Int ern a tio na l Jo u rna l of Applied R esea rch 201 5; 1(8): 213 -21 8
ISSN Print: 2394-7500
ISSN Online: 2394-5869
Impact Factor: 5.2
IJAR 2015; 1(8): 213-218
www.allresearchjournal.com
Received: 23-05-2015
Accepted: 26-06-2015
Dr. Vitthal V. Parab
(a) Head, Department Of
English, K.M. Agrawal College
of Arts, Commerce & Science,
Kalyan (West)- 421301.
(b) Recognized Ph.D Guide in
English (University OfMumbai
& JJT University,
Rajasthan)V.C. Nominee
Subject Expert at Interview
Panel for Recruitment
ofAssistant Professors
inUniversity of Mumbai
(c) Subject Expert at
Maharashtra Public Service
Commission, MPSC Head
Office, Kuparej, Mumbai-
400021.
Correspondence:
Dr. Vitthal V. Parab
(a) Head, Department Of
English, K.M. Agrawal College
of Arts, Commerce & Science,
Kalyan (West)- 421301.
(b) Recognized Ph.D Guide in
English (University OfMumbai
& JJT University,
Rajasthan)V.C. Nominee
Subject Expert at Interview
Panel for Recruitment
ofAssistant Professors
inUniversity of Mumbai
(c) Subject Expert at
Maharashtra Public Service
Commission, MPSC Head
Office, Kuparej,Mumbai-
400021.
Fatalism views of Thomas Hardy in Tess’s tragedy
Dr. Vitthal V. Parab
Abstract
Thomas Hardy is the influential English novelist and realist writer in the nineteenth century. His
masterpieceTess of D'Urbervilleshas won him the world prestige. Tess’s tragic fate is the core and clue
of the novel. Byanalyzing the contemporary social, historical and cultural backgrounds and the
heroine's character flaws, thispaper points out that Tess's tragedy is caused by women's status of
economic appendages and the subordinateposition in society. Tess’s tragedy in life is inevitable. The
arrangement of the plot structure also reflects thefatalism views of Hardy, and renders the necessity of
the heroine's tragic destiny.
Keywords: character flaw, fatalism, fate, tragedy.
1. Introduction
Hardy is the first English novelist to write about the countryside and its inhabitants in a
serious manner. As a novelist and writer of short stories, he belongs to the age of Victoria.
During his long span of life, his religious beliefs also experience great changes, which are
embodied in his words. Tess’s of the D’Urbervilles reflects Hardy‟s social pessimism and
sense of tragedy in human life. Chapter one intends to analyze the social backgrounds in
which Tess lives. The story happened in the late half of the 19th century when capitalism had
already invaded the distant rural areas of England and crisis and depression began to appear.
Tess just lived in the huge historical transformation. Customary morality and religious ethics
of Victoria era constituted the most important factor that determined Tess‟ inevitable
tragedy. Meanwhile, Tess is a victim of the capitalist laws. Anyone is doomed to be repelled
by society whoever tries to change the capitalist laws. Chapter
two,Hardydescribesmanyaccidents andcoincidences,omens and naturalenvironmentin
Tessofthe D’Urbervilles. These accidental matters, mysterious and incapable to foretell,
which like an invisible hand give Tess a serious attack, and pushes the development of story.
What‟s more, kinds of omens embody the Hardy‟s fatalism. He thought that human life was
controlled by mysterious power beyond the universe. And fatalism consists of nature and
human nature which are against the order of society. Chapter three a discussion on the
weaknesses in the main characters—Tess, Alec, Angel and Tess‟ parents are made. Hardy
molds an orthodox femininity which threatens the Victorian model of women. In the
contrary, Tess possesses certain inherent qualities, such as pride, independence and passivity,
while obedience and passivity are the inner reasons that lead to her downfall. In addition,
Angle‟ love and Alec‟s persecution push Tess to hell. According to Hardy‟s position, Tess‟s
tragic life is inevitable. Facing the chaotic and crazy life, Hardy, with his keen, observation
and skillful writing techniques, successful presents the tragedy of Tess.
Although Hardy describes many “Fallen women” in kinds of works, Tess is the perfect one.
