THE BEATlES

Hey Jude
Words & Music by John Lennon & Paul McCartney

Paul was inspired to pen this lyric to console John Lennon's son, Julian, but eventualLy decided to change the
name. At the time it was the longest 45rpm single ever released, clocking in at seven minutes 11 seconds!

Hints & Tips: The Left hand gives this piece its pulse so make sure you pLay it rhythmically and that all the notes
are held for the full duration. The middle section shouLd be a little stronger and played with a fuller tone.

Quite slowly
D

-
4
-- -- -
--
(JitJ! ,.
-
I
:I /If
..... I""'"
.... ,..-" '- ,..
--
I-"

I r" ,"v ,.
..... r.J,
- - -
=
I

< Hey Jude, don't make it bad, take a sad song_ and make it

£,../If
• • /If
.I
,.
,.
.....

"':II:
.
I

I.
-
,..
IS. IS.
I-"'

I
bII';
I-'"

I
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r-

I
r-'

I
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'r.J

I
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D D
4 G/D

-
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-
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- - -
- -
I

- - - ,..
-
--,: I /If
,.. I-"'
-,... I-"

-
r", 7"'T
n
'1::\7
r I r - •
.-I

< bet - ter. Rem - em - ber to let her in - to your heart, then_ you
Y •..,
• • /If
.I
;.;::..
t.,r;
I-'"

I
;-,
bII';
I-'

I
- -
,..
I
I.-
'-
I
t-
I
J
,..-
-...::

I
-
IS.
I-"

I
--
t-'"

,....
7 DjA
5
D

- - - , -
-- I I

--
I
I
r",
-

-..;: IT - .-I
.... -- .-I
.-I
-
.-I

-
.-I

-# -# o· •
can start to make_ it bet - ter. And an - y - time you feel the
I
-- . -
- - -
'::..,../If .-1 r..J

\
•• .wo
-:I
'-'"

'r.J
t-'" ,.. ,.. ,.. ,..
I I I I I I

10 G Em7 GjD

",v
-
-I-"'

I
-
I-" -/
I-"'
,-.
,.. -
r-:
or -....
-
,.. _/'
-- .... -- - .-I
I
.-I
I

-
.-I

---.J I
pain, hey Jude_ re - frain, don't car - ry the world up - on__ your

--T.'"
.I
..,../If
- - - - - -
I I
-
,..
I
-
I-"'

I
-- -
I I

© Copyright 1968 Northern Songs.

All Rights Reserved. International Copyright Secured.

52
 D
13 o

--
3
/ ,
,,""'
y
)# ""

-'
Lj
-
-'
I

-
.-I
I
-
.-I

-
-' - -
I"'" _/'
"'- -
I"'"

U· • I --...J I

< shoul - ders. For now you know that it's a fool who plays_ it

--' "" ..
" , . II'!'
--.

I
3
-
I"'"
-
I
-
I "'"

I
-
I"'"

I
-
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I
-
I"'"

I
- - - -
J-'"

--
D
16 Em7 OjD
3

-
- - .- - .-----. -
I I

,, IIr ""
-
-".-1
-
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-
I"'"
,
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V'
-
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r-
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-
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•
< cool by mak - ing his world a lit - tIe cold - er. ___ Na na na

,.""
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- - - -
I I

-
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-
IS
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,,y
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I ........ r
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--'
<
na na na na na na na. Hey Jude, don't let me down. You have

..."" - - - -
--
,...
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I"'"
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"..,

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23 D OjD

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found her, _ _ now go and get_ her. Rem - em - ber to let her in - to your

--' "" ..
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I I
,r,
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r-

12
--.
",..;

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r-

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u

heart, then you can start_ to make_ it bet - ter.

, .. ""
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I
I

53
 RAY CHARLES

Hit The Road Jack

Words & Music by Percy Mayfield

Percy Mayfield was a prolific and masterful songwriter. He became Ray Charles' favourite songwriter in the 1960s,
and was eventually signed to the singer's own record label. This song was recorded by Ray Charles, and that
remains the definitive version.
Hints & Tips: Learn the left-hand riffs first, before putting them together with the right hand.

Swing
N.C.
(finger click)
fl
I , JI
II-
...
,
..., ..., ..., ..., ..., ..., ..., ..., ...,
"-
_"-: .Y.
tJ
strident
I

.,
..-.. ,
•• Il- l l
,., ,., ,.,
\ r .J ...,
ff·· -.;.
r.J
- ff·· .... r.J ...,

6
4
fl
, JI

..., ..., ..., ..., ..., ..., ..., ..., ..., ..., -
Sy
tJ - -.;.
.-I

< Hit the

..
..-.. - , - -
.t.."
., l
,.,
l
;..

ff·· -.;.
r.J
- ++ ... -.;.

Am Am/G Am Am/G p7
11

-- ---
3 4
fl
, ..., -
I I I
-
... ... . .. ...
...,
...
1#

r "'
'Y
tJ
l
,
- -
-' -'
I I -
.-I
...
< road, Jack and don't you come back no more, no more, no more, no more. Hit the

.. .
,.
.,
HU . ... HU .. -.;.

To Coda-$-
Am Am/G Am Am/G
15
f1
- ..,
r
I
,y
'"
f)
t"-
.. :.t
l
,
,
;..
...
l

-.;. -.;.
- -.;. .. :.t :.t
,
;.. - - ...,
- ....
-'

Hit the
road, Jack and don't you come_ back no more.

..
\
.,
:.I ,.,
f+!::.J .. ... :.I ,-f

H'" . --. ...

l
,

© Copyright 1961 Tangerine Music Corporation, USA for the World.

© Copyright 2008 Kassner Associated Music Publishers Limited for the World (excluding U.S.A.jCanadajJapan).
All Rights Reserved. International Copyright Secured.

