Beruflich Dokumente
Kultur Dokumente
Head out:
2 times round the form
First time the tune is played down a halfstep by trumpet and guitar
Final head is in the original Key with piano trio playing the head.
The final four bars of C/D are used as a Vamp/Outro
Chord Qualites,
The Chords used in this tune are mainly triads over bass notes
Intro:
Bar 1-6: Mixture(Quartal and Triadic)
Bar 7: Mixture(Quartal, Triadic and Cluster)
Bar 8-10: mixture(Cluster, Triadic)
Bar 11-14; Triadic Voicing
Bar 15-16:Mixture(Triadic and Cluster)
Bar 17-18: Cluster Voicing
Bar 19-20:Mixture(Triadic,Cluster,Quartal)
Bar 21: Mixture(Cluster,Triadic)
Bar 22: Triadic Voicing
Bar 23-24: Mixture( Triadic, Quartal)
Bar 25-28: Mixture(Quartal,Cluster)
3 Rhythmic style/Groove/Meter
Straight eights, Light Bossa
4/4 Meter
B section
2 bar melodic phrases
Harmonic phrases moving in two bar phrase
4 bar melodic phrase
Harmonic phrase moving in two bar phrase
C section
Harmony moving every bar
Melodic phrase lasts two bars
Harmony moves over two bars
Melodic Phrase moves over 2 bars
Harmonic Rhythm:
Harmony is slow moving changing every two bars
In bar 20-24 the harmonic rhythm incres moving every bar
Then it slows down ending with the harmonic rhythm moving once over four bars
Modal Style:
Plateau modal till bar 16
Vertical modal from bar 17-20
Returns to Plateau modal bar 21-26
Sequential relationships:
Harmony is transposed down a half step for the first chorus of Solo form
Root movement in A and B section is the Same except the B section is transposed down a
Major third
The roots of bars 1,5,9,13,17 descend in whole steps
Bar 17-19 Triads ascend in Major thirds
A section uses mostly uses leaps of a 3rd or Larger intervals for the melody
B section- Increases of stepwise motion
Usually using the pattern of a leap with the melodic phrase descending within the interval
of the leap.