add MS 32193 Two cantatas and a monodrama by Johann Nepomuk

Hummel (1799-1812)
Title Two cantatas and a monodrama by Johann Nepomuk Hummel (1799-1812)
Scope and Content

ff. 1-98b. Two Cantatas for solo voices and 4-part chorus, with symphonies and accompaniments,
for flutes, oboes, bassoons, horns, trumpets, strings, and other instruments mentioned below,
in score. By J. N. Hummel; 1812, etc. 1. 'Euterpens Abschied'; with triangles, tambourines,
etc. Written by — Götz for the 'Reunion' at Vienna. 'Marz, [1]812.' Begins ''Entflohen sind
die frohen Stunden.' f. 1. 2. 'Heil diesem Tag'; with clarinets, trombones, drums, etc. f. 56.
ff. 99-153. 'Danckgefühl einer Geretteten an Wienn's edle Bewohner. Zum Besten der durch den
Eisstoss verunglü[c]kten': a Monodrama, with accompaniments for strings, oboes, flutes,
clarinets, horns, bassoons, trumpets, trombones, and drums, in score, by Johann Nepomuk
Hummel; [17]99. Autograph. The words for recitation are by Joseph Hummel, Doctor of Medicine,
of Bruck on the Leitha.
Page 23 2018-06-21
Add MS 32194 Four cantatas by Johann Nepomuk Hummel (1810-1827)

Languages of Material French; German
Title Four cantatas by Johann Nepomuk Hummel (1810-1827)
Scope and Content

Four Cantatas for solo voices and 4-part chorus, with symphonies and accompaniments for
flutes, oboes, clarinets, bassoons, horns, trumpets, drums, strings (except in no. 3), and
other instruments mentioned below, in score; by J. N. Hummel. Autograph.
1. 'Chantons, célébrons la journée'; performed at the French Embassy at Vienna in honour of

the marriage of Napoleon and Marie Louise of Austria [1810]; with a pianoforte or harp part in
one of the numbers. Op. 37. Followed (at f. 85) by a pianoforte part. f. 1.
2. 'Vernahmest du gleich uns, o Orpheus'; in memory of J. Haydn. '[1]813.' {'Triumph... der

Mensch hat überwunden' and the following sections are misplaced. They belong to item 4 (cf. f.
215). ff. 133-167b.} f. 116-132. {Imperfect at the end.}
3. 'Kehrt der frohe Tag uns wieder'; with cymbals, etc. In honour of Goethe's birthday.'
1827.' Unfinished. f. 168.
4. 'Wie schön, wie wonnig, strahlt, O Tag, dein Glanz'; with trombones, etc. Written in honour
of the birthday of [Karl August] hereditary Grand Duke of Saxe-Weimar. '25 Febar 1827.' One of
the numbers (at f. 237) is borrowed from the cantata 'Diana ed Endimione' (see Add MS 32191,
f. 1). f. 192.
Page 24 2018-06-21
Add MS 32195 Johann Nepomuk Hummel: 'Irene', cantata (Early 19th
century)
Title Johann Nepomuk Hummel: 'Irene', cantata (Early 19th century)
Scope and Content

'Irene': Cantata, begins, 'Der Welten grosser Herrscher,' for solo voices and 4-part chorus,
with overture, symphonies, and accompaniments for flutes, oboes, clarinets, bassoons, horns,
trumpets, drums, triangles, and strings, in score, by J. N. Hummel. The overture appears to be
borrowed from his ballet, 'Hélène et Paris.'
Add MS 32196-32197 Fragments of operas by Johann Nepomuk Hummel

(1797-1832)
Languages of Material German; Italian
Title Fragments of operas by Johann Nepomuk Hummel (1797-1832)
Page 25 2018-06-21
Add MS 32196 Numbers, some imperfect, from dramatic works, in score,
by Johann Nepomuk Hummel (1813-1832)
Languages of Material German; Italian
Title Numbers, some imperfect, from dramatic works, in score, by Johann Nepomuk
Hummel (1813-1832)
Scope and Content

Autograph. The orchestras for which the symphonies and accompaniments were written are
composed of flutes, oboes, horns (except in no. 4), and strings; nos. 2, 3, 6, 7 have also
clarinets, trumpets, and drums; other instruments employed are mentioned below.
1, 2. 'Vorspiel und Chor zur 'Ahnfrau,' '1817; with drums, etc. f. 1.
3. 'Epilog, componirt zu Gluck's 'Armide' zum Schluss; für d. 16 Feb., 1832'; with trombones,
etc. f. 11.
4-18. Numbers 1-9 and 11-16 from 'Don Anchise Campanone.' Characters: Il conte, Tiberio, Don
Anchise, Carmosina, Candida, Rutilio, Ottavio, and Sofonisba. f. 29.
19. 'Aria aus 'Die eingebildeten Philosophen,' 'begins 'Sie können sich, mein Vater'; with
trumpets, etc. f. 102.
20. 'Geb' er ein wenig Acht': aria out of the operetta 'Fünf sind zwey,' dated '[1]813.' f.
115.
21-23. Quartet ('Hannchen, Stürmer, Süsslich, Bruno'), begins 'Ein Jüngling.' f. 134; —
duettino, 'Kehre wieder.' f. 172; — and a trio with chorus, 'Kommt, Freunde.' f. 175. From the
Operetta, 'Die gute Nachricht.'
24-29. Fragments of 'Kurdistan,' viz., beginning of Act iv, followed by a 'solo' (? = pas
seul) for Mme Vigano [Maria Medina]; and a March, 'Fahnentanz,' Allegretto vivace, and
'Türkische Tusch,' from Act v. With corno inglese, bass-drum, military drum, cymbals,
triangle, etc. ff. 190-225.
Page 26 2018-06-21
Add MS 32197 Portions of two operas by Johann Nepomuk Hummel (1797-
1804)
Title Portions of two operas by Johann Nepomuk Hummel (1797-1804)
Scope and Content

Portions of two Operas, with occasional symphonies and accompaniments for horns, oboes,
flutes, bassoons, strings, and (in the case of no. 1) clarinets, trumpets and drums, in score.
[By J. N. Hummel.]. Autograph.
1. 'Il viaggiator ridicolo.' 1797. Roughly speaking, in each Act the recitativi secchi are put
first, then the arias, and lastly the numbers with orchestral accompaniment. Characters:
Emilia, Giacinto, Livietta, Cavaliere Gandolfo, Don Fabrizio, La Marchesa, and Il Conte. ff.
1-134.
2. 'Le vicende d'Amore' [1804]. Afterwards (1806) performed in German as 'Die vereitelten
Ränke' (see Add MS 32207, 32208). A corno inglese and harpsichord are employed occasionally in
the accompaniments. Characters: La Baronessa, Don Piccariglio, Don Alonso, Pinadoro and
Elvira. ff. 135-197b.
Add MS 32198 Johann Nepomuk Hummel: 'Die Eselshaut', opera (1814)

Creation Date 1814
Title Johann Nepomuk Hummel: 'Die Eselshaut', opera (1814)
Scope and Content

'Die Eselshaut,' oder 'Die blaue Insel': ein Feen-spiel in 3 Aufzügen... aus dem französischen
[des Herrn Aug. F...] von Geway, die Musik von, ... Joh. Nep. Hummel zum 1. mal aufgeführt den
10. Marz, [1]814 im... Theater an der Wien.' Finished in the preceding month. The music
consists of a march, dances, choruses, melodramas, and a battle-scene, and is written for
flutes, oboes, clarinets, bassoons, horns, trumpets, drums, trombones, guitar, and strings, in
score. At the beginning is a list of the characters, and the complete text of the play.
Page 27 2018-06-21
Add MS 32199 Johann Nepomuk Hummel: 'Das Haus ist zu verkaufen',

opera (c 1812)
Creation Date c 1812
Title Johann Nepomuk Hummel: 'Das Haus ist zu verkaufen', opera (c 1812)
Scope and Content

Comic Opera ['Das Haus ist zu verkaufen'], in 1 Act, the music by Johann Nepomuk Hummel, about
1812, the words (ff: 1-8) adapted from A. Klebe's 'Diess Haus ist zu verkaufen,' 1804, which
is itself an adaption of 'Maison a vendre' by Alexandre Vincent Pineux-Duval (see Add MS
32221, f. 1). The symphonies and accompaniments are for flutes, oboes, clarinets, horns,
bassoons, trumpets, drums, and strings, in score. The duet at f. 145 is autograph. Characters:
Greif, Netchen or Nannette, Walter, Rosen, and Mme Berger.
Add MS 32200 Johann Nepomuk Hummel: 'Der Junker in der Mühle', opera
(1813)
Creation Date 1813
Title Johann Nepomuk Hummel: 'Der Junker in der Mühle', opera (1813)
Scope and Content

'Der Junker in der Mühle': Comic Opera in 1 Act, November, 1813; with symphonies and
accompaniments for flutes, oboes, clarinets, bassoons, horns, and strings, in score, with
separate score for trumpets and drums (in no. 5). [By Johann Nepomuck Hummel.] Autograph.
Characters: Lischen, Wilhelm, Hansel, Gänseklug, and Müllermeist (?).
Page 28 2018-06-21
Add MS 32201-32202 Johann Nepomuk Hummel: 'Mathilde von Guise',

opera (c 1810)
Title Johann Nepomuk Hummel: 'Mathilde von Guise', opera (c 1810)
Scope and Content

'Mathilde von Guise': Opera in 3 Acts, with symphonies and accompaniments for flutes, oboes,
clarinets, bassoons, horns, trumpets, drums, trombones, and strings, in score, the wind
instruments being usually in a separate score. [By Johann Nepomuk Hummel.] Performed at the
Court Theatre, Vienna, March 26th, 1810. In two volumes. Autograph. Two overtures are given,
of which the second (vol. i, f. 26) appears to have been written for the ballet 'Sappho'
[1820?], but performed at Weimar, in 1821, as overture to the present at opera. Characters:
Beaufort, Die Baronin, Niklas, Mathilde, der Herzog, Claudine, and Valentin.
Add MS 32201 Johann Nepomuk Hummel: 'Mathilde von Guise', opera.

