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ONGBOOK

DIGITAL SONGBOOK

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OVATION ARTISTS:

Yngwie Malmsteen
“Black Star”

Heart
“Crazy on You”

Bob Marley & The Wailers


“No Woman No Cry”

Jim Croce
“Bad Bad Leroy Brown”

Melissa Etheridge
“I’m the Only One”

Slipknot
“Snuff”

Breaking Benjamin
“So Cold”

Van Halen
“Spanish Fly”

REO Speedwagon
“Time for me to Fly”

Bon Jovi
“Wanted Dead or Alive”

= Digital Songbook - 5
WorldMags

No longer will we stand in corners,


our strongest assets facing the wall.
We are round for a reason.
Our shape will be heard.

WorldMags
WorldMags

Black Star
By Yngwie Malmsteen
Tune down 1/2 step:
from Yngwie J. Malmsteen - Rising Force
(low to high) Eb-Ab-Db-Gb-Bb-Eb

A
Rubato q = 126

  
B/F# Em B/F# A Em/G E/G#

  
       
Gtr. 1 (acous.)


       


  


 





   
 
mp w/ fingers

7
 2 3 4





7 8 7 5 4 5 2 4 5 5






8 4
4
9 7 0
3 4

Am(sus4) F#/A# Em/B B A B

   

3

                   







   
     

 

Harm.
let ring

5 6 7 7




5 7 8 7 5 7
7 5 7 5 4 5 6 9 8 6 8
0
6 6 7 9 7 7

B
Slower q = 76
Gtr. 1 tacet

 
Em * Em

    

    
 
Gtr. 2 (elec.)

    

 
poco rit. 6
Harm. mf w/ dist.
let ring

12 12 7 12
12 7 12 8
5 7 9
9
12
Pitch: G *Chord symbols reflect overall harmony.

 
 
   
8va

   
           
        
 
3


3 3 3




w/ bar 6 w/ bar

1/2

8 7 12 14 14 19 19 17 15 14 15 15 14
12 17 17 15
12 16
14 17

Copyright © 1985 Malmsteen Music


All Rights Administered by Kobalt Music Publishing America, Inc.
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation

WorldMags = Digital Songbook - 1


WorldMags
C/E Em C/E


8va

  
 
                    
3 3 loco

      


 
 
 


 
6 w/ bar

 
Harm.

12
15 12 16 15 13 12 15 13 12 12 0 1 0 12 12 15
12 14 12 12 7 9
14 16 14 9
X 10

Em C/E Em
8va

         
          
3

    
3 3
   

3

3       3
3 3 3 3
3
3
*w/ delay

** sim.

14 12 15 14 17 15 19 20 19 20 17 20 15 20 14 15
15 17 12 12 13 12 17 16 16
12 11 12
14 14
14 12 10 10 14
14
*Set for 700 ms regeneration w/ one repeat.
**Vol. swells

C/E Em C/E Em C/E


 
8va

     loco 
Gtr. 2

          
  




 
3
3
delay off rake

   


w/ bar
1/2
1/2
15 19 21
17 17 17
16 4 4 4 9
2 X
X
0
-1

 

Gtr. 3 (elec.)

        
     

 
  
mf P.S.
w/ dist. 1



X 7 7 7 12
X 5
X X
X 17 X

WorldMags = Digital Songbook - 2


WorldMags
C
Em C/E


             
8va

            
 
    
  
6
rake 
1
 
1/2
 
 17 17 17 16 17
14 15 14
16 17 X
19 19 19 14 17 15 14
17
15 14
17 16 17
14
16 17
 X


                     
8va

        
   
  


6
rake

1   1
 
 20 20 20 19 20
17 19 17
19 20 X
22 22 22 17 20 19 17
20
19 17
20 19 20
17
19 20
 X

Em C/E


              
8va

               

  

rake  6
rake 

   


1/2
1
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X


              
8va

  
       
 

    
  

 
6
rake rake

1   1
 
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
X X

WorldMags = Digital Songbook - 3


WorldMags
T o Coda 
Em C/E

   


 
8va

       
    

   

     1



17 19 20 17 20 15 20 20 19 20 17 19 22 22 19
19

   


 
8va

       
    

   

     1



17 19 20 17 20 15 20 20 19 20 17 19 22 22 19
19

Em C/E


  
8va

          
                 

 
  
 
rake  6
rake 

1   1/2


 
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
X


                   
8va

  
 
       
  
 
 
6
rake rake

   


1
1
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
X X
X

WorldMags = Digital Songbook - 4


WorldMags
1.

 B


                      
loco
5
    
  
     
      
10
  9

 1  1

7 8 7 5 11 12 14 12 11
8 7 5 7 10 10 12 13 13
8 7 5 4 9 9 8 12 12 11
7 5 4
7 6 6 0

             


        
8va

        

loco

5

 
  

9
10
rake

 1
 1/2

15 17 15 14 11 12 14 12 11
17 15 14 10 12 12 10 10 12 13 13
17 16 14 14 12 12 11 X
17 17 16 14 13 13

 
8va

                            

           
 
12 6

Harm.

12 10 5
20 17
19
20 17 14
16
17 14 11
13 10 13
11 11 14 11 20 17
19 16
17 14
16 13
14 11
1310
11 8
10 7 
12 11 9 8
10 9 7
10 9 7 6

Pitch: B

8va

                 
  6

                     
     
  
  
12 w/ bar

Harm.

12 10 5 5 5
17 14
16
17 14 11
13
14 11 8
10 7 10
8 X 11 8 17 14
16 13
14 11
13 10
11 8
10 7
8 5
7 4 
12 11 9 8
10 9 7
10 9 7 6

Pitch: B -1

WorldMags = Digital Songbook - 5


WorldMags
2.
B

 
      

          
loco
5
  
        
10  

 1
 1

7 8 7 5
8 7 5 7 10
8 7 5 4 9 9 8 12 12 11 11
7 5 4
7 6 X


8va
 loco     
        
5
        
   

 
10 rake

 1
 1/2

15 17 15 14
17 15 14 10 12 12 10 10
17 16 14 14 12 12 11 X
17 17 16 14 13

D
Gtr. 3 tacet
Em

     

8va

 
         
        
Gtr. 2

6

   
  
  6
6


6

 
2 1 1/2
1

14 17 14 17 14 14 17 19 20 20 20 19 17 19 17
13 16 13 13 16 13 16 16 20 20 19 17
14 14
16

8va

                           
Gtr. 3

 
6


        
 

6
6 6

1/2 1 1/2 1

11 14 11 14 11 11 14 17 17 17 17 17 15 14 15 14
10 13 10 10 13 10 13 13 17 17 15
11 11
13


8va

       

Gtr. 4 (elec.)

      
  


f w/ dist.

1 1
14 15
8 17 X 17 17

WorldMags = Digital Songbook - 6


WorldMags
Gtr. 2 tacet
C/E Em

    
8va

*          
                     
Gtr. 4

    
3

 
3 3
2
1 1/2 1
14 15 17 15 17 15 14 14 15 17 19 15 19 15 20 19 17 15 19 17 15 14 15 17 15 14 20 20 19 20 17 20 15 20
17 17 17 17 17 17 17
16 16 16
17

*Played behind the beat.

C/E
8va
6

 
                                      

   
 12

14 20 19 20 17 20 15 20 14 20 19 20 17 20 15 20 14 20 20 15 17 19 17 15 17 15 15
17 16 17 19 19 19 17 19 17 16 19
X

Em

     
8va

 **           


3

              
    
   
   
11 6
12

1 2
15 14 12 11 14 12 11 7 12 8 16 12 19 20 15
17 16 13 12 13 12 10 13 12 11 12 11 8 17
12 11 12 12 12 12 8 9 16 12 16

**Played behind the beat.

C/E


8va

  
***
      
        
 3


12
1 1/2
1

20 20 19 20 19 20 19 17 15 19 17 15 14 15 17 15

***Played behind the beat.

Em


8va

            
***

                    
12 6 †T 
1 hold bend T 1 hold bend
1/2
14 15 14 14 12
17 17 16 16 12 17 15 13 12 13 12
14 14 15 14 19 19 19 15 14

†Hold down tap finger while releasing


bend, rebending, and sliding.

WorldMags = Digital Songbook - 7


WorldMags
C/E Am
8va

   


   
12


Gtr. 4

        
6

    
               
           

      
1/2    
1

12 17 12 12 17 20 12 17 12 13 12 12
13 12 13
14 14 12 11 11 11 9 8 5 9 5 4 5 4 14 14 14
7 5 4 14 14 14
0 12 15 15 12 15


  

Gtr. 3

 Gtr. 2
 
    
   Gtr.   
3

   


w/ bar divisi

5 2 7 4 9 5 14 9

0
-1
0
   
*Gtr. 2 to left of slash in tab.

D.S. al Coda
(take repeat)
F Am F

 

8va

      
     
Gtr. 4

 
       
 3
    


2
 2

20 20 20 19 17 16
15 18 17 15
17 16 14 12
15 14 12
15 14 12 11

Gtr. 2
        


   
  

   
    

Gtr. 3

   


1/2 1/2 1/2
1 1 1
15 17 19 19 19 19
13 15 12 17 13 18 15 17 18 20 20 20 20
14

    

WorldMags = Digital Songbook - 8


WorldMags
 Coda
E
Em C/E

   
8va


                      
Gtr. 2

      

 
11 12

1/2 1/2
15 17 19 17 15 14 17 15 14 15 14 14
19 19 16 17 19 20 19 19 19 16 17 19 17 17 15 17 15 13

     
8va

     
Gtr. 3

   
  
 

 
fdbk.
1 1

17 17 17 14 15 17 15 17 17 17 0

Em C/E


8va
*

        
6

               
     


12 steady gliss.

17 15 13 12 15 13 12 13 12 12
14 14 12 14 12 11 14 12 11 9 12 11 9 8 9 9 21 21

*Played behind the beat.



8va

  

w/ bar



cresc. poco a poco

Gtr. 2 tacet
Em C/E Em

  
 
8va

     
Gtr. 3

         

 
 

3 3

 
cresc. rake rake
1 hold bend T
1
0 14 14 15 17 17 18 17 14 15 17
17 X
X
X

WorldMags = Digital Songbook - 9


WorldMags
C/E Em



8va

   
               
             
  
 


fdbk.


rake rake
hold bend
1/2 hold bend T 1 hold bend T
1 *T 1

17 18 20 17 17 15 14 18 14 14 12 13 12 12 12 12 10 12 10
X X
X

*Slide tap finger.

