Toxicity

Toxicity (2001)

                                     
Master Score By System of a Down (Arr. Jack Edge)

  
Andante(  = 85)

Violin I

    
 


Violin II

Viola     
   

      
Cello  

      
Bass  

    
Drums 
 
       
            
  
4

 
Violin I

     


 
 
Violin II

 

     


 
 
Viola

 
      


  
 
Cello

 
   
  


  


Bass

                  
3

Drums 

2
  
   
      
       
  
6

  
Violin I

    
       
 
  
Violin II

 
    
      
 
  
Viola

    
         
 

Cello

  
          
       
            
Bass

Drums                       


      
 
8


Violin I

 
      

Violin II

 
     

Viola

 
       

Cello

 
      
 
Bass

              
Drums      
3
                           

9

Violin I


  
                      
Violin II

 
                       
Viola

 
 
                       
Cello

   

                       
Bass

Drums  

   
      
       
  
10

 
Violin I

   
          
 
 
Violin II

     
      
 
 
Viola

    
        
 

Cello

 
          
       
            
Bass

Drums                       

4
 
 
      













12


Violin I

  
      



Violin II

  
     

Viola

 
                  

Cello

  
      


                       
Bass

                         

 
Drums

        
                
14

Violin I

  
Violin II 

Viola    

 
            
           
Cello

   

                               
Bass

            
   
Drums

5
      
                  

16


Violin I

     
  

Violin II

     


Viola
  
 
            
           


Cello

   
Bass 

                               



           
   
Drums

      
                  

18


Violin I

 
Violin II         
     

    
      
Viola
     
 
            
           
Cello

    

                               
Bass

            
   
Drums

6
      
                  

20


Violin I

 
         


Violin II

      
Viola
  
 
            
           
Cello

   



                       
Bass

                
   
   
Drums

      
                 

22


Violin I


Violin II        
      

    
Viola            
 
             
           
Cello

    

                               
Bass

            
   
Drums

7
       
      
24


Violin I


       

Violin II

       
Viola

 
Cello             
  


Bass

            
        
 
Drums

   
   
     
   
 
25


Violin I

 
   
    


 

Violin II



    
    
 

Viola

     
      


 
Cello

  
          
 

Bass

Drums                    

8
 
           
    
 

26

 
Violin I

    
      
 
 
Violin II

    
       
  

Viola

    
        
   
 
Cello

          
       
            
Bass

Drums                       

 
     
 
28


Violin I

 
      

Violin II

 
     

Viola

 
       

Cello

 
      
 
Bass

              
Drums      
9
    
       

29

Violin I


  
                      
Violin II

 
                       
Viola

 
 
                       
Cello

   

                       
Bass

Drums  

  
        
   
30

Violin I


Violin II         
 
Viola
     
 
Cello        
 
      
 
Bass

              
Drums      
10
    
       
 
31


Violin I

     
    
 

Violin II

     
     
 

Viola

     
      
  
 
Cello

          
 

Bass

                  
3

Drums

  
                
32


Violin I

  
      



Violin II

  
  


  

Viola

 
                   

Cello

  
  
   


                           
Bass

          
        
 
Drums

11
             
            
34

Violin I


Violin II           

Viola    

 
            
           
Cello

   

                       
Bass

                        
   
Drums

     
                   

36


Violin I

     
    

Violin II


      


Viola
   
 
            
           


Cello

   
Bass 

                               



           
   
Drums

12
       
                 

38

Violin I

    
Violin II            

     
          
Viola

 
            
           
Cello

   

                       
Bass

                    
  
   
Drums

     
                  

40


Violin I

   
           

Violin II

           
Viola
   
 
            
           
Cello

    



                               
Bass

            
   
Drums

13
       
                 

42


Violin I


            
 
Violin II

    
         
 
Viola

 
            
           
Cello

   

                       
Bass

                
   
   
Drums

      
      
44


Violin I

  
      

Violin II

       
Viola

 
Cello              
   
Bass 

               
        
 
Drums

14
   
     
     
   
45

  
Violin I

   




        
  

Violin II


     
    


 

Viola

     
      


 
Cello

  
          
 

Bass

               
   

Drums

          
       

46



Violin I

 
     
         
 
Violin II

   
       
  

Viola

    
         
   
 
Cello

     

       
            
Bass

   
Drums               
     

15
 

      

48


Violin I

 
      

Violin II

 
     

Viola

 
      

Cello

 
       
 
Bass

            
Drums         

   
     

49

   
Violin I

 
Violin II      

 
                       
Viola

 
 
                       
Cello

    

       
Bass

            
Drums     

16
   

   

 
  
  
50

  

Violin I

  
     
  

Violin II

 
     

Viola

 
      

Cello

 
      
 
Bass

            
Drums         

   
       
 
51

 
Violin I

   
    

 



Violin II

       
    
 

Viola

     
      
  
    
Cello

         

Bass

                  
3

Drums

17
 
   
  

52

Violin I


   
  

Violin II

 
     

Viola

 
      

Cello

 
       
 
Bass

            
Drums         

 

53

Violin I

 
Violin II 

  
 
                 
Viola

 
Cello 

  


Bass

     

Drums

18
  

54

Violin I

 
Violin II 

  
 
                 
Viola

 
Cello 
  
Bass 

Drums  

 

55


Violin I

 
                       

Violin II

 
                       

Viola

 
 
                       

Cello

          

           
Bass

Drums                 
19
  

56

Violin I


  
                      
Violin II

 
                       
Viola

 
 
                       
Cello

         

           
Bass

Drums                 

  
                   

57


Violin I

 
                   

Violin II

 
                   

Viola

 

                   
Cello

         

       
Bass

Drums                 
20
    
                   

58

 
Violin I

 

                   
 
Violin II

 
                   
 
Viola

 

                   
Cello

         

       
Bass

    
Drums            

 

59


Violin I

 
                       

Violin II

 
                       

Viola

 
 
                       
Cello

          

           
Bass

Drums     
                       
21
  

60

Violin I


  
                      
Violin II

 
                       
Viola

 
 
                       
Cello

         

           
Bass

Drums     
                       

22
   
         

    
61


Violin I

    
     


 

Violin II



    
    
 
Viola

  
           


    
 
Cello

          
 


Bass

                   

3
Drums

23
              
    
62

 
Violin I

    
         
 
 
Violin II

    
          
 
         
Viola

     
  

   
Cello

          
        
            
Bass

Drums                      

 
     
 
64


Violin I

 
      

Violin II

 
     

Viola

       
 

Cello

 
      
 
Bass

              
Drums      
24
    
       

65

Violin I


  
                      
Violin II

 
                       
   
Viola

      
Cello 

   

                       
Bass

Drums  

   
        
   
66

Violin I


Violin II         
 
     
  
 
Viola

        
  
Cello

 
      
 
Bass

              
Drums      
25
    
       
 
67


Violin I

     
    
 

Violin II

       
    
   
Viola

          


    
Cello

        

Bass

                  
3

Drums

   
 
68


Violin I

 
     

Violin II

 
     

Viola

    


Cello

 
      
 
Bass

              
Drums      
26
  

69

Violin I


  
                      
Violin II

 
                       
Viola

   
Cello 
         

           
Bass

Drums     
                       

 

70

Violin I


                        
   
Violin II

 
                       
Viola

   
Cello 

          

           
Bass

Drums     
                       
27
 
          
      
71


Violin I

 
                 

Violin II

 
                 

             
Viola

 
Cello 
         

   
Bass

Drums     

 
                

72

 
Violin I

 
                  
 
Violin II

 
                 
 
              
Viola

 
Cello 

          

   
Bass

Drums        

28
 Toxicity
Violin I Toxicity (2001)

     
                               
Master Score By System of a Down (Arr. Jack Edge)

  
Andante(  = 85)

   
            
                   


       
4

 
                                         



8

 
  
