Beruflich Dokumente
Kultur Dokumente
27 FAQs
31 Additional Testimonials
bpm and just sound, well, not good. Don’t do this. Even if you CAN
play the exercises faster, that’s not what we are interested in. We’re
interested in your tone and true abilities.
As far as volume goes, it’s important that you don’t underplay during
your audition. Play like you would in your practice room when no one
is listening. Also, don’t face directly at the staff. Face slightly off center
so the staff can hear your true sound, but also have a good view of
your embouchure and finger dexterity.
For the selected excerpts, we suggest you “familiarize” yourself with
these by searching YouTube and listening to several recordings. This
will help you with style interpretation and tempo.
Prior to your live audition, you will also need to submit a short
“marching and playing” exercise via video.
VISUAL:
•T
empo, tempo, tempo!
•F
itness
•A
variety of traditional and current marching exercises
• A variety of dance and other body movements
• Teachability
MUSIC
When I went to Concord, CA to audition
for The Blue Devils in November of 2007, I had Create an unlisted (not public or private) YouTube video
to fly in from Florida. Many of my friends and (or multiple videos) for us to review. This video (or
fellow band members back at my high school videos) should include all of the audition exercises,
couldn’t believe that I thought I could make the marching and playing exercise, and selected
The Blue Devils. But I never doubted myself, in
excerpts listed in this audition packet.
fact I was certain that I was right for The Blue
Devils and that I had the skills to make it. When Once you have your musical audition video prepared
I arrived that Saturday morning for auditions, I and uploaded, please send an e-mail to John Meehan
found a line had already been formed in front (john@jksmusic.com) with the following information:
of the brass audition door. After waiting at the
end for a few minutes, I noticed a list on the • Link to your music audition video(s)
door, so I walked up and found that no one had
signed up for slots #1 through #10 (I guess they • Your full name
all wanted someone else to go first!) Well, I just • Birthdate and current age
put my name down on the #1 slot and went in!
There, staring at me, were two legends in brass, • Mailing address
John Meehan and Wayne Downey. Talk about
• Phone number
being first in the barrel! Interestingly, I wasn’t
nervous and felt like this is where I was meant • Active e-mail address
to be. I played, then we talked for a while and I
just knew that I was “in” this wonderful family.
• Section for which you are auditioning
My advice: listen to your heart, trust in yourself, • Previous drum corps and/or marching band
play like (and because) you love it, and that will experience
be what comes through your instrument.
— Colin continued on the next page...
VISUAL VIDEO AUDITION For your visual audition, please demonstrate the
Create an unlisted (not public or private) YouTube following:
video (or multiple videos) for us to review. This video •T
empo changes: Set a metronome to 180 BPM, then
(or videos) should include all of the required material march forward at 8 to 5, switching foot speed every
listed below. Please feel free to contact Jaime Holly 8 counts (8 @ 180 BPM, 8 @ 90 BPM, and so on for
with any visual questiotns. 4 reps). Do this a second time, moving backwards.
Once you have your visual audition video prepared •S
tep size changes: Set a metronome to 180 BPM,
and uploaded, please send an e-mail to Jaime Holly then march forward 12 steps at 12 to 5, then 6 steps
(jaimeholly@verizon.net) and John Meehan at 6 to 5. Do this 4 times, the 1st and 3rd time at 180
(john@jksmusic.com) with the following information: BPM, the 2nd and 4th time at 90 BPM.
• Link to your visual audition video(s) •D
irection Changes: Do 4 reps of a “zig zag drill”
• Your full name (forward 8, left slide 8, forward 8, right slide 8). First
rep - 90 BPM, all front slides; Second rep - 180 BPM,
• Birthdate and current age all front slides; Third rep - 90 BPM, all backslides;
• Mailing address Fourth rep - 180 BPM all backslides.
• Phone number •E
ffort changes: Moving only at 180 BPM, move
forward 8 to 5 for 8 counts, then jazz run 4 to 5 for 8
• Active e-mail address counts, then 8 to 5 for 8 counts, then jazz run 4 to 5
• Section for which you are auditioning for 8 counts.
• Previous drum corps and/or marching band • Backward motion: Run backwards for 20 yards.
experience •B
ody: Include the body movement exercises
described by visual staff member Peter Beckhart in
this video — https://youtu.be/Z_p_x6n2Bpk.
Two things:
Visual — Keep your feet in time, and stay tall! TRUMPET AUDITION EXERCISES
Music — Play with a consistent, centered Arutunian Trumpet Concerto,
tone. Do not try and impress through indicated sections only
technique only, YOU HAVE to display good
control of tone and pitch. (A good, centered Charlier Etude #2,
tone matters in technical passages as well). indicated sections only
Do not throw this opportunity away if you “Gordon Goodwin” Lead Excerpt,
feel you’re not good enough. Half the battle if you would like to be considered
is networking and getting your face in front
for a lead Trumpet spot
of the staff so they know who you are in
case you have to audition again. Plus, you
will never know unless you try. It’s the truth! Marching and playing video to be
Remember, the staff is excited for everyone submitted before your live audition
who comes to audition, so relax and do not (or with your video audition).
be afraid to introduce yourself to others and
have fun! — Bill
U ˙ U
C Major Scale (with drone) F Major Scale (with drone)
4 ˙ ˙ 4
&4 ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ b˙ ˙ 4
˙
2 3 4 mf 5 6 7 8
mf
q = 92 to 96
2 ∑ 4 œ œ œ œ œ œ#œ œ œ œ#œ œ œ œ œ w
"Beautiful Sounds"
4 œ œ 2 4
&4 œ œ œ œ œ œ w 4 4 #œ 4 ∑ 4
mp 9 10 11 12 13 14 15 16
4 2 ∑ 4 #œ nœ #œ#œ œnœ#œ#œ#œ
& 4 #œ # œ œ #œ #œ #œ #œ # œ #w 4 4 #œ œnœ#œ#œ#œ #œ #w
17 18 19 20 21 22 23
mf
U
q = 82 To high C, or stop at the top of YOUR range.
U œ #œ nœ #œ œ # œ œ n ˙
œ
2 octave chromatic scale
& œ #œ œ #œ œ nœ Œ œ #œ œ #œ
œ # œ œ #œ 24œ nœ #œ 25 26 27
q = 102 to 116
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Flexibility
& Ó Œ nœ
˙
Œ #œ
28 mf+ 29 30 31
#œ œ #œ œ œ œ #œ #œ œ
#œ œ
& œ #œ œ œ œ Œ œ
32 33
˙ 34
œ œ œ œ œ œ œ œ bœ œ œ œ œ
& œ œ œ œ œ œ œ œ œ œ œ w 6
8
35 36 37 38
œ. œ œ œ œ -œ ‰ œ. œ œ œ œ œ. œ œ œ œ -œ
Arban's #79 (double tongue 1/16th notes, da-ga)
6 . œœœœ
œ œ. œ œ œ œ ‰
&8 œ. œ œ œ œ
39 40 41 42
f
. œœœœ .
œ œ. œ œ œ œ -œ œ. œ œ œ œ œ. œ œ œ œ .
& œ œ œ œ œ ‰ œ œœœœœ ‰
-
43 44 45 46
. .
& œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ- ‰ œ. œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ- ‰
47
. 48 49 50
. . . . - 4
& œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ- ‰ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ ‰ 4
51 52 53 54
Marching and Playing (perform 4 times total in a box drill - Forward 8, forward right slide 8, backward 8, forward left slide 8)
*** If you are attending a live audition, please send an unlisted (not public or private) YouTube video link
of you marching and playing this exercise to John Meehan ( john@jksmusic.com) no later than the Monday
before your audition. Please include your name, instrument, and audition attending with the video link.