2. Literature Review
During the test of time for 108 years, the people's attention to Tess of the D'Urbervilles was
added, the depth and the width of research beyond the past. Lenin compared worker's
hardship described in it with the Russia's present situation affirmed the real of realism. Tess
of the D'Urbervilles becomes the most acute denouncement against British ruling class and
whole capitalism. The tragedy of Tess was rightly the epitome of many labors in that
socialism of extremely rottenness. Hardy endowed Tess with great vigor, fused the tragedy
of main fate and character into the rich contents of social tragedy, and sent this book to the
ridges of British novels directly. In this paper, the reasons ofthe inevitability of Tess‟s
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International Journal of Applied Research
tragedy are analyzed from two aspects: the outside causes
and internal causes. The hypocritical era and morality of
Victorian age, the pressure of Tess‟s parents and the symbols
of damage force Alec and Angel formed the outside causes.
The internal causes included the contradiction between
hersubmission and her pride independence and her indistinct
equal thoughts.
3. Social Background
The story of Tess of the D’Urbervilles happened during the
late half of 19th century, which saw a decline and destruction
ofthe English peasantry and was an age of transition and
great social upheavals. Although the British Victorian
society enteredinto the capitalist industrial civilization, there
were still many old concept and system that restrained
people. Marriage is a hot problem. At that time the concept
of marriage is a reward that God grants to a virtue people.
The mass production of machinesmakes small land owners
and farmers lose their land into the proletariats. In order to
find a way of survivor, they are reducedto the employees
under the capitalist mode of production. Professor Chenjia
gives the following comments on the descriptionof
Flintcomb-Ash farm:
The striking scene of capitalist exploitation and oppression
on the Flintcomb-Ash farm is one of the highlights in the
novel,for here as rarelyelsewherein Englishfiction
dowewitnessavividpictureofhowwomenlaborswere especially
heavily exploited, with their lower wages but not lighter
work, how they were insulted as well as maltreated with
harsh words and orders, how they had to work under the
most terrible condition of weather and long hours until all
except the very staunchest of them collapsed with over-
fatigue. In this respect Tess of the D’Urbervilles is almost
unique among the English novels of critical realism in the
latter part of the 19thcentury, in which such vivid scene are
given of the central character as a peasant worker under
capitalist exploitation and oppression.(Chen,1998, p.436)[1]
Tess‟s tragic fate has a deep social origin. She is the victim
of social oppression. The capitalist morality and religious as
well as the capitalist exploitation constitute the most
important factors that determine Tess‟s inevitable tragedy.
A. Customary Morality
Customary morality is represented in the novel first by the
population of Marlott. Tess is seduced by Alec in the wood
and gives birth to a child before marriage. The attitude of
Marlott person towards Tess isnot humane, nor sympathetic.
They consider that she has infringed the custom. Tess
becomes the center of gossip in Marlott. She feels very
uncomfortable and guilty all day long. Therefore, she
remains indoors during the day. Only at the twilights does
shegoout.Thosepeopleabsolutelyignorehowamaternallovefor
herchild.Thosepeoplewhoinsistupon conventional moral
standard are narrow—minded.
Customary morality is also reflected in Angle‟ brothers,
Felix and Cuthbert. They are merely “contented dogmatists”
treading the trodden way requiring neither purity of soul nor
originality of thought. The following paragraph presents a
vivid description of them:
After breakfast he walk with his two brothers, non-
evangelized, well-educated, hall-marked young men,correct
to their remotest fiber; such unimpeachable models as are
turned out yearly by the lathe of a systematic tuition. They
were both somewhat short-sighted, and when it was a custom
to wear single eyeglass and string they wore a single
~ 214 ~
eyeglass and string; when…they wore …; when he was
decried in favor of Velasquez, they sedulously followed suit
without any personal objection. (Hardy, 2006, p.219) [4]
Felix and Cuthbert are both clergymen. They are completely
involved in their own little world. Although they have the
education that Angle lacks, they are completely deficient in
humanity. Capitalist hierarchy deepens on their heart. They
disapprove of Tess because of her “low” social station,
which they think lowers them in the eyes of the world.
Customary morality is not, according to Hardy, the right and
reasonable ethical response of the collective mass to the
pitiable cries of the “units” of society in distress.