                                            
 
11

 
                                   



15

        
           

18

   
     
             

21

  
    
                                        
   

24

       
                                       


      
28

                                     

33


               
                

36

          
                        

39

        
           

42

   
                  
                       
    

45

        


                   

    
50

   
                                         

57

 
                            
           
     
61

       


                 
    
    
66

  
                                   

71

2
 Toxicity
Violin II

 
Toxicity (2001)

    
By System of a Down (Arr. Jack Edge)

 
Master Score


                
Andante(  = 85)

             
     


                                


   
9

     
            

                    

11


   


             
 
          
19

   
 
                               
     
24



           


                              
28

 
                
           
 
31

 
          


     

                  
37

   
   


                                   
    
42

       
      


                               

47
   

      
      
    
51


 
                       
55


  
                      
56


 
                   
57

 
 
                   
58


 
                       
59


   
                                 
 
60

  
    



             
 
62

 

                                
65

 
     
           

67


  
                      
69

2
 
                        
   
70


 
                 
71

 
 
                 
72

3
 Toxicity
Viola Toxicity (2001)

 
         
Master Score By System of a Down (Arr. Jack Edge)

    
    
Andante(  = 85)

             
   

 


                                
8


     
        
                 
10

 

  


              
             
18

   
    
                       
    
23

  
     


          

27

 
                                
29

     
  
                  
        
  
31


      


        

               
39

       
  
                         

     
44


 
 
                                
48

    
   
                 
50

 

 
                       
55

 
                       
56


 
                   
57

 
 
                   
58


 
                       
59

  
     
                            
60


     
  
         


      
62

 

 
                                
65

  

    
          

67


2
  
                       
69

 
                       
70


 
                 
71

 
 
                 
72

3
 Toxicity
Cello Toxicity (2001)

      
By System of a Down (Arr. Jack Edge)

     
Master Score

                  
 
Andante(  = 85)

   
   
 
       


      
      
      
     
9

  
                
                  
  
       
11

 


                  
                 
15

 
        
     
18

 
            
           
21

 


            
           
23

   
                
         
    
25

 
 
       


                       
29

 
                
                  
  
       
31


  
             
           
35

 
        
     
38

 
            
           
41

 



                       
43

   
                  
        

45

  

 
      


                       
49

 
     
            

51


 
                 
 

53

 
                 
 

54


 

                       
55

 
 
                       
56

2
 
 

                   
57

 
 

                   
58


 
 
                       
59

 
 
                       
60

      
    
                                    

     
61



    
                   
           

66

  
           
              
 
 

71

3
 Toxicity
Bass

 
Toxicity (2001)

      
Master Score By System of a Down (Arr. Jack Edge)

                            
Andante(  = 85)

   
    
    


   
                             
9

      
   


                      
  
21

     
 


    
                                 
28

   
   


                  
 
38

       
            


    
                        
47

  
                 
      
52

                                                 

57

     
                                   
           
60

    
 


    
                                
64
                          

69

          

72

2
 Toxicity
Drums Toxicity (2001)

   
                              
Master Score By System of a Down (Arr. Jack Edge)

 

3

        
Andante(  = 85)

  
                                       
7

                  
                    
      
9

   
                                         

11

                       
         
          
13

   
                               
 
          
15

   
                               
 
          
17

   
                               
 
          
19

   
                               
 
          
21

   

                            
            
   
23

   
                      
 
              
     
25

                     
 
                    
27

                        
               
29

   
                                           
3


31

                       
             
     
33

   
                       
         
          
35

   
                       
         
          
37

   
                             
 
          
39

   
                       
             
     
41

   
                       
         
          
43

   
           
        
  
  
 

 

45

2
                      
 
              
     
47

                        
                   
49

                    
                           
3
51


                       
         
                       
54

               
                                
57

                       
                                                
59

           
                       
       
61
3

                           
 
      
     
63

                  
         
             
65

                   
 
                  
     
3
67

                       
                                                
69

3
        
       
   
71