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Lewis

Capaldi - Someone You Loved


Piano Arrangement: S. Antje Günther

 4    
  4

    
     44                             

 4    
  4

                  
  
5

           
            
I'm go ing un der and this time I fear there's no one to sa ve me.

    
This all or no thing rea lly got a way to dri ving me cra zy,

      
 


        
    
             
8 second time only!

  some bo dy to know ,  some bo dy to have


                 
 
I need some bo dy to he al,

  
  
  
    
            
        
11

         but
 it's ne ver the sa me.
                

, some bo dy to ho ld. It's ea sy to say , I guess I kin da

    
  


                  
 
15

           
            

liked the way you numbed all the pa in. Now the day bleeds in to night fall

  
  


                     
18

           
              

, and you're not the re to get me through it all . I let my guard down


   
  


                         
21

, and then
 you pulled
 the ru        
              

g, I was kin da get ting used to be ing some one you lo

    
 
  
2
       
  
   
         
24

           
      
ved. I'm go ing un der and this time I fear there's no one to turn

         
This all or no thing way of lo ving got me slee ping with out

  
  

         
   
   

     
27 second time only!

       
                
to. Now I need some one to know , some bo dy to heal

 
you.

  
  

 
             
         
30

   
             








, some bo dy to ha ve, just to know how it feels, it's ea sy to say


   

 
                   
     
33

,  but it's ne ver the sa me,


       
              

I guess I kin da liked the way you helped me es ca

    
 
3

                       
36

 in to night
 fall
 , and
      
                
    
pe. Now the day bleeds you're not the re to get me through it all

    
   
 


                       
40

, and then
 you pulled
 the ru    
                

. I let my guard down g, I was kin da get ting

 
  
  

 
              

    
43

    I   tend to clo


              
    
used to be ing some one you lo ved. And

 
  
  

    
                  

46

           
              

se my eyes, when it hurts some times I fall in to your

   
  
  
4

                   
49

   
        



 





arms I'll be save and your'e sound till I come back a round.

   
  
  


                   
52

 
    
For now the day bleeds in to night fall , and you're not the

 
 



                       
55

    
       
re to get me through it all . I let my guard down , and then you pulled the ru


  



                        
58


    
g, I was kin da get ting used to be ing some one you lo ved. But now the day bleeds

       
       
    
 
 
5

                      
61


      
in to night fall , and you're not the re to get me through it all

               
   
    
  
 


                        
64


      
. I let my guard down , and then you pulled the ru g, I was kin da get ting

           
       
 
  
  


                         
67


    
used to be ing some one you lo ved. I let my guard down down and then you pulled the ru

      
       
  
 
 

  
                     
70


    
g, I was kin da get ting used to be ing some one you lo ved.

  
    
  
6