Action painting

Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is
spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The
resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished
work or concern of its artist.

Background
The style was widespread from the 1940s until the early 1960s, and is closely associated with abstract
expressionism (some critics have used the terms "action painting" and "abstract expressionism"
interchangeably).[1][2] A comparison is often drawn between the American action painting and the
French tachisme.[2] The New York School of American Abstract Expressionism (1940s-50s) is also seen
as closely linked to the movement.[3]
The term was coined by the American critic Harold Rosenberg in 1952,[4] in his essay "The American
Action Painters",[5] and signaled a major shift in the aesthetic perspective of New York School painters
and critics. According to Rosenberg the canvas was "an arena in which to act".[6] The actions and means
for creating the painting were seen, in action painting, of a higher importance than the end result.[3] While
Rosenberg created the term "action painting" in 1952, he began creating his action theory in the 1930s
as a critic.[7] While abstract expressionists such as Jackson Pollock, Franz Kline and Willem de
Kooning had long been outspoken in their view of a painting as an arena within which to come to terms
with the act of creation, earlier critics sympathetic to their cause, like Clement Greenberg, focused on
their works' "objectness." Clement Greenberg was also an influential critic in action painting, intrigued by
the creative struggle, which he claimed was evidenced by the surface of the painting.[3] To Greenberg, it
was the physicality of the paintings' clotted and oil-caked surfaces that was the key to understanding
them. "Some of the labels that became attached to Abstract Expressionism, like "informel" and "Action
Painting," definitely implied this; one was given to understand that what was involved was an utterly new
kind of art that was no longer art in any accepted sense. This was, of course, absurd." – Clement
Greenberg, "Post Painterly Abstraction".
Rosenberg's critique shifted the emphasis from the object to the struggle itself, with the finished painting
being only the physical manifestation, a kind of residue, of the actual work of art, which was in the act or
process of the painting's creation. The newer research tends to put the exile-surrealist Wolfgang
Paalen in the position of the artist and theoretician who used the term "action" at first in this sense and
fostered the theory of the subjective struggle with it. In his theory of the viewer-dependent possibility
space, in which the artist "acts" like in an ecstatic ritual, Paalen considers ideas of quantum mechanics,
as well as idiosyncratic interpretations of the totemic vision and the spatial structure of native-Indian
painting from British Columbia. His long essay Totem Art (1943) had considerable influence on such
artists as Martha Graham, Barnett Newman, Isamu Noguchi, Jackson Pollock and Mark Rothko; Paalen
describes a highly artistic vision of totemic art as part of a ritual "action" with psychic links to genetic
memory and matrilinear ancestor-worship.[8]
Over the next two decades, Rosenberg's redefinition of art as an act rather than an object, as a process
rather than a product, was influential, and laid the foundation for a number of major art movements,
from Happenings and Fluxus to Conceptual, Performance art, Installation art and Earth Art.

Historical context
It is essential for the understanding of action painting to place it in historical context.[citation needed] The action
painting movement took place in the time after World War II ended. With this came a disordered
economy and culture in Europe, and in America the government took advantage of their new state of
importance.[9] A product of the post-World War II artistic resurgence of expressionism in America and
more specifically New York City, action painting developed in an era where quantum
mechanics and psychoanalysis were beginning to flourish and were changing people's perception of the
physical and psychological world; and civilization's understanding of the world through heightened self-
consciousness and awareness.
American action painters pondered the nature of art as well as the reasons for the existence of art often
when questioning what the value of action painting is.[9] The preceding art
of Kandinsky and Mondrian had freed itself from the portrayal of objects and instead tried to evoke,
address and delineate, through the aesthetic sense, emotions and feelings within the viewer. Action
painting took this a step further, using both Jung and Freud’s ideas of the subconscious as its
underlying foundations. Many of the painters were interested in Carl Jung's studies of archetypal images
and types, and used their own internal visions to create their paintings.[9] Along with Jung, Sigmund
Freud and Surrealism were also influential to the beginning of action painting.[6] The paintings of the
Action painters were not meant to portray objects per se or even specific emotions. Instead they were
meant to touch the observer deep in the subconscious mind, evoking a sense of the primeval and
tapping the collective sense of an archetypal visual language. This was done by the artist painting
"unconsciously," and spontaneously, creating a powerful arena of raw emotion and action, in the
moment. Action painting was clearly influenced by the surrealist emphasis on automatism which (also)
influenced by psychoanalysis claimed a more direct access to the subconscious mind. Important
exponents of this concept of art making were the painters Joan Miró and André Masson. However the
action painters took everything the surrealists had done a step further.

