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Jose_Jose_-_Voy_A_Llenarte_Toda


           

Percussion
    
    
Kora  


    
5-string Fretless
Electric Bass


Honky-tonk Piano
    
    
Synth Strings  

Synth Strings

   

      

Orchestra Hit          
  

Solo     

               
3

  
4

Perc.     
  

   
  
     
 
      

   
Orch. Hit                 
         
     
 


  
2
6

      
Perc.  
        
Kora
                    
     


  
Syn. Str.  
3



      
Orch. Hit         
  
    
     

Solo    
 
     

   
Perc.       
  
 
               
3


Kora       
       
  
E. Bass

        
      



H-t. Pno.        
3 3

       
   
    


Syn. Str.
  

  
  
3


        
 
Solo
       
 
3
10

Perc.       
     
  
   
 
  
Kora    
                
     
  
    
   
E. Bass
 

  
  

    
H-t. Pno.
   


Syn. Str.     
  

    

      
 
        
 
   
Solo

 
 

12

    
Perc.  
  


Kora 


 

 
      
  


     
3
E. Bass


   
3
H-t. Pno.
     

Syn. Str.  
 

    
   
  
 


Solo
     
4
13

Perc.     
  
 
 

     3  

Kora   

     
  
      
E. Bass
 



H-t. Pno.     


Syn. Str. 
 
   


 
     
Solo   
     
  
    
 

14

 
3
 
Perc.  
 
  
    
    
3

Kora    
   
 
 
    3
E. Bass


H-t. Pno.
         

     

Syn. Str.
  
     
    

Solo
      

 
3
5
15

 
3
Perc.   
  


 
  
 

Kora  
  
   
  
   
E. Bass
      

   
      
H-t. Pno.


  
Syn. Str.  


  

Solo   

     
   

 3

16

Perc.    
  

     
  
    

Kora  
 
3

   
   
E. Bass
     


H-t. Pno.
        

    
  
 
Syn. Str.


 
3


Solo
   
  

6
17

Perc.  
   
    

      
Kora     
    

  
E. Bass
 
   


       
H-t. Pno.
  


Syn. Str. 
 

    
Solo 

        
   

18

  
     
3
Perc.  
 


    
      
Kora 
    

   
E. Bass
       


        
3
H-t. Pno.

 
Syn. Str.
      
     
    
 
 
Solo
   
  
7
19

Perc.       
       
 

      
     
  
     
 
 
      
 
Kora

    
   

    
E. Bass
 

         
     
3
H-t. Pno.

  
   

  
Syn. Str.

       
 
Solo 
     
         
    
   
 



21


3
Perc.     

 
 
 

Kora       
      
   
  3

   
E. Bass

   
3

   

    
H-t. Pno.
    

    
Syn. Str.
   
 
   
  
    
Solo
 

   
8
22

    
Perc.  
    
  
 
     
 
      
Kora

  

      
E. Bass
  
   
   

H-t. Pno.    


Syn. Str.
 
   
     
 
       
Solo

 
23

Perc.      
   
    
     
3
Kora   
   

 
 
E. Bass
  
       
  
H-t. Pno.
 3 3


   
 

Syn. Str.

 

 
   
   
Solo
 

9
24

      
3 3
Perc.    
  
 
   
   
Kora 
3
     
           

     
 

  
      
      
E. Bass

  
 
H-t. Pno.       
 
Syn. Str.          
   
  
       

     
Syn. Str.
 

           
   
  
 
Solo
 
  
10
26

      
3
Perc.     
     
         
  
Kora

   
E. Bass
 


 

   
H-t. Pno.
   
 
3

Syn. Str.         


  
 
 
Syn. Str.

    
3

  
   
Solo
 
11
27

Perc.   
  
    

      
      
  
Kora
 
 
E. Bass
  
    

H-t. Pno.
 
    
 
Syn. Str.      


  



   
 
Syn. Str.