Hardy refused to regard a casual indulgence in sex before
marriage as immoral or sinful. It was, to him, a venial lapse,
just amoral. Tess, in spite of her which is regarded as normal
within the monogamous marital limits, should seem so
outrageous when it is premarital. Social laws, unlike the
indifferent laws of Nature, should be informed with the spirit
of sympathy, and they must not be allowed to lose sight of
the human need to be happy. They must civilize, but must
not stifle the animal instinct. The case of Tess, moreover, is
different. Her first lapse is the betrayal by Alec of her
innocence, almost ignorance of sex. But her final fall could
have been averted if she had not been harassed beyond
endurance, if she had found all around her not scorn but
compassion, and if she had been allowed an opportunity to
improve. (Dave,p.109)
B.Religious Ethics
Religion is a typical form of social conventional and laws.
“Throughout Tess, Hardy deprecates religious. He thinks that
it is either a lifeless affair, as with the Clare family; or a
matter of fanaticism, as with the text painter or those who are
followers of Alec later in the book” (Dave, 1985, p.110)[2].
At the beginning, Tess is a believer of God and goes to
church regularly. But ever since she is seduced by Alec, she
begins to throw doubt on her belief. Tess neither gets
forgiveness nor compassion, but the endless accusation after
returned home. “…the people…and at last observing her they
whispered to each other” (Wu, 2002, p.139)[9]. She cannot
have a proper baptism, when the innocent child is born. She
cannot have a religious funeral, when the child is dead.
Although Tess for their children‟s funeral was rejected and
she promised would never come to church, religion has
always troubled Tess.
Angel Clare neither believes in God nor wants to enter the
church as his father wishes. He influences her through their
contact and his influence on Tess is fully reveals through the
conventional between Tess and Alec in Chapter 46. “How
can I pray for you,” she said, „when I am forbidden to
believe that the great power who moves the world would
after his plans on my account?
You really think that? Yes, I have been cured of the
presumption of thinking otherwise.‟ured? By whom?”By my
husband, if I must tell”…
Hm, Fancy your being able to teach me what you don”t
know yourself!” He fell into thought. “And so I threw in my
spiritual lot with his,‟she resumed.” I didn‟t wish it to be
different. What‟s good enough for him is good enough for
me.” (Hardy, 2004, p.399)[5]
Loss of chastity is not Tess‟s fault, but she is guilty.
Therefore, she refuses Angel‟s love. She cuts off eyebrows
and wears old clothes to demonize her. Because in her deep
heart she considers she lures Alec as well as others. Finally,
she kills Alec and is sentenced to death, which she thinks a
 
International Journal of Applied Research
good opportunity to prove her innocent to God. Whether
Alec or Angel is contrary to Christianity, it is not clear.
However, Tess, the true piety, suffers the most injuries but
does noting wrong and finally becomes avictim of religion.
C. Capitalist Law
Tess is also a victim of the capitalist laws. First of all, she is
the victim of the over-rigid marriage law of that time as well
as the religious ethics. Those people in a Victorian era were
not free from the impact of social conventions and
customary.DuringtheVictorianera, marriagewasregardedasthe
giftofGodtothesevirtuouspeople.Neither Christianity nor the
law allowed divorce.
The other reason that causes Tess‟s tragedy is the cruelty of
law. At the end of the story, Angel Clare, who is remorseful
for his mercilessness, comes back, but to find the cruel
reality. And his arrival makes Tess even more desperate.
After Angel leaves, she stabs Alec in the heart and kills him.
Finally, she is arrested and hanged to death. Thus, the author
writes sarcastically: “‟ „Justice‟ was done, and the president
of the immortals has ended his sport with Tess” (Hardy,
2004, p.489)[5].Tess, such a pure, kind, sensitive woman
should be sentenced to death! What kind of law it is!
Hardy put forward his own views, such as marriage,
morality, religion in novels through the creating of typical
person. He believes that marriage has morphed into a paper
recombination of property and hypocrisy contract that
improves and safeguards the reputation. The core of the
marriage corroded by modern morality is a pragmatic and
self-interest. Hence, the tragedy of Tess is inevitable.
4. Fatalism
Hardy lived in a time of United Kingdom free capitalism
over the period of imperialism. He witnessed the capitalist
invade the rural areas and farmers got bankruptcy. A large
number of individual farmers in the patriarchal society under
the influence of the rapid disintegration became
unemployment. Hardy‟s soul was badly hit. Deep emotional
attachment to the ancient civilization, and hated the
destruction of the people current living by industrial
civilization. Unfortunately, he had to put all the blame for the
“destiny”. On this point, we must point out that Hardy‟s
fatalism deeply limited by social conditions, and their own
ideological and time limitations. Therefore, Hardy can only
save the ancient civilization of a society‟s hopes in the hands
of fate. In particular, his fatalistic thought was expressed
most prominently on the heroine Tess.
