E.AT§,.

AF',7,
A,LTo.^,A
BANE'84
BELINE'A
CHAPPELL

,lF YO,U,,,IL.EAV,E ME N.OW CHIGAGO

' ' r'r':
""'

L[VlN', TH| NG,r,,,,. E.L.O.: :''' '

MON AMOUR BZN
:

HOWZAT SHERBET
UND,ER THE MooN oF LOVE ---
sHowaDDywaD.By:,
SORRY SEEMS TO BE THE HARDEST u.,oí,o,;
PLAY'TH'AT FUNKY MUSIC ""'i'"'tAIORD;;r.'. ËRRy,
AUNT DINAH., HAS BLOWED DE HO,RN ,;-;*";; n,"HoRUS
(qit Scott Joplin's T R E EMON ISHA) o 'v' Gun'lher schu ier

I'M YOUR PUPPET '-r

Dlsco óucK fl':ffoBBYPURTFY
and hïS .,CasL,qfi. ;ffis15;:,.:ii.i1: -

§lN.cE.'|MET.YoU.'BABY.,....,.;;1.;.....:...
.
:1::':
osCÀn HÀnnr§j':
HE'LL HAVE TO GO , ,r.

i RY COOD.ËR ,,rt,
. ,. ,tl:t

I,IKONLY WANNA BE WITH YOU :BAY,,elT.YL,3g[g 33,::,,,.

.. IBEN.i GELUKKIG .ZONDËR,'...JOU BONNIE ST.CLAIRE
1,.

- ,DANCE LITTLE LADY DANCE it,,.

NCHANS
'HET
pr1 .,t"'t"-.,,t.
,,,,,fl,.,t.,,,,,
TINA CHARLES
ïÏ.E .MANI{ATTIAN] RAN§ FER

GEBEURDE IN HET WESTEN ENNIO MORRICONE

:,, li:, .tir.t.,it,i: :tt:,ltl':t.lttltlï:..:iil;:,1 i:.

NooR DE-RZo.N, §cilEE N

p;,f',;,,
CONNY VANDENBOS
.t'

JUST.ADlSlLL.US|oN.'..' ANITA MEYER

@ :,,:::,::::::::,ï:,1-.,ïï'
-""r*" G uo. ho,ano ó.v. HoÍstede'Oud Bussem", Flevelaan
C) 4 1 Naarden - Holland
VooÍ de handel: De eerste muziekcentrale b.v.,.Naarden-Holland.
 ELTON TOHN - ROCKET

SORRY SEEMS TO BE THE HARDEST WORD

Tekst E muziek: ELTON JOHN 6
BERNIE TAUPIN
Sorrowfullv slow
ebo Émz(bs) Ebma;7 Gnm Cm Am7(b5) D4 DD7
ffiffi ffiffi ffi o

ffiffiffi
0 o0

Gm Pb/F Cm7 F

ffi
0

ffi ffi ffi

What have I got to do to make you love me _ What haVe I got to do to make you care.
-

Afz(bb)
Bb Do+
87 Bb/F Cm7

ffiffi ffiffi
$m
ffiffi ffi ffi
when light -

6) worldcopyright1976 by BIG PIG MUsIc LTD., 40 southAudley sreet London,

- w. 1.
Voor Nederland: MCA HOLLAND 8.V., Flevolaan 41 - Naàrden _ Holland.
MCA 151
No part of this publication may be produced in any form by print, Íotoprint, microfilm or any other means without written permission
of the publisher.
 F
amzlbsl nf
D; D7
ffi
Gm Gm7
o
ffi ffiffiffiffiffffi ffi
o o' 6
0

And I wake to fincl

-- that you,re not there,
What do I do to make you want

Cm7 Cm11 Cm F
00 of
ffi ffiffiffi' amzlbsl
Bb D7

ffi ffiffiffi
0

What have I got-ta do to be heard_

-

Gm9 Gm

ffi
o

ffi ffi ffiffiffi

0
 Bb F Eb/G D4F* Bb/F Em?(b5)

ffi ffi ffi x

ffi
sad it's so sad
- sad - tion
-(it's so sad)

cm/sb D7 Gm Amz(bb) D? Eb/G D/F*

ffi ffi ffiffiffi

o

ffi
0 0

And it's get - ting more and more lt's sad- it's so sad-
(it's so'sad)