54
 19 Am Am/O C/O Am Am/O
- 4 3 4 3

- --
I'l
- ......,
I

. ....- :i
I , J# ...
..... ....,
I
1'"'
.... .... -
.-I
,y
tJ -
.-I
• • .... • .... ft·
..I

:i
, h.
v-

Now ba- by, lis- ten, ba - by, don't ya treat me this - a way_ 'cause I'll be back on my
.:;,.
..
\
I
Ll
ft··
...
. ... ,.
-
....-l

*0 -.-I .., .-I

1'1'
r
-
....-l

23 C/O Am Am/O C/O

3

- - -
I'l
-
I I I
11
I'
........, .., r-
'v
tJ ....
...
-
..I
v-
.... • .... ..,-
1'1-'
....
:i
feet some_ day. Don't care if you do 'cause it's un - der - stood you ain't

I
..
,.
..,.-1
ftc.; -
.-I
1'1'-
....-J
'"'
*0 -
.-I ..,..1
1'1'-

26 Am Am/O C/O Am Am/O

4 2 3 2 1
I'l 3

I .., ...
I
,..----,
I
1'"'
tJ v- .... • • .... • .... :i • .... • ....
< got __ ---
no __ mon- ey, you --- just ain't no good. Well, I ---
guess if__ you said

-,. I

-
....-J
W:.,.I -
.-I ..,.-1
1'1'-
r
--
D.S. al Coda
29 C/O Am Am/O C/O E7/0#
4 5 4 3 2 1
I'l
11
I r- - ...
I
...,
I
....-----, - ...
I ..,
1'"'
,...v
tJ ft· -
---- ft· -
-'
• .... :i - ....
.-I

so,_ I'll have to pack my things and go. Hit the

.:;,
...
-
I

W:..l
.-I .., .-I
'11'-
....-J
ftu -
.-I ..,.-1
1'1'-

-(\t Coda
32 N.C. (finger click)
I'l
I I
11
...
I

./
...
I
I
#- .)
I
./
"
I I
./
I
;.. ./
I
./
,...v
tJ
r
more .
.-.
gradually disappearing

.:;,.
I
I·
.L
- ft··
...
" .... 1""i
-- H·'
" .... - I
;.. -

55
 JAMES BROWN

1 Got You (I Feel Good)

Words & Music by James Brown

This song was recorded in 1965 by James Brown, a towering influence on American soul music even now, nearly 50
years after he started his career. The song remains his calling card and was, alongside Papa's Got A Brand New Bag,
his first Top 10 Hit.
Hints & Tips: Notice how the riff in the left hand is repeated using different harmonies. This should make it
easier to recognise and play.

Funky c. 142)
D7

I feel good, I knew that I would now.

1 4
3

4 G7 D7
4

feel ___ good, I knew that I would now.

q

1 4 5 1 4
3 3

8 A7 4
G7 4
D7

-- -- --
-
- -,
,
f'lJ.j.
.
2 ......... I
.
2
- 1
1

.
--
I JI .....
I ..., .-I I
-
--.;: "\7

tJ
.....I .....I
-
.-I .-I
-'-..
-'
.;--
.-J
J_
-I.
.-I

< So good, I--- so good, t--- I got-ta you! I---

.. b--"
. . - . .:..
..
...,
- ...,
- - ...,
.
Z"i".----"- '-
,...:.
I. I. I-:
I
..... I'"'
I-: 1_
,
I " ..., I
;..
I
;..
III. ..., """K ----.:;- ----.:{ I-:
v
V

.....I V

---
.....I
r -,J "": r

12 D7
4 2

I feel nice, sug-ar and splce.-+-_ __

5 1 4 5 1 4
3 3
© Copyright 1966 Fort Knox Music Company Incorporated, USAjTry-Me-Music Inc.
Lark Music Limited.
All Rights Reserved. International Copyright Secured.

56
 16
,
,"'
'- IJ
tJ
)I /til

...,
"'
...,
-
4,..--,
-'
., -. -
-'
...,
I. --'
-,... - -
2

• q--- •
J• •
I
-- . -'
, ..., -
-

. b,.
I feel nIce,
.. - .. - qe
.-
sug-ar and spice.

• • /til r-
..., - ..., - - L-
r- 1ooIr-
1"1_ II'!'L- 1"1_ II'!'L- 1"1_

5 1 4 I. 1 4
3 3

20 4 4

-
- -
1 1

,,
,"' - ...,
2,......

. . I
'"-t '"-t
2
- ,--' '"-t
1
I
I
-
",y • ,
--
.....I
-:
..J
-: --' --' ........ v-
.....I
J.
-I. • - ..J
• •
;.

tJ

< So good, f-- so good, I--- I got-ta you! I---

..:..
""II'!'
I
• • /tII
L-
r- '"-t
-
.-:-
'"-t
I.
l
'"-t
t. ..., '"-t
i.e
'"-t
..., ..., '" '"-t '" ., , '"-t
-
.-:
., -
.-:-
--
.-:
.,. '"-t .,.
r • • -' -'
r
v
T ":"

24
-• .
4

-- -- -
1

•. .
2,...... 2 1
I I
,
,-y
I

tJ
II'!'
- ..., • - ...I
'"-t
. ..I
'"-t

- - ...I
...... ,/- J.
-I.
.....I .,
• -
-'
• --
_I
;. -
< So good, - so good, - I got-ta you! -

• • /til '"-t I
- , , '"-t '"-t , ,
'" '"-t
'" '"-t
"
I
.-:
- .-:-
v
'"-t .,.
• • ":"
-' -'
r
v

28 4 4

-- --
I 1

, I"",

- ...
2............

. I
., .,
2
- ,-
1

•.
- -
I -' '"-t
,-y • • - -' -' I -' -'
.....
-'
..--- J• -
.....I
•
tJ I.

< So good,_ - so good,_ - I got - ta you!_

"II'!' , ..., - ..., , , .,

t.
I
• • /til '"-t '"-t
...
I
...
I '"-t
'" '"-t
...
I

• • -
..J
- ..J

31

I
,-y
. "",

.....
I

;. - -
(.\,

...,
>-
.,
/
,j
.Il
JIl

tJ r
-- Hey!