C/E
8va

     
5

    
   
 
 
 
15 6

T T T T T T
15 10 12 14 12 10 15 12 14 12 10 15 12 14 12 10 15 12 14 12 10 15 12 14 12 10 15 12 14 12 10 14 19 15 15 12
17 12 15 17 12
16 12 13
14 9

Em


8va
**
 
 
6

       
                 
   
 

5

7 12 7 15 12
12 8 13 12 10 8 12 10 8 7 10 8 7 8
9 8 9 12 11
12 9

**Played behind the beat.

C/E
8va

  
              
 
          
***

       
12 11

1 †T 1/2

10 12 10 10
10 12 13 12 10 10 12 13 13 12 13 12 10 13 12 10 8 10 12 10 8 7 8 7
12 9 9 10 10

***Played behind the beat.


†Hold down tap
finger while
releasing and

WorldMags
rebending.
= Digital Songbook - 10
WorldMags
Em C/E


8va


12
12

                   
                 


P.M.

5 5 7 X 7 8 7 8 10 7 8 10
10 10 9 9 4 5 4 5 7 8 7 8 8 9 9
7 5 7 4 5 7 7

Em

   
8va


               
12

     
   

  

12
rake


P.M.

1 1 1/2

8 8 10 8 10 12 8 10 12 14 10 12 14 15 15 21
12 8 10 12 10 12 12 X
X

Begin fade
C/E Em

 
8va

         
 
             
    

 3 3 3

 
3

1 1 1/2 1/2 2 1/2 1/2 1 1/2


1/2
T
21 21 21 21 21 21 14 15 14 15 14 14 15 19 15 14 14 10 12 10
17 17
16

Fade out
C/E Em



8va

                    
 


6 3 3


rake


w/ bar w/ bar

10 14 15 14 12 10 12 12 12 10 10
13 13 15 13 12
X
X

-1/2

WorldMags = Digital Songbook - 11


WorldMags

WorldMags = Digital Songbook - 12


WorldMags

GO AGAINST THE GRAIN.

WorldMags = Digital Songbook - 13


WorldMags

Crazy on You
Words and Music by Ann Wilson, Nancy Wilson and Roger Fisher
from Heart - Dreamboat Annie
Am F G6 G D/E Dm Em

231 134211 3 3 4 1121 231 23

C/G E F m D C m Bm A
5 fr 4 fr

342 1 231 134111 1333 13421 13421 123


Prelude
Moderately fast = 150
Gtr. 1 (acous.)
*Am Am13 B5/A C5/A Am
3

let ring throughout


w/ fingers

3 1 0 3 1 0 1 3 1 0 1
2 4 2 0 0 2 2 0 4 5 0 2 2
2 4 4 5 0 2
0 0 0 0 0 0 0 0 0 0 0
*Chord symbols refect implied harmony.

1 2
Am13 Am/C E5 E7 A/E E G Am13 Bm7/A G
3 3
3 3
3

Harm.

5
3 5 3 0 12
0 2 4 2 0 1 4 2 0 0 4 4 4 0 12
4 0 2 0 4 4 4 0 12
0 3 2 5 4 2 X 0 0 0 0 0 0
0 0 0 0 3

3
Am13 D C Am G * D7/F
3 3

0
3 1 0 1 3 1 0 3 1 0 1
0 2 2 0 0 2 0 2 2 2 0
4 0 4 2 0 0 0
0 0 5 0 3 0 0 0 0
3 *Played as even eighth notes.
2 2 2 2

Intro
Free time Faster = 130
E7 Dm E7 Am F

rit. w/ pick

0 0 0 0 0 0 0 0 0 0 0 1
0 0 6 5 6 5 3 0 5 3 1 1 1 1 1 1 1 1 1 0 1
1 1 1 1 5 5 4 2 2 2 2 2 2 2 2 2 2 2
0 0 0 6 2 2 2 2 2 2 2 2 2 2 3
2 2 0 0 0 0 0 0 0 0 0 0 3
0 0 1
Copyright © 1976 Sony/ATV Music Publishing LLC
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
Reprinted by Permission of Hal Leonard Corporation

WorldMags = Digital Songbook - 14


WorldMags
Am F G6

(cont. in slashes)

1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 0 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 X X X X
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3

* Am F G6 Am F
Rhy. Fig. 1

Gtr. 1

Riff A
Gtr. 2 (elec.)

w/ dist.

2 0 2 0
0 3 2 0 0 3 2 0
1 3 1
*See top of first page of song for chord diagrams pertaining to rhythm slashes.

G6 Am G F

2 0 2 0
0 3 2 0 3 2 0
(1) 3 3 1

Verse
1st time, Gtr. 2 tacet
2nd & 3rd times, Gtr. 2: w/ Fill 1 (2 times)
G6 Am
End Rhy. Fig. 1

(cont. in notation)

1. We may still have time, we might


love is the eve ning breeze
was a wil low last night
End Riff A Rhy. Fig. 2
Gtr. 1

0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1
2 2 2 2 2 2 2 2 2 2 2
2 0 2 2 2 2 2 2 2 2 2 2 2
3 2 0 0 0 0 0 0 0 0 0 0 0
(1) 3

Fill 1
Gtr. 2

8 X 5 8 X 3 8 X 5 10 X 10
X 5 X 3 X 6 X 9
X 5 X 5 X 7 X 9

WorldMags = Digital Songbook - 15


WorldMags
C/GChorus Dm E
G7 C
Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7
          
cry.  
Em C/E
    a

  wan na

still8va get by. it I Ev ’ry time I think With bout

  


touch ing your skin,
   of leaves
   a  clear
 
the in
 
gen tle, sweet
the wind.
 
The sing ing
 in  a dream, bad
        
I
   bent down
run ning stream.
   End  o I
 Fig. 2
ver
bad - dest man Le - roy
in the Brown,
whole

     Rhy.

Rhy. Fig. 2

    
Gtr. 2
     6    rake          
  
                        
  
           1/2             
1


0 03 0 30 0 0 0 0 0 014 15 0 14 1 1 1 1 1
19 1 1 191 19
1 1 14 1 17 150 14 0 015 0 14 0 0 0 0 14 0 0 0
1 13 17 1 31 1
517 1173 1 31 16 1317 15 13 3 3 173 3 3 53 X
16 33 3 33 3 3 3 4 3 4 3 50 5017 07 0 5 017 05 160 5170 70 160 517 0
 40 04
0 04 0 40 50 04 0 05 04 2 4 2 4 2 52 X 24 2 24 2 4 2 5 2 5 2 61 61 17 1 6 1 16 1 6 1 71 16 1
2 23 2 32 52 23 2 32 23 25 23 0 3 0 3 0 50 03 0 03 0 3 0 4 0 4 0 52 52 27 2 5 2 25 2 5 2 72 25 2
3 35 3 53 53 35 3 53 35 35 35 5 5 5 5 5 5 6 6 72 72 27 2 7 2 27 2 7 2 72 27 2
3 33 3 33 33 33 3 33 33 33 33 3 3 3 3 3 3 4 4 50 50 05 0 5 0 05 0 5 0 50 05 0
Gtr. 1: w/ Rhy. Fig. 2
Am C/G

   and     


8va

lit   tle  kids



Dadd9/A A7 Bb7 B7 Eadd9/B B7 C7 Fadd9/C C7 Db7
bombs
 the  dev  il, 
      
keep   
com  in’. 
    
No

               
song  bove 
whis per that calls af ter you in the night and
sang you this that I heard
 up a  and
rakeTo Coda
6
damn town. Bad - der than old King Kong, and

   


Dm E

                       


  19 17   17

  20   19  20  X22   22  17 20 
1

20  17 19


1

20 
 19 20    20 19 20   19 20
    y,   no  X  time     to   20 young.
17 22 19 17
way  to breathe 
kiss  es
eas be
your ear in the ear ly light.
you kept me a live with your
5 5 7 5 5 5 6 6 7 7 9 7 7 7 7 7 8 8 10 8 8 8 9 9
6 6 7 6 6 6 7 7 8 8 9 8 8 8 8 8 9 9 10 9 9 9 10 10
Am 5
7
5
7
7
7
5
7
5D/E
7
5
7
6
8
6
8
7
9
7
9
9
9
7
9
7
9
7
9
7
9
7
9
8Am 8
10 10
10
10
8
10
8
10
8
10
9 D/E9
11 11
5 5 5 5 5 5 6 6 7 7 7 7 7 7 7 7 8 8 8 8 8 8 9 9
Gtr. 1

Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
D7 C7 F#7 G7 D7 G7 Cadd9/G G7 Cadd9/G G7
 
              

8va
    
Gtr. 2
*Gtr. 3 (elec.)

Em C/E

 
8vamean - er than a junk - yard dog. 2. Now, Le - roy, he a gam -

 Gtr. 2
    End Rhy.Fig.2 Gtr.3 (acous.)
  
 tone       divisi           3    
1213      12   14 
w/ clean
  14 
15  
 6  
  17 15  17 14 17 15 14   13   15 
rake 
 16 rake 16
12 17 14 12
13
 
16  16
15 13
mp

 108   


10 10 10 8 *w/ slight dist., played .
11 11 11 9 3 X 51/2 0 0
10 1
12
10
12
10
12
0
0
2
4
0
0 Pre-Chorus
3
5
0
0
X
X
4
5 5
0
0
0 0 2 0
10 10 10 8 0 14 2 15 014 3 Gtr. 3 tacet 19 19 0 19 2 14 17 15 14 15 14 14
17 17 17 16 17 16 Dm
17 X Em C/G 17 F17 16 17 16 17
X X

Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7

I you’re
 8va  
           
  But I  tell my al right.    There’s
 
    And 

don’t need 
self  that

to won der;  do
was
do in’
in’
        
you  fine.
8va        and he like
bler 
 and he like his fan - cy clothes

 rake 3 rake 
6 Gtr. 2

                              
3 3 3 3 3

  10 1 12 


let ring let ring
1
14 17 14 17 14 14 12 17
15 17 15 171715 19 17
15 10 22 22 22 12 17 20 19 17 19 17 17
20 16 20 2016 19 1620 16 19 20 10
X 12 12 20 17 20 19 20 19 20
X 0 0 2 X 2 2 2
0 2 2 0 0 2 0 2 2 4 4 2 2 4 2 2 4 4 2 2 4 2 4

WorldMags = Digital Songbook - 16


WorldMags
Dm E

noth in’ left to do to night but go


cra
My love, the pleas ure’s mine. Let me go

8va

steady gliss.
let ring

10 10 16 16
10 10
10 10 10 16 16 16 (16)

Chorus
1st time, Gtr. 1: w/ Rhy. Fig. 1
1st time, Gtr. 2: w/ Riff A
2nd time, Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.)
2nd time, Gtr. 2: w/ Riff A (1st 6 meas.)
Am F G6 Am F G6

zy on you, cra zy on you. Let me go

1
Am G F G6

cra zy, cra zy on you, oh. 2. My

2 Bridge
G Am F m
6
3fr
Rhy. Fill 1 End Rhy. Fill 1 Rhy. Fig. 3
Gtr. 1

While the man’s world is

Voc. Fig. 1

(Oo.