L To @a§
Bb/F Eb Cm7 frI
ffi ffi
P
ffi ffi
«b'gl

l{hy ean't we talk it Al-ways seems to me- that sor-ry seems to be

- the hard-est
 Gm Cm F7 Eb A167(b5) D7

ffi ffiffiffiffiffi
o

ffi
o

ffi
0

D.S. al Coda
Gm Cm Cm7 F7 Bb F/A

ffi
0

ffi ffiffi ffi ffi

0

§cooe Gm Cm F7

ffi ffi
0

ffi
0

word. l[hat do Ido to make you love

-. me lilhat have I got to do- to be
 Bb Am7(b5) C-/» D Gm Cm
o0
ffi ffiffiffiffi
o o 0

ffi
What do I do when light - ning strikes me
4
+i

Am7(b5) Gm Cm Am7(b5)

ffiffi
0 ?tísr D7

ffi
0 o

ffi ffi ffi

o o

\[hathave I gottodo- \flhathave I got to do- sor-ry seems to be- the hard-est

sb Em?(b5) cm/Eb Gm/D Amz(bb) Dt r

ffiffiffi
^ft-
o

ffi
0

ffi'' ffi# ffi

I ll )
 ELECTRIC LIGHT ORCHESTRA _ Op JET RECORDS Tekst en muziek:
Arr.: Fr. Borring
LIVIN' THING JEFF LYNNE

e
h*

Sail a way- on the crest of a wave - It's like

Mak be lieve - this is what - you con -ceived from yo::
Tak dive- 'cause you can't - halt the slide,- float - ing
+
a
-

mag ic. oh, rol - lin and rid in' and slip Pin'
worst day. oh, mov-ing in line then you look back
-
---
down oh, so - let her go, don't start spoi ling
-
,,,Èr
-stream.

ob

mag
first day. And you _-
bad dream.

@ worldcopyright 1976 by UNITED ARTIST MUSiC LTD. and

JET MUSIC INC. All rights for the USA and Canada eontolled by UNART MUSIC CORPORATION
Voor Nederland: INTERSONG BASART PUBLISHING GROUP B.V. Fievolaan 41 Naarden
by arrangement with ARTEMIS B.V. Baarn. IN.BA. 1504
Higher and high ba-by

C Repeat and Fade out

 ,AMES E BOBBY PURIFY - MERCURY

I'M YOUR PUPPET

Tekst E muziekg DAN PENN E
LINDON OLDHAM

Bb Cm

l'll do fun-ny things if you- want me Im your pup-pet.

Dar- l ing ;- yourve got

full contrcl-ofyour pup-pet. Pull an-oth - er string and

Eh FlI Bb Cm DM CM7 Bb

@copyright 1965 &.1966 by FAME PUB. CO. INC. - USA

This arrangement (c)Copyright 1976 by FAME PLrB. CO. INC.,l,owery.
CHAPPELL LTDi, 5O New Bond London IrYt.
Street -
Voor NedBrland r CHAPPEII 6 CO. TIOLLAND 8.V., Flevolaan 41 - Naarden - Hollaad.
 kiss your I ips, Snapyour fin-gersand l,ll

turn you someflips,

Imjust a pup-pet- andyou hoÍd- mystrings- lrm your

a toy, Just a fun-ny boy, Thatmakesyoulaugh whenyou,re

 I'd bewarm or cold, Do j ust w hat Í'm to ld ,

make me dowrongr- l'm your Pup-Pet.

 is my commandT- Allyourvegot-ta do is wiggleyour lít-tle hand:- I'm your

wa lk- ing, liv-ing, lov-ing pup-pet. I'm hang-ing on

do an - y-thing, Yeah,lrlÍ hug you, be your lov*ing pup-pet. I'm

an - y-thing.l'myour

Dm Cm Bb
 SHO\MADDYWADDY - NEGRAM

UNDER THE MOON OF LOVE

Tekst E muziekg TOMMY BOYCE E

Letrs go for lit - tle walk um um um rrn - dg1 the moon of love um um
Gm

um letrs §it Down and talk um urn um un - der the moon of love I WAII-Da
Eb Ebm Bb G

tell ya love ya waat you to be my girl lit-tle darling letts

G7 F7 Bb F7

walk letrs talk un - der the moon of love.