    
  
Solo

  
   

12
28

  
            
3
Perc.    
     
        
Kora    
         
    3  

            
3

    
E. Bass

         
   
H-t. Pno.

 
  
        
3
 

Syn. Str. 

     


 
Syn. Str.
 

 
        
3 
Solo
    

  
 
13
30

Perc.          


  
 
          
      
Kora 
         
    
  

 
 
E. Bass
 
 

   

H-t. Pno.
          
  
        
  
3
Syn. Str.  
    

     
 

3

  
  
Syn. Str.
    
  
  
      
 

Solo
    
   
   
14
32

    
Perc.  
  

 
  
    
Kora
     
  
  
   

E. Bass
    


        
H-t. Pno.
 

3

     

Syn. Str.

Syn. Str.
  
  
  
 
       
Solo
     
15
33

    
3

Perc.   
     
   


 3   
          

    
Kora 
  
   
   

    
E. Bass
 
        

 

H-t. Pno.
            
      
Syn. Str.           

Syn. Str.
 
 

 
  
3     
           

Solo
       
  
  
16
35   
       
3
Perc.      

   
Kora   
         

       

   
  
   
E. Bass
3 
 

H-t. Pno.            

 

3 3

    
Syn. Str.        

     


Syn. Str.
    
 
     
   
     
   
 
Solo
        



17

          
  
37

    
Perc.       

      
        
        

Kora
 
     
    
E. Bass
 
     

         


      
H-t. Pno.
  
 
            

Syn. Str. 
    
      
 
      
3 3


 
  
Syn. Str.

  
 
Solo


39
  
3
      
3
    
Perc. 
     
       
     
         3      
Kora         
  
     
   
E. Bass
          

             

H-t. Pno. 

  
  
  
Syn. Str. 


  
   
Syn. Str.
   

18

          
      
41

Perc.        
       
       
3

             
Kora   
 
        
 
E. Bass
      

  

      
H-t. Pno.
  
    3 
        
Syn. Str.  
   

    
  
    
      
 
Syn. Str.

   
3 3
           
43

Perc.       
  

     
   
      
  
3

Kora     
   
   
        
    
E. Bass

    
      
     
   
 
H-t. Pno.

    
 
Syn. Str. 

    


 
  

Syn. Str.

 
     
19
3
          
45

Perc.         
       
E. Bass
     

          
  
     
H-t. Pno.
 

 
     
Syn. Str. 
 
    

    
   
Syn. Str.   

 
3
     
        
47

Perc. 
         
    

        
    
Kora 
   
 
  
          
 


  
    
   
 3
 
 
     
E. Bass

 


      
3

H-t. Pno.             


     


   
        
Syn. Str. 

  


 
 



Syn. Str.
20
49
             
   
Perc.         
      
            
3
Kora     
       


E. Bass
 

 
  
  

 


3
        
H-t. Pno.


Syn. Str. 
 
 
      
   
      

 
Syn. Str.
  




              
51

     
Perc.
   
         
Kora 
               
   
   
  
   
E. Bass
      


        

3
H-t. Pno.            

  
Syn. Str.  
 
  
       

Syn. Str. 
    
  
21
3
53
             
Perc.         


 
  
3
  

 
Kora 
          
      


        
3
3
E. Bass
  

   

H-t. Pno.           

     

Syn. Str.
    
  


Syn. Str.
    

          
      3 
 
55

          

Perc.

   
     
 
3
3

      
Kora       
      


       
E. Bass
      

    

H-t. Pno.       
  
Syn. Str.   
  

    
           

Syn. Str.     

   
22
3
            
57

        

Perc.

      
   
 
    
Kora  
  
      
  
     
          

E. Bass

              



H-t. Pno.

       3

 
Syn. Str. 

 

 
  
Syn. Str.
   



                
59

           
Perc.
   
    
        
  
Kora 
        
  
E. Bass
 
     
       
  

       

H-t. Pno.   

    



     

        

Syn. Str.  
     
 
 
   
         
 
Syn. Str.     
 
    
23
61
            
Perc.        
  
