Beruflich Dokumente
Kultur Dokumente
Fifth Century
Author(s): Michael Roberts
Source: The American Journal of Philology, Vol. 122, No. 4 (Winter, 2001), pp. 533-565
Published by: The Johns Hopkins University Press
Stable URL: http://www.jstor.org/stable/1561821
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ROME PERSONIFIED, ROME EPITOMIZED:
REPRESENTATIONS OF ROME IN THE POETRY
OF THE EARLY FIFTH CENTURY
Michael Roberts
The last years of the fourth and the beginning of the fifth
century (the reigns of Theodosius and his sons) mark a cru
the Christianization of Rome.1 The hold of the city and all it s
the imagination of the ruling classes was as strong as ever. But
legislation had definitively established the dominance of Ch
the empire, and even in Rome the aristocracy was becomi
sively more Christian.2 These changing circumstances find
the way Rome was represented in contemporary literature
indebted to the traditional language of the laudes Romae a
established literary traditions, the authors of the period find n
inflect the image of Rome that mirror their differing relig
tural allegiances.
Three poets make the largest contributions to that evolu
representation of Rome. Claudius Claudianus was born in A
370) but came to Rome in 394. His first Latin poem cel
consuls of 395, Probinus and Olybrius, but thereafter most
served the interests of his patron and the emperor Honoriu
ister, the Vandal general Stilicho. Of particular importance for
sentation of Rome are his consular panegyrics, for the co
Honorius (396, 398, and 404) and Stilicho (400), and his tw
epics on the campaigns against the African warlord Gi
Gildonico 398) and against Alaric in 401-402 (De bello G
Claudian wrote his last dated poem in 404. Nothing is heard
that date and it is likely he died soon thereafter.
Claudian's Christian contemporary, Aurelius Prudentius
was born, according to the verse preface he wrote to his collect
in 348. After a successful career in the imperial admini
American Journal of Philology 122 (2001) 533-565 ? 2001 byThe Johns Hopkins University
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534 michael roberts
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ROME PERSONIFIED, ROME EPITOMIZED 535
ROME PERSONIFIED
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536 michael roberts
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ROME PERSONIFIED, ROME EPITOMIZED 537
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538 MICHAEL ROBERTS
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ROME PERSONIFIED, ROME EPITOMIZED 539
15 "Nunc, nunc iusta meis reverentia conpetit annis, / nunc merito dicor ve
et caput orbis,/cum galeam sub fronde oleae cristasque rubentes / concutio vir
fera cingula serto/atque armata Deum sine crimine caedis adoro," C Symm. 2.6
16 On this passage see Gnilka 1991,16-33.
17 "Si persona aliqua est aut si status urbis, in his [sc. domibus nobilium]
formam patriae facit excellentior ordo, / hi faciunt," C. Symm. 1.569-71; "Romam
quos mentem credimus urbis, / non genium, cuius frustra simulatur imago," C
2.443-44.
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540 MICHAEL ROBERTS
Hair and armor again index Rome's status. In the first couplet, R
deliberately conflates the laurel appropriate to the victor with th
and vigorous hair of youth: crinales lauros can mean either "laurel
hair" or "laurel hair" (i.e., hair consisting of laurel); virides . . . c
either "youthful hair" or "green foliage." (Ernst Doblhofer [197
2:73] cites the evidence for the metaphorical sense of viridis an
cognates.) In so doing Rutilius associates Rome's rejuvenation spe
cally with her renewed military supremacy, symbolized by the t
phant laurel wreath. Roma has attributes both of warrior and qu
the next couplet: a mural crown and a shield.19 Their golden bril
18 On the tension in Rutilius' poem between optimism and pessimism see Dobl
1970,14-15, and 21, n. 18, and Roberts 1988,186-87.
19 The mural crown finds a literary parallel in Lucan 1.188. Otherwise, in p
Roma is represented wearing a helmet. Both forms of headgear are found in art, th
crown being associated particularly, though not exclusively, with city Tyches: Shelt
30-35. By using the word cono, regularly used of the top of a helmet in Latin
Rutilius again conflates two distinct attributes, the mural crown and the warrior's
Claudian (Cons. Stil. 2.21 A) emphasizes the brilliance of Roma's shield. It reflects th
she flies to Stilicho in Milan ("Eridanus clipei iam fulgurat umbra").