Volume I. (c 1810)
Title Johann Nepomuk Hummel: 'Mathilde von Guise', opera. Volume I. (c 1810)
Scope and Content

Court Theatre, Vienna, March 26th, 1810. Autograph. Two overtures are given, of which the
second (f. 26) appears to have been written for the ballet 'Sappho' [1820?], but performed at
Weimar, in 1821, as overture to the present at opera. In two volumes. Characters: Beaufort,
Die Baronin, Niklas, Mathilde, der Herzog, Claudine, and Valentin.
Page 29 2018-06-21
Add MS 32202 Johann Nepomuk Hummel: 'Mathilde von Guise', opera.

Volume II. (c 1810)
Title Johann Nepomuk Hummel: 'Mathilde von Guise', opera. Volume II. (c 1810)
Scope and Content

Court Theatre, Vienna, March 26th, 1810. Autograph. Two overtures are given, of which the
second (vol. i, f. 26) appears to have been written for the ballet 'Sappho' [1820?], but
performed at Weimar, in 1821, as overture to the present at opera. In two volumes. Characters:
Beaufort, Die Baronin, Niklas, Mathilde, der Herzog, Claudine, and Valentin.
Add MS 32203-32204 Johann Nepomuk Hummel: 'Die Messenier', opera

(Early 19th century)
Title Johann Nepomuk Hummel: 'Die Messenier', opera (Early 19th century)
Scope and Content

'Die Messenier: grosse heroische Oper,' in 3 Acts, with introduction, symphonies and
accompaniments for drums, trumpets, horns, flutes, oboes, clarinets, bassoons, trombones
(generally in separate score), triangles, and strings, in score, by J. N. Hummel. In two
volumes. Characters: Gorgus, Mantiklus, Euergetidas, Gonippus, Pandion, Theokles, Aristomenes,
Theone, Archidamia, Melanthus, Æthusa, Anaxander, Side, Chariklea; with Choruses of Priests,
People, Messenians, Spartan Maidens, etc.
Page 30 2018-06-21
Add MS 32203 Johann Nepomuk Hummel: 'Die Messenier', opera. Volume

I. (Early 19th century)
Title Johann Nepomuk Hummel: 'Die Messenier', opera. Volume I. (Early 19th century)
Scope and Content

(generally in separate score), triangles, and strings, in score, by J. N. Hummel. Characters:
Gorgus, Mantiklus, Euergetidas, Gonippus, Pandion, Theokles, Aristomenes, Theone, Archidamia,
Melanthus, Æthusa, Anaxander, Side, Chariklea; with Choruses of Priests, People, Messenians,
Spartan Maidens, etc.
Add MS 32204 Johann Nepomuk Hummel: 'Die Messenier', opera. Volume

II. (Early 19th century)
Title Johann Nepomuk Hummel: 'Die Messenier', opera. Volume II. (Early 19th
century)
Scope and Content

(generally in separate score), triangles, and strings, in score, by J. N. Hummel. Characters:
Gorgus, Mantiklus, Euergetidas, Gonippus, Pandion, Theokles, Aristomenes, Theone, Archidamia,
Melanthus, Æthusa, Anaxander, Side, Chariklea; with Choruses of Priests, People, Messenians,
Spartan Maidens, etc.
Page 31 2018-06-21
Add MS 32205 Johann Nepomuk Hummel: 'Pimmalione', opera (Early 19th

century)
Title Johann Nepomuk Hummel: 'Pimmalione', opera (Early 19th century)
Scope and Content

'Pimmalione: Azione Teatrale. Messa in Musica per Ordine dell...Conte Francesco di Pallfy da
Giov. Nep. Hummel...Vienna'; with overture, symphonies and accompaniments for flutes, oboes,
clarinets, bassoons, horns, trumpets, drums, and strings, in score. The words are by Signer d'
Antonio. Characters: Pimmalione and Galatea; with a Chorus of Pupils of Pygmalion.
Add MS 32206 Johann Nepomuk Hummel: 'Stadt und Land', opera (Early
19th century)
Title Johann Nepomuk Hummel: 'Stadt und Land', opera (Early 19th century)
Scope and Content

'Stadt und Land: Operetta in 1 Aufzug; für das Theat. an der Wien'; with introduction,
symphonies, and accompaniments for flutes, clarinets, oboes, bassoons, horns, and strings, in
score. [By J. N. Hummel.] Autograph. Characters: Gut-herz, Simon, Seraphine, Hektor, Hännchen,
Jack, Jakob.
includes: f. 158 Francis Close, Dean of Carlisle: Letter to Rev. H. T. Ellacombe: 1869.
Page 32 2018-06-21
Add MS 32207-32208 Johann Nepomuk Hummel: 'Die vereitelten Ranke',

opera (1806)
Creation Date 1806
Title Johann Nepomuk Hummel: 'Die vereitelten Ranke', opera (1806)
Scope and Content

'Die vereitelten Ranke': Eine komische Oper in zwey Aufzügen, aus dem Italienischen nach 'Le
Vicende d' Amore' [see Add MS 32197, f. 135]. In Musik gesetzt und...Fürsten Nicolaus
Esterházy v. Galantha...zugeeignet, von Joh. Nep. Hummel.' First performed in the theatre at
Eisenstadt on the name-day of Princess Maria Eszterházy, September, 1806. Autograph. In two
volumes. The overture, symphonies, and accompaniments are written for flutes, oboes,
clarinets, bassoons, horns, trumpets, drums, trombones, and strings, in score, with a few
additional wind-parts at the end of vol. i and the middle of vol. ii. Characters: Marquise
Doralice (originally die Baronesse), Elvire, Don Alonso, Don Piccariglio, Pinadoro; with
Chorus of Peasants, etc.
Add MS 32207 Johann Nepomuk Hummel: 'Die vereitelten Ranke', opera.

Volume I. (1806)
Creation Date 1806
Title Johann Nepomuk Hummel: 'Die vereitelten Ranke', opera. Volume I. (1806)
Scope and Content

Eisenstadt on the name-day of Princess Maria Eszterházy, September, 1806. Autograph. The
overture, symphonies, and accompaniments are written for flutes, oboes, clarinets, bassoons,
horns, trumpets, drums, trombones, and strings, in score, with a few additional wind-parts at
the end of vol. i and the middle of vol. ii. Characters: Marquise Doralice (originally die
Baronesse), Elvire, Don Alonso, Don Piccariglio, Pinadoro; with Chorus of Peasants, etc.
Page 33 2018-06-21
Add MS 32208 Johann Nepomuk Hummel: 'Die vereitelten Ranke', opera.

