Praveshika Pratham Book

Compiled by Geetanjalee
For private circulation only
June 2012

Table of Contents
Theory ........................................................................... 3
Definitions .................................................................... 3
Notation ....................................................................... 3
TAl ............................................................................ 4
alankAr ........................................................................ 5
Bhoop or Bhoopali rAg ............................................................ 6
Sargam geet .................................................................... 6
Laxan geet ..................................................................... 6
Itana jobana para mAn na kariye ................................................ 7
lakha chhavi sAvariyA ki ....................................................... 7
Tum hum sang jee na bolo piharavaa ............................................ 7
Raag - Des ....................................................................... 9
Sargam geet .................................................................... 9
Laxan geet ..................................................................... 9
tabaso cheina nahi Ave ree ..................................................... 9
Sundar matawAlA GopAlA ........................................................ 10
Durga raag ...................................................................... 12
sargam geet - EktAl .......................................................... 12
Laxan Geet - ektAl ............................................................ 12
Sakhi mori - jhhaptAl ......................................................... 12
Jeevan ke mama praan sakhaa re ................................................ 13
mana mohan jA jA hori khelana ................................................. 13
Vijana vana me sumana hai foole ............................................... 14
KAfi rAg ........................................................................ 15
Sargam geet - jhaptAl ......................................................... 15
Laxan geet .................................................................... 15
Dhan bhAgan ki brija sundari .................................................. 15
Ayee ruta foolawana ki ........................................................ 16
MitawA mAne nahi masakata sakhi ............................................... 16
Aja khelo shyAm sang horee .................................................... 17
Bhimpalasi rAg .................................................................. 19
Sargam geet ................................................................... 19
Laxan geet .................................................................... 19
juga si beetata ghadi pala hari bina .......................................... 20
Khelo khelo nandalAla humasana ................................................ 20
Biraja me dhoom machAyo ShyAm ................................................. 21
Raag Bageshree .................................................................. 22
Sargam geet EktAl ............................................................. 22
Laxan Geet .................................................................... 22
PAyal bAje more zAnjar pyAre .................................................. 22
jamunA tat bansee bajAyee ..................................................... 23
RAg yaman or kalyAN ............................................................. 24
Sargam ........................................................................ 24
Laxan Geet .................................................................... 24
TarAnA (by VyAs) .............................................................. 24
ari eri Ali piyA bina, ........................................................ 25
giridhara mAdhava shyAma manohara ............................................. 25
Rag Khamaj ...................................................................... 27
Sargam geet ................................................................... 27
Laxan Geet .................................................................... 27
Bharan jaat jal hun panihaari| ................................................ 27
Sudha na leeni jabse gaye nainawA lagAyke - DadrA ............................. 28
Other songs ..................................................................... 29
Kajari ........................................................................ 29
Bhajan ........................................................................ 29
Bageshree Dhrupad ............................................................. 29

Page 1
Page 2
Theory

Definitions
Dhwani - audible sound
Naad – audible sound of fixed frequency (pitch)
Swar - musically useful naad
Shudhha - main 7 notes S R G m P D N
Vikrut - higher or lower than the shuddha swars e.g. r g M d n
Komal - lower semitones - r g d n
Teevra - higher semitone - M
Saptak - 12 notes between S and N that is S r R g G m M P
d D n N S’
Mandra -lower octave (N. D. P,)
Madhya - vocal range octave (S R G m N)
Taar - higher octave (S' R’ G’)
Mel - 7 notes from saptak
Alankar - sequence of progression from S to S' (aroha)
and back (Avroha)
Raag – interesting tune, conveys emotion, uses at least 5 notes, either m or P
are must, is boubd by – aroha (Ascent), avroha(descent), time, vaadi, samvaadi
Jaati - number of notes in raag
Odav (5) e.g. bhoop, Durga
Shadav(6)
Sampoorna(7) e.g. Bhairav
Vadi - most important
Samvaadi - second most important
Anuvaadi - other notes,
Varjit - skipped
Vivadi - skipped note used skillfully.

Notation
1st line is notes.
S is shadja or sA r is komal rishabh or re
R is shudhha re g is komal gander or ga
G is shudhha ga m is shudha madhyam or ma
M is teevra ma or mA P is Pancham or pa
d is komal dhaivat or Dha D is shuddha dha
n is komal niched or ni N is shuddha nee

Mandra saptak - the lower octave below S is shown by a dot following the note as
D. or n.
Madhya saptak - the normal octave - is not shown separately.
Taar saptak or octave above the normal N - is shown by a ' following the note as
S' or R'.

Notes are separated by spaces. Notes forming one word are to be sung or played in
a single beat (mAtrA) - all at equal length. If any note is longer, it is shown by
a - following the note.
For e.g.
P indicates P for 1 beat.
P - means pa is to be held got 2 beats.
nD means n and D would be half beat each
PnP means p, n and then P are to be sung one third beat each.
PDPm means P, D, P and m are all quarter of a beat.
Pn-P means P is quarter, n half beat and again P is quarter beat.

The notes are divided by bars of the taal. So teen taal notes will be four bars of
four mAtrAs each while ektAl would be six bars of 2 mAtrAs each or Dadra would be
2 bars of 3 mAtrAs each.
On the third line, the sum, khaki and taali of the taal are shown as o for khaki,
X for sum and taali number for taali other than sum.

Page 3
e.g. Teen taal would be X|2|o|3|
DADRA would be X|o|
EktAl would be X|o|2|o|3|4|
rook would be 0|1|2|

The second line is the words of the song.

TAl
Lay - speed
Vilambit -slow, Madhya - medium, drut - fast
Taal - Cycle of rhythm
Matra - unit of measuring time
Vibhag or khand - parts of cycle devided by emphasis
Sum - most important matra
Tali - emphasised matra
Khali - Matra shown by removing emphasis

Teen taal
16 mAtrA, 4 khand(4-4-4-4), 3 tAli(1,5,13), 1 khali(9)
Dha Dhin Dhin Dha |Dha Dhin Dhin Dha |
+ 2
Dha tin tin ta | Ta dhin dhin dha ||
0 3

Ek taal
12 mAtrA, 4 khand(4,4,2,2), 4 tAli, 2 khali
Dhin Dhin Dha traka |
+ 0
tu na kat ta |
2 0
Dha trak | dhi na ||
3 4
e.g.- Durga sargam geet

Jhap taal
10 mAtra, 4 khand(2-3-2-3), 3 tAli, khAli
Dhi naa | Dhi dhi naa|
+ 2
Ti naa |dhi dhi naa ||
0 3
e.g.- Durga - sakhi moree

Rupak
7 mAtrA, 3 khand(3-2-2), sum is khali, 2 tAli
Ti ti naa | Dhi naa | Dhi naa ||
0 1 2

Dhrupad or Choutaal
12 mAtrA, 4 khand(4-4-2-2)
Dha dha dhin ta |
+ 0
Kita dha dhin ta|
2 0
Kite taka | gadi gine||
3 4
e.g. bAgeshree - dhana dhana dhana

Dadra
6mAtrA, 2 khand (3-3), 1 tAli, 1 khAli
Dha dhi na | Dha tu naa ||
+ 0
e.g. Des beeti jAt

Page 4
alankAr
SR, RG, Gm, mP, PD, DN, NS'
S'N, ND, DP, Pm, mG, GR, RS
Same palta in Bhoop - (SRGPDS' - S'DPGRS) -
SR, RG, GP, PD, DS'
S'D, DP, PG, GR, RS

SRS, RGR, GmG, mPm, PDP, DND, NS'N, S'R'S'

S'NS', NDN, DPD, PmP, mGm, GRG, RSR SN.S
in Durga - (SRmPDS' - S'DPmRS)
SRS, RmR, mPm, PDP, DS'D
S'DS', DPD, PmP, mRm, RSR, SD.S

