Beruflich Dokumente
Kultur Dokumente
Department of Politics
Maria Elena Yuchengco Philippine Studies Program
Asian Studies and Asian American Studies Programs
Filipino Culture and Society (Fall 2012)
YPSP 325, Cultural Diversity (CD) and Core E Social Sciences
Lone Mountain 344, Tuesdays 6:30- 9:15 pm
Claudine M. del Rosario, Adjunct Instructor in Philippine Studies
Contact particulars: delrosarioc@usfca.edu or (415) 613-4854
Office Hours: 2-4 pm, Tuesdays, at Wolf & Kettle or by appointment
Filipino Culture and Society is an introductory survey on the Filipino social, political,
psychological, and cultural experiences. It encompasses concepts and issues encountered by
Filipinos (and non-Filipinos) in the Philippines and in their diasporic communities found all over
the world. Discussion topics include: class and kinship formation, values, behavior and
psychology, languages, literature, religion, food, music, art, dance, ethnic minorities, education,
gender, and the Filipinization of America and the world.
With strong support from the College of Arts and Sciences (CAS), the Maria Elena G.
Yuchengco Philippines Studies Program, a “breakfast for your head class on Filipino studies”
was introduced in Spring 2000. The enthusiastic response from ever-hungry USF students led
CAS to offer Filipino Culture and Society the following semester. Philippine studies courses now
counts towards elective requirements in the Asia-Pacific Studies, Ethnic Studies, Asian American
Studies minors, and the newly established Philippine studies minor. In contrast to the Spring
“The Philippines and the New Asia Pacific” course, the concentration of YPSP 325 is the
Filipino social and cultural experiences. At more than 80 million people residing in the
Philippines and more than eight million scattered more than 160 countries, you are bound to
encounter Filipino culture in your lifetime. Advances in the internet and technology in a world
that seems to have no borders and boundaries has also increased the likelihood of socio-cultural
encounters. Thus, this survey course seeks to prepare you for this "cultural meeting" by
introducing you to concerns that are close to the minds and hearts of Filipinos. If you are a part
of the Filipino diaspora in America, then this course will help you better understand the
intricacies of your ethnicity and kinship links.
Week 2 (Aug 27): Kinship ties and the power of ka and anak
Constantino, Renato (1977). Insight and Foresight. Quezon City: Foundation for Nationalist
Studies. Chapter 7.
Jocano, F. Landa (1998). Filipino Social Organization: Traditional Kinship and Family
Organization. Manila: Punlad Research House. Chapters 4-5
Week 7 (Oct 8): Patron-Client Ties and "Who Owns the Land?"
Berlow, Alan (1998). “Land.” In Efren N. Padilla. The New Filipino Story. Iowa: Kendall/Hunt.
pp. 104-113.
Putzel, James (1992). A Captive Land: The Politics of Agrarian Reform in the Philippines.
London: Catholic Institute for International Relations. Chapter 7
Guide questions:
Why is land important to societies, especially developing ones?
What are patron-client ties?
Who do you think owns the land in the Philippines? Why do they own the land?
What should be done to redistribute the land?
What are the perspectives of government, communists, church, etc.?
Week 9 (Oct 29): Filipino Education (or Mis-education) and “Synthetic Culture”
Constantino, Renato (1966). The Filipinos in the Philippines and Other Essays. Quezon City:
Filipino Signatures. Chapter 2.
De Vera, Prospero E. (1988). “Trends and Problems in the Philippine Educational System.”
Praxis, Vol 2, No 2.
Fallows, James (1987). “A Damaged Culture: A New Philippines?” The Atlantic Monthly, Vol
260, No 5.
Group discussion and report back
Guide questions:
What is the purpose of education to society?
Why is it important for you to have an education?
How do people get ‘mis-educated’?
How have Filipinos been mis-educated?
What is a synthetic culture? “damaged culture”?
What could Filipinos take pride and promote to the world as their culture?
