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Data-Driven Storytelling: The Missing Link in HR Data

Analytics
Theresa M. Welbourne

W ith the advent of what is called “big


data,” HR management leaders are cre-
ating workforce or HR analytics departments
is from a C-level executive who had experi-
enced his first ever one-on-one data meeting
with an HR data team. After reviewing the
and staffing them with data-savvy PhDs. newly created dashboard data, he relayed his
These individuals know how to run robust impression of it to me: “It’s really cute that
statistical programs, delve into predictive ana- HR has data now.” As someone who has been
lytics work, and present organizations with in the HR field for over 30 years, and who is
beautiful charts and graphs. Some are creat- a true believer in the power of data to drive
ing dashboards and administering employee decision making, that remark seemed like a
surveys. Others are training generalists so crushing blow to all the good work that has
that they can help leaders understand their been achieved in the area of HR analytics. All
human capital in the same way they evaluate the good work goes down the drain quickly
financial or physical capital. when a senior leader, with a loud corporate
However, with all the activity, some sig- voice, has a bad experience. That is the ugly.
nificant gaps are becoming alarmingly visible.
There is a good, bad, and ugly story growing BEYOND DATA FOR THE SAKE OF DATA
out of the world of HR analytics, and, in fact,
the phenomenon described in this article is The greatest data results (whether from
not limited to HR. Since developing an inter- HR, accounting, or marketing) will be use-
vention for the problem, I have been asked less unless they lead to dialogue that drives
to work with senior leaders, accounting and action. Compelling communication using
financial professionals, and others who are data, or data-driven storytelling, is required
skilled at the art of confusing others with to ensure that critical insights are conveyed
numbers. to the principal decision makers in a way that
The good of the analytics story produces maximizes the likelihood of taking action.
deep insights to help drive better decision Over the past six years, while developing and
making. The bad is coming from poor pre- teaching a program on data-driven storytell-
sentation of too much data. The ugly results ing, I have learned that the biggest problem
when senior leaders’ first experiences with facing individuals attempting to improve deci-
HR data and analytics leave them with a sion making with data is the lack of under-
negative impression and lack of motivation to standing that data analysis must go beyond
ever again seek out advice from HR. One of merely reviewing the data results. Instead,
my favorite quotes to demonstrate the ugly it’s important to know how to use the data to

© 2015 Wiley Periodicals, Inc. 27


Published online in Wiley Online Library (wileyonlinelibrary.com). DOI 10.1002/ert.21471
Employment Relations Today

tell a story that can create an emotional con- demonstrates how emotional reaction to the
nection to the audience. Emotion is a neces- story about Ben, a boy who is dying, changes
sary ingredient in driving results from data the brain. Those measured changes in the
and analytics. Emotion is not evoked from brain lead some subjects to donate more
data; it only arises from a story, and when money to charities than others. By telling a
data are weaved into a story, the result is not story that had an emotional reaction in the
only data-driven storytelling but what I like person listening to the story, participants took
to call power storytelling, because the story is action.
powered with compelling data. Now let’s think about the way most people
in the HR profession present human-capital
STORY CHANGES THE BRAIN data. The norm seems to be long, detailed
PowerPoint presentations. Reports are com-
Storytelling is an art form that leaders use plete with bar charts and pie charts, lots of
to inspire and drive action. Storytelling is numbers, and data analysis. Statistical signifi-
powerful because it ignites emotion, and cance may be pointed out, and cross cuts of
researchers who study the brain tell us that data are squished into tables. What happens
in order to drive action, we need emotion. when stakeholders see these data? David
In fact, this new neurological research led Rock provides some guidance in answer-
researchers to suggest that the only way to ing that question. In his book Your Brain at
ensure that participants in a presentation Work,3 he notes that looking at lots of data is
or discussion remember the message well like “hundreds of new actors jumping on the
enough to take action is to create an emo- stage briefly and then running off.”
tional reaction. Some of the most data-driven
people today are learning to tell stories. In This visualization tells a story. If this is really
the medical profession, doctors and research- what it’s like when looking at lots of data, then
ers are going beyond their evidence-based it’s fair to say that there’s no guarantee who in
methods of doing work and sitting in rooms the audience is watching what actor.
learning how to shape a story so that their
stakeholders (e.g., other doctors, nurses, This visualization tells a story. If this is
administrators) will make changes that save really what it’s like when looking at lots of
lives.1 The reason the medical profession is data, then it’s fair to say that there’s no guar-
on board in training doctors to tell stories is antee who in the audience is watching what
that they learned through experience that via actor. In other words, when presenting lots
the action of sitting in rooms and listening to of data, everyone in the audience is focusing
presentations of numbers (even with graphs), on different data—all based on what piques
the audience was not making behavioral their interest. This is how one loses attention
changes that were needed to improve health and focus in any data-driven presentation.
care. It’s one of the two reasons most data-focused
There is an excellent short video pro- presentations or reports do not drive action.
duced by Paul Zak at the Future of Storytell- How many times have you presented lots of
ing, which can be accessed on YouTube.2 data only to get a mix of grunts and perhaps
The clip is called “The Story of Ben.” Zak interesting dialogue but, in the end, zero