SRGSRGm, RGmRGmP, GmPGmPD, mPDmPDN, PDNPDNS'

S'NDS'NDP, NDPNDPm, DPmDPmG, PmGPmGR, mGRmGRS
Yaman - (Teevra M)
SRGSRGM, RGMRGMP, GMPGMPD,
MPDMPDN, PDNPDNS'
S'NDS'NDP, NDPNDPM, DPMDPMG,
PMGPMGR, MGRMGRS

SGRS, RmGR, GPmG, mDPm, PNDP, DS'ND

S'DNS', NPDN, DmPD, PGmP, mRGm,
GSRG, RN.SR, SD.N.S
Khamaj (n komal)
SGRS, RmGR, GPmG, mDPm, PnDP, DS'nD
S'DnS', nPDn, DmPD, PGmP,
mRGm, GSRG, Rn.SR, SD.n.S

Sm, RP, GD, mN, PS'

S'P, Nm, DG, PR, mS
Kafi (g adn n komal)
Sm, RP, gD, mn, PS'
S'P, nm, Dg, PR, mS

Page 5
Bhoop or Bhoopali rAg
ThAt - KalyAn, All swars Shudhha
Ras - Gambhir, shAnta
time - first prahar of night
Varjya swar - M, N
VAdi - G, SamvAdi - D
JAti Odav

Aroha - S, R, G, P, D, S'
Avroha - S', D, P, G, R, S
Pakad - S D. S, S R G, P D P G, R S

AlAp -
S, S R, S, SRG, G, R, SR, SD., P.D.S|
SRG, GR, GP GPD, PGR, GPGR, GR, SR, GRS D., P.D.S|
S R G P, GPD, D P PGR, G P D S'; D; P, P G D P, G RS, D.P.D.S||
GR, GPDP G R, PD S., S', D P G R, P DP G R, P G R S, R S, D. S|
SRGPD S', S'R'S', G'R'S', PDS'R'G'R' S'R', S'DS', PDS' D P, P D P G R, P G D P G
R. S D. S|

Sargam geet
S G R S | - D. S R | G G P G | D P G -
o 3 + 2
G G P R | - G P D | S' D - R' | S' D P - |
o 3 + 2
D S' - D | P G - P | D P S' D | P G R S ||
o 3 + 2
P G - P | G R G P | D S' - D | S' R' S' - |
o 3 + 2
D S' - D | S' R' G' - | R' S' G' R' | S' D P - |
o 3 + 2
G P D P | D S' R' S' | D G' R' S' | D P G R |||
o 3 + 2

Laxan geet
Sthaii
S G R S | - D. S R | G - R G | D P G R |
Bhoop roo|- p gam| bhi ra shA| nt ras
o 3 + 2
bhoop conveys serious, peace emotions

G G P D | S' S' P - | D S' D P | G R S D.|

ma-ni vara| ji ta o - | dava sab | gA - vata ||
o 3 + 2
it does not use ma and ni, everyone sings it with 5 notes (odav)

Antara
G G G G |P P S' D | S' - S' S' | S' R' S' - |
Ruchira tru|tiya su ra| so - hata | vA - di -|
o 3 + 2
Sweet ga (third note) is the most important (vaadi)

D D D - |S' S' R' - | S' R' G' R' | S' D P - |

pa-ga san |ga ta dhai | vata sam - | vA - di -|
o 3 + 2
pa and ga are used together, Dha is the second most important note (samvaadi)

G - G G | P P D P | D S' D P |G R S D.|
ge- ya pra|thama nis |dha sA dha pa |ga re sA dha |||
o 3 + 2
Sung in first third of the night, it is represented by DS'DP GRSD.

Page 6
Itana jobana para mAn na kariye
Dariye Prabhu so Aaj aalee.
Jo koi aawe apane dhingarawaa
Tan so garava na Kijiye
Sadaranga yah reet maane

Don't be so proud of youth

Be afraid of the Lord.
Whoever comes to your abode
Be not insolent to them
Sadarang poet thinks this is the way.

S' S' D P |G R S S |S D. S R | G R G - |
I ta na jo|bana Para|mAna na | kariye|
o 3 + 2
G G G R | G P D S' | P S'D S' S' | S'S' DP GR S |
Dariye--| Prabhu So | Aa- - - j | A- -- -- li ||
o 3 + 2
AntarA -
G - G R | G P S' D | S' S' S' S' | S' R' S' - |
jo- koi | A - ve - | a pa ne Dhin| ga ra vA -|
o 3 + 2
D - D - | S' S' R' R' |S' R' G' R'|S' D P - |
TAn so -| ga ra ve na |ki - - ji |ye - - -|
o 3 + 2
P G R G |P D S' S'| P S'D S' S' | S'S' DP GR S |
sadA- ran|- ga yaha | ree -- - ta | mA- -- -- ne |||
o 3 + 2

lakha chhavi sAvariyA ki

Mori mati bhayi bAwari e daiyyA||
Mor mukut peetAmbar sohe
Kundal jhalakat kAnan me
mori mati bhayi bAwari e daiyyA|||
Having seen photo of the dark one,
My intellect has stopped.
Peacock feather in crown, yellow robe look great.
Earings sparkle in the ears.
SthAii -
S S R D. | S - G R | G - R - | P - G - |
lakha chhavi | sA vari| yA - | - ki |
o 3 + 2
G G R R | S S - S | S S R S | D. _ P. -||
mori mati| bhayi bA | wari e -| dai yyA||
o 3 + 2
antarA -
S' - D P | G R S' D | S' - S' S' | S' R' S' - |
mo - R mu| guta pee | tAm- ba ra | so - he |
o 3 + 2
S' - D D | S' S' R' R' | S' R' G' R'| S' D P - |
kun dala | jhala ka ta | kA - nana | me - - |
o 3 + 2
G G R R | S S - S | S S R S | D. _ P. -||
mori mati| bhayi bA | wari e - | dai yyA||
o 3 + 2

Tum hum sang jee na bolo piharavaa

Aurana so neina milaawata ho
Hum se karo tum raara |
Don't talk to me Darling You look at others Talk to me.

stAii
S' S' D P | G R S R | P G P P | P D D - |

Page 7
Tum hum | sang jee na | bo- lo pi| hara vA-|
o 3 + 2
G - G R | G P S' D | S' S' S' - | S' R' S' - |
Au - rana | s o nei - | na mi lA - | wata ho - |
o 3 + 2
R R R' R' | D - S' S'| PDS'S' DPPD |S'S'DP GRS- |
Hum se ka | ro- tu m | rA--- ---- |- - -- --ra- |
o 3 + 2
Alaap
S R - - | S D. S - |
SR G -R | S R D. S |
SR G RG P | G R S D. |
SR GP D - | P G R S |
GP D - -S' | D - - - |
G P P D | D S' PD S' |
antarA
Kaari karu kachhu bana nahi aaave
Aiso dheet langarawaa tore
Tumse kaun kare raara
Why did you not come to the garden (to meet me) Thus you are bold Who would
talk to you

G - G R | G P S' D | S' S' S' S' | S' R' S' - |

KA - ri ka | ru- kachhu | ba na na hi | A - ve - |
o 3 + 2
D - D - | S' - R' R' | S' R' G' R'| S' R' S' D |
Ai- so- | dhee- ta lan| ga ra wA - | to - re - |
o 3 + 2
G G G P | S' D S' S' | PDS'S" DPPD | S'S'DP GRS-|
Tum sekau| - na ka re | rA--- ---- | - - -- --ra|
o 3 + 2
antare ke alaap
S'- - - | D - S' - |
S' R' - - | S' D S' - |
PD S'R' G' R' | S' R' D S' |
GP D PD S'| D S' D P |

bol taane
mA na na ka ree ye)
SR G R P |G D P - |
G P D P |D D D - |
GR S R G |P D S' - |
SR GP D P |D S' S' - |
RG RG PG P |GP DP GR S |
GP GR SR GP|DS' DS' R'S' D|