In the work Tess of the D’Urbervilles, there are several
accidents and coincidences that conduct this mystery. These
accidental events promote the development of the plots, and
lead Tess to the tragedy. Fatalism is doomed the experience
of life, which allthings are beyond the control of human
power. Hardy‟s fatalism does not simply refer to regulations
but rather involves themystery. There is a definition of
fatalism in Cliff‟s note, it says “fatalism being that view of
life which says that all action is controlled by the nature of
things or by Fate which is a great, impersonal, primitive
force existing through all eternity,absolutely independent of
human wills and superior to any god created by man” (Force,
1966, p.8)[3].
A. Accidents and Coincidences
Coincidences cover mysterious color of fate. The first
coincidence in the novel is that Tess‟s father, John
Durbeyfield happens to know from a local parson that he is
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the last descendent of the d‟Urbervilles, an ancient noble
family with a long and distinguished past. He is proudly in
his noble lineage and takes so much wine that on no
condition to make a long trip to market. Tess and his brother
have to go in his place. Thus the tragedy happens: both of the
two children fall to sleep on the way. The mail coach has
crashed into their unlighted wagon, and their only horse was
killed. That directly caused Tess to accept her parent‟s
recommendation looking for so-called relatives. Old horse
was killed appears to be a coincidence, but imply a corollary.
Tess had to act against her willing, which eventually led to
the tragedy of life. Tess took part in the ball of paddock,
falling out with the “Queen of spade” on the back way. She
had to go along with Alec to return to the paddock.
Unfortunately Tess was insulted by Alec on the way. This
reflects Hardy does not predict the people living in the poor a
bright future, which can only be attributed their misfortune to
the result of coincidence. The second coincidence is that
Tess works in dairy farm. She intended to have a quiet life
but came across the Angel and fell in love him. Tess always
condemned by the conscience. She wrote a letter to tell
Angel. She is infidelity, but the fate plays a cruel joke that
the letter stuffed below a blanket. Wedding night with Angel,
Tess told truth to Angel. He could not forgive Tess, and then
went to Brazil. Tess became an abandoned woman.
Thirdly, distress of living caused Tess to seek the assistance
of Angel‟s father. On the way, she came across Alec, and the
heart hurt again. This paved the way that she was caught
again by Alec tentacle.
A series of accidents and coincidences combine to hinder
Tess‟s happiness. It seems that God subjects Tess to his
every irony on impulse by playing tricks on Tess with
accidents and coincidences, and destroys Tess finally.
B. Omens and Signs
Hardy‟s fatalism is presented not only through accidents and
coincidences but also revealed by means of many omens and
signs. In this novel, Hardy describes many unlucky things
with the color of fatalism. It is an inauspicious omen that
Angel did not select her when the grasses dance. It isn‟t a
good omen that Tess‟s chin is stabbed by the rose worn on
the chest. According to the custom, marriage must be
announced three times ahead. From the day they got married
only two weeks, so that marriage can postpone for a week,
which is not auspicious. On Tess‟s wedding day, the cocks‟
crows in the afternoon are regarded as bad omens, and it
does indicate that something terrible going to happen. Retty
Priddle tries to kill herself. Dairy man finds Retty in a river
and Marian drunk in a field, because of their desperate love
towards Angel. Therefore Tess feels she has taken all the
love, and would tell Angel the truth. But what‟s more
terrible is the misfortune that falls upon Tess that night:
Angel bears no love for her after her confession. Except
Tess, to other people of Wessex, more or less has the
fatalistic thought. Tess‟s mother Joan, who is uneducated
“with her fast perishing lumber of superstitions, folk-lore,
dialect and orally transmitted ballads” (Hardy, 2004, p.61)[5]
living by her fortune-telling book. She believes in fortune-
telling book, but has a “curious fetishistic fear of” it, and thus
never allows it to stay in the house all the night; once it is
used, it will be brought back to the thatch. She tests Tess‟s
fate in this book and believes it is a good idea to send Tess to
claim kin to a rich relation. Tess‟s family always use a
fatalistic tone to speak each other: “This is fate”. Each omen
or sign has its significance in the plot of the story. It is either
 
International Journal of Applied Research
a forecast of what will happen on our heroine or an
indication of the misfortune and miserable life our heroine or
other main characters will lead. The Wessex
peoplehaveadeepbeliefinsuperstition andfate.Hence,omens
andsigns areemployedtopresenttheirbelief. Therefore,
whatever Tess does, the final result is doomed. The author‟s
main intention is not topublicize the fatalism, but angrily
rebuke the dying power of social cruelty, thereby enlighten
people to resist.
