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 Hello! :D

My name is Juan David Domínguez E.

I’m from Medellín, Colombia and I am an guitar player.
Today, I am going to talk about:
“Demonstrate the delay spectrum with examples of comb
filtering, creating pitches with delays, slapback delays, and
synchronized long delays.”
What are modulated short delay effects?

Any effect that keeps the original (‘dry’) signal, and then
duplicates or mimics that signal with any particular alteration
to it, is a modulation effect. The name itself tells exactly what
the effect does – ‘modulate’ means to adjust or adapt, and
modulation effects make some particular kind of continual
adjustment to the original signal.
Delay is an audio effect which records an input signal to an
audio storage medium, and then plays it back after a period of
time. The delayed signal may either be played back multiple
times, or played back into the recording again, to create the
sound of a repeating, decaying echo.
What are modulated short delay effects?

However, we draw the distinction between delays and

modulation effects primarily due to application:
-Delays are used specifically to produce distinct repeats in the
output signal.
-Modulation effects do not feature distinct repeats, (as their
delay time is too short) but rather feature the blend of dry vs.
altered (or modulated) signal, and the resulting combined
sound.
Delay Effects List
Echoplex is a term often applied to the use
of multiple echoes which recur in
approximate synchronization with a
musical rhythm, so that the notes played
combine and recombine in interesting ways.
In fact, it was the name of a particular delay
unit, the Maestro Echoplex.
Doubling echo is produced by adding
short-range delay to a recorded sound.
Delays of thirty to fifty milliseconds are the
most common; longer delay times become
slapback echo. Mixing the original and
delayed sounds creates an effect similar to
doubletracking, or unison performance.

Slapback echo uses a longer delay time (75 Flanging, chorus and reverberation
to 250 milliseconds), with little or no (reverb) are all delay-based sound effects.
feedback. The effect is characteristic of With flanging and chorus, the delay time is
vocals on 1950s rock-n-roll records, very short and usually modulated. With
particularly those issued by Sun. Irish reverberation there are multiple delays
guitarist The Edge was also well known for and feedback so that individual echoes are
popularizing the use of slapback delay as a blurred together, recreating the sound of
melodic device in the 1980s. It is also an acoustic space.
sometimes used on instruments,
particularly drums and percussion.
Slapback was often produced by refeeding
the output signal from the playback head of
a tape recorder to its record head, the
physical space between heads, the speed of
the tape, and the chosen volume being the
main controlling factors. Analog and later
digital delay machines also easily produced
the effect.
Delay Effects List
What is the Chorus effect?
In music, a chorus effect (sometimes
chorusing or chorused effect) occurs
when individual sounds with roughly the
same timbre and nearly (but never
exactly) the same pitch converge and are
perceived as one. While similar sounds
coming from multiple sources can occur
naturally (as in the case of a choir or
string orchestra), it can also be simulated
using an electronic effects unit or signal
processing device.
It is created by adding a slightly delayed,
pitch-modulated version of a sound to the
original sound, in roughly equal
proportions. The intention is to create the
illusion that two or more instruments are
playing the same part at the same time.
Delay Effects List

What is the Flanger effect?

The underlying technology is almost
identical to that of chorus, except that
chorus tends to use slightly longer
delay times and doesn't feed any of the
output signal back to the input. A
flanger creates its deep, almost
resonant whooshing effect by feeding
some of the delay output signal back
to the input, and although this has no
counterpart in manual tape flanging,
the effect is pretty dramatic. If you
were to look at the spectral
characteristics of the output signal,
you'd see a whole series of strong
peaks and notches in the response;
these move across the audio spectrum
under the control of the modulating
LFO.
References

1.
http://voices.yahoo.com/music-guide-flange-effect-its-parameters-3226750.html
2.
http://www.dummies.com/how-to/content/chorus-effects-in-home-recording.html
3.
http://en.wikipedia.org/wiki/Delay_(audio_effect)#Digital_delay
4.
http://en.wikipedia.org/wiki/Chorus_effect
5.
http://en.wikipedia.org/wiki/Flanging

http://www.soundonsound.com/sos/jan98/articles/learnprocessors.htm

https://docs.google.com/presentation/d/1sPNJsiioWqZik_19Qt1LqG30x7OjXTIlX1IN6CX6zY/e
dit#slide=id.gb9942fbb_0181

http://www.easyeartraining.com/2011/02/17/hearing-effects-modulation-rotary-speaker-chorus-
flanger-phaser/
 Thanks for reading my presentation! I hope
you understood!

I hope seeing you around!