BAD

ROMANCE Words and Music by

Stefani Germanotta and Nadir Khayat

        
      
 
 = 116 1 6

  
Voice

     
            
 
1 6

       
Alto Sax

        
     
1 6

 
Tenor Sax

      
 
1  6

Baritone Sax

     
   
1 F G Am C F 6 G

                       
Guitar

                        
            

 
          
          

 



Ska feel

     
1 6

      
        
Piano 1 6

   
     
F G Am C F G

   
1 6


Bass

        
          
1 6

Drums



      

A

    
      
11

 
Vo.


                  
     
SING 11

Alto

           
Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

             
     
SING 11

Tenor

    

Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

  
11

     
Bari

         
       
E Am SING 11

Gtr.

   
Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

                                          
                       
on the beat 11

    
       
Piano 11

           
       
 
E/G♯

      
Am SING 11

Bass

   

Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

                  
               
11

Drums



Arranged for Jazz Mondays by Mike Fox 2016-08

       

B

    
16

     
Vo.

                
       
16

Alto

           
 
Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

      
           
16

Tenor

                  
Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

   
            
                     
 
16

Bari

              



      
SING 16 Am
Gtr.

    
Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!


16

                     
        
               
Piano 16

                        
                       
Am 16 Am

               
Bass

       
      
           
16

Drums

  
 
                  
21

    
          
Vo.

      

21
solo

   
        
Alto

           
                  
        

21

                
Tenor

       
                          
                               
     
21

Bari

           

C F Am C G 21 Am C F Am C E
Gtr.

  
      
 
21

    
                              
                                               
      
Piano 21

   F                  F          
            
                                   
C Am C G 21 Am Am/G C Am Am/G C E
Bass
     

  
   
21

Drums

2
  26  
                                   

 
31

     
Vo.

       
  
tutti


 26 31
solo

             
Alto

     
        
                
      
26 31

        
Tenor

               
                                                        
     
26 31

Bari

          
Am 26 C F Am C G Am C F 31 Am
Gtr.

   
    
26 31

   
                            
                                                 

Piano 26 31

       F                F  31 Am  Am/G 

  
              
                                 
Am 26 C Am C G Am Am/G C

    
        26              
Bass


      
           
31

Drums

      

C 36
D

      
Vo.

       
 
36 tutti


  
Alto

       
     
36 

        
Tenor

   
                                         
      


     
36

Bari

 
  

      
  
C E F G

                           
36

Gtr.

       
   


               



    

Ska feel

    
36


          36  





                                      
 
Piano

  

   E     
    
     36   
 
 
             
           
 

       
C F G

   

Bass

    

    
 

               
36

Drums

  

3
       

41

 
Vo.


             

41


       41       
Alto


  
   
  


Tenor


         
 
41

Bari

      

Am C 41 F G E Am F

                       
Gtr.

    41
                                                      
           


               
       
Piano 41  

    
E/G♯

               
Am C F G Am F

       
41


Bass

    
41

Drums

      

46 51 To Coda

46    
Vo.

           
                   
   
51

         
 
                  
Alto

         
46 51

  
Tenor

           

                  
  
46 51

Bari

      

46 G Am C F G 51 E Am

                    51    
Gtr.

           
          

 

   
                               
                           
46

      
   
Piano 46  51

    
E/G♯

                   
G Am C F G Am

   
46 51

Bass

       
    
46 51

Drums

4
 
     

56 D.S. al Coda

 
Vo.

               
       
SING 56

Alto

           
Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

         
   
SING 56

Tenor

                          
     
Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

    
            

    



      

    
  
56

Bari

   
      
               
                                      
56

Gtr.

      
56

            56          

           
                
     
Piano

   
                      
          
                    
56

 
Bass

                 
        
               
56

Drums

 

     
Vo.

    
        
    
Alto

       
   


 
Tenor

  
            
 



Bari



    
 
Am

       
Gtr.

  



    
          
   
Piano 

          
   


Bass

 
     


Drums    

5
Alto sax BAD ROMANCE Words and Music by

   = 116
Stefani Germanotta and Nadir Khayat

              
                
     
1 5

  SING              
A


      
9

Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

  
               
B

    
13 17

Rah rah ah ah ah ah! Muh muh muh muh mah ah! Ga ga ooh la la a!

          solo             
     
    

 
tutti C


solo


25 33

  tutti  
                                   
D

       
37 41 45

 

        

                      
To Coda

   
49 SING 53

Rah rah ah ah ah ah! Muh muh muh muh mah ah!

 

                

D.S. al Coda

     
57

Ga ga ooh la la a!


Arranged for Jazz Mondays by Mike Fox 2016-08

Tenor sax BAD ROMANCE Words and Music by

       
              
Stefani Germanotta and Nadir Khayat

 
          
         
A

 
 = 116 1 5 SING 9

 Rah rah ah ah ah ah!

        
       
        
 
13

Muh muh muh muh mah ah! Ga ga ooh la la a! Rah rah ah ah ah ah!