C.Nature Environment
Hardy‟s fatalism is also embodied in the form of nature,
nature of the world and nature of the people. In Tess of
theD’Urbervilles, Thomas Hardy makes a keen and genuine
description on the natural background, so the readers can get
abetter understanding of the natural scenery. But, what is
more important is that landscape description is closely
coherent with Tess‟s tragic fate. The author describes the
landscape, aiming to set atmosphere and keep accordance
with the heroine—Tess‟s destiny.
In the novel, the reader can perceive numerous pictures of
landscape, which are mainly attributed to the pictorial arts
used by Hardy. Like a pointer, Hardy combined the painting
techniques such as color, ray and tone in the landscape
description to enhance atmosphere and aesthetic effects.
There are several places in which Tess lives and which have
great influence on Tess. The first place is the Vale of
Blakemore, where Tess was born and brought up. She had
been living in this place before 16 years old, leading a quiet
and happy life. The beautiful vale rears a beautiful girl. We
are told that “Tess, with her sensuousness, is an embodiment
of the principle in nature of irresistible sexual attraction. Her
flower-red mouth, her pretty face, her fine figure, and her
unselfconscious affinity with all that is natural suggest how
nature is a force in her character and determinant of her
fate”(Kramer, 1979, p.135)[7]. The second place is
Trantridge, where Mrs. D‟Urberville‟s house is located. That
is a turning point in Tess‟s life. Seen from the exterior
appearance, the owner of this house is very rich. This is a
typical merchant‟s family, a newly-sprouted capitalist‟s
house. These also contribute to Tess‟s tragedy. Seduced be
Alec, Tess returns to Marollot. She withdraws and leads a
secluded life. Enjoying the warmth of sunlight, Tess has
thought it over and realized that she could be useful and
independent again. Therefore, landscape description in Tess
does not merely provide the physical background for the
novel. Its main function lies in correlating spatial and
seasonal changes with the changing of Tess‟s fate and
contributing to the thematic depth and artistic charm of the
novel.
5. Weaknesses in the Main Characters’ Personality
The tragedy of Tess besides the factor mentioned in above
chapter, another important factor is the weaknesses in the
main characters. In addition to Tess, there are other people
who caused the tragedy of Tess, such as Angel, Alec and
Tess‟ parents. This part mainly analyzes the key characters
to see what kind of role they respectively play in the making
of Tess‟ tragedy.
A. Tess
Tess is a modern woman persecuted by old moral. In the eye
of the world, “she is a sinner, a fallen woman, the mistress of
a dependent by other, and finally is a murderer.”(Zhang,
1986, p.93)[10] However, Hardy considers that Tess‟s talent
~ 216 ~
is her greatest beauty of nature, and she is a pure person.
Tess, nature beauty, good simple, has courage of self-
sacrificing, full of noble woman temperaments. Tess has a
strong sense of responsibility on an unyielding heart, which
causes her tragedy.
Tess has a strong sense of responsibility to her family. She
loves her brothers and sisters, willing to support them. This
lofty goal gives her endless suffering. Initially, parents
persuaded her to visit the famous families, Tess is firmly
rejected. However, she assumed responsibility and promised
to visit D‟Urberville. This sense of family responsibility
propelled her into the side of Alec, but also into the
beginning of her tragic life. In the dairy field work, she met
and fell in love with Angel. She still choose telling the truth
to Angel when she agreed to his marriage proposal finally.