*** If you are auditioning through media, simply include this as part of your media audition.
q = 124
4 œ œ œ
&4 œ œ œ œ œ œ œ Œ œ œ œ œ œ œ
œ 58
œ Œ
mf 55 56 57
-œ œ^ œ^ œ^ œ^ œ -œ ^ œ™ œ ˙ ™ -œ œ^ œ^ œ^ œ^ œ -œ œ^ #œ œ # œ œ # œ ˙
œ
& ‰ ≈ ≈ ‰ ≈ ≈
ff 59 fp 60 ff 61 62
2'27.1"
U #˙ U
˙
C Major Scale (with drone) G Major Scale (with drone)
4 n˙ ˙ ˙ ˙ ˙ 4
&b 4 ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ n˙ 4
mf
2 3 4 mf 5 6 7 8
q = 96 to 96
4
& b 4 œ œ œ œ œ nœ œ œ w
2 4
4 4 #œ 4 ∑ 4
mp 9 10 11 12 13 14 15 16
4 2 ∑ 4 #œ nœ #œ#œ œnœ#œ#œ#œ
& b 4 #œ œ #œ #œ #œ #œ #w 4 4 #œ œnœ#œ#œ#œ #œ #w
# œ17 18
# œ 19 20 21 22 23
mf
nU
q = 82 To high C, or stop at the top of YOUR range.
U nœ #œ œ # œ n œ ˙
œ #œ
2 octave chromatic scale
œ #œ œ
& œ # œ œ #œ œ nœ #œ œ #œ œ #œ œ Œ
b nœ n œ #œ
24 25 26 27
q = 102 to 116
œ œ œ œ
œ œ œ œ œ œ œ œ œ œ
Flexibility
&b Ó Œ nœ œ œ Œ #œ
˙
28 mf+ 29 30 31
#œ œ #œ œ
& b nœ #œ #œ œ œ œ nœ #œ #œ œ œ œ Œ œ
32 33
n˙ 34
œ œ œ œ œ œ œ œ œ œ œ œ œ w 6
&b œ œ œ œ œ œ œ œ œ œ œ 8
35 36 37 38
q. = 96 to 124
. œœœœ œ. œ œ œ œ -œ ‰ œ. œ œ œ œ œ. œ œ œ œ -œ ‰
Arban's #79 (double tongue 1/16th notes, da-ga)
b
& 8
6 œ œ. œ œ œ œ œ œ œ œ œ
.
39 40 41 42
f
. œœœœ .
œ œ. œ œ œ œ -œ œ. œ œ œ œ œ. œ œ œ œ nœ. œ œ œ œ
& b nœ œ œ œ œ ‰ œ- ‰
43 44 45 46
. .
& b nœ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ- ‰ œ. œ œ œ œ œ. œ œ œ œ nœ œ œ œ œ œ- ‰
47
. 48 49 50
. œœœœ . œ œ œ œ œ ‰ œ. œ œ œ œnœ. œ œ œ œ
œ - 4
& b nœ œ. œ œ œ œ . œ. œ œ œ œ œ ‰ 4
51 52 53 54
Marching and Playing (perform 4 times total in a box drill - Forward 8, forward right slide 8, backward 8, forward left slide 8)
*** If you are attending a live audition, please send an unlisted (not public or private) YouTube video link
of you marching and playing this exercise to John Meehan ( john@jksmusic.com) no later than the Monday
before your audition. Please include your name, instrument, and audition attending with the video link.
*** If you are auditioning through media, simply include this as part of your media audition.
q = 124
4 œ œ œ
&b 4 œ œ œ œ œ œ œ Œ œ œ œ œ œ œ Œ
œ œ58
mf 55 56 57
2'15.8"
˙ ˙ U
˙
Eb Major Scale (with drone)
˙ b˙ ˙ ˙ ˙ U
˙
? bb 4 ˙ ˙ ˙ ˙ ˙ ˙ ˙ 4
4 4
mf 2 3 4 mf 5 6 7 8
q = 92 to 96
"Beautiful Sounds"
nœ œ œ œnœ œ œ œ
? bb 4 œ œ œ œ œ œ œ œ w 2 4 œ œ œ œ w 2 4
4 4 ∑ 4 œ œnœ œ 4 ∑ 4
mp 9 10 11 12 13 14 15 16
# œ n œ # œ œ # œ œ # œ nœ#œ
? bb 4 nœ œ #œ nœ #œ nœ nw 2 ∑ 4 nœ#œ œ#œ œ#œnœ nw
4 nœ nœ 4 4
mf 17 18 19 20 21 22 23
q = 102 to 116
Flexibility
? bb Ó œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Œ nœ ˙ Œ nœ
28 mf+ 29 30 31
œ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ w
? bb œ œ œ œ 6
8
35 36 37 38
q. = 96 to 124
. œœœœ .
œ œ. œ œ œ œ -œ œ. œ œ œ œ œ. œ œ œ œ œ. œ œ œ œ -
? bb œ œ œ œ œ ‰ œ ‰
43 44 45 46
. .
? bb œ œ œ œ œ œ. œ œ œ œ œ. œ œ œ œ -œ ‰ œ. œ œ œ œ œ. œ œ œ œ œ œ œ œ œ -œ ‰
47 48 49 50
. . . . -
? bb œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ -œ ‰ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ ‰ 4
4
51 52 53 54
Marching and Playing (perform 4 times total in a box drill - Forward 8, forward right slide 8, backward 8, forward left slide 8)
*** If you are attending a live audition, please send an unlisted (not public or private) YouTube video link
of you marching and playing this exercise to John Meehan ( john@jksmusic.com) no later than the Monday
before your audition. Please include your name, instrument, and audition attending with the video link.
*** If you are auditioning through media, simply include this as part of your media audition.
q = 124
œ œ œ
? bb 4 œ œ œ œ œ œ œ Œ
œ œ œ œ œ œ œ
Œ
4 œ
mf 55 56 57 58
2'17.4"
q = 92 to 96
"Beautiful Sounds"
? bb 4
4 œ 2 ∑ 4
4 4 œnœ œ œ œnœ œ œ œ œ 2 ∑ 4
œ œ œœ œ œ œ w œ œ œn œ œ œ w 4 4
9 10 11 12 13 14 15 16
mp
? bb 4 2 4
4 n œ n œ17œ #œ nœ #œ18n œ n œ n w19 4 ∑ 4 n œ #œ œ œ #œnœ#œ nœ#œ œ#œ œ#œnœ#œ n w
20
# œ21 22 23
mf
q = 82 To high Bb, or stop at the top of YOUR range.
2 octave chromatic scale
U bU˙
? bb nœ nœ #œ œ #œ œ
œ # œ n œ œ #œ œ #œ œ bœ Œ œ nœ œ #œ œ #œ
œ n œ œ # œ24 25 26 27
q = 102 to 116
Flexibility
?b Ó Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ
b nœ nœ
28 29 30 ˙ 31
mf+
? bb
œ n œ #œ œ nœ œ œ œ œ n œ #œ œ nœ œ œ œ Œ
œ
32 33 ˙ 34
œ
? bb œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ bœ œ œ œ ˙ Ó 6
8
œ œ œ œ
35 36 37 38
? bb 6 . .
8 œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ- ‰ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ- ‰
. 39
. 40 41 42
f
? bb œ œ œ œ œ œ. œ œ œ œ -œ ‰ œ. œ œ œ œ œ œ œ œ œ
. œ. œ œ œ œ . œ. œ œ œ œ œ ‰
43 44
- 45 46
? bb ‰ œ œœœœ ‰
œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
. œ œ œ œ œ
œ œœœœ .
47 . 48 - . 49 . 50
-
? bb 4
œ. œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ- ‰ œ. œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ- ‰ 4
51
. 52 53
. 54
Marching and Playing (perform 4 times total in a box drill - Forward 8, forward right slide 8, backward 8, forward left slide 8)
*** If you are attending a live audition, please send an unlisted (not public or private) YouTube video link
of you marching and playing this exercise to John Meehan ( john@jksmusic.com) no later than the Monday
before your audition. Please include your name, instrument, and audition attending with the video link.
*** If you are auditioning through media, simply include this as part of your media audition.
q = 124
? bb 4 Œ œ Œ
4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
55 56 57 œ 58
2'17.4"
mf
Q: What kinds of things are you looking for with my Q: Can I audition even though I may audition for another
audition? corps?