            
              
            
B
17

Muh muh muh muh mah ah! Ga ga ooh la la a!

           
          
    

                                
21 25


                    
            
                     
C D

    
29 33 37

                                 
          
     
41 45

                    SING     
  
    
To Coda


49 53

Rah rah ah ah ah ah!

 
     
                     

      
 
D.S. al Coda
57

Muh muh muh muh mah ah! Ga ga ooh la la a! 

Arranged for Jazz Mondays by Mike Fox 2016-08

Bari Sax BAD ROMANCE Words and Music by

           
Stefani Germanotta and Nadir Khayat


A

              
 
 = 116

 
1 5 9 13

                                        
B

                    

17

                                        
            
         
21

                                        

                    
25 29

                    
                               
C

        
33



                     

D

                  


37 41 45

 

                         
                   
To Coda

      
    
49 53

    


       

               
   
D.S. al Coda

 

                         

              
  
57


Arranged for Jazz Mondays by Mike Fox 2016-08
Guitar BAD ROMANCE Words and Music by
Stefani Germanotta and Nadir Khayat

         
A

      
 = 116 1 F G Am C 5 F G E Am 9 SING

Rah rah ah ah ah ah!

             
       
13 SING

Muh muh muh muh mah ah! Ga ga ooh la la a! Rah rah ah ah ah ah!

        
B

              

17 Am C F Am C G 21 Am C F

Muh muh muh muh mah ah! Ga ga ooh la la a!


      
C

          
Am C E Am C F Am C G Am C F Am C E

               
25 29 33



               
D


E

 
G Am C F G Am F G Am C

   
F

     
37 41 45

    


   
To Coda


49 F G E Am


   
         

D.S. al Coda

          
 
       
       
             
53 57

      
Am

                   


Arranged for Jazz Mondays by Mike Fox 2016-08

Bass BAD ROMANCE Words and Music by

   
Stefani Germanotta and Nadir Khayat

   
A

 
E/G♯

                     
F G Am C F G Am

 
 = 116 1 5 9 SING

       
Rah rah ah ah ah ah!

            
      

        
13 Am

Muh muh muh muh mah ah! Ga ga ooh la la a!

        
                            
B

 
          
     
Am C F Am

  
17

  
            
          
     
          
             
    
C G Am Am/G C F
21 Am Am/G C E

           
                    
 Am
                       
25 C F Am C G Am Am/G 29

                            
    
    

C

                   
     
   
C F Am Am/G C E 33



    
D

                                        
37 F G Am C 41 F G E/G♯ Am 45 F




To Coda

   
E/G♯

       
G Am C F G Am

               
49

   
 
   
 
   
 
   D.S. al Coda
 
                     
   
53

                

 
      
      
        
57


Arranged for Jazz Mondays by Mike Fox 2016-08
Piano BAD ROMANCE Words and Music by

           
            
Stefani Germanotta and Nadir Khayat

             
                        
                 
 = 116 1 Ska feel

 
     
    
1

                               
       
A

  
   

 

    
 
 

 


                    

6 on the beat 11

   
           
6 11

     

16
B

       
      
                      

                   
16

  
   

21


                                        
                   
21

  
 

 

26

 
                                        
                    
26


      
    
31

 
                                        
                    
31

Arranged for Jazz Mondays by Mike Fox 2016-08

        
   
D

                
C

       
36 Ska feel

   
      
      
      
      
               
36

 

                   
 
                  
         
 
 

    
 
 

 



           
41

     

41

                   
  
           
     
   

       
           



            
46

     
 46

           
 
                               
To Coda

        
           
51

         

       
 51


     

56 D.S. al Coda

       
   
 
    
 
      
      
      
      

                       
56

  
    
    
 



2
Drums BAD ROMANCE Words and Music by

  
Stefani Germanotta and Nadir Khayat

   

     
A

               
 = 116 1 6

   


      

                   
11 16
B



                
            
21 26


          
           
31
C 36

 

  

D

            
41



 
                
To Coda
D.S. al Coda
46 51 56

      
              
             

Arranged for Jazz Mondays by Mike Fox 2016-08

Tenor Sax --> Alto Trans BAD ROMANCE
Words and Music by

     
Stefani Germanotta and Nadir Khayat

  
                          

  
 = 116 1
A SING 6

      
        
Rah rah ah ah ah ah!

     


   
11

          

Muh muh muh muh mah ah! Ga ga ooh la la a! Rah rah ah ah ah ah!

        
         
16
B

  
                                        
Muh muh muh muh mah ah! Ga ga ooh la la a!

             
21

   
                                          
           
26 31

              
    
     
    
  
 
C D 41


                       
  


   
46

        To Coda
  SING
           
 
     
51

Rah rah ah ah ah ah! Muh muh muh muh mah ah!

        
     

     

 
D.S. al Coda
56

Ga ga ooh la la a! 

Arranged for Jazz Mondays by Mike Fox 2016-08