Gtr. 2
Fill 2 End Fill 2

w/ clean tone

2 2
2 2
2 2
2 0
3 2 0
(1) 3

WorldMags = Digital Songbook - 17


WorldMags
D C m D

cry ing in pain, what cha gon na do when ev ’ry bod y’s in sane?

Oo.

2 2 4 4 5 5
3 3 5 5 7 7
2 2 6 6 7 7

C m D C m

So a fraid of won ders, so a fraid of you, what cha gon na do?

Oo. Oo.

9 9 10 10 12 12
9 9 10 10 14 14
9 9 11 11 16 16

Gtr. 2 tacet
Bm A

Riff B
Gtr. 3

3
3

10 10 10 10 10 10 10 10
12 12 12 12 12 12 12 12 14 15 14 17 14 19 14 17 14 14 15 14
11 11 11 11 11 11 11 11 14 14 14 14

WorldMags = Digital Songbook - 18


WorldMags
Gtr. 3 tacet
E Esus4
End Rhy. Fig. 3

(cont. in notation)
*Voc. Fig. 2

(Ah.)

Ah.)

End Riff B

17
17 14 19 14 17 14 15 14 14
14 14 14 14 14

*Refers to downstemmed voc. only.

End Voc. Fig. 2

Oo. Cra

End Voc. Fig. 1

Gtr. 1

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Chorus
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2: w/ Riff A
Am F G6 Am F

zy on you, cra zy on you.

D.S. al Coda
G6 Am G F G6

Let me go cra zy, cra zy on you, oo. 3. I

WorldMags = Digital Songbook - 19


WorldMags
Coda
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.)
Gtr. 2: w/ Riff A (1st 6 meas.)
E Am F G6 Am F

sweet flow ing love. Yeah.


Cra zy, cra zy, on

Gtr. 1: w/ Rhy. Fill 1 (1st meas.)


Gtr. 2: w/ Fill 2 (1st meas.)
G6 Am G F Am

you. Let me go cra zy, cra zy on you, oo. Cra

Gtr. 1: w/ *Rhy. Fig. 1 (1st 6 meas.)


Gtr. 2: w/ *Riff A (1st 6 meas.)
F G6 Am F

zy on you, cra zy on you.


Gtr. 4 (elec.)

w/ dist.
1 1 1

15 (15) 13 15 15 (15) 13

Gtr. 5 (elec.)

w/ dist.
1/2 1/2 1/2

12 (12) 10 12 12 (12) 10

*Beat 1 is tied from the previous meas., not struck.

Gtr. 1: w/ Rhy. Fill 1 (1st meas.)


Gtr. 2: w/ Fill 2 (1st meas.)
G6 Am G F Am

Let me go cra zy, cra zy on you, yeah.

1/2 1/2 1

(13) 12 13 13
16 16 16 14 (14)

1 1 1

(10) 10 10
12 12 (12) 10 (10) 12

WorldMags = Digital Songbook - 20


WorldMags
Gtr. 1: w/ *Rhy. Fig. 1 (1st 6 meas.)
Gtr. 2: w/ *Riff A (1st 6 meas.)
F G6 Am F G6

(Oo. Oo.
8va

12 15 17
(13) 15 13 15 17 18 20

10 12
(10) 12 13 10 12 13 13 15

* Beat 1 is tied from the previous meas., not struck.


Gtr. 1: w/ Rhy. Fill 1
Gtr. 2: w/ Fill 2
Am G F Am

Oo.)

8va

1/2 1/2 1 grad. bend 1/2


1
17 19 19 15 17 (17) 17 19 19 (19)
20

8va

1/2 1/2 1 grad. bend 1


1
12 14 14 10 13 (13) 12 15 15 (15)
15

Interlude
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 1: w/ Rhy. Fig. 3
Gtrs. 4 & 5 tacet
Gtr. 2 F m D6 C m D

1 1
w/ clean tone

4 6 7 (7)
2 4 5 (5) 4 5 7
2 4 5
Gtr. 6 (elec.)

(cont. in slashes)
w/ clean tone
9 4 4 4 4 4
10 3 5 5 5 5 5 7
11 4 6 6 6 6 6 7
4 6 6 6 6 6 7
5 4 4 4 4 4 5

WorldMags = Digital Songbook - 21


WorldMags
C m D C m

Gtr. 6

Gtr. 2

1 1

7 9 10 (10)
6 7 7 (7) 6 7 9
6 7 9

Gtr. 3: w/ Riff B
Bm A

hold bend hold bend


1 1
10 10
(10) 10 10 (10) 10 10 (10)

Gtrs. 2 & 6 tacet Bkgd. Voc.: w/ Voc. Fig. 2


E F m11/E Emaj7
Gtr. 1

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 6 6 6 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Aadd9/E Asus 24 /E

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Outro-Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.)
Gtr. 2: w/ Riff A (1st 6 meas.)
Am F G6 Am F G6

Cra zy on you, cra zy on you. Let me go

Gtr. 1: w/ *Rhy. Fill 1


Gtr. 2: w/ *Fill 2
Am G F Am

cra zy, cra zy on you, oh.


* Last meas. w/ fermata.

WorldMags = Digital Songbook - 22


WorldMags

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WorldMags = Digital Songbook - 23


WorldMags

Embrace the curve.

WorldMags = Digital Songbook - 24


WorldMags

A long history of great guitars.


In 1982, the average cost of a gallon of gasoline was .91 cents.
That same year, you could buy an Ovation Standard Balladeer for $699.
In 2009, a gallon of gasoline averaged $3.95. Twenty eight years later, you can
still buy an Ovation Standard Balladeer for $699. Times may have changed, but
our price and quality has only gotten better.

The Standard Balladeer is the longest running stock model in our history. Today,
it is a better value than ever with prices that have been rolled back to where
they were a quarter of a century ago, and features that are true to this model’s
heritage of ongoing improvement. Simply said, we’re building better guitars at
more affordable prices. Our current product line builds more value into
our guitars than ever, at a price that won’t hurt your wallet.

The Standard Balladeer

WorldMags = Digital Songbook - 25


WorldMags

No Woman No Cry
Words and Music by Vincent Ford
Intro from Bob Marley & The Wailers - Natty Dread
Moderately Slow = 78
C C/B Am F C F C

(organ & drums)

* Gtr. 1 (clean) (Ooh. )

let ring throughout


0 5 3 1
1 1 1 X 1 1
0 0 2 2 2 0 2 0
2 0 2 3 2 2 2
3 2 0 3 3 3
1
* Two gtrs. arr. for one.

(G) C C/B Am F

** (Ooh.
Rhy. Fig. 1

let ring throughout


0 0 0 0 0 0
1 1 1 1 1 1 1 1
0 0 0 0 2 2 2
2 0 2 0 2 3
3 0 2 3 2 0 3
0 3 1
** Bkgd voc. 1st time only
Chorus
Gtr. 1: w/ Rhy. Fig. 1, 2 times, simile
C F C (G) C C/B

play 3 times 3

) No, wom an, no


End Rhy. Fig. 1 No, wom an, no cry.

0 5 3 1 0
1 1
0 5 3 2 0
2 0 2
3 3 0 2
3
Am F C F C (G) C C/B
3

cry. No, wom an, no cry. No, wom an, no


No, wom an, no cry. Here, lit tle dar lin’,
Am F C F C (G)

cry. No, wom an, no cry. Say, say.


don’t shed no tears. No, wom an, no cry. Say, say.
Copyright © 1974 Fifty-Six Hope Road Music Ltd. and Odnil Music Ltd.
Copyright Renewed
All Rights in North America Administerd by Blue Mountain Music Ltd./Irish Town Songs (ASCAP)
and throughout the rest of the world by Blue Mountain Mudic Ltd. (PRS)
All Rights Reserved
Reprinted by Permission of Hal Leonard Corporation

WorldMags = Digital Songbook - 26


WorldMags
Gtr. 1: w/ Riff A, 7 times, simile
Verse Gtr. 2: w/ Rhy. Fig. 2, 7 times, simile
C C/B Am F C 3
C/B
3

1. Said, I re mem ber when we used to sit in the gov ern ment’s yard in
2.,3. Said I re mem ber when we used to sit in the gov ern ment’s yard in

Gtr. 1
Riff A End Riff A

3 3 3 2 5 7 2 3
5 3 5 0 1

Gtr. 2 Rhy. Fig. 2 End Rhy. Fig. 2


(clean)

let ring let ring let ring

0 0 0
1 1 1 1
0 0 0 2 2
0 3
3 2

Am F C C/B Am F
3

Trench town. O ba, o ba, serv ing the hyp o crites as they
Trench town. And then Georg ie would make a fire light, as it was

C C/B Am F C C/B
3 3

would min gle with the good peo ple we met. Good friends we had, oh
log wood burn in’ through the night. Then we would cook corn meal

Am F C C/B Am F
3

good friends we’ve lost a long the way. (Yeah. )


por ridge, of which I’ll share with you. (Ooh. )

C C/B Am F

In this bright fu ture you can’t for get your past.


My feet is my on ly car riage.

1. 2.
To Coda
C C/B 3 Am F Am F

So dry your tears I say. And


So I’ve got to push on through. But while I’m gone, I’m mean a...

WorldMags = Digital Songbook - 27


WorldMags
Bridge C
N.C. (C) (C/B) (Am) (F)
Em C/E

 
gon na be
8va

        
   Ev ’ry thing’s
  gon na be   al right.
       
Ev ’ry thing is al right.
 
 
Gtr. 1 
6
rake 
1
 
8
1/2
 

8 9
10
17 10 1710 1710 10 158 14 10 16 17
8 16 17 14 8 X
19 19 10 19 10 14
10 1710 15 8 14 17 15
10 148 17 10 16 17 14 16 717 7


10 X 10 10 10

(C) (C/B) (Am) (F)


            
Ev ’ry thing is gon na be al right. Ev ’ry thing’s gon na be al... I say,

        
8va

 
(be al right.)
  