Taane
SR GP GR S |
GP DP GR S |
SR GP DS' R'S' | DP GR SD. S |
SR GP DS' R'G' | R'S' DP GR S |
SR GR GP GP | DP DS' PD S' |

Page 8
Raag - Des
ThAt - KhamAj (uses both Ni)
Ras - ShringAr (romance)
time - afternoon and night
Varjya swar - G and D in aroha are rare
VAdi - P, SamvAdi - R (P and R are important as they are used a lot and prolonged
or lines end and start with them.)
JAti Odav-sampoorNa (5 notes ascent, all 7 in descent)

Aroha - N S R m P N S'
avroha - S' n D P m G R, P m G R, G N. S
Pakad - R m P D, M G R (MGR is taken in meend i.e. continuous smooth curve)

Sargam geet
R G S R | m P N N | S’ – P D | m G R - |
0 | 3 | X | 2
R G R P | m G R – | n D – P | m G R - |
0 | 3 | X | 2
N S’ – P | N S’ R’ S’ | n D P D | m G R S ||
0 | 3 | X | 2
m m P N | - N S’ N | S’ - - P | N S’ R’ S’|
0 | 3 | X | 2
R’ G’ R’ m’ | G’ R’ – G’ | N S’ R’ n | - D P -|
0 | 3 | X | 2
R m – R | m P n D | m P D m | G R G S |||
0 | 3 | X | 2

Laxan geet
Gunee gAvata rAgini Des ko, ati madhur madhur dou nishAd layee |
pari vAdi samvAdi sohata, chadhata alpa gadha saba kou sammat, raina dinA jehi
gAvata jana ||

Good people sing Des rAginee. Very sweet - it takes both nees.
Pa and Re go well as most important and second most important notes. All agree
that in ascent ga and dha are used less. People sing it at both night and day.

. . m P |
. . gu ni |
2
Pn S'R' n D | P D m m | G R - G |S - N. S |
gA- - - vata | rA - gi ni | de - - sa |ko - a ti |
0 3 X 2
R G S R | m m P P | N S' NS' R'S' | n D . . |
madhura ma | dhura dou | nishA- da | la yi . . |
o 3 X 2

m m m - | P - n - | S' - S' - | R' N S' S' |

pa ri vA- | dee- sam| vA-di - |so - ha ta|
0 3 X 2
N N N S' | - S' N S' | N S' R' S' | n D m P |
chadhata a | - lpa ga dha | saba kou | sammata |
0 3 X 2
R m R m | P D m P | PN S'R' S ' R' | n D . .|
rei- na di | nA- jehi | gA- - - vata | jana . .|
0 3 X 2

tabaso cheina nahi Ave ree

jabase mei nirakhyo nandalAlA
koti nayan chhavi chhAye ree |
Kundala halat chalat shravanana me
bansi madhur bajAve ree
Page 9
bAjata charana chhoom chhananana noopur
tAhoon para muskAye ree||

I have not rested since I saw NandlAlA. the image fills a million eyes.
As he walks, in his ears earrings bob, he plays sweet flute, in feet his anklets
ring chhhoom chin. On top of all that, he smiles.
SthAyee-
m G R G | S R m P | N - S' - | nD P P D |
ta ba so chei | - na na hi| A ve | Ree ta ba|
o 3 X 2
m G R G | S R m P | N - S' S' | nD PD P - |
so - - chei| - na na hi | A ve sa| khee - Ree|
0 3 X 2
P n D P | NS' R'n D P | mP Dn P D | m G R - |
jaba te- | mei - nira| khyon nand | lA lA |
0 3 X 2
R m R m | P D P m | N - S' - | nD P P D |
ko - to na | yana chhabi | Chha ye - | ree - taba|
0 3 X 2

antarA
m - m m | P P N N | S' S' S' S' | R' N S' - |
Kundala | halata cha | lata shrava | Nana me -|
0 3 X 2
P - N - | S' S' S' S' | PN S'R' S' R' | n D P - |
bansee| madhura ba | jA- - - | ve - ree |
0 3 X 2
P P R' R' | R' R' R' - | N N N N | S' - S' S' |
bAjata cha | ra na chun| chhananana | noopura |
0 3 X 2
P - N - | S' S' S' S' | PN S'R' n D | P - P D |
tA hoo| para musa| kA- - - ye - | ree taba |
0 3 X 2

Sundar matawAlA GopAlA

yeri gokulwAlA lkrishna kanheiyyA
geiyyA charAwata neer teer ||
mor mugut shir kAndhe kamariyA
hAth lakut gale mAl mohaniyA
tan kAlA chit hai ujAlA |||

Gopal is beautiful,
o friend, Krishna Kanha stays in Gokul
He grazes cows on river banks ||
Peacock feathers in crown, head, shoulders, wasteband
Wood (flute) in hand, enchanting necklace
His body is dark but mind is all light.

NS'R'- | nD PD | m---RG- S |
Sun | dara mata | wA -- lA |
0 3
R m | P PDmP | R mP | mPn- DP |
GopA | lA ye ri | Gokul | wA-- lA |
X 2 0 3
PD mm | GRG- S | Rm Rm | PD mP |
Kri shnaka | nhei yyA| geinyAcha | rA wata|
X 2 0 3
PNS'R' S'R'nD | PmP- ||
nee--- ra- tee- | -- ra ||
X 2

SthAii ke AlAp after Sunder matawAlA

RmPD -m | GR
Page 10
X | 2
RmPn -D | mP
RmPN S'-nD | mP
RmPN R'n | DP
mPNS' R'G'NS' | nDP-

Complete sthAi again then -

AntarA -
m mm | PP NN | S' S'S' | R'N S' |
mor mu | gut shir | kAndheka | mari yA |
0 3 X 2
N NN | S'S" NS' | PNS'R' S"R' | nS mP |
hAth la | kuta gale | mA--- lamo | hani yA- |
0 3 X 2
RR m | P NS' | PNS'R' R'n | DP |||
tana kA | lA chita | hei--- uja | -lA |||
0 3 X 2

Antare ke AlAp - after Mor Mugut Shir

S' - | R'N S' |
X 2
PNS'R' - | nD P |
Rm PN | PNS'R' S'nDP |
R'S'nD PmP- | S'nDP mGRS |

Bol TAne
Go pA | lA
X | 2
RmPN S'nDP | mP--
PNS'- PNS'R' | S'nDP
RmPN S'R'S'n | DmP-
N.SRm PNS'R' | S'nDP

TAne - After Sunder matawAlA

NSRm PnDP | mGRS
X 2
RmPN S'nDP | mGRS
PNS'R" S'NDP | mGRS
after sunder mata -
N.SRm PNS'R' | m'G'R'S' nDPm | GRS-
3 X 2

Page 11
Durga raag
ThAt - Bilawal, All swars Shudhha
Ras - Gambhir, Prarthana
time - first prahar of night
Varjya swar - G, N
VAdi - D, SamvAdi - R
Jati Odav

Aroha - S R m P D S'
Avroha - S' D P m R S
Pakad - R P, m P D, m R

sargam geet - EktAl

D - | - m | P D | m R | S D | S S |
X o 2 o 3 4
R m| P D | - m | P m | P D | P - |
X o 2 o 3 4
D S'| D S'| - R' | S' - | D m | - P |
X o 2 o 3 4
D S'| D P | m D | P m | R S| D.S||
X o 2 o 3 4
m m | m P| - D | S' D | S' R' | S' - |
X o 2 o 3 4
D S' | R' m' | R' - | S' R' | S' D | m - |
X o 2 o 3 4
P D | - m | P - | R m | - R | S - |
X o 2 o 3 4
D. S | R m | - P | D R' | S' D | m P |||
X o 2 o 3 4