Volume II. (1806)
Creation Date 1806
Title Johann Nepomuk Hummel: 'Die vereitelten Ranke', opera. Volume II. (1806)
Scope and Content

Eisenstadt on the name-day of Princess Maria Eszterházy, September, 1806. Autograph. The
overture, symphonies, and accompaniments are written for flutes, oboes, clarinets, bassoons,
horns, trumpets, drums, trombones, and strings, in score, with a few additional wind-parts at
the end of vol. i and the middle of vol. ii. Characters: Marquise Doralice (originally die
Baronesse), Elvire, Don Alonso, Don Piccariglio, Pinadoro; with Chorus of Peasants, etc.
Add MS 32209 Johann Nepomuk Hummel: 'Das belebte Gemählde', ballet

(1809)
Creation Date 1809
Title Johann Nepomuk Hummel: 'Das belebte Gemählde', ballet (1809)
Scope and Content

Ballet, 'Das belebte Gemählde,' by Philippe Taglioni; with music by Johann Nepomuk Hummel,
1809. Autograph. Written for an orchestra of flutes, oboes, clarinets, bassoons, horns,
trumpets, drums, and strings. In score. Principal dancers: Messrs. Paglioni (? Taglioni) and
Vulcani, and Mlle. Neumann.
Page 34 2018-06-21
Add MS 32210 Johann Nepomuk Hummel: 'Sappho', ballet (Early 19th

century)
Title Johann Nepomuk Hummel: 'Sappho', ballet (Early 19th century)
Scope and Content

'Sappho': ballet in 6 Acts, written for flutes, oboes, clarinets, bassoons, horns, trumpets,
drums, and strings, in score, with trombones in separate score. [By J. N. Hummel.] Autograph.
The pas de deux (f. 44) in Act ii was danced by Mme [Magdalene] Treitschke [d. 1816] and Monsr
[Salvatore] Vigano.
Add MS 32211 A collection of compositions by Johann Nepomuk Hummel,

and a pedigree of the Cure family (18th century-19th century)
Languages of Material English; French
Title A collection of compositions by Johann Nepomuk Hummel, and a pedigree of the

Cure family (18th century-19th century)
Scope and Content

ff. 1-96. Portions of two ballets, in score, by [J. N.] Hummel; 1837, etc. Autograph. 1. 'Das
Zauber-glöckchen': consisting of four numbers, written for flutes (including piccolo), oboes,
clarinets, bassoons, horns, trumpets, drums, trombones, and strings, with a separate score for
the military drum, bass-drum, cymbals, and triangle. Dated at the end (f. 48) 2 Feb. [1]837.
f. 1. 2. '4 Num[m]ern zum Viganoischen Ballet, 'Das Zauberschloss'; the last two unfinished.
The first two, which are described as nos. 11 and 12, are written for flutes, clarinets,
oboes, bassoons, horns, trumpets, and strings, f. 53.
f. 73 Cure family; of Southwark: Pedigree: 19th cent.
f. 97. 'Un jeune troubadour qui...'; with a pianoforte accompaniment, in score, written on the
same sheet as an unfinished sketch of a ballet by J. N. Hummel, and possibly an early
composition by him; 18th-19th cent.
Page 35 2018-06-21
Add MS 32212-32213 Johann Nepomuk Hummel: 'Der zauber-kampf',

pantomime (1812)
Creation Date 1812
Title Johann Nepomuk Hummel: 'Der zauber-kampf', pantomime (1812)
Scope and Content

'Der zauber-kampf,' oder 'Harlekin in seiner Heimath' [Pantomime] di me Giov. Nep. Hummel —
aufgeführt an der Wien am 23. May [1]812.' Written for flutes (piccoli, etc.), oboes,
clarinets, bassoons, horns, trumpets, drums, trombones, cymbals, triangles, and strings, in
score, the trombone parts being generally added at the end of the numbers to which they
belong. In two volumes.
Add MS 32212 Johann Nepomuk Hummel: 'Der zauber-kampf', pantomime.

Volume I. (1812)
Creation Date 1812
Title Johann Nepomuk Hummel: 'Der zauber-kampf', pantomime. Volume I. (1812)
Scope and Content

score, the trombone parts being generally added at the end of the numbers to which they belong.
Page 36 2018-06-21
Add MS 32213 Johann Nepomuk Hummel: 'Der zauber-kampf', pantomime.
Volume II. (1812)
Creation Date 1812
Title Johann Nepomuk Hummel: 'Der zauber-kampf', pantomime. Volume II. (1812)
Scope and Content

score, the trombone parts being generally added at the end of the numbers to which they belong.
Add MS 32214-32215 Johann Nepomuk Hummel: 'Der Zauber-ring',

pantomime (1811)
Creation Date 1811
Title Johann Nepomuk Hummel: 'Der Zauber-ring', pantomime (1811)
Scope and Content

'Der Zauber-ring,' oder 'Harlekin als Spinne,' gesetzt von Pasq. Angiolini: aufgeführt
im...Theater an der Wien [10 Junij 1]811': Pantomime, in 2 Acts; the music by Johann Nepomuk
Hummel, in score. Autograph. The instruments employed were flutes, oboes, clarinets, bassoons,
horns, trumpets, drums, and strings, and in one number Turkish drums, Teller (? = cymbals),
and sleigh-bells. The names given to some of the pieces of which the pantomime is composed
are: Overture, Serenata, Contra-danze, Entre-acte, Alia Siciliana, Russa (danced apparently by
— Rainoldi), Ballabile, etc. In two volumes.
Page 37 2018-06-21
Add MS 32214 Johann Nepomuk Hummel: 'Der Zauber-ring', pantomime.
Volume I. (1811)
Creation Date 1811
Title Johann Nepomuk Hummel: 'Der Zauber-ring', pantomime. Volume I. (1811)
Scope and Content

— Rainoldi), Ballabile, etc.
Add MS 32215 Johann Nepomuk Hummel: 'Der Zauber-ring', pantomime.

Volume II. (1811)
Creation Date 1811
Title Johann Nepomuk Hummel: 'Der Zauber-ring', pantomime. Volume II. (1811)
Scope and Content

— Rainoldi), Ballabile, etc.
Page 38 2018-06-21
Add MS 32216 A collection of incidental music and concertos by Johann
Nepomuk Hummel (18th century-19th century)
Title A collection of incidental music and concertos by Johann Nepomuk Hummel

Scope and Content

ff. 1-116b. Incidental music for flutes (including occasionally piccolo), oboes, clarinets,
bassoons, horns, trumpets, drums, trombones (in nos. 1 and 2), triangles (in nos. 3 and 13),
cymbals (in no. 13), and strings, mostly in score, by J. N. Hummel; 1833, etc.. Autograph. 1.
'Ouverture zum Schauspiel: 'Johann von Finnland'; fur grosses Orchester und Extra
Harmonie-Tafel-musik;... No. 2... [1]833.' f. 1. 2. March in D (in score) from ‘Hadrian’. ff.
25b-28b. (See also Add MS 32217 ff. 26-41 for the trio from this march in parts). 3. The
triangle part frm the Grave from 'Hadrian.' f. 29 (See also Add MS 32217 ff. 26-41 for the
rest of the parts from the Andante and Grave from ‘Hadrian). 4-12. Five Entr'actes, three
Marches, and a Romance, 'Geheimnissvolle Wüste' (in Act iii); from 'Marpha.' f. 30. 13.
'Quintette nell (sic) Ballo, 'Paul et Virginie.'' ff. 101-116b.
ff. 117-129b. Concerto for mandoline, with 2 flutes, 2 horns, 2 violins, viola, and
contrabasso or violoncello, in parts; 1799. Written by Johann Nepomuk Hummel for Bartolomeo
Bortolazzi. Autograph. This volume contains the parts for mandoline, 2 flutes, 2 horns, 2
violins, and viola. The contrabasso or violoncello part is in Add MS 32217 ff. 42-44.
ff. 130-147. A concerto for pianoforte, with 2 violins, viola, basso, 2 flutes, 2 clarinets, 2
bassoons, 2 horns, 2 trumpets, and drums, in parts, by Hummel; 18th-19th century. Allegro
moderato, Romanza, Rondo spagnuolo; in A flat (op. 113). This volume contains the pianoforte
part, for the parts for the violins, viola, basso, flutes, clarinets, bassons, horns,
trumpets, and drums, see Add MS 32217 45-105.
ff. 148-157. A concerto for pianoforte, with 2 violins, viola, basso, 2 oboes and 2 horns, in
parts, by Hummel; 18th-19th century. Allegro moderato, Andante with variations, Rondo; in A.
It is described as 'par Jean Hummel jun.,' and is probably an early composition. Apparently
autograph. This volume contains the pianoforte part. For the parts for the violins, viola,
basso, oboes and horns, see Add 32218 ff. 1-20.
Page 39 2018-06-21
Add MS 32217 A collection of marches, incidental music and concertos by
Johann Nepomuk Hummel (18th century-19th century)
Title A collection of marches, incidental music and concertos by Johann Nepomuk

