Beruflich Dokumente
Kultur Dokumente
English 9
4/15/19
In a world where public support for the feminist agenda seems somewhat ubiquitous in
the media, the antithesis of the movement is highlighted in females’ actions regarding love and
life itself. Illustrated in Shakespeare’s A Midsummer Night’s Dream, a modern take on the
character Helena questions the validity of a strong female movement when women’s actions
drastically contradict the message of feminism. Helena's changing attitude towards Demetrius is
A movement only has the potential for change if the outward message voiced aligns with
the actions of the followers. When looking at Helena’s initial rejection by Demetrius and s the
self-comparison that follows with Hermia reveals the inherent flaw in the female community:
how we present ourselves as a unified front for gender equality, when in daily life we often
engage in unhealthy comparison with one another resulting in resentment. First shown after
Demetrius dismisses Helena, she states to Hermia, “Demetrius loves your fair: O happy fair!"
(1.1.181). Rather than considering the seemingly endless possibilities causing the failed
relationship, Helena’s main thought is comparing their likenesses while belittling her own.
Furthermore, when read in broader context, the tone Helena uses is contentious toward her
friend, indicative of the bitterness she feels as a result of Hermia’s idealized features. Helena
then proceeds to wish for Hermia’ physical characteristics, "My ear should catch your voice, my
eye your eye" (1.1. 188). The belief and underlying ideology of perceived physical inferiority
shortcoming that possesses the power to crumble the solidarity of the feminist fight for gender
equality.
In addition to the inherent drive to compare, the perceived obligation women feel towards
one another in terms of success and happiness is the second flaw that prohibits the advancement
and achievement of females both in a social and economic setting. At the end of the play, Helena
accepts Demetrius as her lover after earlier pushing him away. At first she states, “You’re your
derision! None of noble sort/ Would offend a virgin,” (3.2.159)” However, she later states, “And
I have found Demetrius, like a jewel, / mine own and not mine own" (4.1.189). The only
changed variable between the two points is the happiness of her friend Hermia; no other factor
was at play between these two points other than her contentment. Because of this, Helena, and
the many women she is representative of, believes that she only can be happy (in terms of love)
if the females around her (Hermia) are equally as happy. In turn, while a devotion to one another
is needed to catalyze a progression forward, it cannot be so strong to the point where the
obligation to mutual success becomes a hindrance, as it did for Helena who was unable to accept
It is not at the acme of the movement, perpetuated by strong and powerful women, that is
the most vulnerable, but rather the base, the masses, or the general female population because
often the subconscious thoughts and actions between females on a daily basis negate the outward
voice projected. In any case, the inherent, albeit only perceived, need for females to compare
themselves to other women and then proceed to resent the object of contrast is a flawed mindset
and creates significant chasms amongst the female community. Additionally, in far contrast to
the fissures created by comparison, the overbearing obligation females feel towards one another
at times is a major deterrent in the movement for equality as it tends to hold women back and
create widespread fallacies and stereotypes. Although this slant on Helena was likely not the
original intention of William Shakespeare, when read through a 21st century point of view it
reveals the limitations and weakest elements of a rapidly growing movement for change,
characterized by marches, protests, and political campaigns, in which women themselves are the
Bibliography
Andrews, Richards, and Vicki Wienand, editors. A Midsummer Night’s Dream. Cambridge
UP, 2014.