Laxan Geet - ektAl

They sing durga rAgini| Made up of five pure notes | Skipping G and N very
beautifully|| The grat note Dha is main| Followeed by second note that is Re|
it is patient, heroic and very serious| time is said to be day and night.|||

D – m m | P D m - | R S | D. S |
gA wat | Dur gA rA- gini
X 0 | 2 0 | 3 | 4
R – m m | P P P m | P D | P - |
O dava sur shu dha ba ni
X 0 | 2 0 | 3 | 4
D S’ D R’ |S’ D P D | mP DP| mR SR |
Varajita ga ni ata sho bhini ||
X 0 | 2 0 | 3 | 4
m – m - | P D S’ D | S’ - | S’ S’ |
vA di | survar dhai- va ta
X 0 | 2 0 | 3 | 4
D – S’ - | R’ – S’ R’ | S’ D | P m |
San vA di dviti ya ka hat
X 0 | 2 0 | 3 | 4
D – m P | - m D P | m R | - S |
dheer vee r ata gambhi - r
X 0 | 2 0 | 3 | 4
D. S R m | P D D S’ | DS’ R’S’ | DP mP |||
Samay ka hat din yA | mini |||
X 0 | 2 0 | 3 | 4

Sakhi mori - jhhaptAl

sthAii
My friend, the clouds roar and pour
P P | RmPD mP-D m | m R | R - S |
sakhi mo ri rooma jhoom
Page 12
x 2 0 3
D. S | mR P P | mP D | PD S'S"DP mmRS|
bA da la garaje barase ||
x 2 0 3
antarA
in the dark night black lightening strikes , how do i go to bring water
m - |D - PD |S' - |R'D S' - |
Rai na an dhe ree
x 2 0 3
S' D | S' R' R'| m' R' | S'R'S'S' DS'DP m |
kAli bi ju ri chama ke
x 2 0 3
P P | RmPD mP-D D | D m | R R S |
Kaise ja oon mai jala bharana |||
x 2 0 3

Jeevan ke mama praan sakhaa re

Sundar Maadhav Nand Dulaare |
Tan man Dhana sab tuma para vaare
Chhaand diye sukh jehi jana pyaare ||

O the love of my life

dear son of Nand, beautiful Madhav (Krishna) |
I surrender all my body-mind-riches to you
I have left the pleasures which are dear to people||

RP PP | DPm- PD | m- RS | D.S S |
Jee vana | ke mama | praa nsa | khaa re |
o 3 X 2
R mm | P DS' | DS'R'S' PP | mPDP mRSR ||
Sun der | Maa dhava | Nan da Du | laa re ||
0 3 X 2

mm mm | PP P-PD | S'S' S'S'| DS' S' |

tana mana | dhana saba | tum par | vaare |
0 3 X 2
DS' R'm' | R'S' DP | DS' DP | mPDP mRSR ||
chhaan d di | ye sukh | jehi jana | pyaa re ||
0 3 X 2

mana mohan jA jA hori khelana

Karan PichkAree le ho ranga bharili |
Ranga bhari moorata mohana kee ata
Pyaari laagi more nainana ko rasilee ||

Oh Krishna, Go play hoeree

holding the syringe of color in your hands.
The colorful picture of Mohan is very
dear to my easy, it is interesting.

Starts at 6.5 beats sum on first jaa

-D. | SR mP | D --Pm | mP-m DP | mR S |
ma | namo hana | jA -- | ja hori | khelana |
3 X 2 0
D. | SR mP | D S'DS'| R'S'D- mPDP | mR S ||
ka | rana picha | kArile | - - ho ranga | bharili ||
3 X 2 0
starts at 5th beat i.e. khalee
mm PD | S' S'S' | DS' R'm' | R' S'S'|
Ranga bhari | moo rata | mo hana | ki ata |
o 3 X 2
DS'R'S' Dm | -R mP-m | PD-P DS'--| DS'R'S' DS'DP | mR S ||
Pyaa rila | -gi mo | re nai | -na-na ko | rasi li ||
o 3 X 2 0
Page 13
Vijana vana me sumana hai foole
Pawana sang zoom rahe alabele
Madhu lolup ali rasa chAkhan hit
DAr dAr dolata hai kari gunjAr
In forest, flowers have bloomed They dance with the wind fancy
Attracted by honey to drink it, bees sway on every branch and hum
-S | Rm Pm | D -m | Pm mPDP| mR S |
-Vi | jana vana | me su | mana hai | foole |
3 X 2 0
D. | SR mP | DS' S'S' | DS'R"S' D'S'DP | mPmm RS ||
Pa | wana sang | zoo mra | he ala | be le ||
3 X 2 0
mm PD | S'S' S'S'| S'R' m'R' | S'R'S'S' DPmm |
Madhu lo | lup ali | rasa chA | khan hit |
0 3 X 2
DS'R'S' Dm | -m mP-m | PDDP DS'-D| DS'R'S' DS'DP | mPmm RS
DA rdA | -r do | lata hai | kari gun | jA r
0 3 X 2 0

Sthaii ke allap
D P m R
mpD mR SR D.S
RmPD - m R
RmRm -R D.R S
SRm- R SR SS
S Rm- R mP- m PD- m R

Antaraa alaap
S' - DP PDS'-
S'R'S'S' D DS' -
mPDS' R' S'R' DS'
DS'R'm' R'S'D- R' S'
DS'DS" DPm- RmRm RSS

taane
SRmP DS'R'S' DPmR SD.S-
mPDP mPDP mPDP RmRs
mmRs DDPm PDmP RmRS
SmRs RPmR mDPm DS'DP DR'S'D mDPm RPmR SRD.S
R'S'S'R' S'S'DR' S'S'DP PS'PR' S'S'DP DPmR SRSS

bol taane suman hai foole

mPP P-mP-P
mPP D P m
mm mP - mR S
DP mm - PD -D
DS' S'D - S' S'
DS'R'S' DP PD - D

Page 14
KAfi rAg
ThAt - Kafi, ga and ni komal
Ras - Shringar
time - day and night
Varjya swar - none
VAdi - P, SamvAdi - R
JAti Ampoorna (uses all notes many times gG and nN are all four used)

Aroha - S R g m P D n S'
Avroha - S' n D P m g R S
Pakad - Rg mP mP

AlAp -
SRg, mP, mPmgR, gRS
RgmP, mPDPgR, RgmgRS
RgmPDn, dPDS', nDPmgR, RPmPgR, RgPmgR, RgmgRS
RgmP DnDP DnS', nDS', PDS'R'g'R' nDS', nS'nDP. mPDn DPmgR, RgmP, mgR, mgRS

Sargam geet - jhaptAl

n D | P g R | m P | n D P |
+ 2 + 3
R m | P n D | m P | g R S |
+ 2 + 3
S R | R g R | m P | n D P |
+ 2 + 3
m P | D n S' | n P | g R S ||
+ 2 + 3
P P | D N D | S' - | n D S' |
+ 2 + 3
D S' | R' g' R' | n S' | n D P |
+ 2 + 3
D n | D n P | D S' | n D P |
+ 2 + 3
R m | P n D | m P | g R S |||
+ 2 + 3

Laxan geet
S - R R | g - m m | P - - m | PD n D P |
gA wat | kA fi su| rA gi | ni-- jana
o 3 + 2
People sing the good rAgini kAfi
D S' S' R' | n D m P | PD n D P | m g R S ||
mrudula ga | ni- sur | jA-- ti- | poorana
o 3 + 2
ga and ni are komal sati is sampoorna(complete - uses all 7 notes)

P R' - R' | - m' g' r'| S' - S' R'| n D m P |

pa ri - wA | - di sam - | vA - di - | sundara
o 3 + 2
pa and re are vAdi and samvadi
D S' D' R' | n D m P | PD n D P | m g R S |||
ata hi su | hA - vani| lA--gata | nisadina
o 3 + 2
Sounds pleasant day and night