Thus she
bearsanewcombatfortune.Thesearetheresponsibilityofthetruel
ovefromTess.Thepaperdescribesthe psychological of Tess
before marriage, as the reader can clearly see the suffering of
Tess: “They were not aware…, and which somehow seemed
wrong to these”. (Hardy, 1994, p.104)[6] After breaking up
with Angel, her responsibility resumes dominant. The family
faces tremendous difficulties after her father died. Alec was
familiar with her weakness, and took the chance of persuade
her. Tess again compromised to her mother and young
brothers and sisters. Every sense of responsibility ate made
Tess‟s tragic fate even more tragic. If her character cannot
change, her tragic fate will not change.
Shedoesnotyieldto real,whichis
thecharactertragedy.Tessdoesn‟twanttosuccumbtotheprejudic
esof traditional ethics. Alec made her deflowered, and she
left him firmly. When her child was not buried by religious
ritual, she bravely shouted: “I will never go to your church.”
She has a heroic quality of endurance, of “patience, that
blending of
moralcouragewithphysicaltimidity”.(Hardy,2004,p.360)[5]
Tess is simply trapped, like the innumerable trapped birds
and small beasts which suffer both in the action and the
imagery of the novel, like the “entrapped flies and
butterflies” in the gauzy skirts of the milkmaids going to
church,
trappedliketheworkersonthejudderingthreshingmachines,even
trappedlikeJackDollopinthemilkchurn, mechanically
pounded into submission—trapped by her heredity and her
conditioning. (Norman, 1980, p.139)[8]
B. Alec and Angel
Angel and Alec are the two main male characters in the
novel and they are also the two men who influence Tess
deeply and finally destroy her. They seem distinct in
appearance and personality. Angel Clare is a typical of
bourgeois idealists and old intellectuals. He is a religious
rebel and despises the gentlefolk and class bias. He wouldn‟t
accept the career his father chosen for him to the priesthood,
but go to the countryside to learn farming techniques, and
eager to seek freedom of knowledge. Under the prevailing
social conditions, he represents the progressed bourgeoisie
desire called for changes to pursue freedom and having
progressive meaning. He is more complex than Alec, and
therefore, it will not do to say merely that he is all brain and
no emotion. He does not so nasty like Alec, but also contains
great selfish ingredients. When he didn‟t know the history of
Tess‟s virginity, he loved Tess sincerely, and idealized Tess
on his mind. Although he had the same error with Tess, the
secular bias let him abandoned Tess mercilessly. He has not
 
International Journal of Applied Research
jumped out of the old moral values barriers, yet not escape
from the shackles of class prejudice he despised and finally
became a failure rebels.
If we say Angel‟ love is completely spiritual and eternal,
while Alec‟s has an animal nature. Alec is described to be a
typical playboy who will fascinate and seduce cottage girl.
He is an upstart and relies on commercial wealth. When he
first meets with Tess, a nasty face immediately exposed. In
Tess ‟short life, leaving aside the bigger factor-- social
background, which is just the culprit who propels Tess
toward destruction. Alec is selfish throughout the whole
story and seldom thinks for the others. Alec does feel sorry
for Tess after seduced Tess, but since he comes from a
newly-rich family, his easy access to money colors the way
he reacts to things---his only reaction to his sense of wrong
he has done to Tess is to say: “I will pay to the uttermost
farthing” (Hardy, 2006, p.125)[4]. Though he does change to
some extent, his basic personalities keep unchanged: his
selfishness, arrogance, bad temper, capriciousness and
superficiality. Alec‟s soul is ugly, and embodies the
characteristics of the bourgeoisie. It is very ridiculous that
Alec become a religious preacher. Obviously, religion is the
narcosis that ruling class uses to fraud and deceive working
people in a capitalist society.
In summary, actually Angel and Alec have basic similarities
beneath the surface of differences. Both of them inhabit a
moral and spiritual vacuum, both suffer from what Hardy
calls “The ache of modernism”.
C.Tess’s Parents
Tess„s father and mother are of a social class “ranking
distinctively above” the agricultural laborer. With the
pressure of bringing up a large family in difficult
circumstances, it is no doubt that both of them prefer slipping
out for drink, to doing anything positive. Thus it can be seen
Tess‟s parents are both lazy and selfish. Jack, Tess‟ father, is
unlike those diligent laborers who work hard to improve their
life, but lazy and shiftless, even foolish to some extent. He is
so excited about his ancestry that he drinks a lot in the
village inn, boasting his noble ancestry. And the result is he
can‟t send the beehives early the next morning. So the first
misfortune is caused by the news about their ancestry. And
throughout the story, the history about their family throws a
shadow on their life. The whole family is tired of poverty
and makes a dream to the noble relatives.