Notable action painters

 Frank Avray Wilson[10]
 Norman Bluhm[11]
 James Brooks[12]
 Nicolas Carone[13]
 Elaine de Kooning[14]
 Willem de Kooning[15]
 Perle Fine[16]
 Sam Francis[17]
 Michael Goldberg
 William Green[18]
 Ismail Gulgee[19]
 Philip Guston[20]
 Grace Hartigan[21]
 Franz Kline[22]
 Albert Kotin[20]
 Lee Krasner[23]
 Alfred Leslie[20]
 Conrad Marca-Relli[20]
 Georges Mathieu[24]
 Joan Mitchell[20]
 Jackson Pollock[20]
 Milton Resnick[25]
 Joe Stefanelli[26]
 Jack Tworkov[27]

Exhibitions
 Action Painting
o Organized by Ulf Küster. Fondation Beyekerm Basekm Switzerland, January 27-May 12,
2008[28]
 Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976
o Organized by Norman L. Kleeblatt. Jewish Museum, New York, May 4-September 21, 2008[28]
References and notes
1. ^ "Art History Definition: Action Painting". ThoughtCo. Retrieved 2018-05-04.
2. ^ Jump up to:a b Boddy-Evans, Marion. "Art Glossary: Action Painting". About.com. Retrieved 20
August 2006.
3. ^ Jump up to:a b c "Action Painting Technique: Definition, Characteristics". www.visual-arts-cork.com.
Retrieved 2018-05-04.
4. ^ Rosenberg, Harold. "The American Action Painters". poetrymagazines.org.uk. Archived from the
original on 2016-04-10. Retrieved 20 August 2006.
5. ^ Stokstad, Marilyn, 2008, Art History, 3:d edition, London, Pearson Education, p. 1133.
6. ^ Jump up to:a b "Action Painting | Artsy". www.artsy.net. Retrieved 2018-05-04.
7. ^ Slifkin, Robert (June 2011). "The Tragic Image: Action Painting Refigured". Oxford Art Journal. 34: 227–
246 – via EBSCO.
8. ^ Andreas Neufert, Auf Liebe und Tod, Das Leben des Surrealisten Wolfgang Paalen, Berlin (Parthas)
2015, S. 494ff.
9. ^ Jump up to:a b c Kaufman, Jason Edwards (Spring 2008). "What the Mind's Eye Sees: Action painters
were postwar exemplars of American individualism". American Scholar. 77: 113–117 – via EBSCO.
10. ^ "Frank Avray Wilson biography". Whitford Fine Art. Retrieved 2018-05-04.
11. ^ "Why Haven't You Heard of Norman Bluhm?- artnet News". artnet News. 2016-06-08. Retrieved 2018-
05-04.
12. ^ Exhibit-E. "James Brooks (1906-1992) - Artists - Michael Rosenfeld Art". www.michaelrosenfeldart.com.
Retrieved 2018-05-04.
13. ^ "Nicolas Carone | Loretta Howard Gallery". lorettahoward.com. Retrieved 2018-05-04.
14. ^ "Elaine de Kooning, Portraiture, and the Politics of Sexuality". Genders 1998-2013. 2003-09-01.
Retrieved 2018-05-04.
15. ^ exhibit-E.com. "Biography - The Artist - Willem de Kooning Foundation". www.dekooning.org.
Retrieved 2018-05-04.
16. ^ Tennessee, AE Artworks - Nashville,. "Biography - Perle Fine - Abstract Expressionist Art -
PerleFine.Com". www.perlefine.com. Retrieved 2018-05-04.
17. ^ "The Late Abstract Expressionism in the Works of Sam Francis - IdeelArt". IdeelArt. Retrieved 2018-05-
04.
18. ^ "Action Art". www.artmovements.co.uk. Retrieved 2018-05-04.
19. ^ "ArtAsiaPacific: Ismail Gulgee19262007". artasiapacific.com. Retrieved 2018-05-04.
20. ^ Jump up to:a b c d e f "New York School Action Painting 1950s". Post War American Expressionsim. 2012-
02-22. Retrieved 2018-05-04.
21. ^ "Grace Hartigan: New York School painter who later rejected Abstract". The Independent. 2008-12-08.
Retrieved 2018-05-04.
22. ^ "Franz Kline Biography, Art, and Analysis of Works". The Art Story. Retrieved 2018-05-04.
23. ^ "Lee Krasner and Her Impressive Oeuvre - IdeelArt". IdeelArt. Retrieved 2018-05-04.
24. ^ "Georges Mathieu Biography – Georges Mathieu on artnet". www.artnet.com. Retrieved 2018-05-04.
25. ^ "Milton Resnick: A Question of Seeing". The Brooklyn Rail. Retrieved 2018-05-04.
26. ^ "Joe (Joseph) Stefanelli American Abstract Expressionist - Artlyst". Artlyst. Retrieved 2018-05-04.
27. ^ "Jack Tworkov Biography – Jack Tworkov on artnet". www.artnet.com. Retrieved 2018-05-04.
28. ^ Jump up to:a b "Action Painting: Perspectives from Two Sides of the Atlantic". Art Journal. 67: 119–121.
Winter 2008 – via EBSCO.

 Rosenberg, Harold The Tradition of the New (1959) - Ayer Co Pub - ISBN 0-8369-2127-5
 Wills, Garry Action Painting in Venice (1994)
 Marika Herskovic, American Abstract Expressionism of the 1950s An Illustrated Survey, (New York
School Press, 2003.) ISBN 0-9677994-1-4
 Marika Herskovic, New York School Abstract Expressionists Artists Choice by Artists, (New York
School Press, 2000.) ISBN 0-9677994-0-6
 Hrebeniak, Michael. Action Writing: Jack Kerouac's Wild Form, Carbondale, IL: Southern Illinois UP,
2006.
https://en.wikipedia.org/wiki/Action_painting
External links[edit]
 Auction record including a color image of a 1960 action painting by Elaine Hamilton.
 9th Street Art Exhibition-abstract expressionist artists reminisce—YouTube video