,."", .:..
I
.'''''''1..1. '"-t
.-:
'"-t -
r"'
v
'"-t
.-:-
v
'"-t .,. '"-t , j
'"-t
j
'"-t .,. '"-t
.-:-
v
'"-t •
, j
L
1"1-
i00i'-:-
-
v
r5 4 3 3 4 5

57
 ARETHA FRANKLIN

I Say A LittLe Prayer

Words by Hal David. Music by Burt Bacharach

This Bacharach/David collaboration was a hit for both Dionne Warwick and Aretha
Franklin. Hal David felt the tempo was too fast and that, as a result, the song would not be a hit. Luckily however,
the public felt differently and Warwick charted at No.4 in 1967 and, in 1968, Franklin charted at No. 10.
Hints & Tips: Notice how the left hand in bar 5 'imitates' the right hand a bar earlier. Watch out for the time
signature changes and wonder at how many there are for such a short piece!

Moderately
Om7
Am7
I L "'
r",
tJ
,..
"'Z,
,.. .. - ., •
3

•. -
r- •
- -----
, I.' .....

* *-.-* • I -.......!

The mo - ment I wake up, be - fore_ I put

<
While comb - mg my hair now and won - d'ring what

\
I
••
,..
"'11:

"'11:
'-.J

••
• r.J
- ,..,
t-'"

I
..r': • -
r-
,..,
t-'"

I I I I I

4 C F C/E F

..
tJ ..
•, y
r",
)#
-
I"""
• IfaJ '••

-
"'11:
.. • • • --
r- -/
r-:-
'- ........
-....

•
1"'11: "":II:
t.J I I r

<
on my make - up I say a lit - tIe prayer for you.
dress to wear now I say a lit - tIe prayer for you._

I
..
,. "
"-

"
"-
U
'
Ai.

.....
--
I::IIi.
I""" •• ,..
.....
,..
"':It
.....
7"<
'-'
LL
..
''-.J

I
•
,../ I
I 1

Am 7
8
,
,"'
tJ
)I
,..,. ...,
- •
F

• •
G/F

r-:- I""" -
r-:-
.
,..
U
Em7

I""" - •
I"""
•.3

...
- ,..
,.. •
"':It
• -
r-:- • -
-
t-'" 1-: .1. ill'
,y
t.J I r r
j
1 ,. ill' ill' 1"'11: ::II:. ill"

< - For - ev - er, for- ev - er you'll stay m my heart and I will love you for-

\
",.
1
.. .. i!
,'-.y
• r t-'"
1 n
--r"J
.......,
eJ
,..
...II

"'11:
••
••
••
r-:- __ r-

III"
"'11:

"':It
I bn
I r I I

F
12
, •
,"'
tJ
;,
• •
G/F

-- --
r-:- r- r-:-- U
Em7
__
I""" -
r-
•
Am7
•. '.-.... - r-
,..
,..
"':It
.
C

• - • -
I ,y
t.J
,. j
1 ,.
j ill' ill' "'11:
- "':It II" ill'

" ,.
I
..
- ev - er

t-'"
and
I
--r"J
ev
n
.......,
- er, we

eJ
U
-'"
"':It
..
nev - er

...
••
will part._
....----....
Oh,

"':It
,..
"':It
how

r.J
I
I'll love
bn
you. To -

© Copyright 1966 Casa David Music Incorporated, USA.

Universal/MCA Music Limited (50%)/P and P Songs (50%).
ALL rights in Germany administered by Universal/MCA Music PubL. GmbH.
ALL Rights Reserved. InternationaL Copyright Secured.

58
 - '- -- - -
15 Em7 Am7

-
F GjF C
/ ,
..
,-y
f)
-
fl
)I

-- --
,. j
1
,.
./
r-;

If'
-
I-' r-;

If'
U

""
"'2:
- -
r- r-
• r- ""
1"'2:

""
'2:
-
r-;
v
-
r-;

If'

geth - er, to - geth- er, that's how it must be:_ to live with - out you would

.. L 0
-r •• ...----... ..-'r-
I

-
q •• r-:-"
J- U •• 1"'2:
,. r:
I
"" 1
V

18 F E D.C. Am7

,
.. - --
I
fl
- - r-; -
.]"";
.. - - -.. , -..I - -
,. ,../
* *-.-* • -•
,-y ./
f) 1 1

on-Iy mean heart-break for me. My dar - ling be -

.,...
I
..
,. """'
r-
".,

"""'
r-
,....
.-
J..I. .".. • - .-
r-
J..I.

- -. - .. ,
:.I
13 13
5
1 1 I I

Dm7
22
fl
. --,-.......- - - .----------"., Cmaj7
,
-
'"
• I r-
•
""",,
r- ':-, """' .-. ..
.........
.. r'\ r- "-'"
'-v
4U 1 ........ 1
I

-lieve me, for me_ there is no - one but you.

.. -.. .. -. -
,. I I I ..,
-
I

I
r">o

r-' r- r-
.........
r-
".,

r-
.........
-• ....,
...-J
• ...-J

I I I ,... I '--'"
.r...

I I

27 Cmaj7 C

,"
"
.., - y
()
I ..., -/ '-
,. ./
,.
./
I
-
r-;

V
.........
---..
.. ----...... - -
..---
r-:-
v
r-
r-
- • ..
41)

Please_ love me too. I'm_ III

-
love with
I

you.
<

-"--
.. -.
,. 1

- -..- -.
.. ,
- -. - -
1

-_--or
" I
_.
..,
- u
---
I

I I I I

31 C C

I
,,fJ
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f)
- :.I

---
1
I
r-
.......
.-I
.-.
r-
- -- - - -/ I
• 'r./ • -

- Ans-wer my prayer. Say you love me too.

I
..
,. I
--
, -.
.. 7

- r ./ r
I
-
....,

..- -.
..,
-
,...
:.I

I I I I

rail. Cmaj7

- .. .. ..
fl (.\
,.
- - .--...
1 I I I

.... ,------=::::::::
- - -
I ./.

..'-v -..I 7"<

f) -:::::::-
< -

..
,. ....... .--
(.\

-
r- r- r- r- r- r- r-
I .. 7

r r r r r

59
 KVLIE MINOGUE

I Should Be So Lucky
Words & Music by Mike Stock, Matt Aitken & Pete Waterman

This was one of the biggest hits of the 180s, reaching No.1 in the UK, Japan, Germany, France and Australia, as
well as six other countries. It was composed in an hour, and recorded by Kylie in 40 minutes!

