Beruflich Dokumente
Kultur Dokumente
Men
Author(s): João Roberto Martins Filho and Timothy Thompson
Source: Latin American Perspectives, Vol. 36, No. 5, MEMORY AND POPULAR CULTURE
(September 2009), pp. 89-107
Published by: Sage Publications, Inc.
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phrase chosen by Fernando Gabeira as the epigraph tohis book O que ? isso,
companheiro?(What'sGoing On Here, Comrade?) (2001 [1979]).Or, as Fl?vio
Tavares has concluded in a different
context, "Not forgetting is the only
answer" (1999:13).1 By contrast, when pressed to speak, military men, particu
some
larly those who had (or still have) degree of institutional authority, insist
on the need to "turn the
page" of history and look toward the future for the
own
sake of national unity and the military's good name. Accordingly, those
on the leftfeelobligated to tell and retell the story surrounding theirdefeat.
are corroborated
Their narratives by theworks of historiographers and journa
lists. On themilitary side, meanwhile, there are no victory celebrations.2
As a specialist in both leftist movements and military policy in Brazil, I
an effort here
to synthesize 25 years' worth of a
make reading and research,
span that covers this war of memory exactly. The two topics that I aim to
integrate?the recollections ofmilitants and those ofmilitary men?are usually
LATIN AMERICAN PERSPECTIVES, Issue 168, Vol. 36 No. 5, September 2009 89-107
DOI: 10.1177/0094582X09341979
? 2009 Latin American Perspectives
89
studied separately.3 This article analyzes the way in which those memories
have been constructed from the moment that the testimonies of those who
survived the "years of lead" (anos de chumbo) first emerged.41 suggest here that
thepassage of timehas changed importantaspects of thenarratives on both
sides of the fight.
"full, general, and unrestricted amnesty,, applies only to those on their side.
They lose no opportunity to reject both peace?the great objective of the bill?
and silence about the past, a silence that has benefited them greatly. . . . Some
have specialized inwriting screenplays or telenovelas of a supposedly historical
nature, but they actually subvert the truth in order to champion certain of their
"heroes." ... [In this way] these violent radicals who intended, by force, to
impose communism on our homeland (using foreign or stolen funds)?? la Fidel
Castro?have been dressed up as heroic defenders of democracy.
In his view the two other groups making claims are "those who forget about
or minimize how much was done right" and those who "do look at the posi
tive aspects" but "when discussing the period cite only Castello Branco and
Geisel and rarelymention Costa e Silva andM?dici" (Oliva, 2002:101-102).
JarbasPassarinho played a key role in themilitary regime, continued to
influencenational policy afterward,and in 1996published his own substantial
memoir. He puts itthisway (2001): "The victors of thearmed conflictpreached
not forgiveness, which presupposes repentance, but mutual forgetfulness,
forgetting one's passions, which is essential for reconciliation. So much for
that. Itwas only the winners who forgot." Elsewhere, lamenting the "biased"
accounts of the circumstances surrounding the promulgation of Institutional
Act no. 5,5 Passarinho (1998) returns to one of his recurring themes: "There are
some surviving leftists from the days of the armed conflict or their descen
dants who spew out the hate of defeat, cultivate vindictiveness, and reject
These brief examples also point to another theme. As these writers certainly
recall, the collective memory of the lefthas been constructed not only from the
recollections ofmilitants but also fromworks more historiographie in approach
(even ifwritten by former militants), academic dissertations, reportage, stage
plays, lists of torture victims, films, television specials and miniseries, inter
views, inquiries led by organizations of the familiesof the dead and disap
a on torture
peared, and, finally, sophisticated project to set the record straight
that resulted in two volumes entitled Brasil, nunca mais (Brazil, Never Again)
(Arns,1985; 1986; see also 1988).
At thesame time,criticismof thosewho had broken thecontractsupposedly
tyingamnesty to forgetfulness did not come exclusively fromofficers
who had
at positions of authority in the 1960s and 1970s. It remains a
already arrived
constant part of current military discourse and also appears in the words of a
second generation of officers, those who reached the top ranks in the 1980s
and 1990s. One example is that ofMauro C?sar Rodrigues Pereira, minister of
the navy from 1995 to 1998, during the first term of Fernando Henrique
Cardoso. In an interview conducted by Celso Castro and Maria Celina D'Araujo
(2001: 282), the admiral argues that amnesty was a "way to settle what normal
efforts had been unable to resolve." "Once decided on," he states, "it has to be
respected." Further, he asks, "If you want to investigate, why investigate just
one aspect?Why not investigateeverything?"And he responds, "It's as I said:
'The reaction might have gone too far,might have been messy, but it came
merely
as a
consequence.' If there was a way to pin down responsibility in
every instance, itwould be better than amnesty. But evidently that was
impos
sible, so amnesty was the solution. The decision was made, end of story."