A: We look for all of the basic things….. tone quality, flexibility, A: YES! We understand you need to keep your options open.
finger dexterity and range, but also your ability to control Feel free to audition for as many corps as you please. Just
articulation, intervallic control, overall awareness of your remember, if we or any of the other corps offer you a spot (or
horn and MANY other things. Outside of your musical talents, a call back opportunity), you WILL need to make a decision.
we also look at your personality, work ethic and ability to
Q: Are there any scholarships or sponsorships I can get
respond to corrective criticism (like you would have to during
to help with my tour fees?
the season) as these are just as important when push comes
to shove in the heat of the battle! A: Once you are accepted into The Blue Devils, you will
receive a handbook with information regarding these oppor-
Q: What are your age requirements? tunities.
A: The average age for The Blue Devil A Corps is 19 and ages
Q: Is there any way I can audition on more than one
range from 15 to 22. While we have no age limit, when you
instrument? Like Trumpet AND Mellophone?
are under 17, age is a consideration. If you have the talent to
make the corps, no matter what the age, we will of course A: We prefer you audition on one instrument only. If you are
consider accepting you. If you happen to be under 17, we a Trumpet player but wouldn’t mind playing Mellophone if it
would need to talk with your parents just to make sure they were to help you get a spot, please put that on your audition
understand the activity and what the commitment would be form the day of the audition. You could also mention this
for joining The Blue Devils. We have had members as young during your music audition. Audition on the instrument you
as 15. are most comfortable with.
Q: Do you have any inside information to help me Q: Will I find out my status by the end of the audition
prepare for my audition? weekend?
A: The most important piece of information I can give A: One of three things will happen at the end of the audition
ANYONE auditioning for The Blue Devils is to come prepared! day/weekend. #1) We will congratulate you and accept you
Take the audition as seriously as you would a final exam (or into the Concord Blue Devil brass section. #2) We will inform
at least the way you SHOULD prepare for a final), otherwise you that you have passed the first step and will be invited to
we’ll never know your true talent. Remember, you are audi- our first full corps camp in January. It will be at this camp
tioning for one of the best brass sections in the marching that we begin learning the technique program and show
activity, and although you don’t have to be the best player in music with the entire brass section. We will also make ALL
the world to be a part of our organization, you DO need to final decisions on your acceptance at this camp. In other
have pride and dedication to your instrument. This is a huge words, you will know if you are accepted or not by the end of
event in most people’s lives, take full advantage of it! the January camp. #3) We will inform you that unfortunately
we cannot offer you a spot in the Blue Devil brass section.
Q: Can I audition even if I have no intention of marching? This is always the most difficult thing for us to do as we wish
A: YES! Many people each year audition just for the expe- we could accept everyone that auditions. For most, there will
rience. The more you do one on one auditions, the more be more audition years left and this one can be looked at as a
comfortable you will get. learning experience to better prepare for future auditions.
Q: How long would I have to live in California? Scenario #2 – Move to Concord, get a local job and attend
A: This answer varies person to person. We have some classes at a local college. Some members CHOOSE to take
members that move to Northern California in January so a semester off of school and live in California for 6 months.
they can not only attend all rehearsals, but also work and go Most (if not all) of these members move into an apartment
to school for the semester, kind of a change of pace. Beyond with other BD members in similar situations to save on the
that, we have some members that commute to camps costs of living.
January through May (either by car or plane) and move to Q: Since I don’t live in California, does that mean I need
Northern California once school is out for the year (usually to take a semester off of school?
sometime during the month of May). For more information,
A: No, refer to the Q&A above with scenarios 1 & 2. You CAN
continue reading in the following question.
take a semester off of school, but that would be YOUR choice.
Q: Do I have to move to the Concord area if accepted? We try to make being a part of The Blue Devils as attainable
A: Most people think that in order to be a member of The as possible, for everyone.
Concord Blue Devils brass section you HAVE to move to Q: How many camps do I have to attend?
Concord in January and put all facets of your life on hold.
A: We have rehearsal camps once a month January through
This is NOT true! Our attendance policy has changed over
April. We also have weekend rehearsals in May and all day
the past several years and is now VERY consistent with the
rehearsals beginning mid-May. All in all, that is 6 weekend
other top drum corps in the country. Here are the 2 scenar-
rehearsals before the all day rehearsals begin. Out of those
ios that I see the majority of our members committing to
6, we expect as much participation as possible. How much
each year.
exactly is determined once you make the corps, this is more
Scenario #1 – Continue going to school and work like normal of a personalized schedule. Mandatory school conflicts are
and travel to Blue Devil camps. Once accepted into the Blue always excused. We require once you are out of school for
Devil brass section, you only have to attend monthly camps the year, that you are at ALL rehearsals after that.
during January, February, March and April. During that time
Q: Where do I stay for camps and all day rehearsals?