Hints & Tips: In the verse, notice how the songwriter is always pushing forwards (and upwards) harmonically. This
is to increase the tension before the Irelease' of the chorus. See if you can reflect this in your performance.

Spiritedly J = 120
A G
fl .--... 3
.. ..
.
1

.
3....--..
, ,.
I
r",
,-y
)#
"":R
,. ..........
2: ..... -
, -...........
..... - • -..... •
-
-I
--I
-
..... - - -.....
..,
- -I
....
- .....
n
.• -..... • -..... • - -I •
•
In my_ r----- im - ag - in - a - tion there is_ I--- no eom-pli - ea -tion, I dream a - bout you all the time. __

I
,.
•• "":R
,. - r- r- -
........
......... .......- .......- .......- • • • •
\ "":R

1 3 2
3 5 4

4 E A
.--...
fl
•. .
3.-.-..
,
r",
'-v
I

-'
..., --
- -
-'
....
""'-'
.....
. .'
-- ""'-'
.....- • -
-' •
- -
..... ..... -
-
""'-'
..... • -
-' •
-
-'
...,

< - In my mind_ - a eel - e - bra - tion, the sweet - est of sen - sa - tions;

I
.. u.

- - - -
I I I I
r- .... r- .... ""' ...-
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3 1 3
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7 G E B
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< think - ing you could be mme. In my_ - im - ag - 10 - a - tion there is_

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• • J.L
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2 3 1
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fl r----t 2
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.• ., to.

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- no hes - i - ta - tion, we work to - geth - er hand in hand._ - I'm dream - in'

\
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3
5
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11
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I
--
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© Copyright 1986 All Boys Music Limited (33.34%)jSonyjATV Music Publishing (UK) Limited (33.33%)jUniversal Music Publishing Limited (33.33%).
All rights in Germany administered by Universal Music Publ. GmbH.
All Rights Reserved. International Copyright Secured.

60
 13 Em Dm
fJ 4
- -
-- - -
.., .., ..
-
I I "- ... "-

- .- - ....
.-
I'
..... ..... .....
'v
tJ
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,001 -
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-
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T
11-
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( you fell 10 love with me, like I'm in love with you, but dream -ing' s all I do, if

",. .. -- - - - ,001/ ...

r-
...
r-
,
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,
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2
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G7 C/E F G Em Am
16

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----. .--..
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--
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r,y
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on - ly they'd come true. I should be so luck - y, luck - y, luck - y, luck - y, I_

",.
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< - should be so luck - y In love. 1 _- should be so luck - y, luck

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fl I I I I .--.;---. II
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< - y, luck - y, luck - y, I _ e- should be so luck - y In love.

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61
 GLORIA GAYNOR

I Will Survive
Words & Music by Dino Fekaris & Freddie Perren

This song reached No.1 in the US in 1978. Since then, it has often been considered (and used) as an anthem
representing female empowerment or 'girl power'. It has been covered by many artists and remains one of disco's
biggest hits.
Hints & Tips: Try to make the 'rubato' section at the beginning as rhythmically free as possible. Then, when you
reach the real 'disco' section, try and play with a strong rhythmic feel.
Rubato
Am Dm G

- - - - --- -
4 5
..
- - --. - - --
3
fl ......... I_ 1.....-...,

-
1 I
x, .... ....
/ "-
"
,. _
- - -.... -
At
.-I .-I • .-I
I '- V At
-e- ""U'"

At first I was a - fraid, I was pet - ri - fied, _ _ _ kept think -ing I could nev-er live with-out you

". ,.
I ,. At r-..
-....
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'"5 -

4 C Fmaj7
4 4
fl 1
- 1
- -
-
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- -
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by my side; but then I spent so ma-ny nights_ think - in' how you did me wrong, and I grew

I
..
,.
_

'-J

A tempo = 120

----- ---
7 Esus4 E Am
.. 3 5

-
2
fl 1_ 11 ,
/ , .... ...,
.... .... ..... --- .....
-
.... ....
...
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I"' I
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""U'"

< strong, and I learned how to get a - And so you're back, from out - er

..
,. - - - --
I

1
'".
- - -
I I I I

10 Dm G c
. , ......... --.... - - ..---
- -- - - - --- - - --- - -
fl I ......., ....,
/ , --,
...
I"'
'v •
"II
- --- -
..... ..... ..... .... .... .....
-..... ..... ..... .....
-
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. .....
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space. I just walked in to find_ you here with that_ sad lookup-on_ your face. T should have changed_

\
"', .
I
..
"II
- ....
"II
....
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"II
....
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-
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Slm

© Copyright 1978 Perren-Vibes Music Company/PolyGram International Publishing Incorporated, USA.

Universal Music Publishing Limited.
All rights in Germany administered by Universal Music Publ. GmbH.
All Rights Reserved. International Copyright Secured.

62
 13 Fmaj7 Esus4
f}

- - - - --- - - - -
.-. • . - ---
, ..-.

--
;, c:---\
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.....
r",
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-.... ..... ,..;-
....
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v- - --- - - -- --
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-
- that stu-pid lock,_ I should have made - you leave yourkey,_ if I'd 've known_ '--- for just_ one sec-ond you'd be

",.
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I
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I

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16
-
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3
f}

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r- I ...
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back to both - er me._ Go on now go, walk out the door, f--- just turn a - round_

... - -
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r-
-'
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........ ........ -
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r",
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f}

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- now, 'cause you're not weI-come a - ny-more._ Weren't you the one_ who tried to hurt

"',. .. - - - -
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< - me with good-byes?_ Did I crum - bIe?_ Did you think I'd lay down and die?_ Oh no, not

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< I, I will sur - vive, hey, hey!