Reminded by the interviewers of the wounds that have yet to heal, as in
the case of the disappeared, he continues: "Of course there are wounds. But
there were wounds on all sides. So, one side has to shut up and
keep quiet.
Does theother side have the righttokeep saying that it'swounded and has to
finda way toheal itself?No. It, too,has to shut up and keep quiet" (Castro
and D'Araujo, 2001: 283). The same idea surfaces in the testimonyof another
military minister from the Cardoso administration. For Air Force General
Mauro Jos?Miranda Gandra, the "process of was intended to turn a
amnesty"
page inhistory (a page thathe considers "ifnot black thenat least gray"). It
was to promote a
intended "scarring effect" for the wounds of the authorita
rian period (Castro and D'Araujo, 2001: 305). And he concludes, "The Nation
had to, and not in a literary sense, turn the page. That page had to be turned
began in 1977. It was then that Renato Tapaj?s's Em c?mara lenta (In Slow
Motion) appeared, only to be banned shortly thereafter.The final battles
occurred with the publication of Brasil, nunca mais, under the auspices of
Cardinal Paulo Evaristo Arns, and, two years later, Combate nas trevas (Combat
in the Shadows) (Gorender, 1998 [1987]), a detailed history of the armed
resistance by Jacob Gorender, former leader of the Partido Comunista Brasileiro
(Brazilian Communist Party?PCB).8
Released inAugust 1977 in an act of defiance byAlfa-Omega, a publishing
house in Sao Paulo, Em c?mara lentaserved to test the limitsof the gradual
political "opening" (abertura)promoted by President ErnestoGeisel. The gov
ernment's response came swiftly: the work was banned and its author sent to
prison. The new era, however, was soon reflected in his rapid release by order
of the Sao Paulo judge advocate's office (Folha de S. Paulo, 1977a; 1977b;
1977c). InApril 1979 the book was finally cleared, and it is currently in its
second edition (Movimento, 1979). Two other texts from this first phase turned
into surprising and unexpected editorial phenomena, standout examples of
the successful culture industrybroadly encouraged by thepolicies of Brazil's
military government.
Fernando Gabeira's O que ? isso, companheiro? is the account of a secondary
character in the kidnapping of U.S. Ambassador Charles Burke Elbrick. After
taking
on the writer's mantle, Gabeira was transformed into a public figure
with tremendous media exposure, opening the way for his later career as an
environmentalist and member of Congress. Published in 1979, the book sold
tens of thousands of copies from the very beginning and currently stands at
more than 250,000 in two editions and more than 50 printings. It underwent a
new boom in sales after the release of its cinematic adaptation inMay 1997
and has become one of Brazil's Brasil, nunca
major publishing phenomena.9
mais, for its part, is currently out of print after 38 printings. The militant col
lectivememory of themilitary dictatorshipwon, in thisway, a significant
audience for a country of relatively few readers.
story of the kidnapping of the U.S. ambassador, which had occurred in Rio de
Janeiro 10 years earlier. Thus we have here two reconsiderations of a recent
series of events thatbeginning in 1968 had thrown thesewriters into the eye
of a hurricane. Both narratives can be seen as more or less the accounts of
stunned disaster survivors.As Gabeira (2001 [1979]: 139-140)writes,
Or, as Tapaj?s puts it,"We had scores ofpeople just threeyears ago, and today
we have a multitude who are either dead or in exile and a few lone rangers
rapid passage throughthe armed leftas ifhe had been able to observe things
from the outside, a move that allows for the text's good-humored tone. In part,
perhaps, these differences explain the disproportion in sales between the two
books, but one should also remember Gabeira's readiness to take on the role
of media phenom. Finally, it isworth noting that Em c?mara lentawas released
in 1977 and banned was
shortly thereafter, while O que ? isso, companheiro?
one of the most visible expressions of the new era of postamnesty freedom of
expression.12
From this point of view, apart from the authors' own intentions, it is
impossible to deny the dramatic central role that the subject of torture plays
in both books. In Tapajos's book all roads lead to the sacrifice of the central
female character (inspired by the guerrilla Aurora Maria Nascimento Furtado
of theA?ao Libertadora Nacional [NationalAction forLiberation?ALN]13),
mur
wounded during combat with the police, arrested, tortured, and finally
dered with the most terrible of instruments, the so-called Crown of Christ. It
is the storyof her fall,affliction,and end that is takenup in a crescendo until
its terrible climax.
