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If you want to know how to design a poster, then you can do no better than turn to the experts.
With that in mind, we've quizzed three top illustrators and designers on their poster projects and
got them to offer tips on how you can design better posters.
Whether you're doing client work or creating a collectors' series to sell on the likes of Society6,
your poster design needs to convey information at the same time appealing to the aesthetic
tastes of your audience. But where do you start and what do you have to bear in mind? Read on
to find out how the pros do it...
01. Find a focus
Find a good idea for a poster, or poster series - like this one focused on cars in movies - and you'll already be halfway
to a great design
"Behind a good poster should be a message or idea," says Jesús Prudencio, the
illustrator/designer behind the fantastic Cars and Films series of posters. "It must communicate
something and should reach everyone.
"One of my passions is movies," Prudencio explains. "I saw that there were many people making
alternative movie posters," he says, "but I tried to give another approach. I wanted to create a
series, which I'm still working and I hope to grow, but not only legendary films, but also films that
I admire and where cars are not as well known." It's a great example of a personal project that
can generate some serious cash (A3 prints are for sale for €21 each – and great for film fans).
In other words, before you design a poster make sure you have a good idea, so it will not only
appeal to designers due to the aesthetics, but will also appeal to fans through the focus.
"I'm primarily a graphic designer so I'm used to working with fonts," continues Prudencio. In the
case of my Cars and Films project, the most important aspect was obviously was the car.
"I chose the same font for the titles of all the series for consistency. And I used a contrasting font
for the detailed information accompanying the car. But for me, just as important as the font is
the background color. The background colour I chose was based on what I felt the film
symbolized and what would combine well with the other elements."
Not going for the obvious choices will help your poster design stand out
"I saw that there were many people making alternative movie posters," he continues "but I tried
to give another approach. I wanted to create a series, which I'm still working and I hope to grow,
but not only legendary films, but also films that I admire and where cars are not as well known."
"My process for this project was as follows: I did a sketch and then vectorised using Illustrator.
My references were obviously the pictures of the cars and watching the the movie. I didn't go
into too much detail – analysing particular frames – for example to see what was on the label
hanging on the chair of the Mr Bean car." It's about balancing artistic interpretation with
authenticity, in this case.
For a promotional piece such as this aimed at true fans of a genre, it's a great idea to put some
in-jokes in there – thus confirming the fans' knowledge and giving them a bit of a chuckle at the
same time.
"Use a grid wherever there's a significant amount of type to include, Other than that, it's about
finding your own style, and then within that, trying to find a way to tell a bit of a story with your
image."
You need to know the rules. Then you can break the rules!
"Balancing the type and images is essential in that first up you want people to notice the image,"
continues Gilbey. "But then, if the actual event is of interest, the info needs to be easy to
understand too.
"Of course restraint with type is normally advisable, but in this case it was time to let loose. That
said, it's all set in Garage Gothic, so it's only the style that varies for the different areas of info."
09. Typography
"Ever since I'd discovered the font Graphik, I wanted to use it and this was the right
opportunity," adds Radim. "Graphik possesses a beautiful combination of boldness and elegance.
"To illustrate the contrast, I used SF Movie Poster [a free font from dafont.com] for the super
condensed font. Then it was a question of mixing the two fonts to find the right result." Be
playful but considered is the message here.
10. Spend a day with it
"This poster looked a lot different the night before I finished. The overall design can become
better and more complete." It's essential to do this for any design - not just a poster - and if you
can try and get some feedback from your peers as well.
"The backbone of my presentation was about stepping into the different worlds of interest and
adding them to the our creative worlds," adds Radim. "Therefore I wanted a focal point, albeit a
bit abstract, to be a huge letter W which is fragmented to symbolise everything that goes on
within one discipline. The other coloured fragments represent the outside influences.
"Before print supply, I added white border within the canvas to make elements 'spill' out, to
once again emphasise the crossover of ideas and styles." The lesson here is to draw your
composition ideas from the theme your design around."
12. Further reading
Looking for further advice on poster creation and sources of inspiration? Then check out these
articles: