Beruflich Dokumente
Kultur Dokumente
Tristan Hughart
Professor Granillo
English 103
10 April 2019
Psychoanalytical Soldier
divided into three parts: id, ego, and superego. The id is responsible for making impulsive,
pleasurable actions. The ego’s role is to deal with anxiety and reality, and uses defense
mechanisms to protect itself. The superego is the part of the unconsciousness that controls
impulses and makes decisions that are socially acceptable. These aspects have become prevalent
in everyday culture, especially music. Psychoanalytically, both a song’s lyrics and adjoining
music video show how these three features dictates a person’s actions. One of which is
Eminem’s song “Like Toy Soldiers”, which calls out the rap wars that plagued the industry and
calls for peace and an end to the needless violence. Looking at this song from a psychoanalytical
perspective reveals how the superego can only withstand so much before the id and ego take
over; thus resulting in dangerous environments and people using defense mechanisms such as
displacement and rationalization; therefore Eminem gives personal examples as to why a person
needs to think with their superego in order to live and maintain a safe lifestyle.
In the song, Eminem calls attention to the rap wars that plagued the industry at the time.
He addresses the friends he’s lost, the feuds he’s been apart of, and how he’s tried to stop them
from getting out of hand. Primarily, the song’s target audience is other rappers who were
involved in the disputes at the time of its release. Eminem is asking for the violence and pointless
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confrontations to stop, because he doesn’t want to watch anymore people he cares about die. He
delivers this message through his lyrics and music video primarily through the use of the
rhetorical appeal pathos. This is when the author or creator attempts to address the emotions of
the audience in order to change their judgement on a given topic. The music video specifically
uses this in the opening scene where Eminem is covered in blood and doctors are trying
frantically to save the life of D12 member Bugz. Eminem throws a table, and falls into a chair
(“Eminem- Like Toy” 00:00:24). He’s watching his friend die due to a feud he feels responsible
for, and he feels mentally and physically drained from the stress and hardships he’s been put
through. This is elaborated on in the final scene, when he turns his back and pictures of Biggie E,
Tupac, Big L, and Bugz appear (“Eminem- Like Toy” 00:05:12). All four of these rappers were
murdered due to rap related violence, and it was all for nothing. These feuds shouldn’t get this
violent, and they shouldn’t have to end with a person lying dead in the streets. Instead of
thinking with the superego, the part of the unconsciousness that creates socially acceptable
solutions, and coming to a resolution peacefully, four men were killed in cold blood. Without the
superego, the rap wars got even more violent, and more people suffered because of it.
Although “Like Toy Soldiers” shows Eminem being more superego driven, throughout
the song his id mindset takes over and leads to more damage being done. This shows that a
person’s superego, although provides actions and thoughts that are socially acceptable, can only
suppress the pleasure seeking id for so long. Eminem calls for peace, but he eventually loses
control of himself and can’t follow his own advice. This is evident when he raps “ [Me and Dr.
Dre] actually tried to stop the 50 and Ja beef from happenin'... / Until Ja started yappin' in
magazines how he stabbed him / Fuck it, 50, smash him! Mash on him, let him have it.
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(Eminem 00:02:42). Eminem’s superego was trying to keep 50 Cent out of the dispute and asked
him not to get involved. However, once Ja Rule started telling people he stabbed him, Eminem’s
id takes control and tells 50 to attack Ja Rule back. He forgets about the consequences, and wants
to feel as if he has the upperhand and last say. Had Eminem stuck to his superego, there may
have been no real altercation between 50 Cent and Ja Rule. Unfortunately, since he thought with
his id instead, it opened the doors for more disputes down the road. Although the superego
protects the person and sustains a safe lifestyle, the id will eventually break free and take control
of an individual.
Eminem struggles throughout the song to keep his superego in control over his decision
making. An example of this conflict is when he raps how “[He’s] supposed to be the soldier who
never blows his composure / Even though [he holds] the weight of the whole world on [his]
shoulders / [He] ain't never supposed to show it, [his] crew ain't supposed to know it”
(Eminem 00:00:38). He needs to be the example for other rappers to follow. As a designated
leader of his own rap group, Eminem understands that his actions dictate what his friends and
followers do as well. If he allows his emotions to get in the way and influence bad decisions,
then others will follow suit. What example will he be setting if he allows his superego to be
pushed aside due to hurt pride? Eminem’s superego is also evident when he raps “I'll walk away
from it all 'fore I let it go any further / But don't get it twisted, it's not a plea that I'm coppin' / I'm
just willin' to be the bigger man if y'all can quit poppin'... / I'm not gonna let someone else's
coffin rest on my conscience. (Eminem 00:03:48). He doesn’t care about being the tough guy, or
having the media declare him the winner of the rap war. He knows it’s pointless and
unnecessary, and being deemed the winner of a foolish gambit isn’t worth the potential lives at
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stake. His superego was put to the test despite what the media and other rappers said. He’s trying
to be the change he wants to see in the industry; however, in the song he mentions how he
Throughout the song, Eminem acknowledges moments where his id took control of his
decision making. Lois Tyson, author of Critical Thinking Theory, defines the id as being
“Devoted solely to the gratification of prohibited desires of all kinds… without an eye to
consequences” (Tyson 25). Eminem displays this behavior through his lyrics and music video
when he raps “There's a certain line you just don't cross and he crossed it / I heard [Ja Rule] say
[my daughter’s] name on a song and I just lost it” (Eminem 00:00:59). In the music video, once
he raps this lyric his surroundings immediately change into a studio where he’s seen recording
“Doe Rae Me”, a Ja Rule diss track (Eminem - Like Toy 00:01:17). The surroundings change so
fast because it shows how his id took over and made him act on impulse. Even though Eminem
was asking for peace in the industry, his id took control and made him go against his own advice.
