Para OMAYRA

Contra Bass Symphony No.5 in E Minor, Op. 64

Allegro Moderato q=138 3er. mov Piotr Ilich Tchaikovski
Adaptación para la Big Band Jazz SUTM:
Valse Rubén Rodríguez
 
                           
      
p

12 A    
 
  
  
  
 
   
 
                
p p p

20 A1     
 
                     
   
p
28 A2     
                        

        rall.
p
37 B A tempo 
 
                       

        
p

45 C  
         
 
 

p mf cresc.. f mf cresc.

55 D  molto rit. accel.

A tempo
                

f p

60
           
   rit.  

mf
65 D1 A tempo
                         
  
mp f ff

D 2    
73
         
    
p p p p
Febrero /2013
2 Contra Bass
81
E 
                 
     p      
p mf

86  E1  
                   
     
p mf mf
96 F  
             
          
   
mf pp mf pp

104
G   

 

                    
 mp     
mf
109   
                   
       
mp mf pp
118 H    
                          
    
mf
123
     
  
                    

H1 H2
127      
           
 
mf mf mf

138  I 
            
      
f f p
147

         
    p      

153 K 
        
               
p
 p  p

pFebrero /2013
 Contra Bass 3
161 K1   
 
                 
   
p

169 K2
              
       
p

173      rall.
           
 

178 L A tempo
                 
 p      

182
              
      

mf
186 M 
            


 

p cresc.. mf cresc.. mf cresc.

196 N  rit. accel. A tempo

  
            

f p

201 rit.
   
   
           
mf

206 A tempo
N 1  
           

mp f

210

  
          
p
Febrero /2013
4 Contra Bass
214 N2 
    
            
mf

219 O
         
    
           
f pesante cresc.

223 A tempo
rall. 
            
     
ff p

228 O1  
        

    

   
  
p mf f

234 A tempo

        rall.
             
       


pesante cresc. ff p

241 P
   
                      
pp pp mf

249
  
                    
pp mf pp

256
Q               
        
  

pp pp

262 molto accel.

         
    
   
ff Febrero /2013