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A Geometric Representation of Pitch-Class Series John Roeder Perspectives of New Music, Vol. 25, No. 1/2, 25th Anniversary Issue, (Winter - Summer, 1987), pp. 362-409. Stable URL: hitp://links,jstor.org/sic?sici=003 1-6016% 28 1987249%2F22%-2025%3A 1% 2F2%3C362%3AAGROPS%3E2.0,CO%3B2-6 Perspectives of New Music is currently published by Perspectives of New Musie. ‘Your use of the ISTOR archive indicates your acceptance of JSTOR’s Terms and Conditions of Use, available at hhup:/www.jstororg/about/terms.huml. JSTOR’s Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at hup:/www.jstor-org/journals/pnm.haml. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the sereen or printed page of such transmission, JSTOR is an independent not-for-profit organization dedicated to creating and preserving a digital archive of scholarly journals. For more information regarding JSTOR, please contact support @jstor.org. hupulwww jstor.org/ ri Jul 21.02:32:21 2006 A GEOMETRIC REPRESENTATION OF PITCH-CLASS SERIES lei JOHN ROEDER |ANY RECENT DISCUSSIONS of atonal music employ the theory of unoe- dered pitch-class (pe) sets formulated by Forte (1973) and others. Pe-set theory teats the propertis and relations of pe collections, such as similarity of interval