InGabeira's account (2001 [1979]: 197), foritspart, the tone of thenarrative
shiftsbetween pages 165 and 203, inwhich tortureclouds theadventure:
No one could have anticipated, exactly, what was going on inside Brazilian
prisons. All of us were dumbfounded to varying degrees. No matter how many
appeals we sent to the prisons, no matter how many grisly stories we collected,
we would never have managed to grasp the process in its complexity before
living through it in the flesh.We had prepared alibis, written manuals on how to
behave under torture, diagnosed our strengths and weaknesses, but at bottom
we were surprised by what we saw inside the barracks. The mechanisms con
structed to destroy us were enormous. Sometimes, before falling asleep, Iwould
think tomyself that theywere treating us like prisoners of war. But thatwas
merely a form of consolation. Then what? So what ifwe were prisoners ofwar
from another country, another planet? A civilization that treated its prisoners of
war like thiswould need to be rethought from top to bottom.14
Gabeira's account
explores the many aspects of the experience of torture:
the sadism mixed with bureaucratic functionalism, the brutality annexed to
A reading of these books and others published during the same period
points to the denunciation of torture as the cornerstone of the militants' con
struction of the dictatorship's worst period. In this sense the systematic use of
as a method of interrogation and intimidation within a sophisticated
cruelty
system of repression has indelibly associated the armed forces with this sad
of Brazilian other books would come to this
chapter history. Many complete
picture. In 1977 Rodolfo Kond?r, a journalist who had witnessed the torture
ofVladimir Herzog, themost famous case of death inprison, published two
years after the events a collection of short stories titled Cadeia para os morios
(Prison for the Dead). After appearing in Portugal, the collective work
Memorias do exilio,Brasil, 1964/19?? (Memories of Exile, Brazil, 1964-19??)
(Uch?a Cavalcanti, 1978) was released in Brazil in September 1978 and
an a dossier on the acts of torture that had led to the
included appendix with
insanity and suicide of the Dominican friar Tito de Alencar. For his part, in the
second part of his Memorias, 1946-1969, the legendary communist Gregorio
Bezerra (1980)described indetail thepublic crueltythathe had sufferedon the
streets of Recife during the first days after the
coup
d'?tat. A year later, in
Tirandoo capuz (Removing theHood), the journalistAlvaro Caldas (1981)pub
lished his personal account of the via dolorosa towhich were
prisoners subjected
during this phase. The next year, Frei Betto (1982), in Batismo de Sangue?Os
dominicanose a mortede CarlosMarighella (Baptismby Blood?The Dominicans
and theDeath of Carlos Marighella), recounted his version of the events
surrounding the death of one of themost wanted leaders of the armed left.15
The portraitpainted by the recollectionsofmilitantswas also informedby
pol?ticano Brasil (Torture:The History of Political
Tortura:A historiade repress?o
in
Repression Brazil),16 which was the resultof a series of reportspublished in
themagazine Veja byAntonio Carlos Fon (1979).Finally, in 1985,with the sup
port of the Catholic Church and the Presbyterian minister Jaime Wright,17
to bookstores a of the
Vozes Press brought scathing expos? system of repres
sion (Arns, 1985), including an analysis of itshistorical origins, the legislative
apparatus that permitted it, and the construction of the intelligence apparatus.
Brasil, nunca mais culminates in eight chapters that examine the various sides
of torture as system and state policy: the objectives and consequences, the
marks on the victims, the collaboration of doctors and psychiatrists, the variety
of techniques employed, the clandestine and official establishments, and
thedeaths and disappearances. With this the edifice of the left's collective
memory of the dictatorship's crucial period was complete.
military to power
if the Communists refuse tomend their ways. In this regard
it can be seen as a form of conditioned reflex left over from the purest strain
of cold-war ideology.