Course requirements:
Cultural Diversity – Outcomes: After taking the course the student will:
Demonstrate familiarity with the factors that create diversity in human societies, including, for
example, gender, race, class, and ethnicity.
Understand the relationships among diversity, inequality, and justice.
Demonstrate an understanding of the effects of global interdependence on contemporary
societies, for example, the role of migration and immigration, economic, political, and cultural
globalization on contemporary societies.
Demonstrate familiarity with the historical contributions of traditionally marginalized groups to
contemporary ideas, values and culture.
How will the Cultural Diversity outcomes be met? 16 weeks of lectures, discussions, guest
speakers, film analysis, role playing, simulations, and modeling exercises encompassing
concepts and issues encountered by Filipinos (and non-Filipinos) in the Philippines and in their
diasporic communities found all over the world. Discussion topics include: class and kinship
formation, values, behavior and psychology, languages, literature, religion, food, music, art,
dance, ethnic minorities, education, gender, and the Filipinization of America.
The main social science lenses used are clustered around the general concepts of ‘class and racial
analysis’ and ‘kinship or familial linkaging’ popular in ethnic, anthropology, sociology, and
cultural studies. A required fieldwork and service learning exercises will also expose them to the
basics of ethnographic and action research.
Students will be trained to understand and analyze the world using Filipino lenses and
experiences. They will not only learn to appreciate the ‘ethnic perspective’ but also discover the
‘general lessons’ that transcend ‘race, ethnicity, and beliefs.’ For instance, the paradoxes and
metaphors examined from nationalist Jose Rizal and historian Renato Constantino about
‘education and miseducation’ have broad local and global applications including to contemporary
American society from Mahatma Ghandi to Martin Luther King.
Besides uncovering the general lessons, students will also learn to develop (or speculate)
solutions that challenge conventional barriers and address continuing concerns. They will reflect
on implications from individual behaviors to social policies which rectify human injustices and
inequalities. The concepts and best practices from the course will make them better employees or
managers whether they join the public, private, or civil society sector. The will be able to
‘mainstream’ their reflections from the course into public policies improving the human
condition in their communities and promoting social policies.
Just like American Studies, Filipino studies and Philippine studies have become broad fields of
study. Undergraduate and graduate degrees in Philippine studies are now being offered not just in
the Philippines but in the United States, Canada, East Asia, Western Europe, and Australia.
Filipino culture and society is a required core course for USF’s Maria Elena Yuchengco
Philippine Studies and an elective course for the Asian American Studies Program, Ethnic
Studies Program, and the Asia Pacific Studies Program. It is a course that is diasporic,
transnational, and area studies in terms of scope and breadth.
The Philippine history discussed in the course is encompassing since it includes Asian,
American, European, and Latin American histories. The Filipino diaspora, now numbering 7
million, in more than 100 countries, makes their experience even more relevant to the
contemporary histories of their home societies.
Filipino culture and society is about Filipinos in the Philippines, Filipinos in America, and
Filipinos in diaspora vis-à-vis the diverse societies and communities around them. It discusses
the global Filipinization of spaces, processes, and institution. It is also about their influence in
American, Asian, European, and Latin American economics, food, politics, entertainment, music,
business, language, culture, health and the environment.
Active class participation. There is never a dull moment when discussing issues relating to
Filipino culture and society. However, the concepts and cases have to be set straight. Hence, you
are expected to come prepared to contribute to the discussion whether online or in-class. This is
where 20 % of your grade will come from. Keep in mind that this is a 4-unit class.
Classroom attendance. Presence in the class is critical for success in this course. Given my broad
experiences in the subject matter under study, I will share with you ideas, thoughts, and discourse
that you will not find in the course reader. Besides, each student brings in such ideas too to the
discussions. I will be circulating an attendance sheet for every class session. Absences will
definitely affect your final grade or eligibility to sit in for the final examination.
