EL CHAVITO Instrumental

CUMBION: D.R.A.
1st Clarinet in Bb
EL CHAVITO Arreglo de: Lcdo. Vinicio Quishpi G.
q=280
       1.  2.  
            
            
        
15
   
   
20
        
1.
  2.
 
         
25              
 
      
          
1. 2.
31
 
      
To
     and 
  
           
35 1. 2.
          
40               
         
    

1. 2.
      
  
46
      
           1. 
52
   
2.
    
             

  
1.

57
  
To
    
and

2. 
       

 
61
        
fine
Copyrigth © by publisher JVRecord's - 0987161144
QUITO - ECUADOR
2nd Clarinet in Bb CUMBION: D.R.A.
q=280
      1.     
        
2.
       
           
          
15
     

         
1. 2.
     
20
  
   
  
25
          
        
    
1. 2.
31
           
 
To
     and  
   
        
2.
        
35 1.
      
40               
         
     
2.
  
1.
        
46
    

          1. 
 
52 2.
      
      
            
57 1.

To
   
and

   
2.
      
61
        
Copyrigth © by publisher JVRecord's - 0987161144 fine
QUITO - ECUADOR
1st Alto Saxophone
EL CHAVITO CUMBION: D.R.A.
Arreglo de: Lcdo. Vinicio Quishpi G.
q=280
        
 
         
      
         
15
   
                
1. 2.
  
21
      

            
  
26 1.
    

       
31
  
2.
    

To
 and  

 
              
2.

1.
 
36
        
  
          
         
41 1.
        
46
  
2.          
        

       1.      
52 2.
    
 
    
1.
  
56
 
To
    
and

 2.
 
   
60
        
QUITO - ECUADOR
3rd Alto Saxophone CUMBION: D.R.A.
q=280        

 
            
15
          
   
   

    
1. 2.
             
21
        
             
26 1.
      
    
        
31 2.
 
To
 and  
 
               
2.

36 1.
            
                 
41 1.
        
46
  
2.         
 
         
     1. 
   
52 2.
     
 
 

1.
   
56
 
To
        
and

 

2.

60
            
fine
QUITO - ECUADOR
Tenor Saxophone CUMBION: D.R.A.
q=280
       

            
15
            
     
    
1. 2.
         
21
          
        
26
    
   
1.
  

31 2.
       
   
To
    and  

              
1. 2.
   
36
         
               
41 1.
          
46 2.
         
            
  
 
52
  1. 2.
    
     
  1.
   
56
       
To
  
and

60  2.
 
            
fine
QUITO - ECUADOR
CUMBION: D.R.A.
1st Trumpet in Bb EL CHAVITO Arreglo de: Lcdo. Vinicio Quishpi G.
q=280
      1.  2.
 
  
         
               
   
15


        

1. 2.
            
20
  
    
25
            
         
 
1. 2.
  
31
               
To
  and  
  

35
   
1.

2.
 
                  
40
   
     
               
 
1. 2.
         
   
46
     
     1.
       

51
    
     
56

2.
            
  
To
       
and

   
60 1. 
  
2. 
    
       
      
QUITO - ECUADOR
2nd Trumpet in Bb CUMBION: D.R.A.
q=280
      1.  2.
  
             
              
15
       
  
  

    
20 1. 2.
        
      
25
   
     
               

31 1.

2.

                     
To
and  
35 1. 2.
 
       
              
 
  
         
40
      




   
46 1. 2.
       
          

 1.

51
                 




To 
      
      
56 2.
      
and
 
           
1. 2.
  
60
         
QUITO - ECUADOR
1st Trombone CUMBION: D.R.A.
   
q=280
        
         
   
        
       
13  
1. 2.
  
         

          1.

18
       
      
23
2.
  
          
   
   
2.
   
1.
29      
          
To  33          1. 
           
and 
38 2.
               
           

        
1. 2.
45      
          
51              1. 
      

          
2.
56     
    
To
     
and

1.      
    2.       
60
  
       
fine
QUITO - ECUADOR
2nd Trombone CUMBION: D.R.A.
                    
q=280
         
13 1. 2.
        
                

18    
     
 

1.

               

2.
23  
          
   
1. 2.
29
             
          
To  33          1.

           
and 
               
38 2.
           

45
 
 1.   2.           
        
51           
1.

    
 
 
 
56 2.    
           
  
To
      
   
and

60     
1.
   
2. 
      
          
fine
QUITO - ECUADOR
1st Baritone Bb CUMBION: D.R.A.
q=280
  
    

                         

1. 2.
  
             
13
        
 
         
18 1.
            
  
23 2. 
                 
 

    
           
29 1. 2. To
        and  

1. 2.
 
34
                    
                   
39

       

              
 
    
44 1. 2.
     
        1. 
     
50
            


  
2.
 
56
                  
To
    and

2.

1.
   
60
                       
 
fine
QUITO - ECUADOR
Bass Bb
EL CHAVITO CUMBION: D.R.A.
Arreglo de: Lcdo. Vinicio Quishpi G.
q=280

                  
8  
     
               
15
  

           
  
21
      
      
      
 
27
 To
    
          
   


  
and
32 1. 2.
  
    

           
39

  
    
 
          
45
  

           
  
51

           
  
       
58
 1. 2. To  
             
         
and

63 1. 2.
                  
Copyrigth © by publisher JVRecord's - 0987161144 
QUITO - ECUADOR
fine
Tenor drum CUMBION: D.R.A.
q=280
            

7

                 
12 
                 
  
18
              
  
24
                    
29 To  
        and  
             
1. 2. cortes solo primera vez
33
                    
   
38
             
43
              
  
49
 To  
              
  and

1.
53
              
2.
56
           
   
QUITO - ECUADOR
Bass drum CUMBION: D.R.A.
q=280
               
7   
                
13
           
  
19
           
  
25
       
  

1.
To 30
           
and   
2.
35
 
                 
41
           
  
  
47
     
  
1.
To  
52
 
         
and

2.
56
           

QUITO - ECUADOR

EL CHAVITO Instrumental

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EL CHAVITO Instrumental

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Verfügbare Formate

CUMBION: D.R.A.

            

             

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