Regarding the topic that interestsus here, thebook denies the existence of
torture and as a
justifies the eventual "excesses" logical result of the physical
law that every action produces an reaction, the biological law that
opposing
for every venom there is an antidote, or the popular wisdom that he who sows
the wind will reap the whirlwind: "Before they recite horrors and issue hys
terical statements, itwould be fitting ifa priest were to pose the classic inquiry:
war ofmemory: the tactics of repression during the "years of lead." Elsewhere
I have discussed themilitary view of this topic as itappeared in the crop of
books published between 1994 and 1998 (MartinsFilho, 2000). Here I aim to
review my arguments at the same time that I analyze new versions that have
arisen inmore recent texts.
It seems clear that the military's decision to state its position on the direst
Some military leaders have taken a more direct approach to the question.
As General Le?nidas Pires Gon?alves, army minister in the Sarney adminis
tration, clearly puts it, "Torture occurred during the political repression of the
1970s" (Contreiras, 1998: 73). Admiral Julio de S? Bierrenbach, an active par
ticipant in civil-military plots since 1954, also admits that "truly unconscion
able repression" did occur, "including various cases of the torture, beating,
and murder of citizens tried under the National Security Law" (Contreiras,
1998: 85).
when outlining a limited
Other high-ranking officersgo one step farther
self-critique. General Ivan de Souza Mendes, chief of staff of the Servi?o
Nacional de Informa?oes (National Intelligence Service?SNI) in the Sarney
administration, recalls the words of General prisoner is
Os?rio: "An unarmed
a human
being and must be treated as one."
For him, "An individual cannot
on a
perform electric shock political prisoner and then say he's resorting to
torture in defense of democracy" (Contreiras, 1998: 65). For his part, General
Oct?vio Costa, secretary general of the army during the Figueiredo adminis
tration, points to the devolution of police functions onto the armed forces as a
fundamentalmistake of the regime (Contreiras, 1998: 97), a view shared by
Admiral Hernani Goulart Fortuna, ex-commandant of the Escola Superior de
Guerra (NationalWar College) (Contreiras,1998: 101). Evading the question
somewhat, Admiral Armando Vidigal, former director of the Naval War
Fi?za argues that torture proved unnecessary, since the air of panic that
filled the prisons was sufficient to extract confessions Soares, and
(D'Araujo,
Castro, 1994a: 61-62):
Normally, a person who "falls," let's use their lingo as well as mine, Imean one
who's been arrested, enters a state of panic and chronic distress. Only those who
have a strong constitution, who are really sure of themselves, can keep from
falling apart. The rest, let's say 90 percent, the first thing they do is suffer an
attack of diarrhea, the kind that runs down the legs_From there on, fearbeco
mes a very favorable factor in an interrogation, when it's performed as soon as
a falls.
person
(D'Araujo, Soares, and Castro, 1994a: 73). And in another passage (59):
The DOI takes itsmarching orders from the First Army via the Intelligence
Section [2a Se??o]. It's an operational detachment: "Go there, do this." The chief
of staffgives the orders in the name of his commander. He's the head of the First
Army: he gives the orders and takes responsibility for them before his comman
der. So, the DOI was the strong arm of the "Inquisition," let's put it thatway.
That's it.
I return, then, to the military's assertion that torture went no farther than
instances of individual "excess" that had the chain of command, an
escaped
assertion that is one of themost enduring pillars of themilitary's collective
memory of the dictatorship. Ironically,the forceof this argument has been
undermined an officer who was for acts of torture. If
by directly responsible
we follow the we are forced to con
logic outlined in the passage just quoted,
clude that operational groups were acting under the control of regional com
mands that answered to the government ministry of each branch, which, in
turn,answered to thepresident of the republic.At thispoint it is interestingto
return to the words of Ernesto Geisel. Questioned about the actions of his
brother, Orlando Geisel, who served as army minister in theMedici adminis
tration, the former president offers this explanation (D'Araujo, Soares, and
Castro, 1994a: 227):
I can't really comment because I don't even know what the CIE did. ... I don't
criticize Orlando's conduct.. .. The creation of the CIE, connected to theminis
ter, similar to what already existed in the navy with Cenimar [Centro de
Informa?oes da Marinha (Naval Intelligence Center)] and in the air forcewith
Cisa [Centro de Informa?oes e Seguran?a da Aeron?utica (Air Force Intelligence
and Security Center)], was a way to remove the actions of the individual armed
forces out from under the control of the President of the Republic. By contrast,
we believed that the operation had to be controlled by the president with the SNI
serving as intelligence agency and keeping up with these issues. Itwas in this
spirit that the SNI was created.