   

  
  


6
rake

   7


8
8 9 1
10 1 10 10 10 8 10 8 10 8 10 10 10 10 8 10 8 10 7
10 10 10 10
 20 20 20 19 20
17 19 17
19 20 X
22 22 22 17 20 19 17
20
19 17
20 19 20
17
19 20

(C)  (C/B)
X
(Am) (F)

Ev ’ry thing’s gon na be al right, ya. Oh, ev ’ry thing’s gon na be al right.

8
8 9
10 10 10 10 8 10 8 10 8 10 10 10 10 8 10 8 10
10 10
Em C/E


              
8va
(C) (C/B) (Am) (F)

               

  

rakeEv  ’ry thing’s gon na be
6
al right, yeah.
rake  Ev ’ry thing’s gon na be al right. So,

   


1/2
1
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X

8
8 9
10 10 10 10 8 10 8 10 8 10 10 10 10 8 10 8 10 (10)
10 10


     C       F    
8va
Chorus

     Am   F
Gtr. 1: w/ Rhy. Fig. 1, 2 times, simile
 
3

C    C/B 
  C

 
6
rake rake
wom an, no cry. No, no wom an wom an no cry.

   


(No)
1
1
(G) C C/B Am F
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
X X

Oh, my lit tle sis ter, don’t shed no tears.

WorldMags = Digital Songbook - 28


WorldMags
C F C (G)

No, wom an, no cry.


Gtr. 2

12 10

Guitar Solo
C C/B Am F C F C
Gtr. 2

3
full full

13 15 8 8
13 15 15 13 8 8 10 8 10 8 8
12 14 14 12 9 10 10
10 (10) 14 14 10

Rhy. Fig. 3
Gtr. 1

let ring throughout

0 0 0 0
1 1 1 1 1
0 0 0 0 2 2 0 0 2 0 0
2 3 3 3 2 3 2
3 2 0 3 3 5
1

Gtr. 1: w/ Rhy. Fig. 3, 3 times, simile


(G) C C/B Am F

let ring

8
(8) 8 10 8 10 11 10 13 13 15 13 13
9 12 14 12 14 12
10 10 10 10 X 10 10 10 14
10 10 12 12

End Rhy. Fig. 3

0
2 0
0 2
3

C F C (G)

3 3
3
full 1/4 full 1/2 full 1/2 1/2 full
15
13 15 15 13 13 8
12 (12) 7 (7) 5 7 (7) (7) (7) (7) (7) 8 7 (7) 5 5
7 7

C C/B Am F

full full
5 5
5 8 5 5 5 8 5 5
(5) 7 7 5 7 7 5
5 7 5 5
7 5 3 5 7
5 3 3

WorldMags = Digital Songbook - 29


WorldMags
C F C (G)

full
5 8
5 6 5 6 5 (7) 5 8 8
5 7 5 5 7 (7) 5 5 5
7 7 5 7 5 7

C C/B Am F

let ring

8
8 10 8 8
(5) 5 7 7 9 10 8 9
5 7 7 8 8 8 10

D.S. al Coda
C F C (G)

8 8 10 8
9 10 9
10

Coda Outro
Gtr. 1: w/ Rhy. Fig. 1, 5 times, simile
3 (G) C C/B Am F

through, but while I’m gone... No wom an, no cry.

Gtr. 2

P.M.

1 1 3
(2) 2 0 0
2 2 2
0
1 1 1

C F C (G) C C/B

No, wom an, no cry. Oh, my lit tle dar lin’, say

Am F C F C (G)

don’t shed no tears. No, wom an, no cry. Eh!

WorldMags = Digital Songbook - 30


WorldMags
C C/B Am F

Lit tle dar lin’ don’t shed no tears.

C F C (G)

No, wom an, no cry.

C C/B Am F

Lit tle sis ter, don’t shed no tears.

C F C (G)

No, wom an, no cry.

C C/B Am F C F C (G)

* Gtrs. 1 & 2
C C/B Am F

let ring throughout

0 0 0 0
1 1 1 1 1 1
0 0 0 2 2
2 2 3
0 2 0 0 3
*Two gtrs. arr. for one.
3 1 1

C F C

rit.

0 5 3 1 0 0
1 1 1 1
0 5 4 2 0 0
2 2 (0)
3

WorldMags = Digital Songbook - 31


WorldMags

Bad, Bad Leroy Brown


Black Star
Words and Music by Jim Croce
from Jim Croce - Life and Times

By Yngwie Malmsteen
Intro
Tune down 1/2 step:
Moderately fast q = 144   =  
(low to high) Eb-Ab-Db-Gb-Bb-Eb    
 3 from Yngwie J. Malmsteen - Rising Force

G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G


A
      
*Gtr. 1

                  
   Rubato   q =126                    

   B/F#            A       E/G# 
 
Em B/F# Em/G

 
 3  5 5 3
mf
 5 3   5
Gtr. 1 (acous.)

3  5 3 3 5 55 3 3 5




 45 55 55 45 5 4



5  5 

3 3 5 5 5 5 3 3 5





4 4 5 5 4 4 5 4 5 4 4 5 5 4 4 5
5 5   53
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

 
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
mp w/ fingers

*Piano arr. for gtr.

7 2 3 4





7 8 7 5 4 5 2 4 5 5






8 4
4
G7 Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G G Cadd9/G
 
9 7 0

    
3 4


Am(sus4) F#/A# Em/B B A B


Whew!

3

    
            
     

           


  


  
                    

       
 

Harm.
let ring
6 6 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5
4 4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5 5
3 5 35 5 5 5 5 5 5 6 5 5 5 5 5 5 5 7 55 5 5 5 5 5 5 5 57




5 53 5 5 5 5 5 5 7 5 5 5 5 5 5 853 7 5 5 5 5 5 7 53 5 5 5
3 7 35 73 5 34 35 3 3 6 3 3 3 3 3 39 3 8 3 3 6 3 3 8 3 3 3

0
6 6 7 9 7 7
Verse
B Gtr. 1 tacet
G Cadd9/G G7 Cadd9/G G7 D7 G7 Cadd9/G G7 Cadd9/G G7

Slower q = 76

           
Gtr. 1 tacet
Em
 
* Em

    
    
Chi - ca-


 south  side 
Gtr. 2 (elec.)

 
1. Well, the of
 

        
Gtr. 1

      


             


poco rit. 6

   mf w/ dist.
    
Harm.
let ring

12 12 7 12
3 3 5 12
5 3 3 75 5 12
3 3 3 3 3 3 3 3 8
4 4 5 5 4 5 4 5 75 4 5 5 5 5 5 5 5 9
5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 9
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 123 3 3 3 3 3 3 3
Pitch: G *Chord symbols reflect overall harmony.
Rhy. Fig. 1



Gtr. 2 (acous.)

      


  
  
 8va
         
           
             


             
P.M. throughout 
mp

 
3

5 4
3 3 3



5 5 3 5 5


w/ bar 6 w/ bar


5 X 5 5 5
5 3 3 5 3 3 0 0X 3 3 4 5 3 3 3 5 3
5 5 5 5 5 0 5 0X 5 5 5 5 5 1/2 5 5 5 5
3 3 3 3 3 3 0 2 3 3 3 3 3 3 3 3
8 7 12 14 14 19 19 17 15 14 15 15 14
© 1972 (Renewed 12 2000) TIME IN A BOTTLE PUBLISHING 17 and CROCE PUBLISHING 17 15
12 16
14 All Rights Controlled and Administered by17 EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
Reprinted by Permission of Hal Leonard Corporation
Copyright © 1985 Malmsteen Music
All Rights Administered by Kobalt Music Publishing America, Inc.
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation

WorldMags = Digital Songbook - 32


WorldMags
Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7
 
 8va          Em         
C/E C/E


 
go

   and if you
             
- is the bad - 3
dest part of town
 
3

    
loco

     
   
Gtr. 2

 

            
    
   
        6   w/ bar
         Harm.           
 
5 12
15 5 12 12 16 15 13 512 15 13 12 14 12 12 77 0 771 0 12 12 15
3 3 0 12 5 7 5 5 9 5
5 5 1455 3
5
3
5
4
5 5 0
5 145
16
7 7
7
7
5
7 7 7
7
7
5
7
5
7
5
7 10 79 7
5
7
5
7
6
8
6
8
3 3 X 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 6 6

B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7 D7 C7 D7


 
               

        
Em  C/E Em
8va down
go there, you bet - ter just be - ware of a man named a, Le - roy Brown.

                  

    
3

   
  
3
   3   
3

3

   3   
3 
           3   3       3   3
3

*w/ delay                   
** sim.

9 9 10
14 12 9 9 10 15 14 17 15 19 1120 190 20 17 20
11 15 1120 14
0 15
7 7 15 917 127 7 7 9 7 8 8 10 12 813 12
8 17 8 16 8 8 10 10 0 8 10 10 0 16
9 9 9 9 12 11
9 9 9 9 10 10 10
12 10 10 10 10 10 12 12 0 10 12 12 0
7 7 7 7 7 147 7 7 8 8 14 8 8 8 8 8 8 10 10 8 10 10
14 12 10 10 14
14
*Set for 700 ms regeneration w/ one repeat.
**Vol. swells

Gtr. 2: w/ Rhy. Fig. 1


G7 D7 G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 D7
          
          

Now, Le - roy, more than trou - ble. You see he


End Rhy. Fig. 1

    
   Em
 
C/E 
8va   
C/E Em C/E


     0 loco   
Gtr. 2

5  0 X 5 5  
X 5

   
3 0 X 4

3 
0


0 2


 
3
3
delay off rake

   


w/ bar
1/2
1/2

A7 17 15 A7
Dadd9/A 19 21 Dadd9/A A7 Bb7 B7 Eadd9/B B7 Eadd9/B B7

   
17 17

              
 
  
16 4 4 4 9
2
 X
X
  0

-1


stand a - bout six foot four. All the down - town la - dies call him

 
Gtr. 3 (elec.)

         
    

C7 Fadd9/C C7   D7 C7 D7 G7 D7
        
   
   
      1    
mf P.S.
   
 

w/ dist.

 All the mens just


X er.
X 
X 
tree - top lov - call
7 him, “Sir.” 7 7 12 And he’s bad,

X 
5 (Right on now.) X
17 X

WorldMags = Digital Songbook - 33


WorldMags
Chorus
Gtr.C
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
G72: w/ Riff
Cadd9/G G7
A (2 times) Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7
 G
    Am  


G/D
   
Em C/E
                         
  8va     
 
   to care.  