Bb Grn

You look so love-ly- um um um un - der moon of love um um

trïn

um eyers shiue so .bright-ly- un - der the moon of love hold me

Eb Ebm ;
(t

close hold me tight- be my love to - night lit-tle darling letrs

c7 - F7 Bb Eb Bb7

walk letrs talk un - der the mooo of love WAIl-Il3

Eb to-

telk sweet talk whis- per thing's in your W3.Il-I13,

c7
D. C. al Finelt

tell ya the tàirgrs I knorv ya been waiting to hear.

(§Worldcopyright 1p61 by S.P.R. MUSIC CORP. - U.S.A.

Voor Nederland 1962 by BEUNDA (AMSTERDAM ) 8.V., Flevolaan 41 - Naarden-Holland via
HIII aod RANGE SONGS lNC. B.A. 567
 B.Z.N. - Negram

MON AMOUR
KEIZER
Moderato Th. TOL

l. A- che-tez- mes gems, voyons, a - che-tez- mes fieurs C'est la vie- d'une fil - le
2. Tout le mon-de con- nait, èl tout le mon - de voit la fleu -ris-te du marclié et

'Bm

I so - léé- tou -jours mais l'a ve nrr est for ble

sa boutique- de fleurs made moi selle tu es for ble

_tl
!l+ Bm Em
O 1976 INTERSOI\iG BASART PUBLISHING GROUP 8,V., Flevolaan 41 . Naarden. IN.BA. 1448
No part of this publication may be produced in any Íorm by print, fotoprint, microÍilm or any other means without written permission of the publisher.
 tout le mon - de m'as - sis - te -

T Ï' VY Ï-
cfiwh-

Quand viens tu chez Mon a -mourtu

,$ Bm A D

la mals pas - ser t'a - dore de en jour

Made - moi - selle dh a - mour tu

+ coDA

S.PARLANDO
Un jour je suis allé à Ia piace du marché et j'ai vu
Qu'elle avait disparu
J'ai demandé tout le monde s'iIs ont vu peut-étre Ia fleuriste
Mais personne ne savait orï elle se trouvait
J'étais très desespéré
Mais un jour je m'étais assis dans un bistro et alors . . .
Catherine, c'est toi? Oui, mon amour, ma petite fleur.
 WILD CHERRY - EPIC

PLAY THAT FUNKY MUSIC

Tekst E muziekr R. PARISSI

E7
00
ffi
I was boo - gie sing
tried wr- der-stand
Íirst was - n't eas y_

play - ing a rock and roll band; I

thought that were out of thcir minds. llow
chang - ing and roll ing. minds. Things

-
-
-

@Worldcopyright 1976 by BEMA MUSIC CO., - USA

CHAPPELL E CO. LTD., 5O New Bond Street - London Wl
Voor Nederlaud: CHAPPELL E CO. HOLLAND 8.V., Flevolaaa 41 - Naarden - Holland.
 nGY - er had no prob - lems
could I be so fool - istr
§taít - Gd Sct - ting sluk - y

Burn - in' down the onc night stands.

not see I was the one be - -hind.
thought I'd have to leave it be - hind.

cY -'ry-thiÍrg a-round me,

still I kcpt on fuht in'-
now it's scl much bet
-

Got to start to fecl - in' so low, Àrd

Los -ing cv - 'ry stcp of thc way. I
funk -
in' out in Gf, - c - ty \yay.'- But Iï
-
-
 -cid-ed quick
mu§t go back
lose that feel

dis - co down check out the

check aÍld see things were the YealU they weÍe
how I leamed les - son that

No chords

and sing - in' to the groov - in'. And just when it hit rro, some -

bod- y tumed a -round- and shout-ed: Play that funk'y mu ' sic, rvhite -

8w bow-
Play that funk - y mu

Bb

ffi

D.S.lt and Íade

8va bassr
 THE MANHATTAN - TRANSFER

CHANSON D'AMOUR
Tekst 6 mwiekl WAYIIE SHANKLIN
Medium RockTempo
F Gma C7

Ra-da-da-da Hore ard nore,

@ Worldcopyright 1958 by THLINDERBIRD MUSIC INC.