Dhan bhAgan ki brija sundari

nita nirakh nirakh hari pAwat sukh jehi
Vimala murata sur dhyAn dhari ||
SudhA sam baina naina kamal se
Komal chitawana mohata chita |||

Blessed are beauties of Brij

Page 15
That they can always feast upon the sight of Hari
God's meditate on the pure idol ||
hands like honey, eyes like lotus
The soft body attracts mind |||

R m | PD n D P | g R S R | g - - m | P -
Dhana | bhA- gana | ki- brija| sun-- da | ree
o 3 + 2
D m | P D n S' | n D m P | PD n D P | m g R S |
nita | nirakha ni | rakha hari | Pa--- wat | sukha jehi |
o 3 + 2
R g S R | m m P D | DnR'S' n D | P m
vimala mu | rata sur | dhyA na dha| ree
o 3 + 2

AntarA -
P R' - R' | R' g' R' S' | n D P m | P D S' - |
sudhA - sa | ma bei- na | naina ka| mala se -|
o 3 + 2
S' R' S' n | D n D P | mP D P m |g R
ko - mala | chitawana | mo--hata |chita
o 3 + 2

Ayee ruta foolawana ki

sundar dhun kokil kee
fooli fooli fulwAri
pAlawa nava sohana ki ||
mand mand bahata pawana
at a sugandh sakala bhuwana
pramudita mana hot jagat
ritu basant jeevana ki |||
using both g and ni, Ektaal

Pm DP g R | S R g g | m m | P - |
A--- ee | ruta fula | vana | kee |
+ 2 3 4
G - G m | G m mD Pm | R g | R - |
Sun dara | dhun ko--- | kila | kee |
+ 2 3 4
g - R m | g R Sg RS | D. n.| S - |
foo li fu | - li fula | wA - | ree |
+ 2 3 4
m - P D | n S' PD Pm | g R | S R ||
PA- lawa | nava so--- | hana | kee ||
+ 2 3 4
m - m p | - D n n | S' N | S' S'|
manda man | - da baha | tapa | vana |
+ 2 3 4
N S' R' g' | R' S' S' R'| S' n | D P |
ata sugan | -dha saka | la bhu | vana|
+ 2 3 4
S' S' n D | P m mP D | P m | g R |
Pramudita | mana ho-- | ta ja | gata |
+ 2 3 4
m P D S' | - S' PD Pm| G R | S R |||
ritu basan | - ta jee | vana | kee |||
+ 2 3 4

MitawA mAne nahi masakata sakhi

bAr bAr baraje kar pakarat
Eisi kA hum sung vipada bhai ||
nikat nikat nij pag dharat cchail
Eiso brijdhan man harat roke gail
kar binati sudh budh bisar gai |||
Page 16
Darling doesn't listen to me, o friend repeatedly he holds and twists my hand
forcefully - what wrong have i done ||
The troublemaker puts his foot near mine , This way the treasure of brij (Krishna)
distracts me and stops me in my path = i have lost consciousness pleading with
him|||

P D Pm P | g R m m | P - P D | n S' D P |
mitavA-- | mA-ne na | hi- masa| kata sakhi |
0 3 + 2
g R R P | - P DD m | DD P n D | m g R S |
bA- r bA | - r ba ra | jee- kara | pakarata |
0 3 + 2
S - R - | g - m m | P P P D | n S' nS' - ||
ei- see-| kA- hum | sang vipa| da bhayee- ||
0 3 + 2
P Pm D P | g R m m | P P D D | n S' - S' |
nika-ta ni | kata nij | paga dhara | ta chhaila |
0 3 + 2
R' g' R' S' | D P D m | g g R R | g (mS) - S |
eiso brija | dhana mana| harata ro | ke gai- la |
0 3 + 2
S S R R | g - m m | P P P D | n S' nS' - |||
kara bina| tee sudha | budha bisa | ra gaee - |||

Aja khelo shyAm sang horee

PichkAri ranga bhari kesara kee ||
Play holly with Shyam today
The piston is full of orange saffron.

R m | Rm PD P g | Rg S R m | P - P - | - -
Aaj | khe---lo ShA | -- m sang | ho-ree--| - -
0 3 + 2
D D | D - n - | P D m m | PD nS' nS' nD | Pm P ||
Pich| kA- ri- | ranga bhari | ke--- sa-ra- | ki-- ||

Alaap
sanga S R -- | Sn. Dn. S - | (skip Aj in next line)
SR gm P DP | g R
Rm PD n DP | g R
Rm PD S' nD | Pm P
Rm PD S R'S' | nD Pm
PD S'R' G' R'S' | nD Pm

P | - - | DPMg R | - Rgm- | gRS-

RmP- | - - | RmPD PDPm | gR - | Rm RmP | mPn -DmP | - PD- |mP- gR | mgRS
RmPD | - - |PDPm PmRm | RmPm PDPD | -n- DmP | PDPmRmD mP | mDPm gR | RgmS
RgmP | Dn -- | DnDP mD- | P PDnDP | S'n - | DnDP mD- | P mPDP | gR Rgm | S

antarA
Kunwara kanheiyya sanga sakhi rAdhA
Ranga bhari joree sohata ree|||

Prince Kanhiyya (Krishna) with friend RAdhA

The colored pair looks good.
m m P D | n S' S' - | R' g' R' S' | n S'n D P |
Kunwara ka | nhei-yyA- | sang sakhi | rA-- dhA-|
0 3 + 2
S' S' S' R' | n D Pm - | PD nS' nS' nD | PD Pm |||
ranga bhari | jo-ri- | so--- ha-ta- } ree--- |||
0 3 + 2

antare ke alaap
S'- - - | n D S' - |
Page 17
S' R' - - | S'n Dn S' - |
PD S'R' G' R' | S'n Dn S' - |
R'S' nD S'n DP | nD Pm PD nS' |

S' - - - | nDmP DS'- |

nS'R'S' n | DS'nD P |
RmPm mPDP | PDnD DnS'- |
RmRm PmPD | PDnS' DnS' |
S'R'S'S' R'S'n- | nS'nn S'nD- |
S'nDP mgRS | RgmP DnPD | S'
nS'R'S' nDPm | PDnS' DnS'-|

bol taane after sanga

Khe lo shAma
R m P D |PD Pm
Rm P mP D | PD S'n D P | (skip Aj in next line)
P D S' R'S' | nD Pm
Rm PD mP Dn| PD nS' nD Pm| (skip Aj in next line)
bol taane after sanga
horee-
RmP- mPD- | PDPm
n-DP D-P | mP-m
RmPm mPDP | PDnS'
mPm PDP Dn | PDnS'

Taane
Rg mP Dn DP | mg RS
Rg mP Dn S'n | DP mg RS n.S | (skip Aj)
after Shyam - Rg mP | Dn S'R' g'R' S'n | DP mg Rs nS (skip Aj)

ShyAm sang RgmP DnS'R' | S'nDP mgRS Khelo

ShyAm Sang PDnS' R'g'R'S' | nDPm gRS- Khelo
horee SRgR | Rgmg gmPm | mPDP PDnD | DnS'n nS'R'S' | S'R'g'R' s'nR'S' | nDPm
PDS'R' | G'R'S'R' S'nS'n | DnDP DPmP | mgRS Aj khelo
horee - | SRSR gRgm | gmgm PmPD | PDPD nDnS' | nS'nS' R'S'R'g' | R'g'R'S'
R'S'nD| S'S'nD nnDP | DDPm PmgR |mgRS

Page 18
pBhimpalasi rAg
ThAt - Kafi, ga and ni komal
Ras - ShAnta
time - afternoon - third prahar of day
Varjya swar - R and D in ascent
VAdi - M, SamvAdi - S
JAti Odav-sampoorna

Aroha - n S g m P n S'
Avroha - S' n D P m g R S
Pakad - n S m, g m g P, g m, n. S m g R S