Scope and Content

ff. 1-25. 'Trois grandes marches militaires composées pour ... le Grand Duc Nicolas de Russie'
[by Hummel] ; 18th-19th century. Autograph. The instruments employed are clarinets (big and
little), oboes, basset-horns, flutes, horns, bassoons, double bassoons, and bass horns, in
score, with (in nos. 1 and 3) triangle, military drum, tambourine, cymbals, and bass drum, in
separate score. 1. In C. f. 1. 2. In A flat. f. 9. 3. In C minor. f. 16.
ff. 26-41. Incidental music for flutes (including occasionally piccolo), oboes, clarinets,
bassoons, horns, drums, and strings, mostly in score, by J. N. Hummel; 1833 etc.. Autograph.
1-3. The trio from the March in D (in parts), and Andante and Grave (in parts, except the
triangle part in the grave); from 'Hadrian.' For the full March in score, and the triangle
part from the Grave, see Add MS 32216 ff. 25b-29.
ff. 42-44. Concerto for mandoline, with 2 flutes, 2 horns, 2 violins, viola, and contrabasso
or violoncello, in parts; 1799. Written by Johann Nepomuk Hummel for Bartolomeo Bortolazzi.
Autograph. This volume contains the contrabasso or violoncello part. The parts for the
mandoline, flutes, horns, violins, and viola, are in Add MS 32216 ff. 117-129b.
ff. 45-105. A concerto for pianoforte, with 2 violins, viola, basso, 2 flutes, 2 clarinets, 2
bassoons, 2 horns, 2 trumpets, and drums, in parts, by Hummel; 18th-19th century. Allegro
moderato, Romanza, Rondo spagnuolo; in A flat (op. 113). This volume contains the parts for
the violins, viola, basso, flutes, clarinets, bassons, horns, trumpets, and drums. For the
pianoforte part, see Add MS 32216 ff. 130-147.
Page 40 2018-06-21
Add MS 32218 A collection of concertos, a trio, and a sonatina by Johann
Nepomuk Hummel (18th century-19th century)
Title A collection of concertos, a trio, and a sonatina by Johann Nepomuk Hummel

Scope and Content

ff. 1-20. A concerto for pianoforte, with 2 violins, viola, basso, 2 oboes and 2 horns, in
parts, by Hummel; 18th-19th century. Allegro moderato, Andante with variations, Rondo; in A.
It is described as 'par Jean Hummel jun.,' and is probably an early composition. Apparently
autograph. This volume contains the parts for the violins, viola, basso, oboes and horns. For
the pianoforte part see Add MS 32216 ff. 148-157.
ff. 21-39. Grand Concerto for bassoon, with oboes, horns, and strings, in score, composed by
Hummel for — Griesbacher; 18th-19th cent. Autograph.
ff. 40-44. Trio (Allegro moderato, Andantino grazioso, Minuet, Rondo — 'La Burlesca'), in G,
for 2 violas and violoncello, in score, by Hummel; 1801. Autograph.
ff. 45-53. Sonatina, or 'Amusement,' in three movements (Allegro moderate, Romance, Rondo),
beginning in F minor and ending in F major, composed [by Hummel] for the Duchesse de Berry,
Paris, May, 1825; 1825 etc. Autograph.
Add MS 32219-32220 Pianoforte concertos by Johann Nepomuk Hummel,

in score (c 1814-c 1833)
Creation Date c 1814-c 1833
Title Pianoforte concertos by Johann Nepomuk Hummel, in score (c 1814-c 1833)
Scope and Content

Autograph. Published.
Page 41 2018-06-21
Add MS 32219 Volume I of a collection of pianoforte concertos by Johann

Nepomuk Hummel (c 1814-c 1825)
Title Volume I of a collection of pianoforte concertos by Johann Nepomuk Hummel (c

1814-c 1825)
Scope and Content

Concertos for pianoforte, with flutes, oboes, clarinets (except in no. 2), bassoons, horns,
trumpets, and drums (in no. 2 only), in score, by Hummel. Autograph. Published.
1. Allegro moderato in A minor [op. 85]. f. 1.
2. Allegro (?), Adagio, Finale; in C [? op. 34, about 1825]. f. 59.
3. Allegro pomposo, Andante con moto, Rondo; in E ['Les Adieux de Paris,' op. 110], 1814. f.
138.
Add MS 32220 Volume II of a collection of pianoforte concertos by Johann

Title Volume II of a collection of pianoforte concertos by Johann Nepomuk Hummel

(c 1819-c 1833)
Scope and Content

Concertos for pianoforte, with flutes, oboes, clarinets (except in no. 2), bassoons, horns,
trumpets, drums, and trombone (in no. 2 only), in score, by Hummel. Autograph. Published.
1. Allegro moderato, Larghetto, Vivace; in B minor [op. 89], 1819. f. 1.
2. Allegro moderato, Larghetto, Allegro con trio; in F [op. 127], 1833. f. 103.
Page 42 2018-06-21
Add MS 32221 The libretto for "Das haus ist zu verkaufen", and a concerto
by Johann Nepomuk Hummel (c 1818)
Title The libretto for "Das haus ist zu verkaufen", and a concerto by Johann
Nepomuk Hummel (c 1818)
Physical Characteristics Paper. Small Quarto.
Scope and Content

1. "Das haus ist zu verkaufen." Printed libretto. f. 1.
2. Concerto (?), consisting of a short Adagio con moto in E leading into 'A la Polacca' in A,
for violin, with flutes, clarinets, horns, drums, bassoons, and strings, in score, supposed to
be by Hummel. f. 26 b-45.
Add MS 32222 A collection of concertos, cadenzas, and a quartet for

pianoforte and strings by Johann Nepomuk Hummel (18th
Title A collection of concertos, cadenzas, and a quartet for pianoforte and

strings by Johann Nepomuk Hummel (18th century-19th century)
Scope and Content

ff. 1-42. Concerto (Allegro risoluto and Rondo) in G, for violin, with flutes, oboes,
bassoons, horns, and strings, in score; supposed to be by Hummel, but not in his hand, though
it has rather the appearance of an autograph; 18th-19th cent.
ff. 43-88. Concerto in E (Allegro con spirito and Rondo), for trumpet, with drums, horns,
flute, oboe, clarinets, and strings, in score; with parts for 2 bassoons, in a separate score.
By Hummel, ended 8 Dec. 1803, and produced on the following New Year's day 'alla tavola di
corte' [at Vienna?] by [Anton] Weidinger ['ober-hoftrompeter']; 1803. Autograph.
ff. 89-132. Cadenzas by Hummel to seven Pianoforte Concertos by Mozart; 18th-19th cent. The
numbers by which they are described below are those which they bear in the edition of Mozart's
Werke, published by Breitkopf and Härtel. The opus numbers are taken from the present MS. 1.
No. 26 (op. 46). f. 89b. 2. No. 19 (op. 44). f. 92b. 3. No. 12 (op. 4, 1). f. 94. 4. No. 16
(op. 20). f. 97b. 5. No. 18 (op. 17). f. 99b. 6. No. 13 (op. 4, 3). f. 101b. 7. No. 11 (op. 4,
Page 43 2018-06-21
2). f. 104b. 8. Another cadenza to the rondo in no. 18, apparently in Hummel's hand. f. 131.
ff. 107-130b. Sketch [by Hummel], 1829, of a Quartet in E flat, apparently for pianoforte, 2
violins and a bass, in score; 1829. It consists of three movements, of which the first (in
common time) is imperfect at the beginning, the second is an Andante, and the third a Rondo.
Add MS 32223-32224 A collection of German dances, in full score, by

Johann Nepomuk Hummel (1804-1812)
Title A collection of German dances, in full score, by Johann Nepomuk Hummel

(1804-1812)
Scope and Content

Nine sets of 'Balli Tedeschi' or 'Deutsche [Tänze],' for flutes, oboes, clarinets, bassoons,
horns, trumpets, drums, and strings, in score, with the occasional addition of trombones,
cymbals, and triangles, written by Hummel at Vienna. They are in 3/4 time, each being followed
by a trio, and sometimes by as many as 5 trios, the whole set ending with a coda. There is
frequently a 2nd, or even a 3rd, version of the wind parts.
Page 44 2018-06-21
Add MS 32223 Volume I of a collection of German dances by Johann
Nepomuk Hummel (1804-1809)
Title Volume I of a collection of German dances by Johann Nepomuk Hummel

(1804-1809)
Scope and Content

Five of Nine sets of 'Balli Tedeschi' or 'Deutsche [Tänze],' for flutes, oboes, clarinets,
bassoons, horns, trumpets, drums, and strings, in score, with the occasional addition of
trombones, cymbals, and triangles, written by Hummel at Vienna. They are in 3/4 time, each
being followed by a trio, and sometimes by as many as 5 trios, the whole set ending with a
coda. There is frequently a 2nd, or even a 3rd, version of the wind parts.
1. Six written for the Carnival, 1804. f. 1.
2. Twelve, 1807. f. 28.
3. Twelve, for the Redouten-Saal, 1808. The wind instruments in the Coda are divided into two
'Harmonien' or Bands. f. 70.
4. Twelve, for the Apollo-Saal, 1808, with a 2nd version of the 9th in the set (ff. 120. 123).
The orchestra is here divided into two, as in the 3rd set. f. 104.
5. Six written for the same hall, 1809. f. 169.
Page 45 2018-06-21
Add MS 32224 Volume II of a collection of German dances by Johann
Nepomuk Hummel (1811-1812)
Title Volume II of a collection of German dances by Johann Nepomuk Hummel