Voor Nederland: BELINDA (AMSTERDÀV )8.V. , Flevolaau 4l - Naardea - Hollaud.
B.A 2ll
 o'A -htouR.

c,t oft{c1 Gmlc?

Ra-daàa-aa - da A#NfiN,
 TINA CHARIFS - CBS

DANCE LITTLE I-ADY DANCE

Tekst E muziekt BIDDU/ G. SHURY E

Some-onetaught me how to dance last night. What a

Some-onetaught me how to move last night. What a l66k-s1'

some- one taught me

some- one taught me

@ copyright 1976 b,1s(tsIDEU MITSIC l.t.rL, ad GERONIMO MUSIC

Ltd.
AII rights fq Sublddu Murtc Ltd. admiuiÉered by Chaprpell & Co., í) New Bond Street - London
All rights fg[. Geronimö Mruic ltd. adminiÍtered by Rondc [víuaic (Iondgn ) Ld. , 147 Oxl6sd' Streer - L,oudon

voor Ncdcrland 1976r CTIAPPELL t CO. TIOIJ-AND 8.V., Elevolaan 41 - §aarden

 What a groÈver
what a cook-er_

He iaqht me aII the steps to do the

Now we boo - gie and we bunp un - til wetre

I found my sense of rhy - thm but I my self - con

And, when he gets me go - in', dontt wan - na

- trol When he r'iDance' Ia

stop When he :ïi'] dy,
boo - gie brmp un - til we're
And, when gets me dontt wan - na

know you've on - ly
 (Dancer.) That's what

1ng-yg1r, (Dancel) Thatrs what told me.

told me. @ance'.) Dance, lit - tle (Dancel) Thatrs what

 RICK DEES AND HIS CAST OF IDIOTS - POLYDOR

DISCO DUCK
Tetrst 6 mruiek: RICK DEES

go?.Quack,quackl Go €olQuack,quackr.

Quack, quackl Go golQuack,quackl Go €ol par- ty the oth- er n{ht,

ladies were treaÍ-in' me rÍght.

@Worldcopyright 1976 by STAFREE PUBUSHING CO., USA

CHAPPELL I CO. LTD., 5O New Bond Street - London W1. Interoational Copyright Secured
voor Nederland: GHAPPELL E co. TIOLIAND B.v., Flevolaan 4l - Naardeo - Holland.
Mov-inr my feet to the dis-co beat, IIow inthe world could Ikeepmy feet ?

onthe dance floor a.ctin' strange.Quack,quack! Quack, quack! trl.appinr my arms; I begim toclrrck,
 Quack'. Look at mel Im the Druckl--

I said, ha, ha,

Dis - co, Dis - co Duck. apLurnb-err.tt Dis - co, Dis - co

Ahl L€t'sgo, Mamar.

., Try your luck, Donrtbe a
 Dis - co Duck. All rightl
Dis - co,

No chord

Oh, Mama, s[ak6- yourtail- feathers. Ha, ha, ha, ha, hal- Ahl- The

But therer s no stoppÍnr a duck- in his beat.-

music stoPPed,I returnedtomY seat,
Quack,quackl Quack,quack'. So I gotbackup totrymyluck. Quack,quack'. Quack,quackl rffanna
 BAY CITY ROLLERS . BETI

Telat & muziek: MIKE HAWKER G

Moderately IVOR RAYMONDE

donttlqrowwhatit is thatmakesme Iove you

does-n't mat-ter whereYou go or what you

rCos vou start- ed some-thinr

on - Iy l«row I nev- er wan- na look whàt fras hap-pene,
waÍr- na speno each mo-ment of the

vou see- that ev - er since that

we metYourvelrar a hold on me ?-
Cantt
just "onekiss.- I nev - er lgrew I could be in love like this,-

@ Copyright 1963 E tg76 W SPRINGnELD MUSIC LTD., SO New Bond Street, London W1, International Copyright Secured.
Voo Nederland: CHAPPELL I CO. HOLI-AND 8.V., Flevolaan 41 - Naarden - Holland.
G/B 4*/e nmlcchz-s

hap - pens to be true.-

cra zy but it's true._- on-ly wan- na be with
on-Iy wan- na be with

rflm Bm --- -t;

And askedme if
't J. ------r

did-ntt stand a
 Norr lis- ten, I justwan-na be be-side you where:-

long aswerre to-geth-er hon-ey, I donrt carre- t

Cos you start - ed some-thinr ,

ev- er since we metyouÍvehad

 cZB rfm/ae'rn/b A7 D.x. d+
)+^l
I
D

S,RM
cone

no mat-ter what you do,

on - Iy wan- na
 CHIGAGO. C.B.S.

