Thanatos

Arranged by Fragrance99

           
Transcribed by QV Original Composer: Shiro Sagisu

        
          
 = 60 Larghetto 3 3

                       
  


   

                         
  3 

 
7

      
   

              
      
      


                  
      
  
12

   
       
  
   


  

      
   
     
                    
17 3 3
3 3


      

  


 
3

    
3

  

                 
3

    
        
20
3

 
           
  
            
3


                 
        
   
24


 
     
         
      
3

  
       
            
  
3

      
    
28

       
  
             
         
 

   
    
              
    
 
  
32

           
        
3

 
3

      
                        
       
 
 
36

            
                  
        

  
  
               
        
   
39

   
   
         
    

     
  
                    
      
42

                  
     
 
    
2
 

          
                  

 
      
45

          
          
     

  3   
          

     

   
 

48 3

    
        
 
3
3

          
       

    
3

         

 
3 rit.
51 3

      
    


    
3


3 3 3

           

                            
    
54
a tempo


            

         



       
  


                       
                              
          
58

        

            
      
  
3
     
                                
           
60 1.

       
    
                     
     


        
                           
       
62

           
           
      

  
         
         
                  
2.


64 rit. accel.

     
         
a tempo

      

 
     

69

        
   
r.h.

    
 