VAKDI PADA (VERNACULAR HOUSING) The Warli community is a 2500
SEMESTER 4 year old tribe that comprises 66%
of the population of Dahanu, Palghar districts in Maharashtra; Known for their unique art form which depicts their day to day ac- tivities. The Warlis lead a simple lifestyle and depend entirely on nature for their daily needs. The existing dwellings in Vakdi Pada are built by local materials and are very sensitive to the context. The design focuses on under- standing local context and tra- ditional builidng methodologies keeping in mind the needs and aspirations of the villagers. INTERIOR DESIGN SEMESTER 4
The exercise consisited of designing the Interior layout
for a Ground storey structure. Layout was planned on the basis of climate keeping in to consideration the sunlight, wind direction quality and function of the interior space. The attempt is to create a warm atmosphere with- in the space by using shades of brown, terracotta floorinig tiles, rough finished wooden surface, ex- posed brick wall, planter beds, minimal use of glass etc. user habitable spaces are designed so as to make maximun use of a single space ORPHANAGE (COMMUNITY) SEMESTER 3 Designed on a contourous setting located in Bandra, Mum- bai. Programme required an Orphanage to be built, ca- tering to physical and psychological needs of an orphan. Driving idea is to keep the built close to the ground al- lowing direct connection with the green outdoor spaces, thus bluring the connection between indoor and outdoor spaces. Low height, units constructed in Stone masonary with courtyards and fenestrations have been designed keeping the micro-climate, environment, user needs and context into consideration BASIC DESIGN- LEVELS SEMESTER 2 Basic design deals with the exploration of a pat- tern in terms of Design Principles. These patterns are devised from nature, movement, texture, etc
This design is based
onthe princile of Sub- tle Hierarchy. Mod- el is a progression of a two-dimensional compo- sition consisting of square grids, which are fur- ther translated to levels. Thus connectivity is also intoduced by using steps and ramps, The design was then assigned to be a public recreational space, thus further adding defi- nition to the spaces within. water bodies were in- toduced as step wells con- sisting of floating ramps which acts as a view point. 3D COMPOSITION
Exercise is based on the exploration of forms
from a two dimensional composition into three dimensional model. Comosition is derived from the patterns on a Paper Kite, through progres- sion the final design portrays hierachy of spaces in terms of height and feel.
The design is based on the principle of Dyna-
mism, by means of sharp surfaces, angluar facades. play of level can be seen below adn above ground. Perforations help in balancing the solid nature of the design. CO-WORKING (COMMERCIAL) SEMESTER 5
With the ever increasing population
of the city there is a high demand for commercial activities. However, there is very little space provided for the same. The design brief for the semes- ter included designing a workspace that would be termed as a coworking space and would hold facility not only for commercial activities but transfuse it with recreational activities as well. The Challenge was not only to design a coworking space but was also to re- locate the existing bamboo workshops that were spread across the site.
The design revolves around allowing
the user to experience change in vol- umes of space. Terraces at different levels have been designed as outdoor workspaces, exhibition spaces and caf- eterias. PERFORMING ARTS (INSTITUTE) SEMESTER 6
Nashik is a famous Hindu pilgrimage blessed
with a rich culture and customs. It offers an interesting blend of both modern and ancient civilization combined with numerous places of interest that beckon a number of tourists from India and abroad to experience the charm of this vibrant city. Designing an institute in Nashik, had to celebrate it’s rich cultural heritage. With urbanisation, the culture kept on losing it’s value. Looking at our site as Nashik at a smaller scale, most importance was given to revive the feeling of old Nashik Institutes are spaces with heavy footfall and thus, require more interactive spaces. The zoning maintains the hierarchy from public to private spaces To connect the indoor spaces with the street life, more seating and performing spaces have been provided outdoor. Since the site is shaded throughout the day be- cause of the dense vegetation, spaces un- der trees have been designed to be efficient- ly used as outdoor performing or interacting areas. Our site being near the river front, most of the structures are aligned for the user to enjoy the peaceful and serene view.