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diasporiana.org.ua
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575 1KsiH CTpiT BeCT.

COPYRIGHT, 1993,
BY L. DEMYDENKO .
ALL RIGHTS RESERVED .

diasporiana.org.ua
 DEPE)l.MOBA

YKpa'iHCbKa ttapo)lHH BHWHBKa, u.e O.!lHa 3 uatl6iJibW po3BHHeHHX ranyaef:l yKpaiH-

CbKoro HaPO.!lHbOfO MHCTeU.TBa. BHWHBKOBi npHKpaCH, Bi.ll HaA.!laB'HiWHX qaciB 3YCTpi-
ll3€MO Ha HapO.!lHiM -O)lH3i, Ha pe 1rnx XaTHbOfO Ta o6pH,lOBOfO 'B>KHTKy.

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3 qaciB nepsicuo'i rpoMa.!lH. )lo H3i:t.!(aBHiWHX 3pa3KiB BHWHBKOBOfO opHaMeHTY HaJie-
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llHX nepBicHHX BHWHBKOBHX MOTHBiB '6yna .!lY>Ke npHMiTHBHa, o6yMOBJieHa BOHa MaTe-
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mo B>KHBaJIHCH )lJIH 3WHBaHHH OKpeMHX qacTHH O)lHry.

3 po3BHTKOM cycniJib'HHX '(j:>OPM >KHTTH, 3 po3BHTKOM Toprisni, 3auocHTbCH ,ffa YKpa'i-

HY HOBi MOTHBH Ta HOBa TexHiKa 3 iHWHX Kpa'iu. TaK npHXO.!lHTb Ha YKpa'iHy a IBa3aHTi'i
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llY>KHHUiB. aaBoi:tOBHHKiB Ta 3aBoi:toBaHHX, I BCe Bi)l HHX 3aD03HlleHe a6ipaJIOCH )10
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1

w.o IM )laHa OKOJIHU.H ni.!(Da)laJia, p03BHT·OK Hapo.Ll,HbOro MHCTeUTBa, a OT>Ke i HapO)lHbOl

BHWHBKH iwoB Bi.llMiHHHM Bi)l iHWHX OKOJIHU.b WJIHXOM. B HaCJii.!lOK 1.J.bOfO B yKpa'iH-
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racl>ToBaHHH, JIHWTBa, CTe6'HiBKa, Kpy11eHHH, Ta 6araT·O iHWHX Bill.Miff BHW.eHa3BaHHX
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KOJibOpHCTlfKy. Ko>KHHA OKpeMHA 3WHTOK Ma€ npe)lCTaBHTH apa3KH BHWHBKH Hai:txa-
paKTepHiwi .llJiff rn'i ·oKonuni. HKitt nett 3WHTOK e npucsH11euuA.

0)lHOllaCHO MH MaEMO HaMip BHDYCTHTH TaKO>K OKpeMHA 3WHTOK 3pa3KIB BHWHBKH

JIJISI 3aCTOCyBaH'HH 'ix B M-O)lepHiM n016yri.
 Folk embroidery has played a very important part in the historical
development of Ukrainian folklore. Beginning with ancient times, it
has developed into a highly unique and colorful skill.
All Ukrainian folk embroideries have a remarcable variation in
ornament as well as iri technique. The evolution of embroidery has
been effected through the centuries by the influence of such factors
as geographical location, economic positions and the standarts of
industrialisation of territories, and Ukraine's relation with other
countries through the years. Because of these factors, each district
of ,Ukraine developed its .own style of ornamentation, color, and
technique in embroidery. ,
Thus, by careful examination, we can divide Ukrainian embroidery
into different classification by to each class certain characteristics
which can be found in the different sections of Ukraine. A study of
the different ornaments and stitches used in different localities can
help us arrive, at .this classification. Thus according to this examination
we can divide our collection into 16 separate classes, and each of these
classes denotes a certain district in the Ukraine to which this definite
style of embroidery can be attributed.
• • •
The embroidery ornaments belonging to the first class all originated
in North-Eastern Ukraine in the territorial districts of Chernyhiv,
Krolevec, Konotop, N ovhorod-Siversk and Starodub.
These localities because of their geographical location have not been
influenced throughout the periods of history by foreign powers, and
thus, there is only a small trace of the foreign touch found in the
embroideries .of these localities, and therefore the embroideries of there
local8 have held closely to conformity with the original style of the
ancients.
The ornament found in these embroideries is for the most part
geometrical, using the geometric vegetable as typical. The colors used
are either red or ,black, or oftentimes both. In some villages, howerer,
we can also fina ,blue in this work. The stitch used in these ornamen-
tations is called the ,,cross-stitch".
The construction of ornaments found in fig. 6, 8, 9, 10, 13, 16, 43,
44 show the original technique, the so-called ,,perevolicannia", an okl
stitch which immitates weaving.
In these districts. young girls adorn shirts and blouses with very
rich embroidery which consits of very simple patterns. Embroidery
is also used in the decoration of towels, which play a very important
part in the betrothal and wedding ceremonies as well as in the
decoration of the rooms. These towels are stitched with very rich cross-
stitch patterns, ,and oftentimes sheer stitches known as ,,mereszky" are
also used. A description of these sheer stitch will be found in the
following booklets which deal with the other classes of embroidery.
L. Demydenko.
 nEPEJJ.MOBA JJ.O nEPrnoro 3lllHTKA