(1811-1812)
Scope and Content

Four of Nine sets of 'Balli Tedeschi' or 'Deutsche [Tänze],' for flutes, oboes, clarinets,
bassoons, horns, trumpets, drums, and strings, in score, with the occasional addition of
trombones, cymbals, and triangles, written by Hummel at Vienna. They are in 3/4 time, each
being followed by a trio, and sometimes by as many as 5 trios, the whole set ending with a
coda. There is frequently a 2nd, or even a 3rd, version of the wind parts.
1. Four, for the same hall, 1811. (For another version of the third, and for the coda, see
32225, no. 5) f. 1.
2. Eleven (the so-called 12th being only a repetition of the 5th), 1811. Performed in the
Redouten-Saal on St. Catherine's Day. f. 45.
3. Twelve, 'vom Römischen Kaiser,' 1811. f. 99.
4. Six, for the Apollo-Saal, 1812, apparently originally written in the preceding year for the
French Ambassador, and containing a part for harp. f. 132.
Page 46 2018-06-21
Add MS 32225 A collection of dances and marches by Johann Nepomuk
Hummel (1807-1812)
Title A collection of dances and marches by Johann Nepomuk Hummel (1807-1812)
Scope and Content

ff. 1-218. Dances for orchestra, in score, by Hummel, written for the Apollo-Saal at Vienna;
1807-1812. Autograph. Most of them are for flutes, oboes, clarinets, bassoons, horns,
trumpets, drums, and strings, with occasionally triangle and cymbals; followed by other
versions, sometimes simplified for a smaller band. Unless the contrary is stated they are
Minuets with Trios, in sets. 1. Twelve, 1807. The last one (f. 24b) is called 'La Tempesta.'
f. 1. 2. Twelve more, 1808. No. 8 (f. 43, etc.), is 'alla Turca'; and no. 11 (f. 49b), 'alla
militair.' ff. 27, 55, 67. 3. Six, 1809. ff. 76, 102. 4. Six more, 1811. ff. 110, 162, 170. 5.
A German dance in D: 'No. 3' [of the set in 32224, no. 1, above], followed by the coda, 1811.
ff. 137, 141. 6. Six, 1812. ff. 173, 212, 220. 7. Another version of the coda in no. 5, above,
ff. 198-211b.
ff. 219, 222. March in C, for piccolo, flutes, oboes, horns, clarinets, trumpets, bassoons,
strings, drums, and cymbals, in full score, by Hummel; 1812. Autograph. Written for the Apollo
Saal in 1812, and apparently forming the Introduction to a set of Minuets written in that
year. Preceded (f. 219) by a simplified version (?) for clarinet, trumpet, and bassoon.
Add MS 32226-32229 A collection of orchestral compositions, in full score,

including overtures, variations, and arrangements by
Title A collection of orchestral compositions, in full score, including overtures,

variations, and arrangements by Johann Nepomuk Hummel (18th century-19th
century)
Physical Characteristics Paper. Oblong Folio and Folio.
Scope and Content

Add MS 32229 contains the string part of a quartet. The pianoforte part can be found in Add MS
32231, as well as a quartet arrangement of Beethoven's septet, 1827, continued in Add MS 32230
Page 47 2018-06-21
Add MS 32226 Volume I of a collection of orchestral compositions by

Title Volume I of a collection of orchestral compositions by Johann Nepomuk Hummel

Scope and Content

ff. 2-70. Overtures for flutes, oboes, clarinets, bassoons, horns, trumpets, drums, and
strings, in score, by Hummel; 18th-19th cent. 1. 'Freuden-Fest Ouverture, mit Benützung dreyer
Volkslieder ('God save the King,' Haydn's 'Gott erhalte den Kaiser,' and Hummel's 'Volkslied
aller Deutschen'), zum Geburtstag des Landes-fürsten.' Autograph. f. 2. 2. 'Ouverture
triomphale,' in D. f. 27.
ff. 71-84. 'Parthia in E flat à 8 parti (sic) per 2 Clarinette, 2 Oboe, 2 Corni e 2 Fagotti,
con Serpente ad libitum,' in score, by Hummel; 1803. Autograph. The movements are Allegro con
spirito, Andante più tosto Allegretto and Vivace assai.
ff. 85-88b. Polonaise and Trio in D, for flutes, oboes, clarinets, bassoons, horns, trumpets,
drums, and strings, in score; 18th-19th cent. [By Hummel.] Autograph.
ff. 89-129b. Two compositions by Hummel; 18th-19th cent. Autograph. 1. Andante, Allegro
vivace, Allegro moderato, and Allegro molto; for flutes, oboes, bassoons, horns, and strings,
with trumpets and drums introduced in the last movement. In score (except the drum part). At
the beginning is written in pencil 'Quartetto fur die Grotesken.' f. 89. 2. Variations on 'Ey,
du lieber Augustin,' for 1st violin (obbligato), 2nd violin, viola, flutes or piccoli
(obbligati), 2 horns (obbligati), 1st bassoon (obbligato), 2nd bassoon, drum, and cymbals, in
parts, ff. 115-129b.
ff. 130-203b. Compositions for pianoforte, with flutes, horns, oboes, and bassoons (in no. 1),
and strings. [By Hummel.]; 1830, etc. Autograph. 1. 'Variations e finale — Thema a[uf] d[em]
Fest der Handwerker,' 1830. f. 130. 2. Variations. f. 168.
Page 48 2018-06-21
Add MS 32227 Volume II of a collection of orchestral compositions by
Title Volume II of a collection of orchestral compositions by Johann Nepomuk

Scope and Content

ff 1-21b. Variations for oboe, with flutes, bassoons, horns, and strings, in score [by
Hummel]; 18th-19th cent. Autograph.
ff. 22-54b. Adagio and Rondo 'de Societè' for pianoforte, with clarinets, bassoons, horns, ad
libitum, and flute and strings obbligati; 1829. [By Hummel, op. 117, 1830.] Autograph. ff.
55-64b. 'Echo-Stük,' composed by Cherubini for the Mälzelsche Panharmonicum, arranged for
orchestra (flutes, oboes, clarinets, bassoons, horns, trombones, trumpets, drums, and
strings), in score, by Hummel; 1813. Autograph.
ff 65-94. Arrangements [by Hummel] for flute, violin, violoncello, and pianoforte, in score,
of the following works, in the arranger's hand; 1831, etc.:— 1. Haydn's 'Surprise' symphony.'
1831. f. 65. 2. Mozart's pianoforte concerto, op. 17. Imperfect. f. 89.
Add MS 32228 Volume III of a collection of orchestral compositions by

Title Volume III of a collection of orchestral compositions by Johann Nepomuk

Scope and Content

passim. Compositions by Hummel, for pianoforte, with flutes, clarinets, bassoons, horns,
strings, and other instruments named below; 1829-1835, etc. Nos. 1 and 2 are in score and
autograph. 1. ''L'Enchantement d'Oberon': Fantaisie caracteristique,' 1829; with oboes and (in
separate score) trumpets, drums, and triangle. [Published in 1830 as op. 116.] ff. 1-49. 2.
'Le Retour à Londres'; with oboes, etc. Described in pencil as 'Gd. Rondo brill[ant]. Op. 124'
[published by Haslinger in 1835 as op. 127]. For an arrangement for 2 pianofortes, see Add MS
32236. f. 61. 3. 'Introduzione e Rondo brillante concertante,' described in pencil as 'op.
117.' For the instrumental parts of this and of nos. 4 and 5, see Add MS 32229 . f. 100. 4.
'Rondo brillant mêlé du (sc. d'un) Thême russe' [op. 98, about 1835]; with oboes, trumpets,
drums, etc. f. 110. 5. 'Variazionen über ein beliebtes Thema aus dem Fest der Handwerker ';
described in pencil as 'op. 115.' (For the score, dated 1830, see 32226, f. 130.) f. 122.
ff. 50-60b. Dances, in score; 18th-19th cent. [By Hummel.] Autograph. Except where the
Page 49 2018-06-21
contrary is stated, they are written for clarinet, 2 violins, horns, and bass. 1.
'Contradance.' f. 50. 2-4. Three 'Ecossais.' f. 51. 5-7. Arrangement of nos. 2 and 3, and a
third piece of similar description, for full orchestra (flutes, oboes, bassoons, trumpets,
drums, etc.). f. 52. 8, 9. Two more pieces for a similar orchestra. f. 56. 10-15. Six
'Ländler.' f. 57. 16. Piece in 2/4 time, for horns, oboes, triangle, strings, etc. f. 60.
ff. 131-151b. 'Septetto Militare,' in parts, by Hummel, followed by certain alternative

passages in the composer's hand, evidently written for the London edition published by Cramer
in 1830, as op. 114; about 1830. This volume contains the pianoforte part. For the wind and
string parts, see Add MS 32229.
Add MS 32229 Volume IV of a collection of orchestral compositions by