From this passage we may infer that because the SNI was created in June
1964 either itdid not functionduring theM?dici years?and responsibility
remained with theministers of each of the armed forces?or the chain of com
mand remained intacteven though theCODIS operated with a certaindegree
of autonomy thatcould createproblems (as occurred during the termofGeisel
himself). Since the idea that the SNI was inoperative
seems absurd, the alterna
tive is thatPresidentM?dici was isolated by themilitary apparatus, a hypoth
esis thatgoes beyond thescope of thisarticle.At any rate, it isundeniable that
themilitary ministers were in control of the situation.
timony ofAir Force General Mauro Jos?Miranda Gandra (Castro and D'Araujo,
2001: 294), air forceminister during theCardoso administrationuntil 1995:
Here's the truth: the navy and especially the air force, in the process of the
Revolution of 1964, were always lackeys to the army. One thing that stood
out tome, and I believe itmust also stand out to the people as a whole, was the
"changing of the guard" of both the president and the heads of the [Estado
Maior das For?as Armadas (General Staff of theArmed Forces?EMFA)], always
with individuals from the army. There has always been this resentment in the air
forcebecause therewas no rotation in the EMFA, nothing to give it a multifaceted
character, let's say, in terms of all the armed forces, as was the ideal in the begin
ning. Politically, we were always lackeys in the process.
And farther on: "The army made this unfortunate passage through the gov
ernment. Itwas a strategic error tomaintain power for so long, a decision that
this to the armed forces" (Castro and D'Araujo, 2001: 300).
brought stigma
supposed disappearances."
MEMORIES OF FORGETFULNESS
Inwhat Tve told, I've tried not to draw conclusions, preferring to let thenarrative
end by itself, in these stories that I didn't invent and have not simply rehashed?
stories sown in time and space in a painful and patient spinning out. Lived?not
invented?this story leftmarks, scars, neuroses, pathologies of body and soul,
sometimes diagnosable even in the look of the victims?a tormented gaze, fearful
and dazed. Or timid,withdrawn, and self-contained.
The narrative of a survivor who held onto his story formore than two decades,
Tavares's book brings back not only thecomplexityof theproblem ofmemory
but thephantasmagoria thathaunts thewar of remembrance (1999: 219):
Yes, we were victims of the dictatorship, but itwas not only we?the victimized?
but they, too, the ones who constructed the victims. The triumphant battalion
was born in fear and through fear.And by implanting terror it terrorized itself as
well. Triumph and defeat were decided in the torture chamber in a war that
almost never was a war; in thisway, stripped of belligerence and swollen with
horror and violence, thiswar both sealed our destruction and undid all values
and principles of civility.
One final observation of this journalist turned guerrilla, whose time as a prisoner
ended in a series of false executions on Uruguayan soil,where he began to "die
in thememories of forgetfulness" that he has decided to reveal only now (1999:
264): "And so, torture destroyed the tortured and also annihilated the torturers
by transforming them from military combatants into hangmen, making the
world incomprehensible to them."
I conclude this article with these words from another. In the end, knowing the
story of thewar ofmemory is fundamental to comprehending the future evolu
tion both of the left and of the Brazilian armed forces. In this regard perhaps
new
only the birth of generations ofmilitants and military men and women can
takeus beyond thedeaf dialogue thathas inevitablybeen constructedupon the
tragic experience of the dictatorship.
NOTES
1. In considering the dialectic ofmemory and forgetfulness,one also needs to recall that
prison and tortureforcedthemilitant tomake an intenseeffortnot togive away any information.
As Fernando Gabeira puts it,"The first months of prisonwere all spent in theattempt to forget"
(2001 [1979]: 142).
2. For an interestingcompanion piece to the present study, see Huggins (2000),which
presents data collected from interviews with 27 former ?Translator's note.
military policemen.
3. The term "militant" is used here to refer to members of organizations of the armed left.
In some passages I use the term "survivor" interchangeably.
4. This article is based on sources?memories and testimonies?but also avails itself
primary
of journalistic and academic of this material.
analyses
5.Decreed onAugust 13,1968,by PresidentArtur da Costa e Silva, itabrogated all individual
rights remaining in theConstitution of 1967 and restricted the powers of the legislature and
even further.
judiciary
6. It is true that no television or film director has so far ventured to create a work of fiction
based on themilitary version of thehistory of thedictatorship.