        
    
    
   
     
 
Kora



     
3
 
3
E. Bass

               
 


H-t. Pno.

   
Syn. Str. 

Syn. Str.
      

   

  

                
63

Perc.        
     
 


   
E. Bass


H-t. Pno.                  


       
Syn. Str. 
3

   

    

Syn. Str.  
24
65
       
         
Perc.           
   
3
     
Kora     
             

  
E. Bass
            

  

3
           
H-t. Pno. 
         
           
3
   


    
Syn. Str. 

      



   
Syn. Str.


67
  
             
Perc.  
      

   
Kora 
          
    
      
  
E. Bass
  
 
 
 

    

3
H-t. Pno.           

  

    
Syn. Str. 


 
       
  
Syn. Str.  
   

25

                 
69

        

Perc.

        
Kora 
    
    
       
 
          
        
E. Bass
        

           

    
H-t. Pno.


      
            
Syn. Str.

   

       
Syn. Str.
    


71
         
    
Perc. 
       
   

     
                
Kora 
   
         

         
 3 
E. Bass    3

      
     
H-t. Pno.
   

  
       
Syn. Str.
 
        
 
Syn. Str.
  
26 3
73
            
        
Perc.         
   
3
  
          
Kora        
        
     
E. Bass
         
     
 
   
    
Syn. Str.

     
        
 
Syn. Str.
3


   

Orch. Hit


  


  
   
 
75
  
Perc.              

         
   
   
3

   
Kora 
         
        
 
 
      3

3

 
E. Bass
         


 
              
Syn. Str.      
3

  
         
  
Syn. Str.

    
       

 
 
Orch. Hit
 
 
 
27
77

Perc.     
 

Kora  
     
 
3

   
          


   
E. Bass
     



H-t. Pno.      
3

       
  
Syn. Str.     

 


 
Syn. Str.  

 
Orch. Hit  
3

 
         
  

     
Solo

  

28
79

Perc.  
   
    

      
Kora  
    
   
  
  
    
3
E. Bass 


   
H-t. Pno.
      

 
Syn. Str.  

   
    

Solo
   
 

80

Perc.           
   
  
        
Kora 
      

          
   


3

   
  
 
  
           
E. Bass
  



H-t. Pno.          
3

     

Syn. Str.    
        
 
 
    

Solo 
     
              
   
 
  
  
29
82

Perc.     
   

  3  
 
  
Kora 
        


      
E. Bass
  

  
H-t. Pno.   
     
 
Syn. Str. 
  



 
 
Solo 
 
  

       


83

Perc.     
  

  
Kora    
       

 
 
E. Bass
      

   
 
H-t. Pno.
       
 
 
 
Syn. Str. 3  
  
  
    
  
Solo

  
   

30
84

    
Perc.  
  
 
 

   
Kora  
           

E. Bass

      
  

 
 
     
H-t. Pno.
 

  
Syn. Str.  


Solo 
 
       
  

85

Perc.     
  
 

  
    
Kora        


  
E. Bass
  


H-t. Pno.
          

Syn. Str.
   
 
   
 
Solo
     
  
31
86

Perc.     
  

 
   
Kora 
 
      
   
E. Bass
 

      


  
H-t. Pno.



Syn. Str. 
 


    
Solo  
       

 

87

   
Perc.  
 
  
  
  
    
Kora  
      
3

      

E. Bass

    

 

3
   
H-t. Pno.    

 

    
 
Syn. Str.

   
  
3
Solo
 

      
 
32
88

Perc.    
  
 
     
   
Kora         
  
E. Bass

    
   


  
H-t. Pno.


  
Syn. Str. 

 
   
Solo     
       
 

89

      
3
Perc.     

 
 
 
3

3
Kora 
     

 
E. Bass
       


 

  
H-t. Pno.
  

   

  

Syn. Str.

    
Solo        
    
  
33
90

  
Perc.  
    


  



Kora           
  
 
    
3
E. Bass

H-t. Pno.

     



Syn. Str. 