IF YOU LEAVE ME NOUI/

If you leave- me now- You'll

leave-me now- You'll

FBb F FBb
$ FBb FBb F
@ @ @
sb majT

@ @ @
/_^

take a - way-the big - gest part of me- by please don 't

take a - wapthe ve - ry heart - of me- by please don't
- -
-

and if you Ooh .grl- I just want you to stay-

- - -F

Bb Bb F Bb

@ worldcopyright |976by PoLIsH PRINCE MUSIC and BIG ELK MUSIC (A.S.C.A.P.)-USA
Voor Nederlasd 1976: INTERSONG BASART PUBLISHING GROUP 8.V., Flevolaan 41 - Naarden - Holland.
IN.BA. 1457
 A love Iike ours _ is love _ that,s hard _ to find
-

ï Ab
ibg @

slip- a - way-

++
ll-
t-l
D7
@ 5
too far- to leave it all be - hind How could we end- it
- aU this way?-
- - -

When to mor" row comes,then we'll both_re gret- the things we said to - day

,:-
 If you leave-me now- You'll take a - way-the big- gest part-

rb.,, Ebm

Ooh, giri I've got to have-you by

Sweet ma-ma I just qot to have-your
.t--

-b pob
ó "eb
@ @- U

Repeat aqd fade out

_b
ó FB F F
@ @ @
 SHERBET - EPIC

Steady Beat HOWZAT Tekst E mwiek: GARTH PORTER E

TONY MITCHELL
EbnaiT

:À
*1,

be - lieved- line- that you spun.-

But I've been Iook at you,-

You orl -ly came a smile.-

fe+.
@Worldcopyright 1976 by RAZZLE MUSIC, P.o. Box 369 Double Bay N.S.W. 2028 Australia
HEATH LEVY MUSIC CO. LTD., 38 b Hanover Gate Mansions, Pave Road - London NWl 4SL for U.K. 6 Eire.
Voor Nederland: CFIAPPELL I CO. HOLIAND B.V., Flevolaan 41 - Naarden - Hollaad.
 Look - in' close - Iy at the things you do.-
E- ven though you're real - ly not my style.-

did - n't see you the w:ly- you wunt

did - n't think that you'd run- me round-

t?
ïF
at

#l

Dn74
 ORCHESTRA E CHORUS o. l.v. GUNTHER SCHULIJ,R - DG.

AUNT D!NAI-I HAS BLOWED DE HORN

Uit Scott Joplinrs TREEMONïSHA

By SCoTT JOPUN

Assai moderato con espressione (J = 132-152) cHoRUS: g[ Sbdim

Aunt Di - nah

Bbdim Fz

blowed-de horn-An'werll go home to stay un- til dawn.- Get read - y, put yo?

F7,-----

sack on yot back,- I'm so hap-py I dontt know how to act Aunt nah

,'fr\

@Worldcopyright 1975 by MARY IVORMIIY-CHAPPELL & CO. INC. Adrninisoator

voor Nederland: GIIAPPEII E CO. HOII-AND 8.V., Flevolaan 41 - p244"o - Hollard.
 blorved- de horn,-Anr she wants us to come straight home,- We have not much

Eb6

de- lay,- rCause our work is fin - ished for to-day. O yes, Aunt Di - nah

Bbdim F?

go home to stay uu-til dawn._ Get read - y, keep yor

Gm Gm? F1.-----

sack on yo' back,- I'm so hap - py, I donrt know how to act
 sbdim

Di - nah blorved- de horn,- Anr she wants us

corne-straight home.- We have much time for de -

lL. . rebeat ad lib.

lBbT'
 RY COODER . REPRISE

HE'LL HAVE TO GO
Tekst E muziek: J. ALLISON E'
A. ALLISON
MODERATO

Put your s!,veet lips- Iit- tle clo-ser to the phone and let's pre -
Dnr -
Gm7

te nd that lverre to - geth-er .i1l à - lone IriI te1l tlie man to turn the
F7 Bb- - F

jukebox way down lou And you can tell your friend there
C7 -

with you herll have to Whis-per

F

to me _ tell me do you love me Or is hold-ing

Dm

you the way I do? Ihor love is blind make up your mind Irve got to
Bb

know Should I hang uP or will you tell him hetll have to

F Bb

go You canlt the words I want to hear while youtre with au-oth- er
F7 F

you Yr'ant me an-swer t'Yes" or [No" darling wiil un- der - stand

'(
Put you-r
go.