Title Volume IV of a collection of orchestral compositions by Johann Nepomuk

Scope and Content

ff. 1-87b. Compositions by Hummel for pianoforte, with flute (marked 'obligato' in no. 1), 2
oboes (in no. 2 only), 2 clarinets, 2 bassoons, 2 horns, 2 trumpets and drums (in no. 2 only),
and strings, including a violoncello in no. 1 (where all the string parts are marked
'obligati'); about 1830, etc. Wind and string parts; for the pianoforte part see Add MS 32228,
ff. 100, 110, 122. 1. Introduzione and Rondo [op. 117]. f. 1.2. Unnamed [Rondo brillante, op.
98]. f. 28. 3. Unnamed ['Variazionen,' op. 115]. ff. 61 -87b.
ff. 88-119. 'Septetto Militare,' in parts, by Hummel, followed by certain alternative passages
in the composer's hand, evidently written for the London edition published by Cramer in 1830,
as op. 114; about 1830. This volume continas the wind and string parts. For the pianoforte
part, see Add MS 32228.
ff. 119-139b. Quartet (Allegro spiritoso, Andante, Rondo) in D [by Hummel], for pianoforte,
violin, viola, and violoncello; 18th-19th cent. This volume contains the string parts. The
pianoforte part is contained in Add MS 32231.
ff. 140, 148. Compositions for Pianoforte; 1825, etc. 1. Rondo (Vivace) in B minor, op. 108.'
[Jobann Nepomuk] Hummel,' 1825. ff. 140-145b. 2-4. Two Krakowiaks and a Mazur[ek]. Anonymous.
f. 148.
f. 146. 'Couplet,' written for a single voice and chorus, but without the words, accompanied
by pianoforte or harp, in score, by G. Antonini, addressed to the Emperor of Russia [Paul I,
d. 1801] on the occasion of the 'fête' of the Empress Maria Feodorovna; 18th-19th cent. The
words were by G. Derzhavin.
f. 149. A passage for Flute solo in the hand of J. N. Hummel, apparently intended for a
performer named Wass; 18th-19th cent.
f. 150b. Rough notes in the hand of Hummel, apparently for a symphony in B minor; 18th-19th
cent.
f. 151. Notes apparently made for a chorus in a German Ballet or Opera, with directions for
Page 50 2018-06-21
the use of 'Rohrpfeifen' in the accompaniment; 18th-19th cent. Found among some autograph
compositions by J. N. Hummel, but not in his hand.
ff. 152-157b. Arrangement of Beethoven's septet, made for flute, strings, and pianoforte by
Hummel; 1827. Rough draft. Part of the first movement only (continued in Add MS 32230).
Add MS 32230 A collection of waltzes, and part of an arrangement of a

Beethoven septet by Johann Nepomuk Hummel (1811-1827)
Title A collection of waltzes, and part of an arrangement of a Beethoven septet by

Johann Nepomuk Hummel (1811-1827)
Scope and Content

ff. 1-21. Continuation of Hummel's arrangement of Beethoven's septet in Add MS 32229; 1827.
ff. 22-134 Waltzes, in sets, for flutes, oboes, clarinets, bassoons, horns, trumpets, drums,
and strings, in score, by Hummel; 1811-1820. Nos. 1-19 are autograph. 1. Six, followed by
Trios, written in 1811 for the French Ambassador. At f. 36 is an alternative setting of the
last of the set. f. 22. 2. Twelve, with coda, written in 1817 for Count Illesházy [op. 112].
At f. 68 is a copy in a different hand. Pianoforte versions were published in1820. f. 40. 3.
Six, 1820 [published as Neue Walzer mit Trios nebst einer grossen Schlacht-Coda, written for
the Apollo-Saal, op. 91]. f. 95.
Page 51 2018-06-21
Add MS 32231 A collection of duets, trios, quartets, quintets, and a
pianoforte solo by Johann Nepomuk Hummel (18th century-19th
Title A collection of duets, trios, quartets, quintets, and a pianoforte solo by

Scope and Content

ff. 1-12b. The pianoforte part of the Quartet in D by Johann Nepomuk Hummel, of which the
string parts are contained in Add MS 32229; 18th-19th cent.
ff. 13-36b. Quartet in E flat for clarinet and strings, in score, composed by Hummel in 1808
for Count Friedrich von Sinzendorf; 1808. Autograph. It consists of Allegro moderato, Allegro
molto 'La Seccatura' (in which the 4 instruments play against each other in different times,
2/4, 12/8, 3/4, and 6/8), Andante, and Rondo.
ff. 37-56. Quintet in E flat, for violin, viola, violoncello, double bass, and pianoforte, in
score, by Hummel; 1802. It consists of four movements (—, Minuet, Largo, Finale). Autograph.
ff. 57, 58b. Sketches of Andantino in C, and Larghetto in F, apparently for Pianoforte;
18th-19th cent. [By Johann Nepomuk Hummel.]
ff. 61, 154. Compositions for pianoforte and violoncello, in score; 1824, etc. 1. Sketch of a
sonata in A [published as op. 104], by 'J. N. Hummel,' 1824. ff. 61-74b. 2. 'Thema' with
variations, in G. Anonymous. ff. 154-157b.
ff. 75-103b. Trio (Allegro con spirito, Adagio e cantabile, Minuet, Allegro vivace), in E
flat, for 2 violas and violoncello, in score, by Hummel; 1799. For the first movement the
composer afterwards substituted an Allegro con brio, which he has added in parts only, along
with the parts of the other three movements, at f. 89.
ff. 104-137b. Grand Trio in E flat [by Hummel, op. 93]; 1821. Original draft and neat copy.
ff. 138-148. Sketch [by Hummel] of his trio in E flat, op. 12, for horn, harp, and pianoforte;
18th-19th cent.
ff. 149-153b. Sketch of a Gavotte with variations, apparently for 2 violins, 2 violas, and a
bass, in score, in the hand of Johann Nepomuk Hummel; 18th-19th cent. It is followed by an
Adagio, and an Andante (founded on the same theme), in the repetition of which the pianoforte
was apparently to be substituted for the bass.
Page 52 2018-06-21
Add MS 32232-32235 A collection of arrangements of concertos, overtures,
and symphonies, by various composers. The arrangements
Title A collection of arrangements of concertos, overtures, and symphonies, by

various composers. The arrangements are by, and in the hand of, Johann
Nepomuk Hummel. (c 1825-c 1836)
Scope and Content

In score, for flute, violin, violoncello, and piano-forte.
Add MS 32232 Volume I of a collection of arrangements by Johann

Title Volume I of a collection of arrangements by Johann Nepomuk Hummel (c 1825-c

1836)
Scope and Content

Arrangements for flute, strings, and pianoforte, in score, by, and in the hand of, Hummel.
Seven symphonies by Beethoven.
1. No. 1, in C. f. 1.
2. No. 2, in D. f. 25.
3. No. 3, (Eroica), in E flat. 1831. f. 64.
4. No. 4, in B flat. f. 106.
5. No. 5, in C minor. Imperfect at end. f. 137.
6. No. 6 (Pastoral), in F. f. 166.
7. No. 7, in A. 1835. f. 205.
Page 53 2018-06-21
Add MS 32233 Volume II of a collection of arrangements by Johann

Title Volume II of a collection of arrangements by Johann Nepomuk Hummel (c 1825-c

1836)
Scope and Content

Arrangements for flute, strings, and pianoforte, in score, by, and in the hand of, Hummel.Nos.
1-5, and 9-11, are overtures to the operas named below. Nos. 6-8 are Symphonies.
1. 'Fidelio' (no. 4). Beethoven.' f. 1.
2. 'Caliphe de Bagdad'; with additional parts for triangle and tambourine. 'Boieldieu.' f. 9.
3, 4. 'Anacreon' [published in 1825], and 'Les deux journées.' 'Cherubini.' ff. 19, 31.
5. 'Matrimonio seg[reto].' 'Cimarosa.' f. 41.
6. In B flat [1795], 1831. This and nos. 7, 8, are by Haydn. f. 46.
7. In E flat ['Mit dem Paukenwirbel,' 1795], 1832. f. 68.
8. In E minor ['Letter I,' 1772], 1832. f. 93.
9. 'Fanchon.' 'Himmel.' f. 105.
10, 11. 'D[on] Juan,' and 'Titus.' 'Mozart.' ff. 115, 125.
Page 54 2018-06-21
Add MS 32234 Volume III of a collection of arrangements by Johann
Title Volume III of a collection of arrangements by Johann Nepomuk Hummel (c

1825-c 1836)
Scope and Content

Arrangements for flute, strings, and pianoforte, in score, by, and in the hand of, Hummel.Six
concertos by Mozart, with some of Hummel's cadenzas. The numbers given below are taken from
Breitkopf and Hartel's edition of Mozart's Works.
1. No. 16, in E flat. 1836. f. 1.
2. No. 24, in C minor. 1830. f. 41.
3. No. 18, in B flat. 1830. f. 74.
4. No. 20, in D minor. f. 100.
5. No. 25, in C. f. 137.
6. No. 26, in D. 1835. f. 171.
Add MS 32235 Volume IV of a collection of arrangements by Johann

Title Volume IV of a collection of arrangements by Johann Nepomuk Hummel (c 1825-c

