Non-Dodecaphonic Sets

Roslavets Sets:

(Source: Perle, Serial Composition and Atonality)

Trois Compositions:

(C/023568te) (C#/0134689e) (G/0134689te) (G#/014679t) (C/013489t)

(Source: Anne Ferenc-Roselavets MA diss. 1989)

(pg. 18): Quazi Prelude:

(D/0135689)

(pg. 59): Prelude 1:

(C#/01345789t) (E/013478te) (F#/014578te) (C#/01456789te)

(D/0134578e) (A/013478t) (Db/023679t) (Gb/045678e)

(Ab/01348t) (F#/01478t) (Eb/01679)

(pg.60) Prelude 2:

(D/0134578te) (A/013478te) (C#/013467te) (D/01367te)

(C#/01467te) (A/013478e) (B/013478t) (Gb/023679t)

(Ab/01378t) (Bb/01478t) (Eb/02478) (D/0148t)

Prelude 3:

(D/0134678t) (C/013678t) (G#/013478t) (B/013468t)

(E/034678) (C/04678t) (B/01478t) (C/02367)

(pg. 62) Preludes 1 (C#),2 (D) ,4 (F): (01345789te)

(pg. 63) Prelude 4:

(F/01345679t) (Eb/013478te) (F/0134678t) (C/034678t)

(Bb/014678t) (Eb/023478t) (Gb/023679t) (F/02346t)

(F/04678t) (Eb/02478t) (Ab/0468t)

Prelude 5:

(Bb/02345679e) (C/0345679e) (Eb/024567e) (Eb/034579e)

(C/024679e) (D/02467e) (A/0467e) (Bb/0247e)

(F#/02569) (F#/0123569t)

Harmonic Set Progressions-Prelude 1 (pg. 65):

(C#/0134578te) (C#/01456789t3) (F#/0134578te) (F#/014578te)

(A/013478t) (E/013478te) (D/0134578e) (A/014578te)

(D/0134578te) (D/01456789te) (G/0134578te) (C/0134578te)

(Db/023679t) (Eb/015678) (Db/023679t) (Gb/045678e) (Eb/023679t)

(Gb/023679t) (Ab/01348t) (Db/013478t) (F#/01478t) (A#/013478t)

(C#/013478t) (G#/013478te) (F#/0134578e) (C#/014578te)

(F#/0134578e)

Harmonic Set Progressions-Prelude 2 (pg. 66):

(A/013478e) (C#/013467te) (B/013478t) (C/013478e)

(E/013467te) (D/0148t) (Eb/013478t) (G/013467te) (0148t)

(F#/013478e) (A/01347te) (D/0134578te) (Bb/01478t)

(Bb/013478t) (Bb/01478t) (Bb/013478t) (Eb/01478t) (Ab/013478t)

(Ab/01378t) (Gb/023679t) (Eb/01478) (Bb/013478e) (D/013467te)

(C#/01467te) (D/01367te) (C#/01467te) (Db/013478t) (Db/01378t)

(Cb/023679t) (Ab/01478) (Eb/013478e) (G/013467te) (F#/01467te)

(G/01367te) (F#/01467te)

Harmonic Set Progressions-Prelude 3 (pg. 67):

(C/014678t) (Db/014678t) (C#/014678t) (D/014678t)

(0134678t) (B/03468t) (B/01478t) (F#/014678t) (F#/01478t)

(C#/014678t) (E/034678) (G/0134678t) (Bb/0134678t)

(F/0134678t) (Bb/0134678t) (F/0134678t) (D/014678t)

(Eb/014678t) (D#/014678t) (E/014678t) (E/0134678t)

(C#/03468t) (E/0134678t) (A/0134678t) (G3/013478t)

(B/013468t) (D/013468t) (F/014678t) (Gb/01468t)

(F#/014678t) (G/014678t) (G/0134678t) (C/02367) (G#/03468t)

(G/03468t) (C/03678t)

Harmonic Set Progressions-Prelude 4 (pg. 68):

(F/0134678t) (C/035678t) (Eb/013478t) (Eb/013467te)

(Bb/013478t) (G/0134678t) (C/0134678t) (F/02346t)

(Bb/014678t) (Eb/0134678t) (Ab/0468t) (Eb/01478t)

(Ab/0468t) (Eb/01478t) (Gb/023679t) (C/0134678t)

(F/0134678te) (F/034678t) (Ab/013478t) (F/04678t)

Harmonic Set Progressions-Prelude 5 (pg. 69):

(A/0467e) (D/02467e) (G/02467e) (C/024679e) (C/0345679e)

(Bb/0467e) (Eb/02467e) (Bb/0247e) (Eb/02467e) (Eb/034579e)

(Eb/024567e) (Bb/02345679e) (Bb/02467e) (F#/ 0134569t)

(A/0467e) (D/02467e) (G/02467e) (C/024679e) (C/0345679e)

(F#/02569) (A/047e)

Messiaen:

(Source: Song, Sung-Ju, PhD diss. U. of Queensland, 2008, pg. 19)

Mode de Valeurs et D'intensites-“Hidden Mode”: (C#/012689e)

Scriabin:

(Source: Foley, G., Pitch and Interval Structures in George Perle’s Theory of Twelve-Tone
Tonality. PhD diss. U.of Western Ontario, 1998)

Perle-Scriabin’s “Master Scales”-Alteration of Octatonic Set (pg. 4)

(C/023568te) (G/02356789e)

© 2016 Thomas Scott McGill