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ROME PERSONIFIED, ROME EPITOMIZED 541
again conveys her majesty and status, the aurea Roma of Ausonius
Nob. Urb. 1), Claudian (Fescennina de Nuptiis Honorii Augusti 2.19)
Prudentius (Apotheosis 385, C. Symm. 2.1114).20 Finally, in line 120, Ru
contributes a new detail to the personification of Rome, specific t
circumstances of the city and empire in the disturbed times in whi
was writing. Claudian (Gild. 21-25) had represented Roma as fami
and enfeebled by the threat Gildo posed to her grain supply. But o
Jupiter grants her petition, her symptoms are immediately reversed (G
208-12). In Rutilius, the injury (119) the city has suffered is like a wou
to her body, which will close in time and then heal. The comparison wi
the natural healing process suggests the recovery could be long d
out and, depending on the severity of the wound, unsure. It is cert
not susceptible to the quick fix of Claudian's poem. As Doblhofer p
out (1972-77, 2:74), Rutilius interprets the metaphor psychologica
abscondat has the sense of "forget," while contemptus ... dolor em
sizes the proper mental attitude needed for renewal. The gramm
and syntactical parallelism with deleta iniuria suggests that that p
too should carry a psychological sense. Rome needs time to heal. Ru
poem can be seen as a contribution to this psychological project, th
a somewhat ambiguous one. The poet does not proudly proclaim t
certainty of the city's renewal, but expresses himself in more qua
fashion with imperatives, jussive subjunctives, or wishes for the fu
The pattern of past history?Rome has always grown stronger fr
reverses?provides reasons for confidence.21 Rome is to hold her
high, thereby regaining the erect and towering posture appropria
the caput orbis (1.194). The figure of Roma, here detached from im
politics or religious controversy, remains a rallying point for a G
Roman aristocrat such as Rutilius. But the personification bears t
ominous traces of recent sufferings, wounds that have not yet he
Both Claudian and Prudentius had spoken in panegyric contex
wounds to the Roman state that only Stilicho (Cons. Stil. 2.204-5)
Theodosius (C. Symm. 1.14-18) could heal. Rutilius has no such expe
tions of an individual leader. He must pin his faith on the resilienc
recuperative powers of the personified Roma.
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542 MICHAEL ROBERTS
ROME EPITOMIZED:
METONYMY, SYNECDOCHE, AND TOPOS
22 The height of hills and walls implicitly legitimates Rome's claim to the title
"imperii... caput."
23 Paulinus of Nola (writing to Ausonius) has "superba ... moenia Romae" (Carm
10.247).
24 6 Cons. Hon. 531-36; for the association with the founding and early history of
Rome see Gild. 28 and 109. By associating Stilicho's rebuilding of the walls with Virgilian
language of the founding of Rome, Claudian represents the actions of his patron not only
as a rejuvenation (iuvenescere) but as a refounding of the city.
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ROME PERSONIFIED, ROME EPITOMIZED 543
25 For references in Statius see Silv. 1.1.64-65,1.2.144-45 (with the Tiber), and 191
92,1.5.23-24 (Tiber), 2.7.45 (Tiber), 4.1.6-8, 4.4.4.; in Claud. Prob. 175-76; Fesc. 2.19-2
Cons. Stil. 2.401-2, 3.30-31,65-66,136, and 284; Get. 51; 6 Cons. Hon. 11-12,35-36,40-41,
529-31, 535-36, and 615-17.
26 "Ut paterni / fluminis ripae simul et iocosa / redderet laudes tibi Vaticani / monti
imago" (Carm. 1.20.5-8).
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544 MICHAEL ROBERTS
The two clauses that constitute the passage emphasize distinct elements
of the scene. The first is organized according to elevation, emphasized by
the clausula aethera vallis: the sound reaches from low to high; the
second stresses the unifying effect of the acclaim (the clausula unaque
totis). Virgil twice describes the founding of Rome as "a single city
surrounding the seven hills with a wall" ("septemque una sibi muro
circumdedit / circumdabit arces"). In Claudian "a single echo" thunders
the name of Augustus "from the seven hills." In this formulation late
Roman ceremony reenacts and derives its legitimacy from the founda-
tional act of the city's origins, as authoritatively formulated by Virgil.
Stilicho's adventus is to arouse similar enthusiasm. "How often,"
the poet asks, "will the Murcian valley [i.e., the Circus Maximus] carry to
heaven your name, echoing off the Aventine and Palatine hills?" ("ad
caelum quotiens vallis tibi Murcia ducet / nomen Aventino Pallanteoque
recussum!" Cons. Stil. 2.404-5). The ceremony imagined is the same, and
there is the same emphasis on the sound ascending to heaven from the
valley floor. The topographical specificity is new. By referring, for in?
stance, to the Palatine and Aventine rather than to all seven hills, Claudian
sacrifices the idea of the occasion as unifying the whole of the city.