  I can’t de-Lestroy   there.    bad  De  er  me  in - to 
Brown,
    - liv -  my
bad - roy - dest man in the whole

   what is - n’t


   
       6    rake               
Rhy. Fig. 2
Gtr. 2 G Am G/D

                                
a - lone,  
 1          1/2              
fate.  If I’m I can - not hate. I don’t de - serve to have
G 3 17 3
3 3 14 15 14 19 19 19 14 17 15 14 15 14 14
517 173 3 16 317 5 3 163 17 3 5 XF 3 3 3 4 4 5 5 17 7 5 17 5 16 517 7 16 5G/D 17
3
3
4 Fig. 45
Rhy. 5 4 4 4 5 4 4 4 5 X 4 4 4 5 5 6 6 7 6 6 6 7 End Rhy.
6 Fig. 5

1&3                5 5 5  5 5 5  5 
3 5 3 3 3 5 3 3 3 5 3 3 3 4 4 5 5 7 5 5 5 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 6 6 7 7 7 7 7 7 7 7
Gtrs. 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 5

                      
      

my smile was tak - en 

  


8va

  
you. Oo, long a - go. If I can change, I hope I nev - er

Dadd9/A A7 Bb7 B7 Eadd9/B B7 C7 Fadd9/C C7 Db7
Gtr. 5(elec.)
                  
        
 
                 
 
        
rake 
6
damn town. Bad - der than old King Kong, and
mf

   



w/ slight dist.

                     0 


let ring throughout

 
  20  22  17 5
1

20  17 19     22   19 17


 20 19 17 20 19 20 17193 
1

  19 20  
20 
      X X      20
17 22 20
    19 20

Riff B End Riff B


Gtr. 2
     
5 5 7 5 5 5 6 6 7 7 9 7 7 7 7 7 8 8 10 8 8 8 9 9

     
6 6 7 6 6 6 7 7 8 8 9 8 8 8 8 8 9 9 10 10 9 9 9 10
  
5
7
5
5
7
5
7
7
5
 
5
7
5

5
7
5
5
7
5
 
6
8
6
6
8
6
 
7
9
7
7
9
7
9
9
7
7
9
7
7
9
7
7
9
7
7
9
7
7
9
7
 8
10
8
8
10
8
10
10
8
 1199 8
10
8
8
10
8
8
10
8
9
11
9

0 0
1 1 1 1
2 2 2 2 0
5 5 5 5 5 5 5 5 3 3 3
Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Interlude
D7 C7 F#7 G7 D7 G7 Cadd9/G G7 Cadd9/G G7
 Am  
               
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 2 tacet

 
Em F

G/D C
 
   

Em C/E

 
8vamean - er than a junk - yard dog. 2. Now, Le - roy, he a gam -

     End Rhy.Fig.2 Gtr.3 (acous.)


know.

                   3    


        
  
Gtr. 6 (elec.)

                 

  6         
 rake  

   rake   mp

12    


mf 10 10 10 8
11 dist.
w/ slight 11& RotoVibe
11 9 3 X 51/2 0 0
10 1 10 10 8 0 2 0 3 0 X 4 0 0 0 2 0
20 1217 12
17 17 15 1015 013 13
4 120 12 10 5 100 8 X 8 5 5 8 10 0
10 10 10 8 0 14 2 15 014 3 19 19 0 19 2 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X

   
                           
Gtr. 5

 Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7

 5 0 5 0 5 0  5 0 5 0  5 0 5  0 12 17 17 10


 8va
 0 10 0 10 0 10  0 8  0 8 0  5 


  
                         3

 bler    and he like
10

 
 and he like his fan - cy clothes

 rake 3 rake 
Gtr. 2 6

    
3 3 3 3
     
3

 
                     
0
1   1
 
1 17 19 17 22 22 22 17 20 19 17 19 17 17
2 20 20 20 19 20 19 20 X 20 20 19 20 19 20
2X 0 0 2 X 2 2 2
0 2 2 0 0 2 0 2 2 4 4 2 2 4 2 2 4 4 2 2 4 2 4

WorldMags = Digital Songbook - 34


WorldMags
B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7 D7 C7 D7
    
       

            


to wave his dia - mond rings in front of ev - ’ry - bod - y’s nose.


                   
3 3 3 3 3

          
3

4 4 4 4 5 5 5 5 7 7 5 5 0
4 6 4 4 6 6 5 7 5 5 7 7 7 9 5 7

G7 D7 G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 D7



              
  
He got a cus - tom Con - tin - ent - al. He got an

       
           

3

mf
1

0 3 5 3 3 5 5 3 5
2 0 4 4
0 2

A7 Dadd9/A A7 Dadd9/A A7 Bb7 B7 Eadd9/B B7 Eadd9/B B7



                 

     
El Do - ra - do too. He got a thir - ty - two gun in his pock -

        
       

5 5 7 7 5 7 7
6

C7 Fadd9/C C7 D7 C7 D7 G7 D7
    
                
  

et for fun. He got a ra - zor in his shoe. And he’s bad,

        
           
     
1

8 10 8
7 9 7 9 9 7 7 9 7 9 7
8 9

WorldMags = Digital Songbook - 35


WorldMags
Chorus

        
Gtr. 2: w/ Rhy. Fig. 2

  
       
G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7


 


 


      
     
bad Le - roy Brown, bad - dest man in the whole
(Bad, bad.)

              
    
1 1

8 10 10 10 10 8 8
9 9

      

       
Dadd9/A A7 Bb7 B7 Eadd9/B B7 C7 Fadd9/C C7 Db7

 

       
   
   
   

damn town. Bad - der than old King Kong, and

               
    

   
1 1/4 1
10
8 10 8 10 10 10 8 8
9 9 9 9 7

Verse

        


Gtr. 2: w/ Rhy. Fig. 1 (2 times)

  
D7 C7 F#7 G7 D7 G7 Cadd9/G G7 Cadd9/G G7

                
  
mean - er than a junk - yard dog. 3. Well, Fri - day ’bout a week

 
            

3 5 3 5 3
7 3 4 4 2 0

Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7


 
                   

a - go Le - roy shoot - ing dice. And at the

 
                  

3 5
2 4 4 2 0 0 2 4 6 6 4 2 4 2
2

WorldMags = Digital Songbook - 36


WorldMags
     
   
2. B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7 D7 C7 D7

 B
           
 loco
   
  

  
 
 edge of the  bar  sat a girl, name of Do - ris and,
5

 a, ooh, that     look  nice. 
         girl

 
  
10
       
  
     
 1 1
7 8 7 5
8 7 5 7 10
8 7 5 4 9 9 8 12 12 11 11
7 5 4
7 6 X 3
4 3 5 5 3
4 4 2 5 0 5 5 4 2


8va
 loco     
        
5
        
   

 
10 rake

 1
 1/2


  
15
G7 17 D7
15 14 G7 Cadd9/G G7 10Cadd9/G G7 Cadd9/G G712 10 D7
  12 
17 15 14 12 10

        
17 16 14 14 12 11
   
X
17 17 16 14

13
     

Well, he cast his eyes up - on her and the trou -
 
 


 

  
 D
(Doo,
Gtr. 3 tacet doo, doo, doo,
(Oo. Em

                  


8va

                     
     
Gtr. 2

6

   
  
  6
6


6

 
3 2
3 5 3 5 1 1/2 5 3 3 5 5
0 0 2 4 1 4

14 17 14 17 14 14 17 19 20 20 20 19 17 19 17
13 16 13 13 16 13 16 16 20 20 19 17
14 14
16

8va

 A7 Dadd9/A                           
Gtr. 3

 Bb7  B7
6


       A7 
Dadd9/A A7 B7 Eadd9/B  Eadd9/B B7
     
    6   6   6  
 
    
 And Le - roy

1/2 1 1/2 1
- ble soon be - gan. Brown, he learned a
11 14 11 14 11 11 14 17 17 17 17 17 15 14 15 14
10 13 10 10 13 10 13 13
 
17

17 15
   
11 11

  

13
 


doo. Doo, doo, doo, doo.) 8va
Oo. Oo.)
    
    

Gtr. 4 (elec.)

      
        
 

f w/ dist.

1 1 1
14 15
5 5 7 7 5 7 8 17 X 17 717
6

WorldMags = Digital Songbook - 37


WorldMags
C7 Fadd9/C C7 D7 C7 D7 G7 D7
Gtr. 2 tacet
 C/E           Em      
   
Gtr. 4 
les - 


a  jeal -  
8va

a mess - in’ with    And


                              
   ous man.  he’s
  bad,
 
*
son ’bout a wife of

    
 3   

 
3 3
2
1 1/2 1
14 15 17 15 17 15 14 14 15 17 19 15 19 15 20 19 17 15 19 17 15 14 15 17 15 14 20 20 19 20 17 20 15 20

    
17 17 17 17 17 17 17

       17       
16 16 16

   behind the beat.  


*Played
3
C/E
1 1
8va
6

  7
                   8  9                 
8 8 10 10 10 8 8
9 9 7 7 9 9 9 9


   
 12

14 20 19 20 17 20 15 20 14 20 19 20 17 20 15 20 14 20 20 15 17 19 17 15 17 15 15
17 16 17 19 19 19 17 19 17 16 19
X

Chorus

         
Gtr. 2: w/ Rhy. Fig. 2

  
Em
G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7 Dadd9/A A7 Dadd9/A A7
 **    

          

8va

   
    
         
           
3


               
     

  
bad Le - roy Brown, bad - dest man in the whole


(Bad, 11 bad.) 12
6

   
 17 16 13 12 15 14 12 11 1312 10 14 12 11 1312 11 12    
1 2

  9 8 7 12 8 16 12 16 12 20 15 17 16
19


11
12 11 12 12 12 12 8

**Played behind the beat.


1 1 1

C/E 10 10 10


8 10 10 10 10 8
8va 9

  
***
      
        
 3


12
1 1/2
1

20 20 19 20 19 20 19 17 15 19 17 15 14 15 17 15

 Em           


Dadd9/A A7 Bb B7 Eadd9/B B7 C7 Fadd9/C C7 Db7

    



        
***Played behind the beat.

    
    

8va

           Bad  old 
***

   
damn town. - der than King Kong,
            
   

    12        
   
6
  †T

 1 hold bend T 1 hold bend

3 1/2
14 15 14 1 14 12 1
17 17 16 16 12 17 15 13 12 13 12
14 14 15 14 19 19 19 15 14
8 10 10 8 10 10 10 8 8
9 9 7
†Hold down tap finger while releasing
bend, rebending, and sliding.