 
 
Solo 
3

     
    
 

91

Perc.  
    
  

   
 
  
Kora  
    
 
 
E. Bass
 
   

 


H-t. Pno. 
 3

 


Syn. Str.  

    

  
Solo 
  
         
 
34
92

Perc.        

     
   
  
   
Kora
  



     
E. Bass

  

       
H-t. Pno.
        

 
 
Syn. Str.   
3

    
   
Solo 
    
       
  
93 
       
3
Perc.    
   

           
     

3

Kora     
   

     
     
 

  
 
E. Bass      

H-t. Pno.  


 
       
  
  3
Syn. Str.    


  
  


      

     
Syn. Str.

  
     
     
 
  
Solo
 

3
35
95

Perc.     
   


   
    
    
 
 
Kora


E. Bass
  

  

 

H-t. Pno.  




     

      
3
Syn. Str. 
    

 
 
Syn. Str.

   
    
  
Solo
    


96

Perc.     
  

    
 
Kora      3


     

E. Bass
     
 
 

     

   
    
H-t. Pno.
 

     
  
Syn. Str.
  

  
Solo
 
  
36
97

 
        
3
Perc.       
 
           
          
Kora   
         
      
 
E. Bass
   
 
  

  

H-t. Pno.
           


    3 
Syn. Str. 
      
    

  
   


Syn. Str.
 

      
    

 
Solo

     
  
37
99


3
      
Perc.   
   
      
       
          
3
Kora  
    


     
  
      
E. Bass
   
  
  
   

              
H-t. Pno.

  
3

       
        
  
Syn. Str.

   
3
 
  

Syn. Str.
    
  
    
    
       
    
Solo
   

3 
38
101

Perc.   
   
  

    
 
3
Kora   
   
  
    
E. Bass
   


 
H-t. Pno.        
     
     

Syn. Str.

 

3
Syn. Str. 


Solo      

  


     
39
102

Perc.        
 
    
    

Kora 
   
 
 

    3  
E. Bass
  3
   



H-t. Pno.
  
   
Syn. Str.   


    

Syn. Str.


    
  
    
   
  
Solo

  

40
103

Perc.     
  

     
       
  
Kora

 
   
   

E. Bass
  3

   

      
H-t. Pno.

   
Syn. Str. 
    

Syn. Str.
   
   
 

   
Solo
  
  
104

Perc.     
   
   
Kora     
    
 
 
E. Bass
    

 

 
      
H-t. Pno.

 
  
Syn. Str. 

  
     
Solo    
    
  

41
105

        
Perc.          
    
  

Kora
            
    
E. Bass
 
    


    

H-t. Pno.               
     3
   
3 3

            
Syn. Str.        
6


 
  
 

 
Syn. Str.

          
3

   
 
     
Solo

  
  
   
42
107
      
          
Perc.         
  
   

 
        
   
         

Kora
 
      
E. Bass
   
  

            

    

H-t. Pno.

   
Syn. Str.     


    

 
   
Syn. Str.

  
 
 
Solo


       
109
         
Perc. 
         

 
      
          

Kora 

      
 
   
 
 
      
 

3

E. Bass      

     
             

H-t. Pno.    


       
Syn. Str. 
  
   
       

Syn. Str. 
 
43
111
        
        
Perc.       
      

      
3
  
             
Kora 
         
    
   
  
 
   
    

E. Bass

3


          
H-t. Pno.
 
       
  

Syn. Str. 



        
   
    
Syn. Str.

   

 
3
113
            
Perc. 
      
    
     
Kora 
         


  
E. Bass
       
 
 
   

H-t. Pno. 
              
         
 
Syn. Str. 
  

    



Syn. Str.
   
 


    
44
3
115
          
Perc.         
   
Kora 
    
  
   



  
    
E. Bass
  
3

                

H-t. Pno.  
   
   
        
Syn. Str. 
 
  
 
         
 
Syn. Str.