Asthestorydevelops,Jack‟sfoolishandchildishprideinthedisco
veryofhisdescentshowsmoreserious consequence. Facing
Tess‟s illegitimate child, he locks the door to prevent her
from fetching a parson. The failure of Tess‟s marriage only
worries him because others gossip will collapse of his family
pride. He, as a father, even doesn‟t care about his daughter‟s
feeling.
If Tess‟s father is lazy, ignorant, shiftless and irresponsible,
Tess‟s mother Joan is no better. She associates with his
family by a spoon. She gives everything to her daughters.
With great expectation, she submissively sent their daughter,
a 16-years old girl to a named noble relative. It is sad that
this noble relative just has a dissolute son—Alec. This is the
beginning of Tess‟s tragic life and is the continuation of
Alec‟s fallen life. The family poverty is just a part of Tess‟s
tragedy. Ignorance of parents and slack hand with their child,
make Tess loses support. Battles alone again and again, there
is so scarce environment which can integrate into. She
couldn‟t get the true love. She falls in love with Angel, in
my view, because the surrounding environment is cold and
~ 217 ~
careless.
As parents, Jack and Joan are quite unqualified. They seldom
make efforts to improve their living conditions. Instead, they
are given to drinks to escape the burden of life. Though they
are adult, they seem ignorant and low intelligent. The largest
component of Tess‟s tragedy is that her arrival to her
parent‟s home only to twice frustration: Tribe‟s cynicism is
one of this, the attitude of parents to make her feel more
helpless. They just hope Tess will bring home wealth, and
blame for the failure of Tess. These force her to leave home
again and again, facing a miserable life lonely. At the end,
she killed Alec and became a sacrificial object of villain
Alec. If Tess had been born into a more diligent and striving
family, it is possible that her tragedy would have been
avoided.
6. Conclusion
Hardy‟s tragic novel Tess of the D’Urbervilles is a classic
realistic work. One important reason is that he created an
animateand tragic figure—Tess. She committed mistake for
subjective or objective reasons led to tragic result. She is a
good personbut not perfect. She has a very good and
admirable character, as well as weaknesses and
shortcomings. All these contribute toher tragedy. Her life
style, feelings and tragic ending better reflect the realities of
times. Hardy creates Victorian girl‟s truefeelings and the fate
of a humble-born girl. She struggles with fate, environment,
and society but finally fail. This tragedy isnot accidental and
does not just happen on Tess. Hardy uses a variety of
circumstance to frame the tragic plot of Tess of the
D’Urbervilles. Throughout the first half of the novel, we see
the situation closing in through a series of events, which,
becausethe characters take no measures to avoid or change
them, ultimately lead to Tess” ruin.
Hardy shows that the common people‟ tragedies are
consequences of their economic condition as well as the
legal, educational, moral and religious standards of the
bourgeois society. They are victims of economic oppression
and social injustice. He bravely declares war against almost
every aspect of the bourgeois superstructure as we can see in
Tess.
7. References
1. Chen Jia. A History of English Literature Beijing: The
Commercial Press,1998, 3.
2. Dave, Jagdish Chandra. The Human Perdicament in
Hardy‟s Novels. London: Macmillna Pr.Ltd., 1985.
3. Force, Lorraine M. Tess of the D‟Urvervilles Notes.
Cliff‟s Notes. Lincoln, Nebarska, 1966.
4. Thomas Hardy. Tess of the D‟Urbervilles. Beijing:
foreign languages Press, 2006.
5. Thomas Hardy. Tess of the D‟Urbervilles. Beijing:
Central Compilation & Translation Press, 2004.
6. Thomas Hardy. Tess of the D‟Urbervilles. Beijing:
Foreign Language Teaching and Research Press, 1994.
7. Kramer, Dale. (ed.) Critical Approaches to the Fiction of
Thomas Hardy. London: Macmillna, 1979.
8. Page, Norman. ed. Thomas Hardy: the writer and his
Background. London: Bell & Hym, 1980.
9. Wu Weiren. History and Anthology of English
Literature. Beijing: Foreign Language teaching and
Research Press, 2002.
10. Zhang Shijun.Analysis and Appreciation of Tess of the
D‟Urbervilles. Chong qing: Chong qin public
press,1986.