@ Wonldcopyright 1959 6 1960 by CENTRAL SONGS lNC. Hollywood, Calif.

CAMPBELL, CONNELLY 6 CO. LTD.1O Denmark Street - loodon. W.C. 2.
Voor Nederland 1960r CONNELLY BASART B.V., Flevolaaa 41 - Naarden - Hollaud. C.B. 197S
 OSCAR HARRIS . PINK ELEPHANT

SINCE I MET YOU BABY

Tekst E muziek: IVORY JOE HUNTER

Refrain
ffo
T.SINC§ I MET YOU BÀ-BY My whole }ife has changed.
py man.§t--
s.SINCE I MEf YOU Èe-sv Inl a hap

SINCE MET YOU Mv whole Iife has chanptl.

}ÍET YOU BA I'ft à, hap -Py mal].

tud ev boil - v ieIIs me that I not the

;\ I,rn g0n try to please y0u in ev way I

@Worldcopyright 1956 by PROGRESSIVEMUSIC PUBLISHING CO. INC.-New York 19, N.Y.

Voor Nederland 1956 by BELINDA (AMSTERDAM )B. V., Flevolaan 41 - Naarden - Hollaud.
B.A.568
 ?o Zntl Refrain
C

{>
same.

2.I dont need to tell my trou - bles tol

I dorit need no -bod - y to tell my trou - bles to,-

D. S. at Fine%

SINCE I MET YOU all I need

 BONNIE ST. CLAIRE - PHILIPS

IK BEN GELUKKIG ZONDER JOUH.S Tekst: MEYLER

MODERATO Muziek: PETER KOELEWIJN

Gm

nu ein- de- Iijk een feit, ik ben je kwijt, ik ben je kwijt.

F7 Bb

Je si - ga-ret- ten- as knoei jij voort-aan bij haar en niet bij mlJ.

Gm

Wij gaan ook niet m€€r sa-m€n e - ten, ik kan van nu af aaa ver -
G(maj. )

ge- ten, hoe jij mij vroe-ger hebt ge- kust. lk heb nu ein- de-lijk mijn

G D7 G c

ben ge- zóu- der jour tru ik niet meer van 1e- vén krijgt een nieu-we kans.rk Ont-

D7 GD7 G

ben ge- der jou. rkDacht dat ik dat nooit zou zijn, maar
§Prong nog net op ti3d de dans. Ik -kig ZOIl-

c D7 C D7 G D7+
r-een ls go'ed voor mij; vëel be- ter dan jij ooit kon zijn. lk ben ge- lu -kis

1' Gm7
G |

ben ge;luk-kig zon - der jou, ik ben ge- luk-kig zon - der jou.

VERSE ts
2 s Gee! bon-vivant die avonds laat naar leugens zoekend voor me staat.
Je lachen en je harde stap hoor ik nu niet meer oP de
trap.
|e hoeft niet stiekum meer te fluistrren en ik niet nachten lang te luistrren.
Het bed is wcl wat groot vooÍ mijrmaar zelfs daar ben ik nu vrij.
VERSE 3 : Het geeft uiet rvat je van mij denkt, ik zie wel wat de toekomst brengt.
Ik kan vergeteh rYie je bent en dat ik jou goed heb gekend.
rk Heb net als voor vÍe §amen waren
Je kunt je medelijden sParen.
Het voeteaeinde van het bed bij de verwarming neergezet.