Midterm compulsory consultation. Every student is required to see me for a mid-term oral
consultation/check-up. I will provide 10 minute time slots for students to sign in.
Midterm Exam. The mid-term exam will cover all lectures Week 9. It is an intensive all-essay
exam that requires you to present an argument, organize your thoughts, and weave concepts and
theories into your analysis. You need to elaborate and give examples. Please bring with you a
large examination ‘blue book’ on the day of the exam. This is 20% of your final grade.
Optional Consultation Prior to the Final exam. Students with a ‘C’ and below standing will be
called in to discuss their course status and some remedial strategies.
Final Exam. The final exam will covers lectures until Week 14 and presentations It is an
intensive all-essay exam that requires you to present an argument, organize your thoughts, and
weave concepts and theories into your analysis. You need to elaborate and give examples. Please
bring with you a large examination ‘blue book’ on the day of the exam. This is 20% of your final
grade.
Filipino Cultural Research Project (FCRP). You will be assigned a Filipino cultural research
project to present in class (20 minutes) using powerpoint or other presentation medium.
Familiarize yourself with scholarly research, internet write-up, and journal articles using
Proquest, Infotrac, and the other electronic databases. A 10-15 page FCRP (double-spaced) is to
be turned in on the day of your presentation. More details will be provided in Week 2. This is
20% of your final grade.
Gradebook. My recording of your grades will be as open and transparent as possible. This is
done through the online gradebook on http://blackboard.usfca.edu. The online gradebook is open
24 hours a day, 7 days a week. This is also the best feedback on your class standing. Monitor it
well and send me an e-mail or see me personally if you have any questions.
Midterm Exam 25 points
Final Exam 25 points
Class Participation & Attendance 25 points
Filipino Cultural Research Project 25 points
100 points
Point(s) equivalent:
98-100 A+
94-97 A
90-93 A-
87-89 B+
83-86 B
80-82 B-
77-79 C+
73-76 C
70-72 C-
67-69 D+
60-66 D
59-below F
Consultation
If you have any questions, concerns or problems pertaining to the course, please do not hesitate
to contact me via phone, e-mail, during office hours, or by appointment.
You have graduated from USF and your first job is with KQED. Imagine yourself as a part of an
investigative research team that was given the assignment of providing a critical documentary for
an American TV audience on a theme below:
This final assignment is 25% of your grade and will take a bit of research, reflection, and
creative thinking. Start your data gathering and research early. Go beyond sources from the
internet. I will be meeting each group to decide on specific research questions.
1. Name some Filipino games. What are the roles of games in Filipino culture and society?
What are the various cultural influences on Filipino games?
2. What are the various historical and cultural influences on Filipino fashion? What were the
various materials used to make Filipino fashion?
3. What can superstitions reveal about Filipino culture and society? Why does a society
have them? What are the classifications of superstitions in Filipino culture and society?
4. Why do Filipinos have festivals? What do they mean? Give examples of Filipino
festivals. What role does religion play in Filipino festivals? Why do Filipinos in America
continue to practice these festivals?
5. Explain Filipino visual arts and their various influences. How is visual arts a way of
expression for Filipinos? Where did they gain inspiration for their artistic expressions?
6. Name some Filipino myths and legends. What are the significance of these Filipino
myths and legends?
7. Besides Jose Rizal, name some significant heroes and heroines in Filipino society? What
are the contributions of these heroes and heroines?
8. What is the significance of the Filipino language? Is there just one language or a number
of dialects? What is alibata?
9. Compare the Philippine theatre with western/American theatre. What local and foreign
influences did Philippine theatre have?
10. What is a parol? Why is it important to Filipino culture?
11. What were the historical origins of Philippine flags? What is the KKK? What are the
meanings of the various colors of the contemporary Philippine flag?
12. Besides Jose Rizal, who are famous Filipino writers? What are examples of some of their
works?
*Contents of this course outline are subject to changes and adjustments during the course of the term.