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I I I I .. .. .. I..Y

63
 JURASSIC PARK

Jurassic Park Theme

Music by John Williams

Being one of the most financially secure composers in history, John Williams had intended to retire by the early
1990s. His output certainly became progressively more sporadic, so this classic Williams score with bold brass,
dramatic strings and choir was a welcome addition to his oeuvre.
Hints & Tips: The music of this piece should be march-like, with the dotted notes played crisply and perfectly in
time. Play the left-hand minims (half notes) strongly and confidently to add strength to the bass line. Practise the
closing right-hand chords until you can play them perfectly, to ensure an impressive end to your performance!

Stately march

I
I
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)I

' v .- '"
f)
f)
n.
I
II,.
"t

"t
-
.-I

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r I
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11if
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n.
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F F F

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5
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5
fl
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10

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I
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fl
n.
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t) --..! --..!

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© Copyright 1993 Music Corporation of America Incorporated, USA.

Universal/MCA Music Limited.
All rights in Germany administered by Universal/MCA Music Publ. GmbH.
All Rights Reserved. International Copyright Secured.

64
 F
15 4
r1 .. - 2
3
• -2 . - ,-..2
--
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1\ n.
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f
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1 2 1 4
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f7sus 4 F
5 4 5 5

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65
 'FROM THE NEW WORLD' SYMPHONY

Largo
Music by Antonin Dvorak

Dvorak is a composer whose music often shows influences of the Czech foLk music of his heritage. He moved to
America for three years to become Director of the NationaL Conservatory in New York. However, he was allowed
aLmost four months hoLiday from this post which gave him time to compose.
Hints & Tips: Try to hoLd onto the Left hand notes for their fuLL Length.
Your right hand needs to be very Legato (smooth).

=40

-
C C E
fj 3
--...
., r- ., -
-.... -- ... ...... .... -.....
-:=I
..... ..... .... .
.1.

t)
[1-'-'-
....... ......
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mp *
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5
u.
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r'

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F C F

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3

-
I I I I I I I
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....
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L...--i=iI I

1
3

--'----,.
J.
--
Clio
r-
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C C G/B Am C/G
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---
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...
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,"v
t) - - - -
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---
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1 1 1
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r-
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C F C F C
(j _. -
4 I _.
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---
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f
--' .L
I........J I r

1
2
I ",
r:
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t-
7-< ... J_
...
- I I

© Copyright 2008 Dorsey Brothers Music Limited.

All Rights Reserved. International Copyright Secured.

66
 PEER GVNT

Morning
Music by Edvard Grieg

Grieg studied at the Leipzig conservatoire and was aLready famous, having compLeted his piano concerto in 1868.
He tried unsuccessfuLLy to collaborate with others to create an opera, however, he did create a series of incidentaL
pieces for Henrik Ibsen's pLay Peer Gynt, which dates from 1875 and this is the most famous of them.
Hints & Tips: Look out for the accidentaLs in the right hand from bar 8 onwards. Remember an accidentaL Lasts
right through the bar.

J.= 56
C Am C
.,. .,.
fl
• -
.... • -
.... • • • -
I ""
•
1
• • • 3
- .'
r-
,-y v

mplegato
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<
t

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n
0
fr' i!*"
-' -{7'

Am E
-
. - 3 4
fl 5_ 1 t
II
-
t) - • •
.... - -....
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Caug E

t)
fl /L ft.
II
oIof_
"" .... • - •
.... .fL ft.
-
oIof_
""r- • I""
• I'" • .fL .fL • f:- -f"- +r!
""" .... .'
< I
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Am G c
,
(1
;,
5-

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2
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<

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3

1 1
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I
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I.'
.. 1

© Copyright 2008 Dorsey Brothers Music Limited.

All Rights Reserved. International Copyright Secured.

67
 SINEAD O'CONNOR

Nothing Compares 2 U
Words & Music by Prince

Nothing Compares 2 U was written by Prince for The Family and included on their self-titled album of 1985.
However, it was not released as a single until O'Connor recorded the track five years later
and with it topped the charts worldwide.
Hints & Tips: Although this song is slow, don't let the left hand drag.
By allowing a little 'daylight' between each note you will avoid the music sounding stodgy.

Very slow = 60
F F

11

- --
1
...-.-.! ,......."""
I
1\ ""' "'2:
n v ""
f,iy
'"

--:.: -
:S
•
:S -
:S :S
• •
:S
•
:S
•
:I -
:I
...•
... -.- --I

It's been sev- en hours and

, - - - -
•• --:.:""
-
J:Iio J:Iio J:Iio J:Iio
r- r- r-
\ f ,
5 1

C/E Dm F C
4
1
fl

- ... ... *- ... *- ...

I
L
JI
n ..,
-.-
'\
XLI"\ v
S.J.' '" I iiiiiiiiiiiiiii

*----& 7i :1= :f
fif - teen days, SInce you took your love a - way.

I
, ""'v
•
11
•
I
•
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12
-
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1
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7
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fl

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n ..,

... ... ... ... ...

'\
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I go out ev - 'ry night and sleep all day,_ since you took your love a - way.

L •• n -
r-
-
IS.
r-
-
J:Iio
r-
-
J:Iio
r- - - - - -
r-
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v
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10
F c F C/E

-... .-.-.
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fl

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•
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fin v
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Since you been gone I can do what- ev - er I want,_

I
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-
r- r- - - -
r- r-
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r-
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J:Iio
r-
-
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I
•
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1 1 1 1

© Copyright 1985 Controversy Music, USA.

Universal/MCA Music Limited.
All rights in Germany administered by Universal/MCA Music Publ. GmbH.
All Rights Reserved. International Copyright Secured.

68
 Dm7 F C F
13

--
fl I

-.... - - - ......... - -
,..........,

...... ... ... ... -

J#
11
r,", "
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t)

I can see whom- ev- er I choose.

:f :f I can eat my din- ner in a fan - cy

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r-
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16
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11 to.

-
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- -- -- - -
< rest- au- rant. ___ But_ noth - ing, I said noth - ing can take a - way the blues. 'Cause

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noth - mg com- pares. Noth-ing com -pares to you.

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..........
..-...