@ woldcopyright 1966 by EDITIONS ALTONA

8.V., Flevolaaa 41 - Naarden - Holland.
Voor België I Lrxemburg: EDITIONS PRIMAVERA - Brussel' E'A' 60]22
 ANITA MEYER - Poker

JUST A DISI LLUSION

Tekst & muziek:
P.J. VERMEULEN

1. Hey be-fore you to judge me by my at -ti-tude

I'm heavy than you get me wrong
when you're looking further than your nose is iong

nice and han - dy When I tell vou ba - by you are Iookinq good-but do you
nev - me ba - by
er know you might have the in:pression that I'm big and strong-but may be
nice and han - dy You've found yourself a ba - by-sit and you'll be gone- how do you

-
-

der - stand me you that I've got ferent way

aba by you that I've got ferent way
der stand me you that I've got ferent way

Cml

@ Wortdcopyright I976: INTERSONG BASART PUBLISHING GROUP B.V., Flevolaan 41 - Naarderr - Holland. IN.BA 1500
,,Cause on the

-J
 but it's my des - ti

something big, unknown to

 ENNIO MORRICONE . RCA

HET GEBEURDE IN HET WESTEN

(Once upon a time in the West)
Yery Slowly (anà expressiuety)
Muzieka ENNIO MORRICONE

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Y' 17

Slo'wty

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@Woldcopyright 1969 by FAMOUS MUSIC CORPORATION - New York

Voor Nederland: CFIAPPELL E CO. HOLI-ÀND 8.V., Flevolaan 41 - Naarden - Hollaud.
 A Little Faster
Glm?-s Gma j?

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T'

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SIowl y arul Broadly

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Dru,?
rrim
mÍrtl
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 CONNY VANDENBOS .PARK

DE NOORDERZON SCHEEN
Nederl. tekst: KEES VAN KOOTEN (CE LUNDI Là) Muziek: ROLAND VINCENT
Arr.: IVIartin Erich Orig. tekst: M. DELPECH &
J.M. RIVAT

C6 C maj.7

I. Toen hij de deur dicht deed met 't pas-poortin zijn ias,
kreeg die drang wel va - ker en dan ginq hij on-der't mom
he - le weg naar Schiphol had hij o - gen in zijn rug,

C maj.7

zíj to -taalgeen weet en stond de snel-kook-pan op 't gas; ze zou - den zo gaan e - ten, de vier
,,e - ven met de hond uit" soms wel ne-gen straat-jes om. Wan neer hij nuch-ter thuis kwam Iag
ne - gen ja - ren hu - we - Iijk, hij keek er weemd op terug; hij was al half een an-der en die

@ Worldcopyright 1976 by LES EDITIONS MAROUANI - Paris

voor Nedeilanawzaty ltqrrnsoNc BASART IUBLISHING GROUP B.v. -Naarden - Holland. IN.BA 1382
 place-mats la - gen klaar, daar ston - den ou - de au - toos op, maar
zij al - vast in hij droeg half-lang haar. Ze
bed, vre - jen aich te - vre - den of hij nam een slaap- ta - blet.
an - der zou wel zien op Ijs - land of in da, hij
Maar
Ca - na - had een mille of tien. Hij

-7 -3
lx----l tr-...--È

had - den het zo goed, ze hoef - den niets te ia - ten staan

de - ze maan-dag hing er iets mee
hij deed iets in com - pu - ters dus dat
voel - de zich zo'n twin-tig, wéér op
sle - pends in de lucht: het kroop bij hem naar bin - nen en het
nieuw al - leen van huis, de plas - tic be - ker kof - fie smaak - te

C majT

was een pri - ma baan, plus twee - zon - de kin - de - ren en

ge fi - nan - cieel nooitklem,
hem op- de vlucht voor het ge
joe.g^
luk voor de ze - ker - heid en
en
hun
half zo goed als thuis; en hij voor hun ou - de dag, híj
vond een wol - len want - je van zijn zoon - tje in zijn zak toen
doch-ter leek zo leuk op haar, het jon - ge - tje op hem.
wou een an - der le - ven dat niet uit - ge - stip-peld lag. Maar hij ver-dween
scheel-de'te- ven wei - nig of hij huil - de en hij brak.

nergens heen; 't was op 'n maan - dag,- toen hij ver-dween

ner-gens heen;
VOOR OE HANDEL ; DE EEBSTE MUZIEKCENTRALE 8.V., FLEVOLAAN 41 . NAARDEN . HOLLAND.