7. One in terms of the military's collective memory, is the interview
interesting exception,
conducted by Henrique Lago and Ana Lag?a (1979) with the formerchief of the Centro de
Informa?oes do Ex?rcito (Army IntelligenceCenter?CIE), General Adir Fi?za de Castro, pub
lished in the Folha de S. Paulo. Lag?a, who has donated her personal archive to the Federal
of Sao Carlos, views this interview as the culmination of her work as a beat
University reporter
assigned to themilitary inBrasilia in the 1970s (interview,November 2002).
8. InGorender's book, the chapters entitled "A violencia do opressor" (TheViolence of the
Oppressor) and "A violencia do oprimido" (TheViolence of theOppressed) registeran attempt
to confrontfromaMarxist perspective theethical problems faced by both sides.My inclusion of
Brasil, nunca mais works former militants does not seem unreasonable insofar as the
among by
project had the clear objective of recovering thehistory of thedictatorship indefense of human
rights.
9. For an that captures the various dimensions of the Gabeira see
analysis phenomenon,
Pellegrini (1996).A group of textswritten on theoccasion of the release of Bruno Barreto's film
version ofGabeira's book can be found inReis Filho et al. (1997).
10. In June 1976 thevolume A esquerdaarmadano Brasil, 1967/1971 (TheArmed Left inBrazil,
1967-1971)was published inPortugal and won theCuban Premio Casa de Las Americas in the
testimonial literature numerous militant accounts about the armed left, it
category. Containing
was extensivelyphotocopied inBrazil at the same time that itwas being cited by leaders of the
as evidence of leftist misdeeds.
regime
11. The other source of this miniseries was a book current
by the president of the Green party,
Alfredo Syrkis (1980), a best-seller that lacks the literaryqualities of theabove-mentioned books
but constitutes an
interesting narrative about the experiences of a high-school student from Rio
who is transformedintoamilitant of thearmed left.The book is currentlyin its fourteenthprint
ing. For
an
analysis of Anos rebeldes, see Pellegrini (1993).
12.1 purchased Tapaj?s's book as soon as itwas released. I had tomake the rounds of a number
of bookstores in downtown Sao Paulo before a seller who trusted my college-student
finding
appearance and drew a
copy out from a stack hidden under the counter. I read it through that
same night. Itpermittedme topinpoint on themap of Brazil the location of hell.
13.A photo of her as an adolescent can be seen in an insert inGorender's (1998 [1987])
Combate nas trevas.
14. The following passage nicely illustratesGabeira's (2001 [1979]: 198) attempt to present
himself as a non-Manichaean narrator: "I, too, was a of this civilization. The
product enemy,
in a certain sense, provided the measure of my stature. If he was sunk in prehistory, itwas
impossible forme to keep both feetplanted inhistory,all themore so since I don't believe in
such a clear-cutdivision between good and evil. Iwould never again be able to thinkof being
Brazilian without taking this reality into account. After the PE [Polic?a do Ex?rcito (Army
Police)] of Bario de Mesquita Street,all of us, innocentor not,were horrifiedby Brazil and by
humanity." Here it is to recall that the of one of the torturers in Barreto's
interesting portrayal
film caused an uproar because at one the character shows mixed about torture.
point feelings
A close reading of Gabeira's book reveals that the original text certainly allows for such an
interpretation.
15.His account of the torture
methods used by thepolice chief,S?rgio Fleury,methods that
extreme such as the use of electric shock to simulate the taking of communion,
displayed cruelty
shocked both Catholics and non-Catholics alike. The book brought literary fame to the
Dominican friar, although other versions of the death of Marighella have since appeared (see, for
example, Jos?,1997).
16. From JulytoOctober alone thebook went through fourprintings.
17. The authors' names have never been revealed.
18. Its sources belong today to theArquivo de Hist?ria Social Edgard Leuenroth (Edgard
LeuenrothArchive of Social History) at theUniversity ofCampinas.
19. As Huggins (2000:60) observes, dot happens tomean "it hurts" in ?Translator 's
Portuguese.
note.
20. "I believe that blacks, Indians, and mixed-bloods, with occasional exceptions?and
among these their emotional virtues stand out?are races of inferior extraction. I don't want to
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1999b Memoria viva do regime militar, Brasil: 1964-1985. Rio de Janeiro: Record.
Mar?a Celina, Gl?ucio Ary Dillon Soares, and Celso Castro
D'Araujo,
1994a Vis es do golpe:A memoriamilitar sobre1964.Rio de Janeiro:Relume Dumar?.
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