WorldMags = Digital Songbook - 38


WorldMags
Verse
Bkgd. Voc. ad lib. till end

       F#7  


Gtr. 2: w/ Rhy. Fig. 1

   


D7 C7 G7 D7 G7 Cadd9/G G7 Cadd9/G G7

     
      

    

mean - er than a junk - yard dog. 4. Well, those two men took to fight -

         
     
1/2

5 5 3
7 4 3 2 0 2 0
2

Gtr. 3 tacet

Cadd9/G G7 D7 A7 Dadd9/A A7 Dadd9/A A7 Bb7



    

       
   
- in’ and when they pulled them from the floor


    

B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7 D7 C7 D7


  
                    
 
Le - roy looked like a jig - saw puz - zle with a cou - ple of piec - es gone.

Outro-Chorus


Gtr. 2: w/ Rhy. Fig. 2 (1 6/8 times)

   Cadd9/G G7  
          
G7 D7 G7 Cadd9/G G7 Cadd9/G G7 Ab7

  
 

And he’s bad, bad Le - roy Brown,

    
     
Gtr. 3
  

     
mf
mp
1 1 1

8 10 10 10 10 8
7 7 9 7 9 9
7 9

WorldMags = Digital Songbook - 39


WorldMags
                     
         
A7 Dadd9/A A7 Dadd9/A A7 Dadd9/A A7 Bb7 B7 Eadd9/B B7

          
       
   

      

 

bad - dest man in the whole damn town. Bad - der than old King Kong,

      
    

1

10 10 8 10
9

       
    
C7 Fadd9/C C7 Db7 D7 C7 F#7 G7 D7

          
        

mean - er than a junk - yard dog. And he’s bad,

     
 
           
     

3
1

10 10 8 8 8 10 8
9 9 7 7 9 7 9
8 9

   Dadd9/A A7
   Dadd9/A
 A7

 




       
G7 Cadd9/G G7 Cadd9/G G7 Cadd9/G G7 Ab7 A7


 






     
     
bad Le - roy Brown, bad - dest man in the whole
(Bad, bad.)

         
 
1 1

8 10 10 10 8 10

               
        
Dadd9/A A7 Bb7 B7 Eadd9/B B7 Eadd9/B B7 C7 Fadd9/C C7

     
 

       
   
damn town. Bad - der than old King Kong,

        
            
  

1 1 1 1 1 1

12 12 12 10 14 14 14 12 15 15 15 13
12 14

WorldMags = Digital Songbook - 40


WorldMags
            
      
D7 C7 D7 G7 Cadd9/G G7 Cadd9/G G7 B7 Eadd9/B B7

            





 


    


 


mean - er than a junk - yard dog. Yeah, he was bad - der than old King Kong,

   
     
     
Gtr. 3
 
   

1 1 1 1
17 17 15 15 10
17 17 15 15 10 10 8 8 10 10
9

    
            
Gtr. 2

                     


                      
 
10 10 10 8 5 5 7 7 9 7 7 7 7 7
11 11 11 9 3 5 5 8 8 9 8 8 8 8 8
10 10 10 8 0 2 0 3 3 5 3 3 3 5 3 7 7 9 7 7 7 7 7
12 12 12 10 0 4 0 5 5 5 5 5 5 5 5 9 9 9 9 9 9 9 9
10 10 10 8 0 2 0 3 3 3 3 3 3 3 3 7 7 7 7 7 7 7 7

       
   
C7 Fadd9/C C7 Db7 D7 C7 F#7 G7 F#7 G7

 
           


 
mean - er than a junk - yard dog.

         

 
  

     
3 
1

10 10 8 8 8
9 9 7 7 9
8 9

             


              
 

         

        

       

8 8 10 8 8 8 9 9 10 10 10 8
9 9 10 9 9 9 10 10 11 11 11 9 3 4 3 4
8 8 10 8 8 8 9 9 10 10 10 8 0 2 0 3 0 2 3
10 10 10 10 10 10 11 11 12 12 12 10 0 4 0 5 0 4 5
8 8 8 8 8 8 9 9 10 10 10 8 0 2 0 3 0 2 3

WorldMags = Digital Songbook - 41


WorldMags

I’m the Only One


Words and Music by Melissa Etheridge
from Melissa Etheridge - Yes I Am

A5 D5 G F Em Am C Fsus2 G5 G5 open

1 1 21 34 134211 12 231 32 1 3 11 13 2 34

Intro
Moderately slow = 85
G5
Gtr. 1 Riff A End Riff A
(12-str. acous.) 3 3
3 3
3 3 3 3

P.M.

5 5
5 5 3 5 5
5 5 3 5
3 X X X 3 X X X 3 X X X 3 X X X

Gtr. 1: w/ Riff A (3 times)


Gtr. 2 (elec.)
3 3 3

w/ slight dist.

let ring

0 0
3 5 3
5 5 3 5 5 5
3 3

Verse
G5 3
3 3 3 3 3 3

1. Please, ba by, can’t you see my mind’s a burn in’ hell. I got ra zor’s a rip pin’ and tear in’ and strip pin’ my

Gtr. 1
3 3

P.M. P.M.

5 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtr. 2

P.M.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Copyright © 1993 MLE Music (ASCAP)


All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation

WorldMags = Digital Songbook - 42


WorldMags
3
D 3
C/E Em C/E


 
Am E7 D7

 3      Rhy. Fig. 1  3          loco    


heart a8va part as well. To night you told me that you ache for some thin’ new, and

       

      
            3        



   5    
5  
  accel. 
  


 
6 5



poco
P.M. 6 w/ bar

    
Harm.


5 5 5 5 5 5 5 5 5 5 5 5 125 5 5 5 5 5 5 5 5 5 5 5
3 3 153 3 3 12 316 153 13 12315 13 123 3 3 3
12 3 3 3 0 31 0 3 3 3 3 123 12 3 153 3
12 14 12 12 7 9
14 3 16 14 9 3
X 10

P.M. let ring P.M. let ring



   
7
      5 5 5  5 5  5    3 
 
6

        
6

  
5  5 5 5  5   3 5     
  5  5 5 5 5  5  5     
0
5 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Pre-Chorus
3 6 6 3 5
Em C/E poco accel. Em
A5

           
8va
Rhy. Fig. 2B

       (elec.)
Gtr. 3

3

    
3 3
   

3 w/ slight dist.
3 3 3 3  3     3
3
3 3 3 3
3
3
*w/ delay

some oth er wom an is look in’ like some thin’ that might be good for you. Go on and hold her ’til the
** sim.

Rhy. Fig. 2
14 q 12
Slower = 164 End 15
Rhy.14
Fig.17
1
Gtr.
151 19 20 19 20 17 20 15 20 14 15
15 17 12 12 13 12 17 16 16
12 11 12 D

14 14

  *Set for      letring  3  3    


14 12 10 10 14
              
14
700
P.M. **Vol. swells
ms regeneration w/ one repeat.
  
0 0
0 1 1 1
0 2 2 2 2
0 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Rhy. Fig. 2A
Gtr. 2
3

P.M. let ring

E C/E Em C/E 0 Em 2
1
C/E 2

 loco 
0 2 2
   3  D5  
8va

  
D 5 5 G 5 5 5C 5 5 5 5 5 Em 5 0 0 B
     A5  
                           EndRhy. 
3 3 3 3 3 3 3 3 3 3 3 3 3 3
     Fig.2B
Gtr. 2
D5
   
6

               (cont. in notation)
 3 3

rake 
 3

 
3 6 6
3 6 6 6 6 6
delay off

   


T T T T T T T T T T T T T T T Tw/ bar
scream in’ is gone. Go on, be lieve her when she tells you noth in’s wrong.
1/2
1/2 End Rhy. Fig. 2
3 3
15 19 21
17 17 17
16 4 4 4 9
2 X
X
3 3 0 slashes)
(cont. in
let ring 3 let ring -1

  
2 2 2 3 0 0 2 2 2 2 2 2 2 2

 20  
3 3 3 3 3 C 1 F 1 1
Bb 3 3 Dm 3 3 3 3 3 3
2 2 2 2 0 2 2 2 2 2 2 2 2 2 2 2
  
0 Gtr. 3 (elec.)
       0 0 0 0 0 0 0 0

           6 


               EndRhy.
   Fig.2A
               
   

 T 


6 6 6 6 6 6
mf P.S. 6
let ring w/ dist. let ring 1T let ring
T T T T T T T T T T T T T T
2 3 0 2 2


3 1 1 3 3 3
2 2 2 2 2 2 2


0 X 2 2 7 7 0 7 12
X 0 5
X X
X 17 X

WorldMags = Digital Songbook - 43


WorldMags
Chorus C
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
Gtr. 2: w/ Riff A (2 times)
G G F Am Em G/D
Em C/E
         
Rhy. Fig. 3 End Rhy. Fig. 3

  8va             
     De - liv - er me  in - to 
   to care.      there.

Gtr. 1

 3   I can’t de- stroy  what is - n’t my


 G
   
Am G/D
6  
 rake
   
 But I’m the  on ly one 
 who’ll
          

 
walk a cross a fire for you.

 a - lone,
1/2
1
Rhy. Fig. 3Bfate. If I’m I can - not hate. I don’t de - serve End
to Rhy.
have Fig. 3B
G  17
Gtr. 3 14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 16 17 16 17 XF 17 17 16 17 16 G/D 17


Rhy. Fig. 5 X End Rhy. Fig. 5

1&3                    
Gtrs.

            
                 
3  0

my smile was tak - en 3


3 0 0 0

 
0 0 X X X


8va

   
0 you. 0 Oo,
3 long a - go.2 If I can change, I hope I 2 nev -2er

   
0    
X X 3 3 3 2 2 2
3 5 (elec.)
Gtr.
      
 3
  1
       
   0
 
0

    
   
rake 
6
Rhy. Fig. 3A End Rhy. Fig. 3A
Gtr. 2
mf

   


w/ slight dist.
3 3 3
let ring throughout
1
1 0


3 5
17 19 17 22 22 22 17 20 19 17 19 17 17
20 20 20 19 20 19 20 X 20 20 19 20 19 20
 X

3 2 Riff B 3 1 1 0 End Riff B


Gtr.
    