69
 SYMPHONY No. 9

Ode To Joy
Music by Ludwig van Beethoven

This is the main theme from the last movement of Beethoven's final symphony, the ninth. However it took six
years to complete, being written between 1817 and 1823. The premier was given on May 7, 1824 in Vienna by
which time the composer was completely deaf.
Hints & Tips: This theme from the 'Choral' Symphony is best known to many as the EEC anthem. It needs to be
played with spirit.

= 112
G D G G/D D G

- - - - - -
llJJ! I I I
-
3 I I l I
I ,.. ,..
t ,y
I-""
r- I""'"
-
.-I
-
.-I
-
.-I'
I-""
I""'"

It) "2:

l. {
I I I I I

.p..
..
• • ..., "2:
I ,.
"2:
I

D G D G D G D G
,tJJ,J,..., - -...
I

-
I

..
- -... -
I

-...
I

-. -..I
" ....J
...,
11

:.I
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I
......
-
•
I

-
r-
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-
I

-...
{ tJ I

L
U·
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I
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......
I
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......
I
-
D Em A D G D G

- ... ...-.. -- - - - -..... -

tJJ,J, I I I lj I 1

- ...-
- ...... -
I I I I
...
I

- ... ... -... -...

/ '"'.-I
l . rT't. r- r-
,y -:
-
{.. •
"-Y "'!"'"
tJ
r I I I I

"'.of'I'...,
I
,..
I-""

I
...,,...
""1-""
I I
-
I
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-
D G D G D G D

-- - ...-.. -.. - - -
tJJ,J,
,, ...,
II I I I
-
I I

...-...
I

-...
I

-... - ... -
r- -'-
r- r:
r: • r-
..

{
r-
tJ I I 1. J i,...-..I

I I-""

I I
........
...... - I
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......
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Em A D G D G
.
D G
r.-..
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3

-.. .. -
tJJ,J,..., I I 1j I I

-
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I
...-
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r
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r-...
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I
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© Copyright 2008 Dorsey Brothers Music Limited.

All Rights Reserved. International Copyright Secured.

70
 WILLIAM TELL

William Tell Overture

Music by Gioacchino Rossini

WilHam Tell is the last opera that Rossini wrote before his early retirement at the age of only 37. It was premiered
in Paris on August 3, 1829. The lead tenor part is almost supernaturally difficult and extremely long (the opera,
given complete would last some five hours).
Hints & Tips: Be sure to put your thumb on the fourth notes in the right hand of bars 6 and 14.

= 108
F c
- -
-
--
3
fl 1
,
..... ...
r- 1IiiiiOO::::I

,y h
"'Z
............
...... ... ...... -'
...... ... ...... - ... ... ...
< f
- - - - -
1
2
- ....
IS.
....IS. IS.
..., -
....
IS. IS.

I
"'Z
.-:'
-- --
L....-..J Y'

F F
1 3
- ........
,
"-
;,

t.J
f1
h

... ... ... ... ... ... -- - --

I
/'
----
-
...-.-.

... ...• -
"'-1.
I
L·
ho.
IS.
I"""
-
-""
-
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..., • • • • - - '"-to
....
L I - If"

c
fl
/I

..... 1
t.J
-- -- -- --
-3
.... •
... -- - -- - I""" • -- - - --
.. - - - -
1
2
- -
"-1·
I h
....
IS.
I""" .r:-
IS. IS. IS. IS. IS.

---
L - ---
I Y'

F F

- -- - - -
3
fl
/I -
.... • 1
.... • ....
-- -- --
t.J

- - - - - • • • • - - -
Ih.
....
....IS. ....
IS. IS. IS.
L

- •
--... I
IS.

If"

© Copyright 2008 Dorsey Brothers Music Limited.

ALL Rights Reserved. International Copyright Secured.

71
 LES MISERABLES

On My Own
Music by Claude-Michel Schonberg
Original Lyrics by Alain Boublil & Jean-Marc Natel
English Lyrics by Herbert Kretzmer,Trevor Nunn & John Caird
The lovestruck Eponine sings of her unrequited love for Marius, the student revolutionary. Despite a warning,
Eponine returns to the Barricade, is wounded and dies in Marius' arms.
Hints & Tips: In this piece there are plenty of dotted rhythms and time signature changes to observe. The middle
section (bars 10-17) is full of tricky accidentals. Make sure that the semiquavers (sixteenth notes) are equal in
speed and in volume.

Moderately
1 2
* D/F# Em/G
D
4
DjC#

.. - --...
..---!
.., :::::::I ..,
''"' ,.
, v
• - • - - • _____ u
•
On my own, pre - ten - ding he's be - side me._ All a -
him, but when the night IS 0- ver,_ he IS

-
,......
• • JIll
,.
..... I
{";) I I

2 3
4

G
3 A
2 3

,I
,-y
t.J
-lone,
.. • - •
..,

I walk with him till

.-I.
-
.-I •

• -,;
..., Lt

With
..
-,;
,
•
- out him, I feel his arms a-
•
..
.... • -
.-I.
-- ,.

<
gone, the riv - er's just a flV - er._ With - out him, the world a - round me
"', ......
L
• • JIll
...,
,-j
[J.

I'""

I -. -r
j
itJ,,..,
!l'l'r.o'i
r-

2
4
- ,.
"":II:

To Coda-$- 11.
Bm Em
6
-
Em/D A
-
- - ---
2
5
- 2

.. ....,...
- - -• - -... .
tIlL JII!_ eJ
,... ,.
-
I I ..... r-
-1 l1 .-I .-I
,y
t.J
"":II:

• • "":II: - .-I
-
.-I
•
.-I
•
"":II:

-,;
-round me. And when I lose my way, I close my eyes and he has found me._ On my
chan - ges, the trees are bare and ev -'ry - where the streets are full of
n ,...
--
I':)
I -"'-,........
• • /tIII
I
_
,.
"":II:
....
,.
"":II:
-
J-"
,.
1"":11:
"":II: _.