It blinded him, especially when he raps “But I'm so busy bein' pissed off, I don't stop to think /
That we just inherited 50's beef with Murder Inc.” (Eminem 00:03:11). Eminem’s id clouded his
judgement, which led to him getting involved in another altercation while damage was still being
done from his previous one. This shows how without the superego being involved, more harm
will come to those who primarily think with their id. He didn’t think about the outcome, all he
Eminem’s ego is constantly trying to maintain balance during these rap wars. According
to Sigmund Freud in his book The Id and the Ego, “ Tyson defines the ego as the part of the
unconsciousness that “tries to play referee between the id and the superego” (Tyson 25). He
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wants to attack the rival rappers and protect his groups pride due to his ego, but he knows he has
to control his anger through the decisions of the his superego. Eminem demonstrates this when
he raps “Plus Dre told me stay out, this just wasn't my beef / So I did, I just fell back, watched
and gritted my teeth / While [Ja Rule’s] all over TV, down-talkin' the man / Who literally saved
my life, like fuck it, I understand” (Eminem). Even though the feuds were getting personal,
Eminem still sat out and did his best to not get involved. His ego is trying to balance between
satisfying his id and making decisions with his superego. Although his id and superego are the
more prominent features in the song, his ego still plays a role in maintaining order. However,
once Eminem snapped he displayed certain defense mechanisms in order to protect his ego.
Defense mechanisms are barriers that protect the psyche and prevent anxiety and
unhappiness. As defined by Sigmund Freud in his book The Ego and the Id, the ego uses these to
“exclude certain trends in the mind not merely from consciousness but also from other forms of
effectiveness and activity” (5). These defense mechanisms attempt to eliminate or disguise
elements that can cause psychological harm to a person. An example of such is the displacement
of Saskatchewan and author of “Ego Mechanisms of Defense Revisited: The Relation of Defense
Profiles to Personality and Health,” writes “Displacement is the unconscious redirection of
feelings and responses associated with a threatening conflict to an object that is a less threatening
substitute object” (MacGregor 6). After Eminem hears Ja Rule mention his daughter in a song,
he then makes an attack song towards Ja Rule. Eminem displaces his anger towards him in the
song. Instead of confronting Ja Rule and have things possibly end violently, Eminem turned to
music and, although still unconstructive, avoided dealing with Ja Rule upfront. The displacement
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method is also evident in the music video when it shows clips of rappers doing interviews
(Eminem- Like Toy 00:01:38). The rappers are putting on an illusion of being tough while on
camera to seem more threatening than they really are. Instead of talking face to face, the rappers
are hiding behind cameras. Not only does the song and music video express the displacement
exemplifies this when he raps “Fuck it 50 smash 'em, mash 'em and let him have it… Now the
owner of [The Source] has got a grudge against me for nothin' / Well fuck it, that motherfucker
can get it too, fuck him then” (Eminem 00:02:45). Eminem is trying to justify the involvement in
the rap wars by saying that people swung at him and his crew first, so they had no choice but to
respond. He displays this defense mechanism again when he raps “But now it's elevated, ‘cause
once you put someone's kids in it / The shit gets escalated — it ain't just words no more, is it?”
(Eminem 00:02:23). In the song, Eminem mentions how Ja Rule brought up his daughter Hailie
in a song, which, as previously mentioned, lead to Eminem recording “Do Re Mi”. In this song,
Eminem bring ups Ja Rule’s kids and disrespects his whole family. Eminem tries to defend his
actions by saying that since Ja Rule did it first, it’s okay that he does it in response. Eminem tries
to be the bigger man and set an example for his people, but there’s only so much a person can
Eminem watched as friends died over disputes getting personal when they didn’t have to
be. He doesn’t want this violence to continue, and he doesn’t want a death of a loved one on his
shoulders. Eminem came up and got noticed through rap battles and is still among the top rap
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battle artists today, so for him to take a stand against it and call for a truce shows how scary and
harmful this really was. He’s not only looked up to by his peers, but by thousands of listeners
world wide. If he loses control of himself and gets involved, then what message does he send to
his followers? He needed to be the example for how people should handle disputes, without
violence and death. He abandoned his darker, more psychotic id driven persona of Slim Shady
and embraced the superego mindset of Eminem because he realized how impactful his songs are.
They can make a kid hate his mom, make a kid think violence is cool, but they can also
apologize to those he’s hurt and ask for forgiveness and peace. Music artists aren’t just there to
provide entertainment, they influence everyone around them. Their actions and mindsets, both in
and out of the recording studio, affect the people who look up to them. They can’t let their
impulses and id define who they are, they must lead by example with their superego instead.
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Works Cited
<https://www.youtube.com/watch?v=lexLAjh8fPA>.
“The Ego and the ID (1923) by Freud - Free PDF EBook.” The Ego and the ID (1923) by
www.sigmundfreud.net/the-ego-and-the-id-pdf-ebook.jsp.
Macgregor, Michael William. “Ego Mechanisms of Defense Revisited: The Relation of Defense
Sciences and Engineering, vol. 62, no. 2–B, ProQuest Information & Learning, Aug.
search.ebscohost.com/login.aspx?direct=true&db=psyh&AN=2001-95016-089&site=eho
st-live.
Tyson, Lois. Critical theory today: A user-friendly guide. Milton Park, Abingdon, Oxon:
Routledge, 2015.