(4 months), you would spend a total of 12 days in Concord for
mandatory rehearsals (school conflicts can be worked out as A: You are responsible for your own housing at camps and
excused absences). Once May rolls around, your attendance all days. Many new members stay at a local hotel for the first
will be determined by your school schedule. Once you are camp (this hotel offers a special BD rate), then figure out
out of school for the summer, you will be required to attend ways to save money with other members for the following
all rehearsals beginning in May, so it is highly suggested that camps. For all days, members usually share an apartment
you move to the Concord area then. for the 5+ weeks. There are also local members that house
“out of town” members as well as alumni and booster club
If you ARE still in school in May, we will create an individually members that open their homes. The Blue Devils also have a
based attendance policy based on your last day of school. housing coordinator that helps people once they have been
Once school is out, you will need to move to Concord imme- accepted into the corps.
diately as we begin “all-day every-day” rehearsals in mid-May.
We COMPLETELY understand that some schools end after
mid-May, so no worries. This is why I say we will create an
individually based attendance policy JUST for you.
Q: I am going to do an early May tour with my College, Q: What music is BD going to play next season?
what is your policy in that regard? A: We typically announce our shows during the first week
A: If you make the brass section, we will deal with this as of May. Stay tuned to the BD website for details.
best as possible as long as it does not conflict with too much
Q: If someone doesn’t make the A Corps, could they
rehearsal. We have had members in the past who have
march the B Corps?
participated in both May school tours as well as The Blue
Devils. A: Yes, but most B Corps members are from the California
area. Unlike the A Corps, the B Corps is (almost) solely made
Q: If I can’t make it to one of the live auditions, what do up of California members who can commute to rehearsals
I do? via car or train. The B Corps rehearses most weekends
A: Use the “Video Audition” option. January through May, then begin more daily rehearsals in
June (once high schools have ended for the year). If you don’t
Q: I am from a foreign country, can I get a letter from
make the A Corps and are interested in the B Corps, let us
The Blue Devils to help secure a visa?
know at the end of the audition process.
A: Yes. Upon acceptance into The Blue Devils, we could
provide you with a letter of participation to help secure your Q: What College would be easiest to attend if I were to
travel visa. be accepted into The Blue Devils?
A: Diablo Valley College, Los Medanos College, University Of
Q: I’m not sure if I’m going to be able to afford it, should
California Berkeley, Hayward State University, San Francisco
I audition?
State University and San Joe State University.
A: YES! Audition even if you don’t plan on marching until a
future season. The experience will only help and if you DO Q: Do you have a specific mouthpiece I have to play on?
make it, who knows, you might just figure out how to afford it. A: For your audition, NO. If you are accepted into the brass
I suggest you worry about these issues AFTER you’ve made section, you WILL be required to play on our specially
the corps, not before. designed System Blue mouthpieces. Every section will play
on a uniformed mouthpiece (specifically picked by the staff
Q: How much would it cost if I made The Blue Devils?
to best fit the tone and range of each instrument/section).
A: Our participation fees change slightly each season, and If you are accepted into the brass section, and also make a
should be posted around the time of your audition. lead Trumpet spot, we often allow those members to use
their own specific mouthpiece (after it is OK’d by the staff).
Q: I have heard you need previous drum corps experi-
ence to be accepted, true? Q: Is there any way I can try out for both Trumpet and
A: NO! We have members each year in ALL sections with color guard? Would I have to attend two camps?
no previous drum corps experience. Does it help? Yes. Is it A: Yes, you can audition for both the brass section AND the
required? No. color guard, but you would have to attend both auditions.
Q: Will there be another audition at the Bands Of Q: Is there a hair length standard for male members?
America Grand National Finals?
A: No.
A: No. We will NOT be holding an audition at BOA this year.
TOGETHER,
IT’S OUR TIME.