AlAp -
n. n. P. n. S |
n. S m, g, S g m g R S, n, n, S|
n, S m, g m g P, P g m, n. S g, R S |
n.SgmPnDP DmPgm, SgmP, gmPm, gRS |
gmPn, PnDm, DmPgm, gmPnS' n Dm, D m P g m, g m P g R S, n. p. m. S|

Sargam geet
S m g R | n. S g m | P - - m | n D P m |
o 3 X 2
m P n - | P n S' - | n S' R' S' | n D P m |
o 3 X 2
P S' n S' | n D P m| n D P g | m g R S ||
o 3 X 2
P P g m | P P g m | P P n - | P n S' - |
o 3 X 2
n S' m' g' | - R' n S' | P n S' R' | n D P m|
o 3 X 2
P m P g | - m P n | S' n D P | g R n. S |||
o 3 X 2

Laxan geet
n - - P | Pn S'R' n S' | n D m P | g S g m|
rA gi | ni vara | bhi mapa | lA- si-|
X 2 o 3
bhimpalasi is a great ragini
P - - m | g m g R | n. n. S m | g R n. S |
so ha| mridu gani| chadhata na | ridha sura |
X 2 o 3
ga and ni are soft, re and dha are skipped in ascent
m - - g | P - P m | n P nS' R'S' | n D m P ||
an sha | ma dhyama | A di su ra | a nuchara ||
X 2 o 3
ma is vaadi(ansha), sa (Adi is original) is samvadi (anchor = follower)
P P P P | m P g m | P n P n | S' - S' S' |
trutiya pra| hara dina| samaya su| hA - va ta |
X 2 o 3
third 1/8th of day becomes it
n n n S' | - S' S' S'| Pn S'R' S' R' | n D m P |
madhura shAn| - ta rasa | ko- -- sa ra | jA- vata|
X 2 o 3
it is sweet and adorns Peace
n n D P | m P g S | g m P g | m g R S |
mana bhA- | vata san-| gata paga | magaresA |
X 2 o 3
it nicely uses PgmgRSn.Smg- m
n. S m g | - m P n | Pn S'R' S' R'| n D m P |||
ni sAmaga| - ma sura | jee--- va na| barasi- |||
X 2 o 3
these notes bring it to life

Page 19
juga si beetata ghadi pala hari bina
Without Hari, moments pass like ages | time does not pass, day and night soul
thirsts|| Lotus faced master mountain lifter beloved |is lost where should i go
to search

n. n. P.n. S | n.S mg R S | m g m P | g R n. S |
ju ga si- - | bee tata | ghadi pala | hari bina |
o 3 X 2
n. S g m | P n D P | m g m P | m g R S ||
kala nA pa | rata jiyA | tarasata | nisa dina ||
o 3 X 2
m P g m | p n S' S' | n S' g' R' | S' n S' - |
kama la va | dana pra bhu | giri dhara | rasi ya - |
o 3 X 2
R' S' nS' m'g' | R'S' nS' n D | Pn S'n D P | m g R S |||
Bi la mA- - - | ye- -- kahA | jA--- voo | kho jana|||
o 3 X 2

n.S mg -R S
n. - n. - P. n. S -
S n. P.-Sn. S Pn.Sg - R S
n.Sgm Pg mg RS
n.Sgm Pn-- D P gmP- gm gR S
n.Sgm PnS'- nD mP

S' -n P-S'n S'

PnS'R' - S'n DP
PnS'g' - S'R'- S'
S'R'S's" nP P-S'n R'S-
PnS'g' R'S'nS' R'R'S'n PnS'-

hari bina
Pmgm gRS
PnS'n DPmP
ghadi pala hari bina
gmPn DP mP gRS
gmPn S'nDP gmPm gRS
PnS'R' S'n S'nDP mP

n.Sgm PnDP mgRS n.S--

gmPn S'nDP nDPm gRS
nSgm PnS'R' S'nDP mgRS
nSgm SgmP gmPn PnS'n DPmP gmPm DPmg RSn.S

Khelo khelo nandalAla humasana

Horee rangeelee brija bhavanana ki
Rasilee Sakhi saba Ayee dekhana ||
Khench khench ranga chhAndata sab par
rang rangee sakhi roopki Agar
ata mAnini RAdhA natanAgar |||

Play O Nand's dear son with us | The colourful horee of braja house | All the
friends have come to see the entertainment ||He pulls everyone and throws color |
Coloured friend looks beautiful | Very Proud Radha and he is cultured |||

n. - DP D | - D P S' | n - S'n D P | m P g m |
Khe- lo khe | - lo nanda | lA- -- lA- | humasana |
o 3 X 2
P g - m | g R S - | n. n. S m | g R S - |
Horee ran | gee lee | brija bhava | nana ki- |
o 3 X 2
m g P m | n P n S' | Pn S'R' S' R' | n D m P ||
Rasilee- | Sakhi saba | A---- yee- | de- khana ||
o 3 X 2
Page 20
P - P P | m P g m | P n P n | S' S' S' S' |
Khen-ch khen | - ch ranga | chhA -ndata | sab par
o 3 X 2
n - n S' | - S' S' S' | Pn S'R' S' R' | n S'n D P |
ran - g ran | - gee sakhi | roo--- paki | A -- gar |
o 3 X 2
n n D P | m P gm gm | Pn Pn S' R' | n D m P |||
ata mA - | nini RA--- | dhA--- nata | nA - gar |||
o 3 X 2

Biraja me dhoom machAyo ShyAm

Kaise kaise jAoon Apane dhAm||
saba sakhiyana mila horee khelata hai
Akhiyana udata gulAl |||

Shyam has run havoc in braj,| how do i go home? |With all friends he plays hoer
(colours)| The red goes in my eyes.

n | D P g m | P - O O | g S g m | g R S -|
bi | raja me- | dhoom ma | chAyee- | ShyA - m -|
3 X 2 o
R S g m | m P g m | P n Pn S' | nD Pm P -||
Kaise kaise | jA- oon | A pa ne-- | dhA--- m -||
3 X 2 0
P P P P | m P g m | P n P n | S' S' S' - |
saba sakhi| yana mila | ho- ree khe | la ta hai- |
X 2 o 3
P n S' g' | R' S' n S' | ND PM P - |||
Akhiyana | u da ta gu | lA--- l - |||
X 2 0

Page 21
Raag Bageshree
ThAt – Kafi, g n komal
Jati - Odav - Smpoorna
R, P rare in ascent, P vakra in descent
g, n semitones
Ras - Shringar
Time - night
Vadi - m, Samvadi - S

Aroha - n. S g m D n S'
Avroha - S' n D m P D m g R S
Pakad - D. n. S m

Sargam geet EktAl

S’ – n n | D m m P | D g R S |
+ 0 | 2 0 | 3 | 4
S S R D. | - n S m | m P | g R |
+ 0 | 2 0 | 3 | 4
g m m D | - m D n | D - | m g |
+ 0 | 2 0 | 3 | 4
m D n S’ | - R’ n S’ | n D | m D ||
+ 0 | 2 0 | 3 | 4
g m m D | - n S’ S’ | n D | S’ - |
+ 0 | 2 0 | 3 | 4
D n S’ m’ | g’ r’ S’ R’ | S’ n | D - |
+ 0 | 2 0 | 3 | 4
D n D m | - P g R | m g | R S |
+ 0 | 2 0 | 3 | 4
D. n S g | m D n S’ | n D | m D |||
+ 0 | 2 0 | 3 | 4

Laxan Geet
Baageshree is a sweet rAg. Komal ga and ni, ma wAdi adorn it. First note (SA)
makes tasteful samvAdi.
It carries romance and tragic ras and is sung at night. It enchants good people.

