Beruflich Dokumente
Kultur Dokumente
Period 4
The Dome of the Rock was built by caliph Abd al-Malik in 691-2 during the Umayyad
period and has had multiple renovations since. It is composed of stone masonry, a wooden roof,
decorated inside with glazed ceramic tile and mosaics, and a gilt aluminum and bronze dome.
The structure is comprised of 2 ambulatories and an octagonal exterior wall that surround The
Rock. This rock is thought to be the location where Abraham was prepared to sacrifice his son
Ismail while some believe that the Rock commemorates the night journey of Muhammad. The
central row of 12 columns is covered in marble on their lower registers and mosaics along the
top. The mosaics do not depict any representations of the human or animal form but rather are
decorated with vegetal patterns, winged Sassanian crowns and jewels. The use of mosaics shows
a tie to the Late Antiquity period when wall and ceiling mosaics became very popular in
Byzantine churches. There are grilled windows along the drum and exterior wall that allows light
in and makes the mosaics shimmer. An inscription is contained in the Dome that includes some
of the earliest verses from the Qur’an. It depicts some of the core values of the newly created
Islamic religion. The design references the burial places of Roman emperors and its circular form
is similar to the Church of the Holy Sepulcher. The elevation of the Dome of the Rock along with
its similar dome size to that of the Church suggests it was a way the Muslims in the late 8th
century tried to rival and outshine the Christians. The building is not a mosque and the original
function and significance of the Dome of the Rock is uncertain. Some think that the shrine was
built for political reasons as Abd al-Malik was fighting a civil war against Ibn Zubayr and he
The Great Mosque or Masjid-e Jameh of Isfahan is one of the oldest mosques still
standing in Iran, and it was built in the four-iwan architectural style, placing four gates face to
face. The mosque is the result of continual construction, reconstruction, additions and
renovations on the site from around 771 to the end of the 20th century. It is made up of a large
central courtyard surrounded by a two story arcade with brick piers and columns which support
the roof system. An iwan is a vaulted, or open space on three sides with the last side open to a
courtyard. One is primarily used as a private space used by the sultan and adorned with tiles. The
rooftop has a “bubble wrap” appearance because of domes on top of the interior hypostyle hall.
The dome undersides (soffits) are carved with intricate geometric designs and have an oculus.
The vaults, some ribbed, help bring in light and ventilation to the dark area. Bricks and stucco
motifs along with tilework adorn the space in addition to calligraphy that covers the arches and
walls representing intellectual beauty. To help locate the correct direction to prayer, the qibla
iwan on the south side has two towering minarets. Nizam al-Mulk (commisioned the dome in
1086) and Taj al-Mulk, two rulers of Isfahan, fought for legacy by trying to create the best dome
above the iwans. Their domes are opposite each other. The mosque is located in Isfahan, the
third most populous region in Iran and the capital of the province, so the mosque has urbanized
over time to accommodate population increases. The mosque's location in the heart of the city
makes it a center for gathering and transportation and is therefore much more than a mere space
for prayer. It serves as a place for commercial activity and a way to unite the community.
Both of these structures are elegantly decorated and feature mosaics and tilework that
depict motifs important to the religion along with calligraphy. There are different influences on
the designs of each however with the Dome taking from the Byzantine Empire and the Mosque
from the Persian Empire. The Dome doesn’t have a known function but is believed to serve as a
religious structure but it is not a mosque. The Great Mosque had a clear religious function and
served as a unifying piece for the community which Abd al-Malik had hoped to achieve with the
Dome.