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Human beings at this time were strictly hunter-gatherers, which mean that they
were constantly on the move in search of food. They were also egalitarian,
which meant that both women and men enjoyed similar freedoms. The art was
portable or stationary, and both of these art forms were limited in
scope. Paleolithic period observe a considerable period of times in the history
of man, Artistic skills develop by those ancient people constitute the base of all
the future techniques applied in the history of art later.
Trying to characterize the art of a period covering most of human history is not
an easy task since Paleolithic art intricately is subordinate to the
archaeological and anthropological studies made by professionals in the
attempt to compile and get to know the greater amount of information.
Portable art in Paleolithic period
This type of art could be move or transport.During the period of the upper
Paleolithic art was necessarily small and portable objects, mainly consisted of
figurines or small decorated objects. These objects were carved (in stone, bone
or horn) or modeled with clay or elaborated from wood.
We will refer to the majority of portable art from this time as figurative, whether
what was depicted was an animal or a human figure.
The figurines found are often mentioned by the name of “Venus”, which are
unmistakably figures suggesting pregnant females with protuberance of sexual
and reproductive organs.
Perforate stick. Paleolithic Art.
Stationery art was precisely that: it does not move. The best examples that
exist are found in the cave paintings in Western Europe created during the
Paleolithic period. These paintings were made from combinations of minerals
and mixing then using for the wed base the internal substance of bones and
carbon, blood and fat of animals and sap from the trees. The
pigments obtained and mixed with the wed base were applied to the surface of
the cave wall.
It has been statement (and is only an assumption) that these paintings served
as some sort of ritual or magical propitiatory purpose, they are far from
the entrance of the caves in which everyday life was carried out. The cave
paintings not only contain figurative art, which means that many elements are
more symbolic than realistic. The exception clearly, here, is the representation
of animals, which are vividly realistic (human are represented, on the other
hand with simple stroke of lines like a stick or stake form) .
There is a curious element in these caves paint’s , you could figure that been
done in the darks places of this natural rock formations should be there traces
of smoke of torches, but there is no present of this type of stains, which gave
rise to an investigation by specialists to know how they were able to create
these paintings in the darkness and from where did they get the necessary
light.
Remains of kind of candles or primitive lanterns were found in those caves that
used animals fat that do not produce toxic and burn slowly, that’s why smoke
or grease traces of black soot on the surface of the walls or ceiling of the caves
are not present.
The Lascaux painting in France shows that they used almost exclusively black,
yellow and red pigments in those caves, had not been found any blue or green
pigments, as neither the use of white pigment despite being a natural
substance of whitish color here in abundance.
In cave painting; first man mark the outline of the figures with a rudimentary
carving tool made from stone fragments. they remarked later the contours in
black. Pulverized pigments obtained from plants and mixed with animal fat and
marrow with organic substances properties are later applied . The application
of color was done directly on the figure, using fingers, rough brushes and
spatulas. The moisture of the rock would provide the necessary adhesion. This
can be considered as a foretaste of what would later be the technique of fresco.
The lack of light in the caves and a constant humidity help to its preservation
for centuries. They are in a very good condition considering the time in which
they were created.
Spain: Altamira.
Although there are some others 300 to 400 sites that have been documented.
All of them provided rich information one way or another about this painting
techniques, thematics and level of skills reach by this ancient artist.
– The Paleolithic Venus in stone carvings were made in small size and easy to
carry.
– The only human figure were outlines with a simple stroke resembling stakes.
– The use of rituals and dances to promote favorable climatic conditions and
other circumstances of welfare such as healing the sick.
– Paintings with limited color range using several methods predominantly the
use of hands for the application of the paint as well as coarse brushes and
rudimentary stakes.
– Use of the forms of protruding rocks to give a feeling of depth and relief.
Neolithic Art
Contents
For the earliest 100 artworks, see: Oldest Stone Age Art.
In Prehistoric art, the term "Neolithic art" describes all arts and crafts created
by societies who had abandoned the semi-nomadic lifestyle of hunting and
gathering food in favour of farming and animal husbandry. Not surprisingly
therefore, ancient pottery including terracotta sculpturewas the major artform
of the Neolithic, although human creativity of the age expressed itself in a good
many different types of art, including prehistoric engravings and hand stencils,
as well as a variety of mobiliary art(sculpted statuettes, personal adornments).