D | n D P D | S’ - - n | D P g g | R S – S | S R D. n |
BA - ge sa | Ree ma dhura rA- gini mru dula gani
3 X 2 0 3
S – m m | mP D P m | g R m m | D m D n |
Ma-dhyama an – sha su hA- ta prathama sur
X 2 0 3
S’ S’ n R’ | S’ R’ nS’ R’S’ | n D m
Ka ra ra ru chira sam--- | vA- da||
X 2 0
g | m Dn S’ n | S’ - - n | S’ nS’ R’ S’ | n D D n | S’ m’ g’ R’
ra sa vA--- hi nee shrin gA-- ra karuN sa | maya nisa
3 X 2 0 3
S’ – n D | - m Dn R’S’ | n D m
jA – n gA - t gu-ni- | harakhi |||
X 2 0

PAyal bAje more zAnjar pyAre

Kaise Avoon tore milanA re ||
(O love,my anklets make noise,How can I come to meet you)
antaraa
JAg rahi mori sAs nanand ree
JiyA dar pAvat raina andheree |||
(My in laws are awake, the night is dark, i am afraid)
Page 22
m g R S |-R D. n. | S - m m | mP DP g R
PAyala bA|-je mo re |zAn jara | pyA-- re-
0 3 X 2
m - D D| PDn D m | m P D P |g R g m
kai se A| voo to- | re- mila |nA- re-
0 3 X 2

g m D n | S' - S' R' | S'R' g' R' S' | n R'S' n D

jA- ga ra hee- mo ri | sA- - sa na | nanda- ree
0 3 X 2
D D P D |n S' n D | m P D P | g R g m
jiyA dara pA- vata rai na an| dhe-ree-
0 3 X 2

jamunA tat bansee bajAyee

D P | PD n D P |g g R S |R n S g | m D
jamu nA-- tata |bansi ba jA- yeeee --
0 3 X 2
He played flute on the banks of river jamuna
g - | m m Dn S' | S' S' S' n | nS' R' S' R' | n D
yA- mana mo-- | hana giri dhA-- ri - ne
0 3 X 2
the enchanter lifter of mountain

SthAi AlAp from X

D. n. S m g R
S m mP DP g R
g m Dn S'n D m
gm Dn R'S' n D m
gm Dn S' g'R' S'n Dm

m m m m | D n D n | S' - S' S' | R' n S' S'

madhura ma dhura A - | lA - p a | lA - pa ta
0 3 X 2
He makes sweet melodies
Antare ke AlAp from X
S' - - - | n D S' -
gm Dn R' - | S' n D S'
gm Dn S'm' - | g' R' S' -
g'r' S'n R'S' nD | S'n Dm Dn S'
D n S' m' | g' R' S' n | D D PD n | Dn S'
bha-ktana | ke - mana | hara le-- | eee jamu….
0 3 X 2
Enchants devotee's minds

BoltAns from X
jA ee
n S g m Dn S'
Dn S'R' g'R' Sn D m
Dn S' gm Dn S' S'
ban si ba jA eee
g m D n S'm' g'R' S'n Dm gR S

TAns
jamunA tata bansi ba | gm Dn S'n DP | mg RS
jamunA tata bansi gm | Dn S'R' S'n DP | mg RS
jamunA tata - gm Dn | S'm' g'R' S'n DP | mg RS

Page 23
RAg yaman or kalyAN
ThAt - yaman (only M is teevra or sharp)
sati SampoorNA (uses all notes in ascent and descent)
VAdi G, SamvAdi N - usually starts with lower octave N.. Free movement within the
octave.P is less frequent in ascent.
Time - Late evening
Ras - Shrigar (Romantic)
Aroha - N. R G M D N S'
Avroha - S' N D P M G R S
AlAp
S, N. D. N. r S| N.RG, RRG, RMG RGR N.R, D.N. RS |
N.RGM—G, GMP-, GMDP, GR MG P, RG-R N.RS| NRRGMP, PMGRG-, RG, RGM-G, R S|
N.RGMDN, DMP, MDND MDP, GMDP M G, RGR, N.RS|
GMDND S’, NR’S’, NDNR’, S’NDN DP, DMP M G, RGMP M G R, N R S|

Sargam
N D P M | P G M D | P – R - | G R S - |
0 3 x 2
N. R G R | N. R S - | M D N D | M D P - |
0 3 x 2
N R’ G’ R’ | N R’ S’ - | D N D P | M R – S ||
0 3 x 2
G M D S’ | - S’ S’ N | D – N R’ | - S’ - |
0 3 x 2
N R’ G’ N | - R’ D - | N M – D | N D P - |
0 3 x 2
G R – G | M D N S’ | N D P M | G R S - |||
0 3 x 2

Laxan Geet
KalyAn is a pleasant rAg. Ma is teevra (sharp) rest all surs are shudhha.
Third note (ga) becomes as vAdi. Beautiful Seventh note (ni) is samvAdi. Everyone
sings it in the first prahar of night.
P M | R G R S | N. RS N. D. | N. R G R | G G
Ka- lyA N rA| - gi ni - ata sukha kar
0 3 X 2
M G | P P P - | D N DM P | R GR GM PM | GR S
Ma- dhyama tee vara a ta saba sudha su ra ||
0 3 X 2
G – G G | M M D M | S’ – S’ ND | N R’ S’ S’ |
Va-di trutiya sur so- ha ma no- hara
0 3 X 2
N – N D | N R’ G’ R’ | N S’ N D | M d P P
Sam-vA- di- sa - ptama a ta sun-dara
0 3 X 2
G G G R | G M D N | MD ND PM GR | SN S
Prathama pra hara nisa gA--- va-ta- ha- ra |||
0 3 X 2

TarAnA (by VyAs)

S N. | S GG RR N. | - S N D. | N. - R - | G -
tana | nAdirdirdim | - tanana | de re nA |
o 3 + 2
P M | P N D P | M D P M | R G R P | M G
tana | derenA ta | na dre tana | derenA ta | na de |
o 3 + 2
R S | N. - R G | - M N N | - D P M | G R
renA | dim tadim | - ta dim | - tanana | nana ||
o 3 + 2
P GG GG GG | M MM DD DD | S'S' S'S' S' S' | S' S' S' - |
Na dir dir dir | tun dir dir dir | dir dir ta na | de re nA |
o 3 + 2
Page 24
N R' G' N | - R' S' - | N D R' S' | N D P - |
derenA der | - nA dim | tanana na | derenA- |
o 3 + 2
R G R G | M G M N | - D P M | G R
derenA de | renA dim | - tanana | nana
o 3 + | 2

ari eri Ali piyA bina,

O friend, without beloved time does not pass hours, minutes, seconds|| Since
beloved left for foriegn land, I spend nights counting starts |||
G M | N D P - | R - S S | G R G G | - -
a ri| e ri | A li | piyA bina |
0 3 X
G P | G P G P | M D P P | N D P M | R R S S ||
sakhi| kala nA pa | rata mohe| ghadi pala| chhina dina ||
0 3 X 2
P P S' S' | S' - S' S' | S' - S' D | N R' S' S' |
jabase pi | yA - para | de - s ga | bana kino |
o 3 X 2
N R' G' R' | S' N D P | N - (P ) - | R R S S ||
ratiyA ka | tata mohe| tA - re | ginagina ||
o 3 X 2

giridhara mAdhava shyAma manohara

mountain lifter Madhav dark steals hearts |manifests in Gokul at pure Nand's home
|| men and women are very happy n thrilled | they thank their lucky stars | that
he adorns homes where he finds love |||

N. R G R | N.RS- N. D. | S N. D | N R G G |
gi ridhara | mA dhava | shyAma ma| no - hara |
o 3 X 2
MG P -P D | N DM P R | G R GM P | R G SN. S ||
pragata-ta go | - ku la vi| mala nan- | - da gha-ra ||
o 3 X 2
P G P - | P - N D | S' S' S' ND | N R' S' - |
ati A - | nan da pu | la ka na ra | nA- ri - |
o 3 X 2
N - N D | N R' G' R' | N R' S' ND | M D P - |
BhA g sa | rA- ha ta | hara ma da | nA- ree |
o 3 X 2
G G G P | - P N D | M D PM GR | GD PM GR N.S |||
vasata Pre | - ma jit | vilasa ta | te hi ghara |||
o 3 X 2

