• I 1 f.

Vivace
Thcrc is a plcasanc frcshncss to this piccc if it is playcd ata iivcly tempo (J -= 126). Ir
is in che Frcnch brokcn stylc, dcpcnding for interese on typical lutc arpcggiation ,n.d
scalcs in contrast ro che mclodic Italian ~tylc (for cxamplc, thc Aria on pagc 39),
le is tcchnically straighrforward cxccpt for thc two passagcs notcd bclow.
0 The chance to the third position is 11cccssary for thc cxccution o/ tlz.e sea/e. T hú, anti the
/ocation o/ tl,c /ourth finger 011 t/ze sccond string in the /ollowing me-asure, nud care
a11d practice.
0 It is important to 110/c t/zc fi11gcri11g o/ t/zis sea/e on tlu: /ourth and fift/z string;. Tk Ft
and E 011 thcfifth stri11g involvc a/urt/zcr changc o/ positio11, but thú prcpárc; th.e hand
/or an casy movcme11t to the C # whiclz follows. Tlzc /orle and piano marks shc;uld he
observed so as to givc the echo effect so typical o/ thc pcriod. I have omittcd a repcal in tlu·
ori'gi~za/ o/ the fi11al /our meas u res whiclz does not sccm to me ncccssary or cffcctive.

F r fo

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v. 11 • • •• • • • •• • •••• . ..--.... ..--.... @

~,n ~ 2J d~ l~~'F,-~JDM#f~~
- ra ro ro ra t ro º '°.

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