OBJECTIVE: Students will perform mm. 11-18 of Triton with no major rhythmic or tonal inaccuracies. SEQUENCE: 1. Review a. What does Triton’s call sound like? b. Who has the melody in mm. 1-10? c. Clarinets, do you know what you’re doing? d. Low brass tone 2. Review mm. 1-10 3. Mm. 11-18 a. Flute melody—rhythm and note alignment (especially mm. 15-18) b. Clarinet splits c. Alto sax tone d. Run through 4. Play up to Allegro Moderato ASSESSMENT: Understanding will be based on the final run-through, as well as self-assessment. Students will be asked how many notes they missed (displayed on fingers), as well as if they feel comfortable moving on. 6th Grade, 5th Hour OBJECTIVE: Students will demonstrate an understanding of call and response by executing the correct rhythm and styles present in mm. 19-26 with one or fewer errors. SEQUENCE: 1. “Repeat after me” a. Clap rhythms, have them clap in response b. “What did we just do?” 2. Call and response a. Describe it as an “echo”, happens in rhythm b. First melody is the call, second is the response 3. Mm. 19-26 a. Have them listen for call and response people, run b. Who has the call and response? i. Tpt on call, fl/cl on response ii. WRITE THESE THINGS IN c. When you hear an echo, does it sound any different? i. Response should be played the same as call ii. Isolate tpt, fl, cl iii. Ask those not playing if they demonstrated good c+r techniques d. What do the other parts do in order to make sure we hear the call and response? e. Run ASSESSMENT: Self-assessment. “How many people understand call and response? How many people think we played like we understand it?”