        
117       
Perc.      
   
 

   
         
 
Kora   
        

       

 
   
 
E. Bass
  
 
 

           

H-t. Pno.      
            
 
 
    
Syn. Str. 

  

3

 
  
  
Syn. Str.  





45
3 3
119
             
 
Perc.          
   
      
3
Kora  
               


      
 
E. Bass      

          

H-t. Pno.  

   
  
  

Syn. Str.
 
         
 

Syn. Str.


121
                
Perc. 
  
 
      
      
 
Kora   
  
         
    
    

       
    
    
 
  
E. Bass

          
 
3
H-t. Pno.    

    

Syn. Str.

 
      

 
 
 

Syn. Str.
 

46
3
123
                  
Perc.        
    

  
     
Kora 
       
           

E. Bass
   
 
 

  

       
H-t. Pno.
        

 

     
   
      
Syn. Str.

      
Syn. Str.
 


3
125
                
Perc.      
   
   
        
  
Kora  
 
            
   

 
       
 
  
E. Bass
 

      
   
  

H-t. Pno.        
 
 


Syn. Str.  
 
    
  


 
Syn. Str.  
 
47
127
         
      
Perc.       
   
     
        
  
Kora       
      
 
      
  
E. Bass
     

                 
     
 

H-t. Pno.

   3
   
Syn. Str. 


          
    
Syn. Str.
  



                
129

       
Perc.


      
3         
 
3

Kora       
   
       
   

     
   
 
  

E. Bass

       
H-t. Pno.
     
          
Syn. Str. 
    



   
   
 

   
Syn. Str.

 

48


131
    
  
        
Perc.       
 
  
        


  
Kora 
 
  

   
3

     
E. Bass
 

               

  
 
H-t. Pno.

       
3

Syn. Str.   
  

   
3
Syn. Str.
   

    
3
           
133

    
Perc.
   

3

Kora      
  
        
E. Bass
       



H-t. Pno. 
   

3           


      
 
 
 
Syn. Str. 

   



Syn. Str.
 
  
 

      
49

        
135

Perc.     
  
 3
        
Kora     
    
     
 
      
      
     3
E. Bass
      
 
  

           

H-t. Pno.        
                 
 
         
  
Syn. Str. 

  
3

 
  
3
Syn. Str.    
  

        
3
137
      
       
Perc.
   
          
   
 
Kora 
   

               




         
 
E. Bass
3

H-t. Pno.
            
  
    
   
Syn. Str.
   
       
Syn. Str.
 3

50
3
139
               
Perc.          

   
      
Kora 
  
           
          
     
E. Bass
      
 

              

3
H-t. Pno.   
  
     
 
Syn. Str.
  
              
Syn. Str.
 


141
               
Perc.        
    

    
         
       
Kora  
     
3

     
   

E. Bass
  
 
   

 

    
H-t. Pno.
             
  
      

     
 
Syn. Str.

 
   
    
 

  
Syn. Str.
 
3
    
51
3
143
          
Perc.         
 
3
 

Kora      
         

     

E. Bass
      

  
  
 
 
Syn. Str.  
          

    

Syn. Str.
       

 3
   
        
    
145

Perc.    
    
 

      

       
Kora 
3
 
    

3

    
   
E. Bass
      

 
 
      
Syn. Str.   


       
Syn. Str.
 
       

52
147
        
Perc.       
     
Kora     
         
  
     
 
    3 
 
       
3

E. Bass
 


 

        

 
 
Syn. Str.            
 
     
  
Syn. Str.
  




               
149

Perc. 

        
    
         
Kora 
     
  




E. Bass
       


     
 
Syn. Str. 

   



      
  
  
Syn. Str.
         
53

        
151

Perc.       

 
3

E. Bass
   


        
Syn. Str.  
3

Syn. Str.
        


153
               
Perc.          

               
Kora      
           

     
 
 
   
   
3
E. Bass
  

  
       
  
Syn. Str.



       
155

      
Perc.
 
     
   
 
     
  
Kora
  
  
    
3
E. Bass