1836)
Scope and Content

Arrangements for flute, strings, and pianoforte, in score, by, and in the hand of, Hummel.Nos.
1-4, 7-10, are the overtures to the operas named below, nos. 1-4 being by Rossini.
1. 'Barbiere di Seviglia.' f. 1.
2. 'Gazza ladra'. f. 9.
3. 'L'Italiana in Algieri.' f. 21.
4. 'Tancred[i].' f. 30.
Page 55 2018-06-21
5, 6. 'Grande Sinfonie' in D (1827), and 'Ouverture' in D minor. 'A[ndreas] Romberg.' ff. 38,
67.
7. 'Demofont.' 'Vogel' (sc. Abbé Vogler). f. 78.
8, 9. 'Euyanthe,' and 'Freyschütz.' 'Ch. M. Weber.' ff. 86, 97.
10. '[Das unterbrochene] Opferfest.' 'Winter.' f. 109.
Add MS 32236 A collection of compositions for organ, orphica, and

pianoforte, as well as a fragment of an aria (18th century-19th
Title A collection of compositions for organ, orphica, and pianoforte, as well as

a fragment of an aria (18th century-19th century)
Scope and Content

ff. 1-10b. Compositions for Organ, by Johann Nepomuk Hummel, written on two 5-line staves;
18th-19th cent. 1. Capriccio in E flat minor. f. 1b. 2. Prelude, Largo and Fugue; in C minor.
f. 3b. 3. Un poco Andante, in A flat. f. 5b. 4. Fugue in E flat. f. 8b. 5. Ricercare in G. f.
9b.
ff. 11 -14b. Composition (Adagio, Andantino, Allegro, etc.), apparently written for organ and
pianoforte; 18th-19th cent. [By Hummel.] Autograph. Organ part.
ff. 15, 16. Solos for the 'Orfica,' or Orphica, without accompaniment, by Hummel; 18th-19th
cent. Autograph. 1. Grave and Allegro, in C. f. 15. 2. Adagio in F. f. 15. 3. A piece without
title (common time, changing to 3/4 time), in B flat. f. 16.
f. 16b. Fragment of an aria from an Opera in which one of the characters appears to be La
Marchesina; 18th-19th cent. In the hand of J. N. Hummel.
ff. 17-62. Pianoforte duets [by Hummel]; 1820, 1822. Autograph. 1. Nocturne in F, 'P[our] P.f.
à 4 mains et 2 Cors ad libit' [op. 99], 1822. Preceded by the horn parts. f. 17. 2. 'Sonate
(Grave, Andantino sostenuto, Rondo) à 4 mains' [op. 92], 1820. ff. 27-62.
ff. 63-189b passim. Compositions for the Pianoforte by Johann Nepomuk Hummel, mostly
autograph; about 1790-1830. 1, 2. Two pieces from a set of 'Six Bagatelles,' namely; — one
without title in F (6/8 time), and a Larghetto in A flat. ff. 63, 65. 3-5. 'Trois
Divertissements.' ff. 67, 70, 74. 6. Fantasia, beginning in A flat, and ending in C. f. 79. 7.
Fantasia, in C minor, 1794 (?), 'Plaid at the Benefit this year.' f. 87. 8-10. 'Tre Fughe a
4tro per il Cembalo' [op. 7, about 1830]. ff. 94, 95b, 96b. 11. Impromptu 'In Canone.' f. 98.
12. March in E flat. f. 99. 13. Overture in B flat. f. 100. 14. Potpourri, written for Fr. von
Dogaly [about 1825]. f. 104. 15-17. Three Rondos, in B flat, A, and C. ff. 108, 112, 116. 18.
Another in B flat. f. 120. 19. Rondo 'All' ongarese.' ff. 123, 125b. 20. 'Rondoletto Cosaque.'
f. 134. 21. 'Sonata 9' (Allegro moderato, Andantino, and Fugue), beginning in A flat and
ending in E flat. f. 137. 22. [Grand] Sonata in D [op. 106], 1824. f. 142. 23. 'Jem of
Aberdeen,' with seven variations. 'Master Hummel from Vienna — only Twelve years of age' [?
1790]. f. 157. 24. 'Aria de Malborouck,' with nine variations. f. 159. 25. Eleven variations
for Harpsichord or Pianoforte,' in A. f. 162. 26. Tema, with variations, by Count Brühl. f.
165. 27. Aria with six variations (on a theme from 'Aline '). f. 171. 28. Sketch of what
appears to be intended for a set of eleven variations. f. 173. 29. Air with variations. f.
Page 56 2018-06-21
174. 30. Introduction and air with variations. f. 176. 31. Piece without title in C (2/4
time). f. 178. 32. Piece without title ['Romance favorite,' op. 107, about 1830], with
variations. f. 180. 33-44. Set of twelve 'Walzer alla Sontag.' ff. l83-188b. 45. Sketch of
what appears to be a sonatina in G, beginning with an Adagio and ending with an Allegro assai.
f. 189.
ff. 126-133. 'Le Retour de (sc. à) Londres': Grand Rondo brillant [by Hummel, op. 127, 1835];
about 1835. Autograph. 2nd Pianoforte part, to replace the Orchestra (For the full orchestral
score, see Add MS 32228. f. 61).
Add MS 32237 A collection of compositions, vocal and instrumental, most

of them unfinished and some only sketched in pencil, in
Languages of Material English; German; Italian
Title A collection of compositions, vocal and instrumental, most of them

unfinished and some only sketched in pencil, in the hand of Johann Nepomuk
Physical Characteristics Paper. Oblong Folio, Oblong Octavo, and Oblong Duodecimo.
Scope and Content

