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22 October 20146 Comments

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THE SITUATION
As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst
others — have always been handy tools for me to write and mix music harmonically. There are
just too many options in chord progressions than I could ever have in my memory (maybe you
can, but I don’t). Plus, I personally use 3 different DJ applications and 3 different DAWs for
music production alone, for different purposes.

So yeah, I could always have a look at above mentioned helpers to orientate myself through the
notes and chords jungle, in case needed, which is not always the case. I have the most common
chords in my head. Just not always.

As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t
very likely (for me, again) to remember all the musical chords to know what to mix into what. So,
smart people came up with different systems like the Camelot Keys (Mixed in Key, which I
prefer, because of its accuracy) or the Open Keys (Traktor). Which is basically a range of 12
keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open
Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again)
you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This
example is the very basic part of harmonic mixing or composing. And also a bit boring if you do
that all the time. It becomes really good and interesting when you use all the options within the
world of chord progressions.

What I was missing in all those years of composing and DJing was ONE chart (to rule them all)
that shows me ALL key/chord systems and their equivalents, their piano keys (very useful for
composing) and their harmonic keys/chords. I searched the net in order to find out if someone did
this, but no one did. At least I couldn’t find it.
THE SOLUTION
So, I did it myself. 8 hours work and I had what I was looking for. And since I guess this could be
useful for every musician/DJ, I want to share it here with you. This is how it looks like (click to
open the full resolution file):

You can download the high-res JPG above, print it out and use it for yourself, if you like. Here’s a
PDF and the original EXCEL version of it, in case you want to edit/modify something for your
needs (let me know when you find mistakes or when you improved it!):
WHAT DOES IT DO, HOW DO I USE THIS?
Let’s take an example for a composing or mixing situation:

The chord we’re working with at the moment is A minor (or 8A, or 1m). What shall be next?
Everything in the table below — around the 8A — is possible, it will be harmonic. The closer to
the 8A it is the more harmonic it’ll be.

Composing Keys DJ Keys Harmonic K

Western Music Piano Chord Camelot Open D

Scale Degree
Scale Keys Key Key u

Fourth (Sub-
D minor D|F|A 7A 12m -1
Dominant)

C major C|E|G 8B 1d Relative major

Same key
A minor A|C|E 8A 1m
(tonic)

E minor E|G|B 9A 2m Fifth (Dominant) 1

 B-flat/♭ minor A# | C# | F 3A 8m Low energy boost 7

High energy boost

B minor B | D | F# 10A 3m 2
(supertonic)

A-flat/♭ minor G | B | D# 1A 6m Low energy drain -7

High energy drain

G minor G | A# | D 6A 11m -2
(leading tone)

But your decision what to do next is depending on the purpose. What kind of “feel” do you want
to give your mix or composition?

EXAMPLES
Here are some possible chord progression scenarios, working with the Camelot Keys (which I
prefer, at least for DJing), starting with 8A:

The “River”
That’s how I call it, it’s kind of a “secure standard”, nothing special, it’s just flowing along:

8A > 9A > 10A … 12A > 1A > 2A and so forth, until you’re at 7A and back into 8A again

Audio sample:

Audio Player
00:00

00:00

Use Up/Down Arrow keys to increase or decrease volume.

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Mike Griego “What Lies
Beyond” (10A)

You can’t go wrong with this one, you just rock “around the clock”. Depending on the energy
level of actual music/sequence used, transitions changes can be very energetic, though.
The “Little Ocean Wave”
The energy of this chord progression has the shape of an ocean wave or a sawtooth:

8A > 9A > 11A (+2 DJ keys, high energy boost) > 12A > 1a and so forth

Audio sample:

Audio Player
00:00

00:00

Use Up/Down Arrow keys to increase or decrease volume.

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Bobby Deep
“Egopunk” (11A)

You can do this once in a while to give your mix a little energy boost, which makes it more
interesting than the “River”.

The “Big Ocean Wave”

8A > 9A > 4A (+7 DJ keys, low energy boost) > 6A (+2 DJ keys, high energy boost) > 7a and so
forth

Audio sample:

Audio Player
00:00

00:00

Use Up/Down Arrow keys to increase or decrease volume.

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Michael A “Storm” (4A)
> Robert Babicz “Kinect” (6A)

Here you have a longer and progressive wave of energy rising, until it falls back to normal
at 7A again, just like an ocean wave crashing and the next one building up again.

The “Wild Ocean”

It’s a bit stormy, and the waters stirred up, but everything is still harmonic and in place. This is the
most “interesting” way of mixing, things shouldn’t become boring:

8A > 8B (relative major) > 9A > 4A (+7 DJ keys, low energy boost) > 4B (relative major)
> 6B (+2 DJ keys, high energy boost) > 7B > 2B (+7 DJ keys, low energy boost) > 4B (+2 DJ
keys, high energy boost) > 5B and so forth

Audio sample:

Audio Player
00:00

00:00

Use Up/Down Arrow keys to increase or decrease volume.

Music used: Third Son & Wally Lopez “Geometry” (8A) > Ingo Vogelmann “Empire On Fire” (8B) > Antrim
“The Mystic Lovers” (9A) > Michael A “Storm” (4A) > Raw District Feat. Jinadu “Taking You Down”
(Habischman Remix) (4B)

I could make up a hell of a lot more examples now (with even sillier names), but you most
probably already get the idea. The options are really endless, and you’ll always be composing or
DJing harmonic. The above scenarios are just examples. Find out what works for yourself, I’m
sure you’ll have fun experimenting with chord progressions, using this nifty chart. Oh, and don’t

mind the silly names … it’s just about giving things a name.

It’s free! Download, share, modify, re-publish and generally do with it whatever you
want. But please, don’t pretend you did this. Credit would be nice (and fair), but is no condition.