In addition, the construction of religious temples, shrines and tombs to serve
the new sedentary culture led to the development of megalithic art and a form
Thinker of Cernavoda of monumental stone architecture using megaliths (petroforms).
(5,000 BCE)
National Museum of Romania.
A magnificent example of Historical Chronology
terracotta sculpture from
the Neolithic era.
The Neolithic period - which heralded the beginning of civilization - witnessed a
CHRONOLOGY OF massive change in lifestyle across the world. From the time that the Ice Age
PREHISTORIC ART finished (about 10,000 BCE), the old Paleolithic hunter-gatherer existence
• Aurignacian Art started to disappear, as the herds of reindeer and other animals went
(40,000-25,000 BCE) north. Cave art disappeared as people began to adopt a more settled existence,
• Gravettian Art based on agriculture, the rearing of domesticated animals and the use of
(25,000-20,000 BCE) polished rather than chipped stone tools. However, there is no single date that
• Solutrean Art marks the beginning of the Neolithic, since agriculture became established at
(20,000-15,000 BCE) different times in different parts of the world.
• Magdalenian Art
(15,000-10,000 BCE) • In the Americas, it lasted from 2,500 BCE to about 500 CE
• Mesolithic Art • In Northern/Western Europe, the Neolithic lasted from 4,000 to 1,800 BCE
(from 10,000-variable BCE) • In Central Europe, it lasted from 5,500 to 2,000 BCE
• Neolithic Art
• In East Asia, it lasted from 6,000 to 2,000 BCE
(Ends about 2,000 BCE)
• Bronze Age Art
(c.3500-1100 BCE)
• Iron Age Art • In Southeast Europe, it lasted from 7,000 to 2,500 BCE
(c.1100-200 BCE) • In Africa, Near East, South-East Asia, it lasted from 8,000 to 2,500 BCE
As in all eras of Stone Age art, what happened in everyday life had a major
impact on the art of the period. Paleolithic man had focused all his energies on
hunting for food and procreation - as illustrated by the Lascaux cave
paintingsand the fertility symbols known as Venus figurines, respectively. In
contrast, Neolithic man found that cultivating crops made life much more
secure. Indeed, as Neolithic farming settlements gained control of their food
supply and became less vulnerable to predators, several things happened.
First, the population expanded significantly: from 8 million to 65 million within
5,000 years. Second, communities became more aware and more protective of
their "territory". They frequently merged with others, creating larger
settlements and (ultimately) cities. Thirdly, they became more organized and
more hierarchical. Lastly, Neolithic man began to develop systems of belief in
supernatural deities. Each of these social developments had an impact on the
art of the period.
Pottery
Ceramic art in the Near East is usually separated into four periods: the Hassuna
period (7,000-6,500 BCE), the Halaf period (6,500-5,500 BC), the Ubaid period
(5,500-4,000 BC), and the Uruk period (4,000-3,100 BC). During the Hassuna
period, low-fired pots were made from slabs, undecorated and unglazed. But by
the Halaf era, wares were decorated with intricate painted designs, as well as
incised patternwork and burnished. With the invention of the potter's wheel in
Mesopotamia during the Ubaid period, pottery manufacture was revolutionized,
enabling increasingly specialized craftsmen and mould-makers to supply the
growing demand for new shapes and new types of vessels. See also: Pottery
Timeline (from 26,000 BCE).
In Neolithic India, pottery was in use during the Mehrgarh Period II (5,500-
4,800 BCE) and Merhgarh Period III (4,800-3,500 BCE), as well as during the
later Indus Valley civilization (3300-1300 BCE). In Europe, clay-fired ceramics
originated during the era of Paleolithic art - see, for instance, the Czech
statuette known as the Venus of Dolni Vestonice (c.26,000 BCE) - and
thereafter developed in fits and starts. In Africa, the earliest pottery dating
back to at least 9,500 BCE was unearthed by Swiss archeologists in Central
Mali.
• Samarra and Halaf Plates from Iraq and Syria (5,000 BCE)
Ceramic ware decorated with figurative or abstract patterns.
[See also: Mesopotamian Art 4,500-539 BCE.]
Neolithic culture was also noted for its stone carvings and ceramic sculpture.
Fine examples include:
Megalithic Architecture
As Neolithic settlements grew in size so did the need for rules and social norms.
This led to, or coincided with, the development of religious belief systems and
the worship of deities. This in turn led to the gradual emergence of
monumental religious architecture for shrines and tombs, which evolved
alongside the religious beliefs that it celebrated. The most famous examples of
such works are the Egyptian Pyramids (c.2650-1800 BCE). For more detailed
information, please see: Ancient Egyptian Architecture (3,000 BCE to 200 CE)
and Early Egyptian Architecture (3100-2181 BCE).
Rock Art
Situated on the Kacchi Plain of Balochistan, Pakistan, this 495-acre site is one
of the oldest known centres of Neolithic farming and animal husbandry in South
Asia, from which some 32,000 artifacts have been excavated to date. It is also
a significant producer of Neolithic pottery. Scientists have classified the
occupation of the site into several different periods, as follows. Mehrgarh Period
I (7000-5500 BCE) was Neolithic and aceramic (devoid of pottery). Ornaments
made from limestone, lapis lazuli, sandstone, turquoise and sea shells have
been discovered, along with statuettes of women and animals. The discovery of
these statuettes is highly significant: it means that Mehrgarh was responsible
for the oldest known ceramic cult figurines in South Asia, made even before the
site's first pottery. It was only in Mehrgarh Period II (5500-4800 BCE) and
Mehrgarh Period III (4800-3500 BCE) that craftsmen began making pottery.
During Period II the potter's wheel was introduced. Mehrgarh craftsmen also
made glazed faience beads and terracotta figurines decorated with paint and
ornaments, as well as button seals in bone and terracotta and bone,
embellished with geometric designs. Further cultural and artistic developments
occurred during Period IV (3500-3250 BCE), Period V (3250-3000 BCE) and
period VI (c.3000-2600 BCE). By 2,000 BCE, the quality of Mehrgarh's pottery
appears to have suffered due to mass production, and also because of a
growing interest in bronze and copper.
Mesolithic Art
During the Mesolithic period, humans developed cave paintings, engravings, and
ceramics to reflect their daily lives.
LEARNING OBJECTIVES
Compare and contrast the Mesolithic period with the Paleolithic and Neolithic periods
KEY TAKEAWAYS
Key Points
The Mesolithic or Middle Stone Age is an archaeological term used to describe specific
cultures that fall between the Paleolithic and the Neolithic Periods.
The use of small chipped stone tools called microliths and retouched bladelets are the key
factor to identify the Mesolithic as a prehistoric period.
Mesolithic people likely continued the art forms developed during the Upper Paleolithic
Period, including cave paintings and engravings , small sculptural artifacts , and early
megalithic architecture.
The most extensive collection of Mesolithic rock art has been found on the Mediterranean
coast of Spain. These paintings consist of human and animal figures in scenes of hunting
and early agricultural activities, such as collecting honey.
A Mesolithic pendant excavated in England bears striking similarities with contemporary
pendants produced in Denmark. Whether this points to intercultural contact or travel
across vast expanses is unclear.
Key Terms
The Paleolithic was an age of purely hunting and gathering, but toward the Mesolithic
period the development of agriculture contributed to the rise of permanent settlements.
The later Neolithic period is distinguished by the domestication of plants and animals.
Some Mesolithic people continued with intensive hunting, while others practiced the
initial stages of domestication. Some Mesolithic settlements were villages of huts ,
others walled cities.
The type of tool used is a distinguishing factor among these cultures. Mesolithic tools
were generally composite devices manufactured with small chipped stone tools called
microliths and retouched bladelets. The Paleolithic utilized more primitive stone
treatments, and the Neolithic mainly used polished rather than chipped stone tools.
Backed edge bladelet: Mesolithic tools were generally composite devices manufactured with small chipped
small stone tools called microliths and retouched bladelets.