.,
j
...•
I
1 I4
3

12. A
9 Gm
-
- - . ..
tiff/till

.-
I
.-
-
,, y
I

40
["\ ...• ..,
..... -hI.-I • .-I. 1-
I I
- .... - ,....
I
-• r' IIIIIIII

......... q"* •
found me. And I know it's on - ly in my mind, that I'm talk -ing to my-self and not to

I
..
" , ......
-. - - r
j
...• I ho
II'
10"1,..,
ioIf"
'-'
r-
11
I
II

'-'
f"

I
I ho
10"1,..,

'-'

I
r
- .-I
- 10"1"..,
IOJr-

© Copyright (Music & Lyrics) 1980 Editions Musicales Alain Boublil.

English Lyrics © Copyright 1985 Alain Boublil Music Limited (ASCAP).
All Rights Reserved. International Copyright Secured.

72
 13 Am7jE

--
Em BjD#
3
f'JitJr .., I
, "
- - - --
• i/If

-....,.
.-I •

- -
.-I.
r, "v .-I .-I .-I
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tU
TJ.
< him. And, al- though I know that he IS blind, still I say there's a

'" "'" ...., r-

I
,".
• • i/If 11_· "
h. .-I
.;
II
l.""' ......
I i/lfl-'
I-' .;
v-
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4

D.S. al Coda -$-Coda

AjC#
17 2 5
A EmjG
-
- -
flJ,J, flitJr

- .. - .....-
I I
, ..,
-
, i/If
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:::::I
,y - ,-j

•
r",
, v
r.;

• -
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t.J .
< way for us. I love stran - gers. I love him, but ev - 'ry day I'm

-
I
,."'" ba
• • i/If
.;
J
'"I ... "'"
I

J
I-'
,.,
Ill"'>
n
U

D
20 DjC# Bm7 A
4 2

..
f'JJtJt
I • i/If
.., ...,
r
"
__u
.....,
- • • -
.-I.

• -
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•
leam- ing._ All my life, I've on - ly been pre - tend- ing._ --- With-

I
,.i/If
• • i/If ,-j

3
I I

,-j
1.1.
J
r-J

I -. -
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- -•
flJ,J,

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h

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- "'-
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,y
• -
.-I .-I 1"2:
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•
< - out me, his world will go on tum- ing. The world is full of hap-pi -ness that I have nev -er

" ,. "'"
I
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-.-I

.-I
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J
r

c...
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h
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rite D
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r",
..... .;.

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'v r.; •
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known. I love him, I love him. I love him, but on-Iy on my own.

.. - - - - -
(.\,
."'" J ....,.
...,
r
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15
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73
 BRITNEY SPEARS

Oops! ... I Did It Again

Words & Music by Max Martin & Rami

Like ... Baby One More Time before it, the music video for Oops! ... I Did It Again was almost as popular as the song
itself. In it Britney shows her maturity by donning a skin tight red catsuit rather than the school uniform many
fans were accustomed to.
Hints & Tips: Watch out for the accidentals and cross-over fingerings in this piece. Also, take a careful look at
where the left hand notes fall in relation to the right hand melody-mark it up if it helps you to do so.

Cheekily ..J = 96
Bm
5
2

..--.
!}itf I I'.. II\.
..
--• - - - -
-- .
..,
-
, - - ,. ...
/ iIII'
)I
-.
•-
... ... I

• "'
I I I
I"":': r- r- r- r- I
'-.:y '"'it
••
••
• I •• •

.. ...,
" . iIII'
'"'it -- ...
-- ,.
I

-- - .---, -
.....
....., I"""' -
-
.
--- ...
I

-
- • - • -....-
-' -.
". ..,.j f ..,.j

- I
- - -
"'ill "'ill "'ill "'ill "'ill

4 Bm
\ ..
- .-
I

.-
J I I J I I I I
iIII'

- - - - - ... ... .....

- - - •
---
)I
I .....
I
r
'-.:y
f'\ r- r- r- r- r- ...
I .-I
- .-I
-
..,.j .-I
--.. .....--- .-I
f -
.-I
.....
I

I think I did it a - gain,_ - I made you be-lieve_

-
\
,.I/Jf
,
• • iIII'
- -• .....
-
......,

•
-
..,.j
..,
-
.-I
""" ...
I

-
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-.....
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-.....
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I

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:J

7 G Bm A
l1
-
5 I
itf_
- -
I I
.- -
- - -
"""
r
'-.:y
f'\
----
.-I
f .-I _
I
- -
..... I
-I
we're more than just friends._ Oh ba- by. It might seem like a

, ...
- - - - - -

© Copyright 2000 Zomba Music Publishers Limited.

All Rights Reserved. International Copyright Secured.

74
 Bm G
10

r
f'j
)I
.!of
""

-
,.-
r- - - - r- r- •
.....-
----
r-
r--._
r-
-......... 3
• " .. 1

- - - r-
3
r- - - - '- • /" --......
,..
I
. -
I
r- .-
----
I"f'\ r-\ r- r-
,y
I r
'Cause to
but it does-n't mean that I'm se - n - ous.
<

t;;"""""
, .. - .-I
--'
" ... I

-
-'
-
'" ...I I
l
, ... I

-
-' -'
- • • •

G A G

/
13
11
1\
,y
f'j .!of
""" -
r-
-,..=:::.
r-\
If'
r-
- ...
r- r- • .. - ., -
r- - -
r- -
r- -
r- • -
r- •
I

lose all my_ sen - ses. That is just so typ - 1 - c'lly me._

/
..
i:;",-'''''''
"""
-
.-I
..,.
;
" .I

;
-
.
-
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.
I

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I

-
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A Bm Bm A
16
,
fl
,y
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t.J
,j.j.
""

'- ..,. -
If' - -- -
r-
r-
- -
r-
r-
I
1

.• I
2

-
r-
I
3

•
1
4

r-
J
_/
"'-
I"""

I
..,.
I•
l
,
•I
-
-
3

- ---
r-

< Oh, ba - by, ba - by. Oops! I did it a- gain,_ - I played with your heart,_

\
..
-/ ,."""""
•
-
r-\
101'"
•
I

-
-'
I

-
I

-.-I
I

-
.-I .....'"
-
,..
I

-
-'
-.-I

•
l , ;..
I

•
2 2

D A D A Bm
19
.,.......,
- - - - - .- -
4 5 2

,
fl
,y
JI
,j.j.
"" --r- ..,.
I
•
l
r- -/
r- '-
r-
r-\
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• - -
r-
r- •
r-
-
r- ,
.-I
...
5_
r- IlL
::",

t.J I I I I I

< got lost III the game._ - Oh, ba - by, ba - by. Oops! You think I'm in love,_

t;;""""".. - -
- ,..
- -"
,.,
, r- I r-\ ...
I
r--
I

--' I -' ...

I

--'
I r I

.-----.,
Bm A D Bm
22

", y
f'j
11"""
,j.j.

-
,.-
r- 1-
1
........-J

- -- • •
5

./
-
r- • ./
.
'

./
.....
r- -
r-\
- -
r- r- • - -
r-
r-
I I
r r 101'" 10.
- I

< -- that I'm sent from a - bove. I'm not that in - no- cent.

",.01'1'
, .. "" -
.-I I
•
l
,, ... I
JIlL
-
r- -
:r-; ,..
I
I -
r-\
-
r- -
r-
- - -
r- .-I

I r r -.....J

75
 THE PHANTOM OF THE OPERA

The Phantom Of The Opera

Music by Andrew Lloyd Webber. Words by Charles Hart
Additional Lyrics by Richard Stilgoe & Mike Batt
This musical is based on a 1911 novel by French writer Gaston Leroux. The story concerns a composer whose
disfigured face drives him to shun the everyday world in favour of the vast cavernous cellars of the Paris Opera.

Hints & Tips: The left hand should remain equal in tone and length throughout. Try to relax your left hand wrist!
Make sure also that the semibreves (whole notes) are held for their full length.

Strong and rhythmic j = 120

I ,• n
('j
r ro..v
I
'I "
"2: 1?<

"
Gm
50---------=-
--- ---
"-"--...
=---------
ve-
t':)
l-,
• I.
Gm GP F

...
5 5
-'-
r-
E
4
1-
.
I
'Ill

"-'

I
... h.
II "2:

"
\ " "2:

4
= - --' =' .-I .-I .-I .-I

4 Gm

,•
r,."
'-v
1J
"
n
L
II

1
II
n.-l
v-

-
_
11 _
..,
,
I
.-I
::aJ"'-.,.."
. -"" .... ---
:.o!

..., - ...,
•
.-I

•
Sing once a -

I
..
,.
h
II

" - =' =' =' .-I

7 Cm F Gm

..
('j I

I
,• n
r ro.."
II

-"
...I A
----- - -'
V- ... -. ..." tt
-gam with me our strange du - et.

I ",. .. II

------ - -
I n

• • • • • • • • - -
.-I .-I .-I
-
.-I
- - - -
.-I .-I -' ...-L

10 Cm F

,
r rro..
,-y
.,fl n
I
II
,

My
• --'

pow - er
•
_.
0 -
-
-'
"

ver you,
".;

--- ----- - -'

v- ...
grows strong
-.
-
.er
J"I..

\
-,. I n
v
-.-I
- - - - - - -
.-I .-I .-I .-I .-I .-I .-I
- --- -- -- • • • • • • • •
© Copyright 1986 Andrew Lloyd Webber licensed to The Really Useful Group Limited.
All Rights Reserved. International Copyright Secured.

76
 13 Gm 2
f) I 11 I
I ,
II r
,-y
'" ...
I
.-I - -..--
.-I.

'--'"
• ".-I

tt • I

yet. And though you tum to me,

"', . ..
\ ...
- - - - - - - -
-' -' -' -' -' -'
- - - - - - - - ................ ...............

16 F Gm

-J.
2

I ,
''''
I

'"
'.1' ...
f'j I
II
-. I
•
I
•
.r.. __
>-.::
1--"
e--r--
I
;..
-
@) I

to glance be - hind, the

,.
..
\ I '"
"
• • • • • • • • - - - - - - - -
.-I .-I ..-I .-I .-I .-I .-I .-I
- - - - - - - -....
.-I .-I .-I .-I .-I .-I .-I

19
f)
,,
,-y
'"
I
0-----
.r..
--------.- -
....--- •
I
3

-
-'
•
4
.....,
..-I
It.J'
3
1

-
- TI-e-,

<
Phan - - - tom of the op - er - a IS there, ------
.. ...
,.

... ...... ... ...

II
I '"
- - - - - - - - - - - - - - - - .... .... ....
..-I ..-I ..-I ..-I ..-I ..-I -' -' -' -' -' -' -' -' -' -'

22 3
Gm
fl I
,
----....
'" , .....,.----
--' .
r, -
"y' ... 1""'0

--'
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-- III - side
•
your
-u:
mind. ---- ---""0""

,,-,..
.. '"...
\
I

.... ... .... .... .... .... .... .... - - - - - - - -

.-I .-I -I -' -' -' -' ........
'-'"

77
 STAR TREK (THE MOTION PICTURE)

Theme from Star Trek

Music by Jerry Goldsmith

Goldsmith, who died in 2004, was one of Hollywood's most diverse composers. He often made use of 'experimental'
effects, but was equally capable of turning out classic Hollywood fare such as this memorable theme from 1979.

Hints & Tips: There are many sets of triplets in this piece. Listen to a recording of the music to help you play
these rhythms. Play the bass strongly to add a powerful, urgent feel to the music.
Add your own dynamic contrasts.

Power rock shuffle

-
C C
I r-- 3 --,

I I

- --- -- --
I I I I I I I I I I I I I I I I I I
• _ _ J
L • • "'t
,.. _ _

"'t

c Arn/C

---
6 C F/C G
. -3-----,
fl
, • ,... "'- r- • -
r-
r;
t-
,....:; ---
......... .
...,
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v vJ-'
I I I

<

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I
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..., - ---- --
I I I I I I

r
I

-- - - -
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11 E E E
3 ----,
,
,. n"\
, V
fl
JI

JIf--.r
.........
..... ,....:; ..... ..-1
f'r_---.... .-I
.----
-
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.....
f'o.
............. "
t-

I
fJ

<

I
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- - - - .- -
I I I I
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f'
I

- - - - .- - - - - - - -
I I I I