Beruflich Dokumente
Kultur Dokumente
Reagan Rasmussen
24 October 2018
Wolpert-Gawron, Heather. “Brains, Brains, Brains! How the Mind of a Middle Schooler
www.edutopia.org/blog/how-middle-schooler-mind-works-brains-part-one-heather-
wolpert-gawron.
Assessment:
This article doesn’t focus on music education like my past articles have, but instead
discusses the mind of a middle schooler and the main things teachers should do to get
information to stick in their ever-changing minds. The author cites research of education studies
done by Judy Willis about how “intelligence is not gifted at birth” (Wolpert-Gawron, 3) and
how, if teachers do their job correctly, then students can feel the power of learning things for
themselves. Wolpert-Gawron also talks about how everything in the life of a middle schooler is
changing, so to have something they can control, such as their learning, is extremely important in
their development as students and people. And, the best way for students to store what they are
learning in long-term memory and really connect to it, is for teachers to somehow relate it to the
lives of their students. This is because, with everything changing in the lives of these tweens, the
only thing they can consistently focus on is themselves, so if their learning connects to them on
some level, it impacts them more. All of these things that this article talked about can be applied
to my area of study because in the future, I will be trying to cater my teaching to middle school
students. Through continuing to learn about the brain of middle schoolers and how much change
their going through, I could teach them more effectively and allow them to really process and
store everything that they need to know. Because music is cumulative, students have to
remember and practice the fundamentals they learn at the beginning throughout their whole life
as a musician. However, I would like to know how much this information matters in the
everyday work of music educators. How much do middle school band directors have to
consciously think about relating music back to the lives and talents of individual students? And
do directors have to deal with parents that have no clue how to manage their own middle school-
age students? Is student behavior usually a big issue, and how does a music educator deal with
this? Despite the possible difficulty of teaching this specific age group, I’m encouraged to further
my work on my ISM topic. This is because I would be able to influence the development of
students with malleable minds, and help them to love music during a time when it can most
easily become a part of who they are as they continue to grow. Being a music educator for
middle school age students would allow me to create a base platform for them doing music for
the rest of their lives. Students would be just mature enough to have respect for instruments and
quality pieces of music, but still be young enough to not really know who they are as people, so
that they can decide if they want band to a part of that identity or not.