Art from this period reflects the change to a warmer climate and adaptation to a
relatively sedentary lifestyle, population size, and consumption of plants—all evidence
of the transition to agriculture and eventually the Neolithic period. Still, food was not
always available everywhere, and Mesolithic populations were often forced to become
migrating hunters and settle in rock shelters. It is difficult to find a unique type of artistic
production during the Mesolithic Period, and art forms developed during the Upper
Paleolithic (the latest period of the Paleolithic) were likely continued. These included
cave paintings and engravings, small sculptural artifacts, and early architecture.
A number of notable Mesolithic rock art sites exist on the Mediterranean coast of Spain.
The art consists of small painted figures of humans and animals, which are the most
advanced and widespread surviving from this period in Europe and possibly worldwide.
Notably, this collection is the largest concentration of such art in Europe. The human
figure is frequently the main theme in painted scenes. When in the same scene as
animals, the human runs towards them. Hunting scenes are the most common, but
there are also scenes of battle and dancing, and possibly agricultural tasks and
managing domesticated animals. In some scenes gathering honey is shown, most
famously at Cuevas de la Araña en Bicorp.
The Man of Bicorp: The Man of Bicorp holding onto lianas to gather honey from a beehive as depicted on an
8000-year-old cave painting near Valencia, Spain.
The painting known as The Dancers of Cogul is a good example of the depiction of
movement in static art. In this scene, nine women are depicted, something new in art of
this region, some painted in black and others in red. They are shown dancing around a
male figure with abnormally large phallus, a figure that was rare if not absent in
Paleolithic art. Along with humans, several animals, including a dead deer or buck
impaled by an arrow or atlatl, are depicted.
Dance of the Cogul: El Cogul, Catalonia, Spain.
The native Mesolithic populations were slow in assimilating the agricultural way of life,
starting solely with the use of ceramics . It took a thousand years into the Neolithic
period before they adopted animal husbandry (which became especially important to
them) and plant cultivation. When they eventually developed interest in the more fertile
areas utilized by the late Danubian cultures, they compelled the Danubian farmers to
fortify their settlements.
History of Art Timeline - Prehistoric Art Timeline - Prehistoric Art - Earliest Art
Bronze Age Art (c.3000-1100 BCE)
History, Characteristics
Art from the Bronze age (c.3000-1100 BCE), an important period linking
the Stone Age with the Iron Age, was a reflection of the environment of the
time. The Bronze Age was characterized by the production of the
metal bronze(an alloy of copper and tin), the development of a wide range of
Monumental Bronze Head (c.1100 BCE)
Overlaid with gold foil. One of the
functional and precious metalwork, and an increase in economic productivity
extraordinary Sanxingdui bronzes: and the consequent emergence of skilled workers, many of whom were
masterpieces of the Bronze Age involved in artistic activity, albeit of a semi-functional nature. Ornamental and
in China.
decorative designs on helmets, body armour, swords, axe-heads and other
weapons became more widespread. Ceramic designs became more elegant,
and a new range of ceremonial/religious artifacts and artworks began to
emerge. Also, late prehistoric sculpture blossomed, taking full advantage of
bronze casting methods.
Bronze Age art in Europe is exemplified by megalithic art, like engravings and
other petroglyphs, at Newgrange Megalithic Tomb (c.3300 BCE), the
larger Knowth Megalithic Tomb (c.2500 BCE) and the Stonehenge stone
circle (c.2600 BCE).
As the Bronze Age came to an end around 1100 BCE, the history of art reveals
a widening cultural gap between Northern and Mediterranean Europe. Climate,
the presence of minerals and other precious metals, security, social cohesion
and trade were all factors which favoured faster economic development, which
in turn led to a faster growth of the arts (especially painting and metalwork) in
the regions of the South, and along the principal European waterways like the
Rhine and the Danube.
In contrast to the Stone Age and the Bronze Age, development during the Iron
Dying Gaul (c.232 BCE) by Greek Age (c.1100-200 BCE) was much faster and more visible. It witnessed
Sculptor Epigonus. the widespread use of iron and iron tools, resulting in greater prosperity
and a huge upsurge in metalwork, especially around the eastern
ANCIENT ARTS AND CULTURES
For a review of prehistoric art forms Mediterranean. During the period of the Iron Age,
including painting, sculpture and the Minoan and Mycenean civilizations declined, while Greek art dazzled the
decorative arts, see: Ancient Art. Mediterranean basin, especially Greek sculpture and painted Greek pottery. At
the same time the first Etruscan art also appeared, but it was the Hellenic
culture of ancient Greece which dominated, along with Egyptian and Persian
art. In central Europe, Celtic art proved influential, notably in the field of
metallurgy.