passim. Fragments or sketches of airs, etc., most of them without accompaniment, from dramatic
works, almost entirely in the hand, and presumably the composition, of J. N. Hummel; about
1797-1828. I. From an Opera in which the principal characters are Lisette, Johann (as the
Marquis Ventil), Werner, etc. ff. 3-16. Included are the trio, 'Die Frauen in der Stadt' (f.
3); 'rondo polacca,' begins 'Ja, mit dir,' with flute(?) obbligato (f. 5); the duets, 'Auf
einen Ball in Wien' (f. 7), 'Nein und Nimmermehr' (f. 9), and 'Nur verderb' mir nicht den
Plan' (f. 11); and the arias, 'Ma Déesse' (f. 13), 'Wie reizend schön' (f. 15), and
'Allmächtig ist die Liebe' (f. 16). II. From a pastoral drama in which the principal
characters are Eucharis and Daphne. ff. 17-27. Included are the aria, 'Ja, auch in der Götter
Herzen' (ff. 17, 18), and the duet, 'Nie hat noch mit so heissen Triebe' (ff. 18b, 20, 24).
III. Fragment of a full score, in which the name Katherine occurs. f. 28. IV. From a work in
which the principal characters are Nikolo, Simone, Paf..., and Rosine. ff. 30-43b. It contains
an aria, 'Come il Porto di Livorno,' with symphonies and accompaniments for drums, trumpets,
oboes, horns, flutes, bassoons, and strings, in full score (f. 31); and another, 'Il mio caro
amato sposo,' with a partly figured bass (f. 39); and two long scenas, in which most of the
characters take part (ff. 40, 41b). V. Single numbers from Operas, viz.: — 1. 'Sprezza il
furor del vento.' The words from Metastasio's 'Adriano.' f. 46. 2. 'Soave sia il vento': trio.
The words are from 'Cosi fan tutte,' but the music is not from Mozart's setting of that Opera.
f. 53. 3. 'Pace, Amor.' The words probably from 'Attilio Regolo.' f. 54. 4. 'Ne' giorni tuoi
felici': duet with pianoforte accompaniment, in score. The words from Metastasio's 'L'
Olimpiade.' f. 56. 5. 'Sento che in petto'; for 4, 3, or 2 voices, in score. [? From 'Il
viaggiator ridicolo,' 1797.] f. 59. 6. 'Se m' accesi': cavatina, in score. [?From the same
work.] f. 59b. 7. Duet(?). The words only partially given. f. 60. 8. 'Aure belle': aria. f.
61. 9. 'Innocente donzelletta': canzonetta [from 'Le vicende d' amore,' 1804]. f. 62b. 10.
'...la sposa—lo sposo.' f. 63b. 11. 'Ci mancava la Madama' [from 'Il viaggiator ridicolo '].
f. 64. 12. 'Come un gatto innamorato.' f. 65. 13. 'Pare apunto un amorino.' f. 66. 14. Scene
from an Opera in which two of the characters are Sabina and Emirena. f. 67. 15. 'Where the bee
sucks' [from 'The Tempest,' by Arne, 1746]. Melody only of opening bars. f. 70. 16. 'With
lowly suit & (sc. out) of 'No song no supper' ' [by S. Storace, 1790]. f. 70. 17. Trio
from 'L' Inganno felice.' Pencil sketch without words. Watermark (on f. 87) 1828. f. 85. 18.
'Echo zur 'Sentinelle': a fragmentary sketch. f. 110.
Page 57 2018-06-21
ff. 44, 49-52. Melodies of what appear to be Italian songs, in the hand of J. N. Hummel;
18th-19th cent. 1. 'Ninfe, se liete viver bramate.' f. 44. 2. 'Placa gli sdegni tuoi.' The
words of this and no. 3 are by the Abbate Metastasio. f. 49. 3. 'Grazie agl' inganni tuoi.' f.
50. 4. 'Non siate ritrosi.' f. 51.
f. 58. 'Nel mirarvi, o boschi amici'; for 4 voices, in score, without accompaniment, in the
hand, and apparently the composition, of J. N. Hummel; 18th-19th cent.
f. 68. Fragment, apparently of a Motet with instrumental accompaniment, containing the words .
. . ‘in corde nostro tu inspira.’ In the hand, and apparently the composition, of J. N.
Hummel; 18th-19th cent.
ff. 69-107, passim. Arrangements for the Pianoforte, or sketches of compositions for that
instrument, mostly in the hand of Hummel; 18th-19th cent. 1. Danish melody. f. 69. 2. Tema in
A minor (3/4 time). f. 72b. 3-7. Krakowiak, Mazurek, Moderate in D minor (2/4 time), Allegro
in G (2/4 time), and 'National' in D (2/4 time). f. 76. 8-10. 'Chansonettes Polonoises.' f.
76b. 11. Piece without title, in G (2/4 time), apparently Russian. f. 78. 12. Another without
title, in F (common time). f. 80. 13. 'Rondo villag[e]ois' [published in 1832, op. 122]. f.
88. 14. Tema in G (2/4 time). f. 89. 15. Un poco vivace, in F (6/8 time). f. 93. 16. Tema
(Allegro assai) in E (6/8 time). f. 94. 17. 18. Temas in A flat and E flat (2/4 time). f. 95b.
19. Piece without title, in C (3/4 time). f. 105. 20. Another fragment, apparently in C (9/8
time). f. 107.
f. 70. The melody of the 3-part Round, 'How Great is the pleasure,' by 'Harrison,' sc. Dr.
Henry Harington of Bath; 18th-19th cent. In the hand of J. N. Hummel.
f. 70. 'Could a man be secure': the melody of the first four bars. [By S. Goodwin?] In the
hand of J. N. Hummel; 18th-19th cent.
f. 71. Melody in B flat (2/4 time) in the hand of J. N. Hummel, who describes it as 'Irisch.';
18th-19th cent.
f. 71. Two melodies in the hand of Johann Nepomuk Hummel, who has described them as
'Englisch.'; 18th-19th cent.1. In A minor (6/8 time). 2. In G minor (2/4 time). A hornpipe(?).
ff. 73, 73b. Three Norwegian melodies in 3/4 time, in the keys of D minor, G, and G minor;
18th-19th cent. Transcribed by J. N. Hummel.
f. 73b. Melody of the Swedish song 'Neckens Palska'; in the hand of J. N. Hummel; 18th-19th
cent.
ff 74-75b, 77. Polish melodies in the hand of J. N. Hummel; 18th-19th cent. 1. 'Hochzeits Lied
in Pohlen—alla Mazur[ka].' f. 74. 2-5. 'Crakowiaka von mir selbst'; 'Mazur'; and 'Kosziusko
und Dombrovskische Themas.' Against the last the composer has written 'Nicht zu gebrauchen,
wegen den politischen Verhältnissen Pohlens.' f. 75. 6, 7. 'Mazur'; and 'Crakoviaka.' f. 75b.
8. Viola part of a march in A. f. 77.
f. 77b. Sketch of what appeal's to be a choral work founded on a 'russische Lied à 4 Voci';
dedicated to Monsieur de Schulzin, Head of the Police at Moscow, by J. N. Hummel; 18th-19th
cent.
ff. 78b. A Russian melody, described as “ИВУМКА”(?); 18th-19th cent.
f. 79. Melodies of two 'Aufsätze zu Schnell-Märsche für turkische Musik'; in the hand of J. N.
Hummel; 18th-19th cent.
ff. 92, 109. Minuet in E minor, and Polacca in C minor, in the hand of Hummel; 18th-19th cent.
ff. 92, 93. Fragments of Quartets in the hand of J. N. Hummel; 18th-19th cent. 1. Four bars
(in E minor ?). Viola part. f. 92. 2. Thema (Allegro moderato) in G minor. f. 93.
ff. 97, 98. Sketches (fragmentary), in the hand of Hummel, of two instrumental compositions
marked 'Sinfonia.'; 18th-19th cent. 1. In E minor. f. 97. 2. In F minor. f. 98.
Page 58 2018-06-21
Add MS 32238 A collection of concerto programmes, and two compositions

by Sigismund Neukomm (1816-1832)
Title A collection of concerto programmes, and two compositions by Sigismund

Neukomm (1816-1832)
Physical Characteristics Paper. Octavo.
Scope and Content

1. Programmes of concerts and libretti of "Fest-cantatas"; Weimar, 1821-1832. Printed.
f.1.
2. 'Die nächtliche Heerschau,' begins 'Nachts um die Zwölfte Stunde'; for a mezzo-soprano
voice, with pianoforte accompaniment, in score, by Sigismund Neukomm; 1829. Autograph. Words
by Baron [Joseph Christian] Zedlitz. ff. 94-100b.
3. 'Sinfonie heroique' in D (Andante sostenuto, Allegro con spirito, Minuet, Andante con poco
di moto, Allegro molto), for drums, trumpets, horns, flutes, oboes, clarinets, bassoons,
trombones, and strings, in full score, composed by the Chevalier Sigismond Neukomm at Rio de
Janeiro, in 1816, and dedicated to Spontini; 1816. ff. 101-188.
Page 59 2018-06-21
Add MS 32239 Two concertos by Giovanni Battista Polledro (1809)
Creation Date 1809
Title Two concertos by Giovanni Battista Polledro (1809)
Scope and Content

Concertos for violin, with oboes, horns, trumpets (in no. 2), bassoons, drums (in no. 2), and
strings, in score, by [Giovanni] B[attista] Polledro. Autograph.
1. No. 1 (Allegro, Andante quasi Adagio, and Polacca), in E minor (op. 6). f. 1.
2. No. 2 (Allegro maestoso, Andante sostenuto, and Rondo allegro), in G minor (op. 7).
Dedicated to Bonifazio Asioli. f. 35.
Page 60 2018-06-21

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Referencias Concierto Hummel páginas 41 y 42

British Library: Music Collections

Add MSS 32,169-32,239, are from the Library of

Add MS 32181–32182 A collection of vocal and instrumental compositions of Franz Xavier

Reference Add MS 32169-32239

Creation Date 18th century-19th century

Extent and Format 71 items

Scope and Content

Add MS 32169 A collection of arias from operas and oratorios, duets, a

Reference Add MS 32169

Creation Date 18th century-19th century

Extent and Format 1 volume (201 folios)

Languages of Material Italian; Latin

Physical Characteristics Paper. Oblong Folio.

Scope and Content

Legal Status Not Public Record(s)

Add MS 32170 A collection of services and arias (18th century)

Reference Add MS 32170

Creation Date 18th century

Extent and Format 1 volume (57 folios)

Languages of Material Latin; Italian

Title A collection of services and arias (18th century)

Physical Characteristics Paper. Oblong Quarto.

Scope and Content

Add MS 32171 A collection of short symphonies, the violin part of a sonata,

Reference Add MS 32171

Creation Date 18th century

Extent and Format 1 volume (42 folios)

Title A collection of short symphonies, the violin part of a sonata, and a

Physical Characteristics Paper. Folio.

Scope and Content

Legal Status Not Public Record(s)

Custodial History Belonged to Hummel.

Reference Add MS 32172

Creation Date 1782

Extent and Format 1 volume (244 folios)

Languages of Material Italian

Title Franz Joseph Haydn: 'Orlando Paladino', opera (1782)

Physical Characteristics Paper. Oblong Folio.

Scope and Content

Legal Status Not Public Record(s)

Add MS 32173 A collection of songs, duets, choruses, cantatas, and a

Reference Add MS 32173

Creation Date 18th century-19th century

Extent and Format 1 volume (145 folios)

Title A collection of songs, duets, choruses, cantatas, and a divertimento (18th

Physical Characteristics Paper. Oblong Folio.

Scope and Content

Legal Status Not Public Record(s)

Custodial History Apparently belonged to Anna Peyerl (f. 38b).

Add MS 32174 A collection of numbers from operas, string quartets,

Reference Add MS 32174

Creation Date 2nd half of the 18th century

Extent and Format 1 volume (230 folios)

Languages of Material Italian; German

Title A collection of numbers from operas, string quartets, cantatas, and a

Physical Characteristics Paper. Duodecimo and Oblong Octavo.

Scope and Content

Legal Status Not Public Record(s)

Reference Add MS 32175

Creation Date 2nd half of the 18th century

Extent and Format 1 volume (205 folios)

Languages of Material Italian; French