Instead he emphasizes the love the population feels for Stilicho and their
suspense as they await his arrival. Suspense finds expression in chrono-
logical, and hence topographical, extension: the Flaminian Way (397),
Pincian Heights ("Pincia culmina," 401), theater of Pompey ("Pompeiana
... proscaenia," 403), and finally the Murcian valley. The mini-itinerary of
Rome draws out the expectation and communicates the emotional in?
vestment of the populace in the general's adventus.27
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ROME PERSONIFIED, ROME EPITOMIZED 545
In Paulinus the singing of the liturgy reaches to heaven, strikes on, but
does not echo back from, the Capitol (incusso; cf. recussum, Cons. Stil.
2.405), and proclaims the name of Christ, as opposed to that of Augustus
or Stilicho (6 Cons. Hon. 617; Cons. Stil. 2.405). Each detail evokes the
topos familiar from Claudian. But although the passage exploits a sche-
matic topography of Rome?temples totter and images quake?it does
so in the service of antipagan Christian triumphalism.
Rome in Overview
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546 MICHAEL ROBERTS
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ROME PERSONIFIED, ROME EPITOMIZED 547
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548 MICHAEL ROBERTS
35 Compare Cons. Stil. 3.66 "auri fulgore" with C. Symm. 1.418 "multo circumfluis
auro"; Cons. Stil. 3.67 "indutosque arcus spoliis" with C. Symm. 1.417 "spoliisque insigne
superbis"; and Cons. Stil. 3.65-66 "septem circumspice montes,/ qui solis radios auri fulgore
lacessunt" with C. Symm. 1.413-14 "turbidus aer / arcebat liquidum septena ex arce serenum."
36 On this passage see Dewar 1996,96-97. The verb stipo is regularly used of crowds
of people, often thronging round an individual.
37 Prudentius voices similar sentiments in Perist. 2.481-84; cf. CTh 16.10.15.
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ROME PERSONIFIED, ROME EPITOMIZED 549
38 Decora alta trophaeis can refer to spoil-clad arches (cf. Claudian, Cons. Stil. 3.
and 6 Cons. Hon. 50-51)?so Doblhofer 1972-77,2:62. Alta, though, may hint at the sev
hills of Rome, while densis recalls the air thick (densum) with temples of 6 Cons. Hon. 4
For the comparison with stars see Cons. Stil. 3.134. Vagos, perhaps, corresponds to Claudian
trepidans. For the inability of the viewer to concentrate on a single object when distract
by so many visual stimuli cf. Sidonius, Carm. 2.420-21. Fuchs (1943,51-58) associates
brilliance of the light over Rome with passages that identify Roman imperial rule wit
bright heaven or more benign climate (Pliny, HN 3.5.39, Florus 2.30).
39 See Doblhofer (1972-77, 2:73^1), who cites the Prudentian parallel. For the po
sible influence of Prudentius on Rutilius see also Helm 1931,16-20.
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550 MICHAEL ROBERTS
42 As Doblhofer notes, the language derives from Verg. Ecl. 8.108 ("credimus?
qui amant, ipsi sibi somnia fingunt?"), also describing a lover longing for a belo
Ausonius imitates the same Virgilian line in an epistle lamenting the absence of Paulinu
Nola (Ep. 24.124). For the line en&irxgfingit amor see Ov. Pont. 1.9.8. For a lover's vision
preternaturally acute see Ov. Her. 6.71-72; Venantius Fortunatus Carm. 6.5.194.
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ROME PERSONIFIED, ROME EPITOMIZED 551
The Tiber
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552 MICHAEL ROBERTS
44 Compare Claudian, Prob. 217 "vertice luxuriat toto crinalis harundo" with Verg.
Aen. 8.34 "et crinis umbrosa tegebat harundo" (cf. Ov. Fast. 5.637 and Sid. Apoll. Carm.
2.333-34). Although there are no exact correspondences in language between Claudian
and Ovid, both describe only the upper torso of the god?head/face, beard, forehead, and
chest?and both gods are soaked and dripping with water (Claud. Prob. 220-23; Ov. Met.
1.264-67).
45 Doblhofer 1972-77, 2:88, compares Ov. Met. 9.3 "inornatos redimitus harundine
crines," also of a river god, Achelous. For Rome's military triumphs see 1.77, 93, and 115.