3 3 1 1 0

     0  2 02 0 2 02 0 2
0 0 X X X
  
0
X    0
X   3
3   2
3
3
2
2
0 2
3 3 0

0 0
1 1 1 1
2 2 2 2 0
5 5 5 5 5 5 5 5 3 3 3

Interlude
Gtrs. 1, 2 &13:
Gtrs. & w/ Rhy.
3: w/ Figs.
Rhy. Fig.3,23A & 3B
(2 times) Gtr. 2 tacet
G Am 3 F Em F Em G/D C
 Em
   
 C/E

sire  for


  
8va
Andknow.
I’m
on

the
ly one who’ll drown in
 
my de
   
you. It’s
   
  
           
        
  

Gtr. 6 (elec.)

         
   
 rake  6
rake 
Am C Fsus2

 8  


mf
Rhy. Fig. 4
w/ slight dist. & RotoVibe 1/2
1
Gtr. 1 20 17 17 17 15 15 13 13 12 12 10 10 8 19 8 10
14 15 14 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X
3 3 3 3
   
                           
Gtr. 5


 17 10
on ly fear that makes you run, the de mons that you’re hid ing from when all your prom is es are gone.

   10  10  10  10  8  8  5 


8va
0

0 0 0

0 0 0

12  17
0 0 0 0 0 0
* Gtrs. 2 & 3
 
5

 5
 
5
  
5 5
  
5 5
   
3



Riff B

rake  
Gtr. 2 6


   
rake

 3

   


let ring
 1 1
0 0
1 17 19 17 22 3 22 22 17 20 19 17 19 17 3 17
2 20 2 1 20 20 19 20 1 19 20 1X 1 20 1 20 19 20 19 20
0 0 0 0 0
220
X X
2 2 3 3
0 3
*Composite arrangement.

WorldMags = Digital Songbook - 44


WorldMags
To Coda 1
To Coda 2
C G5
End Rhy. Fig. 4 Rhy. Fig. 5 End Rhy. Fig. 5

P.M.

3 3
3

I’m the on ly one.

End Riff B Gtr. 3


3
3

3 3
Gtr. 2 3
divisi
let ring
3 3
1 1 1 0 3
0 0 0 0 0 0
2 2 0 0 3 0 0
3 X 5 5 3
3

Verse
Gtr. 3 tacet
Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas. only, 2 times)
G5
3 3 3 3 3 3

2. Please, ba by, can’t you see I’m try ing to ex plain I’ve been here be fore and I’m lock ing the door and I’m

Gtr. 2
3

P.M. P.M.

let ring

0
3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtr. 1: w/ Rhy. Fig. 1


3
3 3 3

not go ing back a gain. Her eyes and arms and skin won’t make it go a way. You’ll

3 3

P.M. P.M.

let ring let ring

0 0
0 3
5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

WorldMags = Digital Songbook - 45


WorldMags
D.S. al Coda 1
3 3 3 3 3

wake up to mor row and wres tle the sor row that holds you down to day.

P.M.

0 0
0 0 0
5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3

Coda 1
Gtr. 3 tacet
Guitar Solo
G5 Fsus2
3

one.

Gtr. 3
Gtr. 4 (elec.) 3 Gtr. 4 3

w/ slight dist.

1 1

3
0 2 (2) 0 0 2 2 (2) 0
0 3 3
X
3

Gtr. 2

3 3 3 3 1 1
3 3 3 3 3 1 1
0 0 0 0 0 0 0
0 0 0 0 0 3 3
X X X X X 0 3 3
3 3 3 3 3 0

3 3
Gtr. 1 Rhy. Fig. 6

3 3
(cont. in slashes)

3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
X X X X X X X
3 3 3 3 3 3 3 3 3 3 3 3

WorldMags = Digital Songbook - 46


WorldMags
2.
G5 open
B 3 3 3 3 3

 
      

           3 5
Gtr. 1 loco

  
Gtr. 4
      3  
10  

  


3
1 let1ring
1/2 1
7 8 7 5
8 7 5 7 10 3
8 7 5 4 9 9 8 12 12 11 3 11
0 2 2 (2) 7 05 4 0 2 5
37 6 5X

 loco     


Gtr. 2 3
3

8va

        
5
        
   

  1/4
1 10 3 rake

  


1 3
0 2 0 0 3 0 0
3 0 0 1 1/2 0
3 X
15 17 15 14 3
17 15 14 10 12 12 10 10
17 16 14 14Gtr. 1: w/ Rhy. Fig. 6 12 12 11 X
17 Fsus2
17 16 14 13
End Rhy. Fig. 6
3

D
3 3 3
3 Gtr. 3 tacet
let ring
Em

 4 5 5
1/2 1/4 1/4 1 1 1 1

  
8va


6 6 8 6 6 8 10 6
Gtr. 52
  
3 (5)


4 5

3
 
3
 
7
    

8
 
10 12 8

      
6 5
   
  
  6
6


6

 
2 1 1/2
1

14 17 14 17 14 14 17 19 20 20 20 19 17 19 17
3 13 16 13 13 16 3 3 13 16 161 1 20 120 19 17 1
3 14 14 3 3 1 1 1 1
0 16 0 0 0 0 0 0
0 0 0 3 3 3 3
X X X 3 3 3 3
3 3 3
Pre-Chorus


8va Gtrs. 1, 2 & 3: w/ Rhy. Figs. 2, 2A & 2B

               
Gtr. 3G5 A5
            
 
6


        
 

6
6 6 Go on and hold her ’til the
Gtr. 4
1/2 1 1/2 1

11 14 11 14 11 11 14 17 17 17 17 17 15 14 15 14
10 13 10 10 13 10 13 13 17 17 15
11 11 3 3 3 3
13
1 1 hold bend 1 1
10 10


8 8 10 10 (10) 8 10 10 8 10 (10) 8 10
10 8va

       

Gtr. 4 (elec.)

      
  


f w/ dist.

1 1

3 3 3 3 3 3 14 15
3 3 3 3 3 3 8 17 X 17 17
0 0 0 0 0 0
0 0 0 0 0 0
X X X X X X
3 3 3 3 3 3 3 3

WorldMags = Digital Songbook - 47


WorldMags
D.S.S. al Coda 2
Gtr. 2 tacet
D5 A5 D5
C/E Em 3
3

      
8va

  is gone.
Gtr. 4 *
   her
          Go on be  lieve   when 
she  tells you
          
scream ing
   noth ing’s wrong.

3

 
3 3
2
1 1/2 1 3
14 15 17 15 17 15 1/2
14 14 15 17 19 15 19 15 20 19 17 15 19 17 15 14 15 17
1 15 14 20 1 20 19 20 17 20 15 20
17 17 17 17 17 17 17
16 16 16 10 10 10
(10) 10 (10) 8 10 17 10 13 13

*Played behind the beat.

C/E
Coda
8va 2 6

 
   G 3         F      3     3   Em
      3     
Gtrs. 1, 2 & 3: w/ Rhy. Figs. 3, 3A & 3B (2 times)



   
 12

one, yeah, yeah.


14 20 19 20 17 20 15 20 14 20 19 20 17 20 15 20 14 20 20 15 17 19 17 15 17 15 15
17 16 17 19 19 19 17 19 17 16 19
X
G 3 F 3 Em

Em
And I’m the on ly one who’ll drown in my de sire for you. It’s

     
8va
**Rhy. Fig. 4   
Gtrs.2 &3:w/ Riff B       
 3  
3
Gtr. 1: w/

    3         C     
   3
Am
3   
   
11 6
12

on ly fear that makes you run, the de 1 mons 2that you’re hid in’ from when
15 14 12 11 14 12 11 7 12 8 16 12 19 20 15
17 16 13 12 13 12 10 13 12 11 12 11 8 17
12 11 12 12 12 12 8 9 16 12 16
Fsus2 C 3 3
3
**Played behind the beat.

all your
C/E prom is es are gone. I’m the on


8va
Outro
  
***
      
Gtr. 1:w/ Rhy. Fig. 5 (till fade)
G5        

3
3


12
1 1/2
ly one.
1

Gtr. 2 20 20 19 20 19 20 19 17 15 19 17 15 14 15 17 15
3 3

***Played behind the beat.


let ring let ring
Em
0 0 0

8va
3 0 3

          
5 *** 5 3 5
   
   
3 3 3

Gtr. 3 
            
12 6 †T 
1 hold bend T 1 hold bend
1/2
14 15 14 14 12
17 17 16 16 12 17 15 13 12 13 12
14 14 15 14 19 19 19 15 14

5 †Hold down tap finger while releasing


3
bend, rebending, and sliding.

WorldMags = Digital Songbook - 48


WorldMags
3
3

I’m the on ly one, babe. I’m the on ly one.

3 3 3

let ring let ring

0 0 0
3 3 3
5 3 3
3

Riff C End Riff C

5 5 5 5
5 5 5 5 5 5 5 5
3 3 3 3

Begin fade
Gtr. 1: w/ Riff C (till fade)
3
3
3

Ain’t no bod y else is gon na love you, ain’t no bod y else is gon na love

Gtr. 2 3 3

let ring

0 0
3 3
5 3
3 3

Fade out

you. Hee, hee, hee, hee, hee.

3 3

let ring let ring

0 0 0
3 0 3 3
5 3 3
3 3

WorldMags = Digital Songbook - 49


WorldMags

Snuff
Words and Music by Slipknot

Am Em
Black Star
from Slipknot - All Hope Is Gone

ByFYngwieG/D C
Malmsteen G

Tune down 1/2 step:


from Yngwie J. Malmsteen - Rising Force
(low to high) Eb-Ab-Db-Gb-Bb-Eb
231 23 134211 32 1 21 34

Tune down 1 1/2 steps:


A
(low to high) C#-F#-B-E-G#-C#
Rubato q = 126

 
Intro B/F# Em B/F# A Em/G E/G#
Slowly q = 62
F
 Am
C/E F

Gtr. 1 (acous.) *Am
  E5   
E5
  End

C/E
Gtr. 1 (acous.)   Rhy.
 Fig. 1      Rhy. Fig. 1
 

(Sound  



 




 
  w/ fingers    
  

  
    

effects)

     


   
   
(4 sec.)

   
     

 

 

mp

7 2 3 4 


mp


7 8 7 5 4 5 2 4 5 5




8 4
0 4 0 0 0



19 7 10


1 1
2 0 2 3 4 0
2 2 3 2 2 2 3 2
0 2 3 0 2 3
0 1 0 0 1 0
Am(sus4) F#/A# Em/B B A B
  (4 sec.)   
Rhy. Fig. 1A End Rhy. Fig. 1A
Gtr. 2 (elec.)

