0 Bewertungen0% fanden dieses Dokument nützlich (0 Abstimmungen)
822 Ansichten4 Seiten
This document discusses several works related to forms and constraints in literature and art from different time periods and fields. It mentions Aristotle's attention to tragedy and epic forms in Poetics. It also discusses theories of narrative form from the 20th century like Vladimir Propp's work on folktales. The document also references works that discuss how forms can structure societies and politics, like Foucault's Discipline and Punish and Benjamin's work on mechanical reproduction. Finally, it briefly discusses several other works analyzing forms in specific authors, genres, and artistic works.
This document discusses several works related to forms and constraints in literature and art from different time periods and fields. It mentions Aristotle's attention to tragedy and epic forms in Poetics. It also discusses theories of narrative form from the 20th century like Vladimir Propp's work on folktales. The document also references works that discuss how forms can structure societies and politics, like Foucault's Discipline and Punish and Benjamin's work on mechanical reproduction. Finally, it briefly discusses several other works analyzing forms in specific authors, genres, and artistic works.
This document discusses several works related to forms and constraints in literature and art from different time periods and fields. It mentions Aristotle's attention to tragedy and epic forms in Poetics. It also discusses theories of narrative form from the 20th century like Vladimir Propp's work on folktales. The document also references works that discuss how forms can structure societies and politics, like Foucault's Discipline and Punish and Benjamin's work on mechanical reproduction. Finally, it briefly discusses several other works analyzing forms in specific authors, genres, and artistic works.
Richard Aldington, Some Imagist Poets: An Anthology (Boston and New York: Houghton
Mifflin, 1915), vi–vii.
7 Terry Eagleton argues that the Brontës created mythical resolutions to real social conflicts through narrative closure in Myths of Power (1975) (Houndmills: Palgrave Macmillan, 2005). Stephen Greenblatt’s famous New Historicist essay, “Invisible Bullets,” ends with the claim that “the form itself” of Shakespeare’s drama “ contains the radical doubts it continually provokes,” in Political Shakespeare, eds. Jonathan Dollimore and Alan Sinfield (Manchester and New York: Manchester University Press, 1994), 45. Most recently, Marxistformalist Alex Woloch brilliantly rethinks the problem of character in the novel by arguing that nineteenth-century novels are organized around enclosed character-systems. The One v. the Many (Princeton: Princeton University Press, 2003). An attention to forms as constraints emerges in other schools of thought as well. Feminist poststructuralist Luce Irigaray decries Western thought for its long history of insisting on the constraints of form. This Sex Which Is Not One, trans. Catherine Porter (Ithaca, NY and London: Cornell University Press, 1985), 26. 8 Aristotle (Poetics) launches this tradition of thought in the West, with his attention to the structuring of tragedy and epic poetry. Al-Farahidi (786–718 BCE) is said to be the first writer to describe the patterns of syllables in Arabic verse. Sanskrit prosody begins with Pingala’s Chandaḥśāstra, dating to around the first century BCE or CE, a time when poets were shifting from Vedic to classical Sanskrit meter. A century of interesting work in theories of narrative form begins with Vladimir Propp’s Morphology of the Folktale (1928) and moves up through Gerard Genette’s Figures (1967–70), Roland Barthes’s S/Z (1970), and Peter Brooks’s Reading for the Plot (1984), and reaches our own time in the works of Marie-Laure Ryan, Robyn Warhol, and David Herman, among many others. 9 Kimberlé Williams Crenshaw was the first to theorize intersectionality in “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” Stanford Law Review 43, no. 6 (July 1991): 1241–99. 10 Wai-Chee Dimock traces an “epic spiral” that moves from Virgil and Dante to Henry James in Through Other Continents: American Literature across Deep Time (Princeton: Princeton University Press, 2006). Frances Ferguson argues that forms are surprisingly stable across audiences. “Emma and the Impact of Form,” Modern Language Quarterly 61 (March 2000): 160. And Franco Moretti has been asking which forms travel successfully across space, and which do not, in Distant Reading (London and New York: Verso, 2013). 11 See Michel Foucault, Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan (London: Penguin, 1977), 137, 141, 156–57. 12 For Walter Benjamin, the idea of totality in art was “false” and seductive, and particularly dangerous when the fascists used it to create a totality out of the masses of people themselves. See “The Work of Art in the Age of Mechanical Reproduction,” in Film Theory and Criticism, eds. Gerald Mast and Marshall Cohen (New York: Oxford University Press, 1974), 869–70. 13 In one recent example among many, Matt Cohen writes that “a virulent racism structures many of [Edwin Rice] Burrough’s Tarzan novels,” in Brother Men (Durham, NC and London: Duke University Press, 2005), 31. 14 Susan Wolfson, Formal Charges: The Shaping of Poetry in British Romanticism (Stanford: Stanford University Press, 1997); Heather Dubrow, “The Politics of Aesthetics: Recuperating Formalism and the Country House Poem,” in Renaissance Literature and Its Formal Engagements, ed. Mark David Rasmussen (Houndmills: Palgrave, 2002): 67–88. 15 Most design theorists emphasize the relations between an object and its users; I am more interested in the ways that affordance allows us to think about both constraint and capability—that is, what actions or thoughts are made possible or impossible by the fact of a form. First used by perceptual psychologist J. J. Gibson (“The Theory of Affordances,” in R. E. Shaw and J. Bransford, eds., Perceiving, Acting, and Knowing [Hillsdale, NJ: Lawrence Erlbaum Associates, 1977]: 67–82), the term affordance became widely used thanks to Donald Norman’s Design of Everyday Things (New York: Doubleday, 1990). 16 Dante Gabriel Rossetti, The House of Life (1881) (Portland, ME: Thomas B. Mosher, 1908), xiii. 17 Catherine D. Clark and Janeen M. Hill, “Reconciling the Tension between the Tenure and Biological Clocks to Increase the Recruitment and Retention of Women in Academia,” Forum on Public Policy (spring 2010): online at http://www.forumonpublicpolicy.com/spring2010.vol2010/spring2010archive/clark.pdf. 18 Caitlin Rosenthal, “Fundamental Freedom or Fringe Benefit? Rice University and the Administrative History of Tenure, 1935–1963.” Journal of Academic Freedom 2 (2011): 1–24. 19 As Attorney General, Robert F. Kennedy reduced the sentence of a man who had been sentenced to forty years for robbing a bank. He was moved by the story of the man’s poverty and the fact that he had turned himself into the authorities out of remorse. Arthur Schlesinger, Jr., Robert Kennedy and His Times