Rutilius also interprets the datum that the river god is horned ("fronte bicorni," 1.179) as
an allegory for the two mouths of the Tiber.
46 "Atque opulenta tibi placidis commercia ripis / devehat hinc ruris, subvehat inde
maris."
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ROME PERSONIFIED, ROME EPITOMIZED 553
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554 MICHAEL ROBERTS
49 For instance, the verb condita in Prudent., Perist. 14.3. The verb regularly means
"buried," but it is also used of the setting up of a religious structure, a temple or an altar
(OLD, s.v. 10b). The effect in the present passage is to elide the distinction between Agnes
the martyr and the basilica/tomb which houses her body.
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ROME PERSONIFIED, ROME EPITOMIZED 555
Earlier in the poem Prudentius had shown himself sensitive to the indoc-
trinating effect that exposure to pagan cult and the religious ceremonies
of the city?especially the worship of Venus and Roma?had on the im-
pressionable young (1.199-244).51 Now the focus of worship has changed.
With the exception of a few holdouts, still wedded to the religion of the
Capitoline and the Tarpeian rock, Rome's senatorial aristocracy hurries
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556 MICHAEL ROBERTS
52 Curia: Stat., Silv. 1.4.41 and 5.2.27; Pan. Lat. 2.47.3 and 4.35.2; Claud., 4 Cons. Hon.
10 and 6 Cons. Hon. 52; cf. Prudent., C Symm. 1.599. Rostra: Pan. Lat. 2.47.3; Claud., Cons
Stil. 2.390,3.106, 201; Get. 82; 6 Cons. Hon. 42,587, 644 ; Prudent., Perist. 11.45.
53 Prudentius here alludes to Virgil's account of the morning salutatio, a regular part
of the urban rituals of social life in Augustan Rome. In Christian Rome attendance on the
martyrs at their shrines takes the place of the, to Virgil, offensive social obligations of the
pre-Christian period. See Roberts 1993,165-66.
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ROME PERSONIFIED, ROME EPITOMIZED 557
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558 MICHAEL ROBERTS
55 Roberts 1993,19-20.
56 The baptistery has traditionally been identified as a construction of Pope Damasus
at Saint Peter's, but the identification has been questioned by Smith 1988.
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ROME PERSONIFIED, ROME EPITOMIZED 559
apostles. Prudentius' sense of the special role of the Tiber in the symb
topography of Rome finds a striking parallel in Ammianus Marc
There the historian regrets that the emperor Julian is buried in
rather than in the city of Rome.57
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560 MICHAEL ROBERTS
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ROME PERSONIFIED, ROME EPITOMIZED 561
Richard Lim (1999, 267), writing of the role in the fourth and f
centuries of civic spectacle in the contested topography of Rome, d
guishes two processes, "secularization" and "Christianization." Both
be illustrated from the representations of Rome we have been stud
Already for Claudian, writing in a Christian court and for a Chris
patron, the goddess Roma is no longer the object of cult. Instead
serves his panegyrical intent, as an active agent in the divine mach
of the historical-panegyrical epic. The confusion of divine and hu
realms conduces to his purpose by representing the individuals pr
as operating at a more than human level and lending universal sign
cance to their particular actions. As in the visual arts, the attributes of
goddess encode her power and status, but they also provide a flex
medium for registering the specific circumstances that give rise
particular poem. In Prudentius the process of secularization goes
step further. Roma is no longer a goddess and plays no role in init
action in his poetry, but she does have a part to play as a personific
61 For the use of verus in Lactantius when reinterpreting passages from pagan p
(Div. Inst. 4.10.7, 5.11.5, and 6.24.29) see Goulon 1978, 144-45. Leo proposes a s
Christian reinterpretation of a classical source. For Peter as the founder of Christian
in Leo's writings see McShane 1979,109-69, and for Leo's attitude to Rome Ingleber
635-38.
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562 MICHAEL ROBERTS
62 Sid. Apoll. Carm. 2.391-523; 5.13-53, 63-106, 351-67; 7.45-138. In his panegyric
Sidonius conforms to the Claudian model.
63 Prudentius' mapping of the city of Rome can be understood in terms of ancien
memory systems. He is constructing a network of locational memory cues, charged w
cultural associations. See Carruthers 1998,10-16,40-44, and 54-57.
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ROME PERSONIFIED, ROME EPITOMIZED 563
Wesleyan University
e-mail: mroberts@wesleyan.edu
BIBLIOGRAPHY
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564 MICHAEL ROBERTS
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ROME PERSONIFIED, ROME EPITOMIZED 565
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