Only after Greece began to lose its power at the end of the Iron Age (c.200
BCE onwards) did Roman art begin to appear, and this was created largely by
Greeks in the Hellenic style. Unfortunately, many of the paintings and other
artworks from this period have been destroyed, leaving us with only a relatively
small legacy of architectural and portable art works (like vases) by which to
gauge the artistic activity of the day.
Broighter Collar (1st Century BCE) In the history of art, Mediterranean Iron Age civilization is classified into
A delicate tube of gold decorated in several smaller periods, most of which reflect the artistic activity in Greece.
the Celtic La Tene style.
(National Museum of Ireland)
These are: the Dark Ages (c.1200-900 BCE), the Geometric Period (c.900-
700 BCE), Oriental-Style Period (c.700-625 BCE), the Archaic
For more about architectural visual Period (c.625-500 BCE), the Classical Period (c.500-323 BCE), and
arts during the Iron Age, see: the Hellenistic Period (c.323-27 BCE).
Architecture: History & Styles.
DIFFERENT FORMS OF ARTS
For definitions, meanings and
explanations of different arts,
see Types of Art.
During the Dark Ages, the Greek world temporarily fell into chaos due to
external pressures. The smaller, poorer constituent kingdoms which emerged
could not support the luxury arts that had flourished in the Bronze Age palaces
of the Minoan and Mycenaean empires. Most painting and sculpture were lost
and the arts went into decay. Fortunately, by 900 BCE, Athens reasserted itself
and the arts - notably ancient pottery (painted vases) - regained their earlier
importance. During the Geometric Period, vases were produced in geometric
shapes to facilitate maximum decoration and narrative. During the Orientalist
Period, vases became less geometric, and depicted more heroic scenes from
Greek history. See also Daedalic-style Greek Sculpture. During the Archaic
period, these historical motifs were initially replaced by stereotyped animal or
human figures, although by 500 BCE even more complex mythological scenes
had reappeared. See Archaic-style Greek sculpture and Archaic-style Greek
painting.
Throughout the first four periods of the Iron Age, vase painting largely mirrored
monumental art - meaning, painting and decoration of buildings and other
monuments. Many temples and other public buildings were decorated with
friezes and wall-paintings.
During the Classical Period, Greek art became less decorative and more
dignified. Painting depicted political and military successes. Noted muralists of
the time included Polygnotus, Micon, Apollodorus (invented skiagraphia or
shadow-painting), Zeuxis, Apelles, and Parrhasius. Both linear-style and more
subtle shading styles were practised. Sculpture, relief, pedimental and free-
standing, was more widespread and has survived better. Art historians sub-
divide the sculpture of this era into Early Classical, High Classical and Late
Classicalvarieties.
The Hellenistic Period, beginning with the death of Alexander the Great,
witnessed more developments in both Greek painting and sculpture. Artists
became employed by rulers who utilized their talents to promote their image
and secular claims. As Rome gained in political power, Etruscan art began to
recover from its domination by Greece. Remains of tombs in Etruria display
paintings with quite sophisticated chiaroscuro effects.
Iron Age arts in Northern and Central Europe owed much to the influence
of Celtic metalwork art, but remained limited in design and quality by
comparison with Mediterranean examples. By far the best examples of central
European civilizations include the Hallstatt and La Tene styles of Celtic culture.
Few secure cities emerged in the North during this time, leaving fewer
opportunities for painting and sculpture. Instead, art was limited to personal
adornments, cooking or drinking vessels, along with decoration and
ornamentation of weaponry, horse tack, boats and other functional items. (For
more about Celtic crafts in Ireland during this period, please see the history of
Irish art.)
In Chinese art, the end of the Iron Age witnessed the supreme example
of ceramic art in the form of the huge collection of terracotta sculpture, known
as The Terracotta Army. (c.240-210 BCE), which was followed by four centuries
of Han Dynasty Art (206 BCE - 220 CE).