Sthaii allap
N.D N. -R S
NR G--R NR S
NRGM PR GR N.S
GMDN DMP- MG RS
MDNR' S' NDPM GRG-

Antaraa alaap
S' - ND MP
S' NDPM GMDN S'
MDNR' S'N DP MG
MDNR' G'R'S'- NDNR' S'
MDNR' - S'N DM D N DS'-- -

Bol taane
PMGR GDPM GRGR SNS-
NR GG RG MM
GM DN DP MP
NRGR GMPM NDPM GRNS
ND S'N R'S' ND NDPM GRN.S
Page 25
Taane
NRGM PDND PMGR SN.S-
NRGR GMGM DPMG RSN.S
GMDN R'G'R'S' NDPM GRN.S
GEMG PMDP NDPM GRN.S
NRGM DNR'G' R'S'ND PMGR GDPM GRS-

Page 26
Rag Khamaj
Aroha - S, GmPDNS'
Avroha - S'nD, mPDmG, PmGRS
Jaati - Shadav - Sampoorna Uses both n and N, skips R in ascent
Vaadi - G, Samvaadi - N Ras - Shringaar
Pakad - SnD, mPDmG
ThAt – khamAj

Sargam geet
S G m P | G m p S’ | n D – m | P D m G |
0 3 X 2
M n D n | P D n S’ | N S’ R’ D | S’ n D P |
0 3 X 2
G m P P | - D G m | P S’ N D | P m G R ||
0 3 X 2
G m n D | - n P D | N N S’ N | S’ – S’ - |
0 3 X 2
S’ G’ G’ m | G’ R’ N S’ | N S’ R’ N | - D P D |
0 3 X 2
G m G S | G m P D | S’ n D m | P D m G |||
0 3 X 2

Laxan Geet
Everyone sings KhamAj rAg with all shuddha surs and both nis. Many don’t take re
is ascent.
People accept ga and ni as king and minister. Romance is pleasant and liked. It
moves agilely not serious.
S G – m | P D NR’ NS’ | n D P D | G P m G |
khamA j rA-gi- ni- gA- wata saba jana |
0 3 X 2
G – m n | D n P D | N S’ R’ D | S’ n D P |
Shudhha sa kala sura dwaya nishA - da gana |
0 3 X 2
P D S’ R’ | m’ R’G’ S’ R’ | n D P D | mP DP m G |
Bahuta na le-- ta ri shabha A - ro--- hana ||
0 3 X 2
G m n D | n Dn P D | N N S’ N | S’ – S’ s’ |
Gani nrupa man--tri- jana ko- sam--mata
0 3 X 2
N N N - | S’ – S’ S’ | P N S’ R’ | D S’ N D |
Rasa shringA- ra su khada ma na bhA- vata
0 3 X 2
S’ m’ G’ m’ | R’ G’ N S’ | P D S’N R’S’ | n DP m G
chA- la cha lata chan chala gam---- bhi—ra na
0 3 X 2

Bharan jaat jal hun panihaari|

(I am going to the pond to fill water, Prince Kanha is standing in my way,
he doesn't listen, broke my pot| I am afraing of the in-laws, how do i go back
home without water|||)
P S' N S' | N R'S' n DP | G m P D | G P m g
Bhara n jA _ ta- ja l hun pani hA- ri
0 3 X 2
G m G m | R G N. S | G m P D | G P m G
Maga ro- kat thAdo kunwara Ka nheiyya
0 3 X 2
G G m P | DP D N R'S' | n DP G m | PD S'n DP Gm
MAnata nA -- hi matu- kiyA- mori| fo--- ree-- ||
0 3 X 2
G m D N | S' N S' S' | S' N S' R' | D S' n D
LA- gat da ra mo he sA - s na nand ko
0 3 X 2
Page 27
P D S' R' | m' G'R' N S' | PN S'R' S'R' n | DP D Pm Gm
Bin jala bhara- ghar kai- se jA --oon ree--- |||
0 3 X 2
Sthaii alaap -
After bharan jaat jala
S G m P G m G -
Gm PD n D P m G m
Gm PD S' Pn DP g m
After bharana jaat -
Gm PD S' - R'G' S' nD Pm G m

Antare ke alaap -
After laagata dar mohe -
S' - - - n D S' -
N -S' NS' R'S' n D P -
PD S'R' G' S' n D S' -
R'S' nD S'n DP nD Pm GR S

Sudha na leeni jabse gaye nainawA lagAyke - DadrA

NainawA lagAye mero jeeyarA harAyke ||
Tarapata huun rain dinA, chain nAhi una binA
Aja hun piyA baith rahe sautan ghara jAy ke|||
S S S | G - m | P - P | P Dn PD | n - n | D m m | mP Dn D | m G -
Sudha na leeni jabse gaye--- naina wA- la gA y ke
+ 0 + 0 + 0 + 0
N - N | S' - S' | D S' n | D S' - | PD NS' n | D m m | mP Dn D | P m -
Nai na wA - la gA- ye mero jee--- ya rA- ha | rA--- y ke |
+ 0 + 0 + 0 + 0
m m m | n D PD | N - S' | N S' - | N - N | S' - S' | N S' R' | n DP D
Tarapa ta huun rai n dinA chain nA hi una bi nA
+ 0 + 0 + 0 + 0
S S S | G m P | P – P | P Dn PD | n – D | m m m | mP Dn D | m m -
Aja hun piyA- baith rahe--- | sau-ta na ghara jA y ke
+ 0 + 0 + 0 + 0

Page 28
Other songs

Kajari
SAwana ki ritu Ayi ri sajaniyA
Preetam ghar nahi Aye ||
Preet kari to aba kyon roye
ro ro apanA jeevan khoye
kyon mAthe bindiyA lagaye ||
bAg me panchhi bol rahe hai
jiyarA morA dol rahe hai
koi jAye piyA ko le Aye ||
bAli umara aur Raina andheri
rah rah jiyA ghabrAye |||

Bhajan
Jalo Jalo aise jeevanA
harinAm binA ||
maunder soonA deep binA
Deep soonA ek jyoti binA||
Parbat soonA ped binA
ped soonA ek parNa binA ||
sangeet soonA soor binA
Soor soonA ek bhAv binA ||
karat kabirA sun bah sAdho
jagat soonA harinAm binA ||

Bageshree Dhrupad
n D m g | R S D.n. | S S |- S |
dhana dhana | dhana mA- | t gan |- ga |
+ 0 2 0 3 4
Mother Ganga is great
n. S g m | D D D n | D m | - m |
chA- hata | munijana | prasan | - ga |
+ 0 2 0 3 4
All saints like her
g m D n | D n S' - | S' R' | S' n |
Pragatee | RaghunA - | tha cha | rana |
+ 0 2 0 3 4
She manifests at Ram's feet
S' n D m | g RS D. n. | S g | m D |
Ka rana su | kha vi hA - | ri- | - - |
+ 0 2 0 3 4
To bless she moves
AntarA
g m D n | d n S' - | S' S' | - S' |
Dee-nee- | vidhi boon- | da dA | -ra |
+ 0 2 0 3 4
God sent forth a drop
n S' R' S'| nS' n D m | m g | m m |
ari anan | - ga see -| sa dA | -ra |
+ 0 2 0 3 4
it dropped on Loed Shiva's head

S' m'g' R' S' | S' R' S' - | n D | m m |

Aaee - - - | bhoota ma - | dhya lo | - ka |
+ 0 2 0 3 4
She came among men
g m g R | S - D. n. | S g | m D |
San-tana | ko - pya - | ree-| - - |
+ 0 2 0 3 4
Liked by all saints
Page 29