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Teaching Listening

Strategies for Developing Listening Skills

L
anguage learning depends on listening. Listening provides the aural input that serves as the
basis for language acquisition and enables learners to interact in spoken communication.

Effective language instructors show students how they can adjust their listening behavior to
deal with a variety of situations, types of input, and listening purposes. They help students develop a set
of listening strategies and match appropriate strategies to each listening situation.

Listening Strategies

Listening strategies are techniques or activities that contribute directly to the comprehension and recall
of listening input. Listening strategies can be classified by how the listener processes the input.

Top-down strategies are listener based; the listener taps into background knowledge of the topic, the
situation or context, the type of text, and the language. This background knowledge activates a set of
expectations that help the listener to interpret what is heard and anticipate what will come next. Top-
down strategies include:
 listening for the main idea
 predicting
 drawing inferences
 summarizing

Bottom-up strategies are text based; the listener relies on the language in the message, that is, the
combination of sounds, words, and grammar that creates meaning. Bottom-up strategies include:
 listening for specific details
 recognizing cognates
 recognizing word-order patterns

Strategic listeners also use meta-cognitive strategies to plan, monitor, and evaluate their listening.
 They plan by deciding which listening strategies will serve best in a particular situation.
 They monitor their comprehension and the effectiveness of the selected strategies.
 They evaluate by determining whether they have achieved their listening comprehension goals
and whether the combination of listening strategies selected was an effective one.

Listening for Meaning

To extract meaning from a listening text, students need to follow four basic steps:

 Figure out the purpose for listening. Activate background knowledge of the topic in order to
predict or anticipate content and identify appropriate listening strategies.
 Attend to the parts of the listening input that are relevant to the identified purpose and ignore
the rest. This selectivity enables students to focus on specific items in the input and reduces the
amount of information they have to hold in short-term memory in order to recognize it.
 Select top-down and bottom-up strategies that are appropriate to the listening task and use
them flexibly and interactively. Students' comprehension improves and their confidence
increases when they use top-down and bottom-up strategies simultaneously to construct
meaning.
 Check comprehension while listening and when the listening task is over. Monitoring
comprehension helps students detect inconsistencies and comprehension failures, directing
them to use alternate strategies.

HOW TO TEACH LISTENING:

 Establish a purpose for listening. Explain that students do not have to write down every single
thing when they are taking notes.
 Before they begin taking notes, they should know what they are listening for. Then they should
take notes when they hear something that fulfills their purpose for listening.
 Point out the three categories on their Note-Taking Form: main points, important details, and
general meaning.

Their purpose, or goal, for listening today will be to identify these three things. Explain that the
main points are the most important big ideas. Explain that the important details are the ones
that support or explain the big ideas. How can you tell whether an idea or detail is important?

Listen for key words.

 Listen for repetition and other cues, such as gestures, expressions, body language, or a
change in voice tone that hint that an idea is important. This means that you need to
watch the person speaking, not only focus on your paper.
 Explain that the main idea of the whole listening selection is sometimes given in a
sentence called the topic sentence. The title may also tell or give a hint about the main
idea. In other cases, the listener has to add up the main points and most important
details to figure out the main idea or general meaning on his or her own.

• Play the audio. As it is spoken, model jotting down key main points and important details on
the Note-Taking Form as you listen. Occasionally pause to model the following listening
strategies:

 ask questions about what you are hearing.


 make predictions about what is coming next.
 make connections between what you are hearing and your experiences.
 make an inference about an idea that is only implied, encouraging students to “listen
between the lines.” Encourage students to pay attention to context clues when making
inferences.
 After the listening activity, prompt students to put the main idea of the selection into a
single sentence (e.g., “Three teenage girls delivered an important message over the
airwaves: stay in school”). Also ask, why is this selection important? Model writing these
conclusions in the box at the bottom of the note-taking page.
Note-Taking Form
Name: _____________________________________ Date:_______________
Notes on: ________________________________________________________
Main Points: Important Details

General Meaning
________________________________________________________________________
________________________________________________________________________
________________________________________________________________________
________________________________________________________________________
________________________________________________________________________

Assessing Listening Proficiency

You can use post-listening activities to check comprehension, evaluate listening skills and use of
listening strategies, and extend the knowledge gained to other contexts. A post-listening activity may
relate to a pre-listening activity, such as predicting; may expand on the topic or the language of the
listening text; or may transfer what has been learned to reading, speaking, or writing activities.

In order to provide authentic assessment of students' listening proficiency, a post-listening activity


must reflect the real-life uses to which students might put information they have gained through
listening.

 It must have a purpose other than assessment


 It must require students to demonstrate their level of listening comprehension by completing
some task.
To develop authentic assessment activities, consider the type of response that listening to a particular
selection would elicit in a non-classroom situation. For example, after listening to a weather report one
might decide what to wear the next day; after listening to a set of instructions, one might repeat them
to someone else; after watching and listening to a play or video, one might discuss the story line with
friends.

Use this response type as a base for selecting appropriate post-listening tasks. You can then develop a
checklist or rubric that will allow you to evaluate each student's comprehension of specific parts of the
aural text.

For example, for listening practice you have students listen to a weather report. Their purpose for
listening is to be able to advise a friend what to wear the next day. As a post-listening activity, you ask
students to select appropriate items of clothing from a collection you have assembled, or write a note
telling the friend what to wear, or provide oral advice to another student (who has not heard the
weather report). To evaluate listening comprehension, you use a checklist containing specific
features of the forecast, marking those that are reflected in the student's clothing recommendations.

Sample Activities from AEIM2

WRITING

Listen to the article on Melody Williams and decide if the sentences are true or false

_____ 1. She makes art out of metal.


_____ 2. She makes shoes, clothes, and jewelry.
_____ 3. Most people don’t understand her interest in duct tape.
_____ 4. When people need tape, they always come to Melody.
_____ 5. She says wearing duct tape clothing is very comfortable

Melody Williams has a strange hobby. Listen and use the information to complete the article

Melody Williams, 17, of Greers Ferry, Arkansas ___ __ _______ _______. She ______ duct tape art.
Duct tape is a _____ ______ ______ used to hold metal ducts, or tubes, together. She makes _____,
______, ______ , _______,and _______. She even made a model of Shakespeare’s Globe Theater—
_____ ______ ______ ___ _____ for her pet turtle, Shelley.
Melody says ____ ____ _____ ___________ her interest in duct tape. She says people _____ at her and
______ _____ of her. However, she also says that ____ ______ _____ ______, they always come to
her!*Melody doesn’t _____ that people ______ ___ _____. She has another problem, though. The
duct tape is ______ ______. When she was making her skirt, she had problems with the duct tape
_______ ___ ______ in places ___ ______ _________ ____. Melody also says that wearing duct tape is
uncomfortable. It doesn’t _____ _____ and wearing it makes her a little hot!
Dictation

Listen to some job interview tips for teens and complete the text with the missing words.

Here are some job interview tips for teens____ ____ _____ _____ ______ _____. Don't ____ ____ ____
__ _____ _ - _____. Don't ___ _____! Arrive for your interview at least 15 minutes ahead of time. It's__
____ ____ ____ ____ questions at an interview. Have_____ _____ _____ ______ ready ______ _____
_____ ____ _____ you're applying for_______, _______write a thank you _____ note after the
interview.

* Next time you do speaking, generate your own activities.

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