B nepwiM 3lllHTKY Hawo'i 36ipKH MH IlO!la€MO 3pa3KH BHlllHBKH '3 niBHi'llHHX OKO-
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roncbKHti. Hoaropo.a.-CiaepcbKHA Ta CTaPO!lY6iacbKHA.
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CTOTOIO cPOPMH TaK i npoCTOTOIO KOJibopiB. IlepeBaJKae O!lHH KOJibOp, B 6iJiblllOCTH
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1

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OfJISl)lOM € ·B30pH 4'11. 6, 8, 9, 10, 13, 16, 43, 44.
B UiA OKOJIHUi OC06JIHBO 6araTO .npHKpalllalOTb BHlllHBKOlO }l{iHO'lli COpo'llKH ( 'llaCTO
3alllHBalOTb uiJIHti pyKaB) Ta PYlllHHKH. :Ha OCTaHHix KOJibOPOBHA <>PHaMeHT WHlOTb
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5 Ta 15 - c. CeMeHiBKa, Hoaropo.n.-CiaepcbKoro noaiTy.
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7, 13. 14 - -OKOJIHUi HoaropoJI.-CiaepcbKoro.
8, 12 - c. 4enJii'iBKa, HoaropoJI.-CiaepcbKoro nosiTy.
9, 10, 17, 18 - OKOJIHUi KpoJieauH.
KAPTKA 3. ,,riJIOllKHn 3 pyKaBiB }ICiHOllHX copolloK:
19 - 3 oKOJIHU.b BaTypuHa.
20, 21 - norap, CTapo;r.y6IscbKoro nosiry.
22 - c. IlaHypisKa, CTapo.!{y6isc&Koro nosiry.
23 - lllHH, 1KoHOTOilCbKOro nosiTy.
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24 - Hi>KHH.
25 - Ko3eJieU.b.
26, 27 - 3 OKOJIHU.b BaxMalla.
·28 - 3 OKOJIHU.b KoHoTony.
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29 - 3 OKOJIHU.b KoHoTony.
30 - 3 OK-OJIHU.b Hi>KHHa.
31 - c. BiJionoJIH, !KoHoToncbKoro nosiry.
!KAPTI<A 6. B3opu BHlllHBKH 3 }ICiHollHX copolloK:
32 - ,,riJIOllKa n 3 OKOJIHU.b EarypuHa.
33 - ,,riJIOllKa n 3 -OKOJIHU.b nYTHBJIH.
34, 35, 36 - ,,IlOJIHK" Ta KOBHipH 3 OKOJIHU.b nyTHBJIH.
KAPTKA 7. BJopu BHlllHBKH 3 }ICiHOllHX copolloK:
37 - ,,IlOJIHKn 3 OKOJIHU.b fJiyxosa.
38, 39 - ,,no.!{iJI" Ta ,,JipKa" 3 OKOJIHU.b Hosropo.!{-Cisepc&Koro.
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·KAPT·KA 8. ,,IlOJIHKH" 3 copollOK >KiHoK:
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flYTHBJl.R.
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Cisepc&Koro nosiTy.
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48 - ,,nOJIHK" Ta,,po3Bi.lln 3 pyKasa.
49 - IlOJliJI.
50 - KOMip.
51 - o6lllJiarn.
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Ta ,,3ipKHn a6o ,,KHJ(anu.i") 3 OKOJIHU.b KoJeJibl.J.H.
1

KAPTKA 14. Bulllu·sKa 3 pyKasa >KiHollol copollKH, c. EaKJian, CTapo.!{y6isc&Koro

nosiTy:
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54 - 58 - sapiHHTH 3ipoK .!{0 BHilOBHeHHH ,,p03BO.llY".
KAPTKA 15. 59 - PyKaB >Kinollo"i copollKH (,,po3si.11." ), c. CocHHU.H,
!KpoJieseu.hKoro nosiTy.
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3 OKOJIHU.b fiaxMalla.
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61 - ,,KH.!{anu.i" Ta ,,riJIKan.
62 - sapiHHT ,,IlO.RCOllKa".
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KAPTKA 19. 64 - BHlllHBKa 3 PYlllHHKa, c. norap, CTapo)ly6iBCbKOrn noBiTy.
KAPTKA 20. BJopH 3 pymHHKiB:
65 - ,,riJIKan (lllH€TbCH y KiJI&Ka PH.lliB) 3 OKOJIHU.b CTapoJly6a.
66, 67 - ,Jlpi6ollKHn, c. IlaHypisKa, Crapo)ly6isc&Koro nosiTy.
68 - lllH€TbCH y KiJILKa p.RJliB noMi:>K Mepe>1<KaMH, 3 OKOJIHU.b Hi}ICHHa.
I 1

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BRODERIE POPULAIRE UKRAINIENNE - UKRAINISCHE VOLKSSTICKEREI
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