Sie sind auf Seite 1von 3

Julia


Quarter = 79 to 85
Ben Wendel

              

A

            
 
         
      

  


 

          
5

   
        
        
      
  
      
     
   


  

         
10

B

    
      
    
      
            


 


         
14

  
 
         



                  


 
     


  

     
19

A'

       
       
     
            
  
  


       
       

   
23

    

    
 
          
    

    
 
   

             
       
    
  

2

  
28

B'

  
 
        
 

    
  

        
    


      
     
 

      
32

       
 
             
 
          
   
          
          
   
    
  
Solo Section

                       
G-/B¨ D7(¨9)/F# E¨maj9

 
37 D7(¨9)/F# G-9 F7(¨9)/A Balt B¨maj9 D7(¨9)/F# G-9 F7(¨9)/A G-/B¨


                      
43 D7(¨9)/F# E¨maj9 Balt B¨maj9 E¨maj9 C/E D7(¨9)/F# G-9 F#maj(#5) Adim(maj7)

 On Cue
                     
49 Balt B¨maj9 E¨maj9 C/E D7(¨9)/F# G-9 F#maj(#5) Adim(maj7) Balt B¨maj9(#11)


  
55 B"

     
        

 
    
 

 
  
           
             


      
 

  
59

    
          
  
  
 
     
    
           
    
     


3
63

 
     
  
            
   
           
 
      
             


Slightly Slower...cadence on cue

  
B¨lyd
    
69 Rit.... F- A¨- A¨/C D¨maj#11 Dalt B¨/G¨ D¨/A E¨/E Fsus/A

            
        
    
    
  
    

Drums: Close hashy snare, big open bass drum. Ride starting at solo section? Final C section back to just snare/bass drum?

Stagger instrumentation: Piano/Sax, then bass, then rhodes, then bassoon dubs. Solo section, have bass line played from A' and B'?

Das könnte Ihnen auch gefallen