Beruflich Dokumente
Kultur Dokumente
1. Messaris, Paul. The Role of Visual “Literacy” in Film Communication. Nov. 1987.
EBSCOhost, login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search-ebscohost-
com.ezproxy.net.ucf.edu/login.aspx?direct=true&db=eric&AN=ED287186&site=ehost-
live&scope=site
4. Gilje, Øystein, and Linn M. Groeng. “The Making of a Filmmaker: Curating Learning
Identities in Early Careers.” E-Learning and Digital Media, vol. 12, no. 2, Mar. 2015, pp.
212–225. EBSCOhost, login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search-
ebscohost-
com.ezproxy.net.ucf.edu/login.aspx?direct=true&db=eric&AN=EJ1061652&site=ehost-
live&scope=site.
5. Renée, V. “Watch: How Filmmakers Make Emotions Visual.” No Film School, 26 Oct.
2016, nofilmschool.com/2016/10/how-filmmakers-make-emotions-visual. (Links to an
external site.)Links to an external site.
11. Block, Bruce A. The Visual Story : Creating the Visual Structure of Film, TV and Digital
Media. Amsterdam ; Boston : Focal Press/Elsevier, c2008., 2008. EBSCOhost,
login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search.ebscohost.com/login.aspx
?direct=true&db=cat00846a&AN=ucfl.029434268&site=eds-live&scope=site.
12. FLUECKIGER, BARBARA1. “A Digital Humanities Approach to Film Colors.” Moving
Image (15323978), vol. 17, no. 2, Fall 2017, pp. 71–94.
https://eds.a.ebscohost.com/eds/detail/detail?vid=0&sid=5abc817e-cf78-4156-b870-
3e2e2b19c74a%40sdc-v-
sessmgr03&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#AN=131
179190&db=asu
13. https://www.youtube.com/watch?v=aXgFcNUWqX0
14. “A New Colour Consciousness: Colour in the Digital Age.” Convergence: The Journal of
Research into New Media Technologies, vol. 9, no. 4, Winter 2003, pp. 60–76.
https://eds.b.ebscohost.com/eds/detail/detail?vid=12&sid=2e8bdffb-ef2b-489c-b2eb-
d532d3359ca0%40pdc-v-
sessmgr02&bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#AN=128
13198&db=fah
15. https://www.youtube.com/watch?v=tILIeNjbH1E
19. Sin City (2005) / Schindler's list (1993) or The Matrix (1999)
20. Importance of color in Sin City
https://visualrhetoricspring2012.wordpress.com/2012/04/23/importance-of-color-used-in-
sin-city/
25. Foss, Bob. Filmmaking : Narrative and Structural Techniques. Los Angeles : Silman-
James Press, 1994., 1992. EBSCOhost,
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?direct=true&db=cat00846a&AN=ucfl.027965394&site=eds-live&scope=site.
26. Pribram, E.Deidre. Emotions, Genre, Justice in Film and Television : Detecting Feeling.
New York : Routledge, 2011., 2011. EBSCOhost,
login.ezproxy.net.ucf.edu/login?auth=shibb&url=https://search.ebscohost.com/login.aspx
?direct=true&db=cat00846a&AN=ucfl.PDA003716489&site=eds-live&scope=site.
30. “How Color Grading Can Help Storytelling by Enhancing or Changing a Mood.”
PR.Com (Press Releases), 2016. EBSCOhost,
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?direct=true&db=edsgbe&AN=edsgcl.442953830&site=eds-live&scope=site.
31. Making my own video, color grading with different colors to change tone / mood.