       
                               
3

    
p      





   

    
 
w/ clean tone & chorus
let ring throughout


Harm.
let ring

557
5 5 5 5 2 2 2 2 5 5 5 5 2 2 2 2
7 7 7 7 3 3 3 3 77 7 7 7 3 3 3 3
76 37




7 7 7 7 3 3 3 3 8 7 7 7 7 5 7 37 3 3
5 7 5 4 5 6 9 8 6 8
*Chord symbols reflect overall harmony.
0
6 6 7 9 7 7

B
Verse Slower q = 76
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (2 times) Gtr. 1 tacet

  
AmEm * Em

E5 F C/E Am E5

  
               
     
      
      

  
Gtr. 2 (elec.)

  
1. Bur -y


all your se - crets in my skin. Come a - way with in - no - cence and

 
poco rit. 6
Harm. mf w/ dist.
let ring

F 12 C/E Am 12 E5 F C/E 8 7 12

 
12 7 12

                

5 7 9

  12          9

Pitch: G *Chord symbols reflect overall harmony.


leave me with my sins. The air a - round me still feels like a cage, and

 
   
8va

               
  F       
Am    E5 C/E

      3     


w/ bar  6     3  

  3 w/bar
3
 
is

love just a cam - ou - flage 
for what re - sem - bles rage
1/2
a - 
gain.
8 7 12 14 14 19 19 17 15 14 15 15 14
12 17THAT MUSIC 17 15
12© 2008 EMI APRIL MUSIC INC. and MUSIC 16
14 All Rights Controlled and Administered by
17 EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
Reprinted by Permission of Hal Leonard Corporation
Copyright © 1985 Malmsteen Music
All Rights Administered by Kobalt Music Publishing America, Inc.
All Rights Reserved Used by Permission
Reprinted by Permission of Hal Leonard Corporation

WorldMags = Digital Songbook - 50


WorldMags
Interlude
Am Em F G/D C
C/E Em C/E


  3       loco    
Rhy. Fig. 2 End Rhy. Fig. 2

     3     
8va
*Gtrs. 1 &

 
                  
3 (acous.)
let ring
 throughout  
   
mf
   
 
         6

 

  

w/ bar

 
Harm.

16 14   
12
Gtr. 4 (elec.) 15 12 16 15 13 12 15 13 12 12 0 1 0 12 12 15

 
12
 14 12 12 7
   10 9 9   

14
X

mp
w/ clean tone & chorus

5 7 9 9 10 9 7 9 7 9 7 5 4
7 9 10 10 12 10 9 10 9 10 9 7 5

*Composite arrangement

Em C/E Em
8va

        G/D
          End Rhy. Fig.3
Am Em F3

    
3 3
   

Rhy. Fig. 3

*w/ delay
3   3           3   3         3
3
3 3 3

 **  sim.          
14 12 15 14 17 15 19 20 19 20 17 20 15 20 14 15
15 17 12 12 13 12 17 16 So if you love me, let me go 16

 10  14
12 11 12
14 14

 
14 12 10
       
  *Set 
14
for 700 ms regeneration
**Vol. swells
w/ one repeat.

5 7 9 10 12 10 9 9 7 5 7 9 7
7 9 10 12 14 12 10 10 9 7 9 10 9 7 5

Chorus
Gtr. 4 tacet
G Am G/D


C/E Em C/E Em C/E

     
Rhy. Fig. 4 End Rhy. Fig. 4

  loco         
      
8va

    
         
Gtr. 2

    
              
  
 
rake  know.




My heart is just too dark 
3
3
and run a - delay
way offbe - fore I

      


w/ bar
Riff A End Riff A
Gtr. 2 1/2

 
1/2

  16 15 19 17 


21
  

17 17
4 4 4 9
2 X
mf X let ring
0
0 -1


6


5


5 5 5 5 5 5 5 5 7
Gtr. 3 (elec.)

        
     

 
Gtr. 4

  
  
mf P.S.
w/ dist. 1



X 7 7 7 12
5 X 5
X X
X 17 X

WorldMags = Digital Songbook - 51


WorldMags
C
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
Gtr. 2: w/ Riff A (2 times)
Gtr. 2: w/ Riff A (2 times)
G Am G/D

G Am G/D
Em C/E
      
  8va
                
 
  
  there.    
   toto     II can’t De
De 
 er me  in -- toto my
can’t de
 n’t
care.
 what
 stroy
de -- stroy what isis -- n’t -- liv
liv -- er me in my
 GG 
care. there.

   6       
Am G/D

 
Am G/D
      
       

     rake    
fate.
1
fate.  If
If I’m I’m lone,
aa -- lone, II can
can -- not
not
1/2

hate.
hate. II don’t
don’t de
de -- serve
serve to
to 
have
have
G
G 17 17 17 16 17
14 15 14
16 17
F 19
XF
19 19 14 17 15 14
17
15 14
17 16 17
14
16 17
G/D
G/D



1 & 3 
Rhy. Fig. 5 X End Rhy. Fig. 5

 
             
     

Rhy. Fig. 5 End Rhy. Fig. 5

1&3              
Gtrs.
Gtrs.

  
 
 
 
 
 
    
    
 
  
             
 

en 

  


you. 8va Oo, my
my smile
smile was
was tak
tak -- en long
long aa -- go. If
If II can
can change,
change, II hope
hope II nev
nev -- er
  
you. Oo, go. er

          
                   
Gtr. 5 (elec.)
Gtr. 5 (elec.)

    
   
rake 
6
mf
mf

  


w/ slight dist.


w/ slight dist.
let ring throughout
let ring throughout
1 0
1
330 55
 20 20 20 19 20
17 19 17
19 20 X
22 22 22 17 20 19 17
20
19 17
20 19 20
17
19 20
 X

Riff B End Riff B


Gtr. 2 Riff B End Riff B

     
Gtr. 2


                  
00 00
11 11 11 11
22 22 22 22 00
55 55 55 55 55 55 55 55 33 33 33

Interlude
Interlude
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 2 tacet
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 2 tacet
Am
Am Em
Em F
F G/D
G/D C
C
 
   

 Em C/E

                  


8va
know.
know.

            
  
   

Gtr. 6 (elec.)


Gtr. 6 (elec.)

       

 rake  6
rake 
mf

 88  


mf
w/ slight dist. & RotoVibe
w/ slight dist. & RotoVibe 1/2
1
20
20 17
17 17
17 17
17 15
15 15
15 13
13 13
13 12
12 12
12 10
10 10
10 88 88 10
10
14 15 14 19 19 19 14 17 15 14 15 14 14
17 17 17 16 17 16 17 X 17 17 16 17 16 17
X X

   
                             
Gtr. 5
Gtr. 5



 00
 5  5   5    1010 1010  1010  1010  1010  88  88  55 
8va


00 00 00 00 00 00 00 00 00 00 00 00

 12  17
55

55 55 5 5 5 55 12 17 33


      
17 17



rake  
Gtr. 2

Gtr. 2 6

 
 

rake



   
 1
1
00
11 17 19 17 22 22 22 17 20 19 17 19 17 17
22 20 20 20 19 20 19 20 X 20 20 19 20 19 20
22X X
00

WorldMags = Digital Songbook - 52


WorldMags
   
Am Em F G/D C
Gtr. 6           
 

22 20 17 17 15 15 13 13 12 12 10 10 12 12 13

    
               
Gtr. 5
         

0 0 0 0 0 0 0 0 0 0 0
5 8 5 5 5 5 5 5 12 17 17 10 10 10 10 10 8 8 5 3

Verse
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (3 times) Gtr. 5 tacet
Gtr. 6 tacet


Am Em F G/D C

                  

2. I still press your let - ters to my lips and

Gtr. 5
 

pp

  
Riff C End Riff C

 

Gtr. 2

  
mp

14 9 10
X X X
12 7 8

Gtr. 2: w/ Riff C (3 times)


Am Em F G/D C

 
 
          

          
cher - ish them in parts of me that sa - vor ev - ’ry kiss. I

Am Em F G/D C



*

                 

could - n’t face a life with - out your light, but

*w/ echo set for half-note regeneration w/ 1 repeat.

WorldMags = Digital Songbook - 53


WorldMags
      
Gtrs. 1 & 3: w/ Rhy. Fig. 3
Am Em F G/D


      
                     
all of that was ripped a - part when you re - fused to fight. So save your breath, I will not

 
Gtr. 7 (elec.)

   


mf
w/ dist.

5 17

Chorus
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (3 times)

    
Gtr. 2: w/ Riff A (3 times)

      
              
  
G Am G/D

      




hear. I think I made it ver - y clear. You could - n’t hate e - nough


    
      

   
 


0 0
0 0
X
3 3 5 5 8 5 5 8 5 3

      
              
G Am G/D

         
to love. Is that sup - posed to be e - nough? I on - ly wish you weren’t my

  
      
      

 
 
fdbk. 
0 0 0
0 0 0 0
X 7 7 10 7 5 7 7
3

             
       
G Am G/D

        


friend, then I could hurt you in the end. I nev - er claimed to be a

 
  
  
    

0 0
0 0
X
3 8 5 3 5

WorldMags = Digital Songbook - 54


WorldMags
Gtrs. 1 & 3: w/ Rhy. Fig. 5

                     
Gtr. 2: w/ Riff B

    
 
   
G F

    

saint. Oo, my hope was ban - ished long a - go. It took the death of hope to let you

Gtr. 8 (elec.)

      
f
w/ dist.

0
0

17

Gtr. 7


                 
P.M. 

0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

Interlude

  
Gtrs. 1 & 3: w/ Rhy. Fig. 2 (3 times)
Am Em F G/D C

   


go.

     
Gtr. 9 (elec.)
        
 
f
w/ dist. & RotoVibe

22 20 17 17 15 15 13 13 12 12 10 10 8 8 10

Rhy. Fig. 6 End Rhy. Fig. 6

 
*Gtrs. 7 & 8

        
         
 

2 2 2 2 2 2 2 2 5
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3
0 1 1 1 1 1 1 1 1 1 0
*Composite arrangement

Gtr. 7: w/ Rhy. Fig. 6 (2 times)


Gtr. 8: w/ Rhy. Fig. 6

  
Am Em F G/D C
  
    
Oh.
     
Gtr. 9
        
 

22 20 17 17 15 15 13 13 12 12 10 10 12 12 13

WorldMags = Digital Songbook - 55


WorldMags
Am