It

Could Happen to You - Fukui Ryo

    3  

        
      
 = 180 E♭maj7 Edim(C7)

           
  
          

Piano Pickup

 
           
Acoustic Bass 

 A♭m7
           
      
       
5 Fm7 F♯dim E♭maj7 D♭7

   
    
               
                   

Pno.

     
Bass 

   B♭7
         
  
        
9 Gmin7♭5 C7 Fm7 E♭maj7

         
  
                        
     
Pno.

  
      

    
Bass

       
       
    
 Cm7
     
   
14 Dmin7♭5G7 F7 Fm7 B♭7

 
         
      
                  
        
Pno.

      
Bass 
 Edim(C7)
   
        
             
 3  
19 E♭maj7 Fm7 F♯dim

      
          
              

Pno.

     
Bass 

    
    3  
             

       

23 E♭maj7 A♭m7 D♭7 Gmin7 C7 Fm7

     
 
              
 
  

 

 
  
Pno. 3

      
Bass 

      Gmin7♭5 C7
                   
  
E♭maj7 A♭7
28 B♭7 Fm7


    
                

3 3


Pno.

     
Bass 

             Fm7B♭7 
  
            
2nd chorus

 
32 B♭7 E♭maj7 Cmin7 E♭maj7

           

Pno.

           
Bass 
2
                 

42

                 

Pno.

                 
Bass 

                

58

                 

Pno.

                 
Bass 

                

74

                 

Pno.

                 
Bass 

                 

90

                 

Pno.

                 
Bass 
3
                 

106

                 

Pno.

                 
Bass 


            
122

             

Pno.

             
Bass 