28 Theresa M. Welbourne
Employment Relations Today DOI 10.1002/ert
Winter 2015

action? These types of presentations of data Data-driven storytelling has everything to


lack story; thus, they lack the emotional reac- do with the brain, but the first step may be
tion needed to ignite energy to do something focusing on the brain of the HR professional.
about the message in the data. HR can have a point of view and must have
a point of view to do the job right. Being
POINT OF VIEW NEEDED FOR STORY able to derive the story in the data is part
DEVELOPMENT of today’s HR professional’s job description.
Through the use of stories of people who
As noted earlier, I have been teaching data- have successfully overcome this barrier to
driven storytelling programs (from keynotes success, we can start motivating the profes-
to half-day workshops to two-and-a-half-day sion to take the next step in using their HR
executive-development sessions) for the past analytics skills to drive dialogue, action, and
six years. For any custom work, I use data results.
and presentations from the client organiza-
tions. We create case studies out of the data, WHAT IS A GOOD STORY?
and groups work to learn their own storytell-
ing skills. In the end, I present a version that Stories that are effective follow what is
I created as an example of what’s possible. known as the story arc. In simple terms,
What was missing from almost all of the a story has a beginning, middle, and end.
examples provided to me was one thing—a When analyzing HR data presentations, I
clear point of view. Said another way, the often find that they have only a beginning
data presentations and summaries had no and end—no middle. The middle focuses on
story. This was and is a huge stumbling block building emotion, setting up the problem,
in driving dialogue, action, and results.
Although it may seem straightforward to Stories that are effective follow what is known
talk about having a point of view in data, it as the story arc. In simple terms, a story has a
is not. Many HR professionals insist that it is beginning, middle, and end.
not, and should not, be their job to develop
and then present a clear point of view. Their and searching for the solution. The middle
understanding, instead, is that it was their is about the quest. For example, a simple
personal responsibility to only present the human-capital-data story, without a middle,
data “as is” and let the manager or executive may go something like this:
team figure out what was in the data. Many
class participants mentioned that they felt ❏ Pay is low; if pay is increased, changes in
as though they were overstepping boundar- turnover will result.
ies if they analyzed the data, found the story, ❏ Employee engagement is low; if the firm
and then presented the data in a way that increases the score, employees will be
told their story. There is clearly fear in some more productive.
HR camps that presenting a point of view
would be seen as an exercise in manipulation These story lines are too simple, and they
to make the data do what they want versus do not evoke an emotional reaction. If any-
what the data “truly says.” thing, leader emotion is directed at finding

Data-Driven Storytelling: The Missing Link in HR Data Analytics 29


Employment Relations Today DOI 10.1002/ert
Employment Relations Today

the flaws in the logic. If you compare this to Creating a good story involves the search
a children’s fairy tale, it’s like setting up a for complexity, the middle, or the conditions
story that is all about a prince saving a prin- under which the simple story may not suf-
cess—with no dragon, no challenge, and no fice. Finding a story in data may take more
excitement. time, but it does not need to be an adven-
ture in data-analysis paralysis. Seeking the
Step 1: Find the Middle story involves creative thinking, and in many
cases, working with someone else who can
In the challenge, or finding the dragon, one help you dig out the story.
finds the truth and emotion. Examining the Learning to tell stories with data takes
two HR stories above, one can include a mid- time. We find that the skill set develops like
dle. When the middle is inserted, the stories any other. Practice and success lead to more
morph into these types of alternatives: experimentation and learning. Many partici-
pants who have gone through our two-and-
❏ Pay is low; however, maybe the story is a-half-day public data-coaching/data-driven
about pay distribution not pay overall. storytelling programs stay connected after the
Is the firm paying for performance? Is class, and they have shared their own success
the organization using money allocation and challenge stories. We have heard back
in a way that motivates the people who from HR professionals who serve some of the
are most critical or pivotal to improving most data-savvy leaders and professionals—
performance? The path from pay to firm engineers, Wall Street bankers, and scientists.
performance is not simple. In order to cre- They report back greater success in driving
ate an emotional reaction, the story needs action by using their storytelling skills.
to be about the middle, not just the begin-
ning and end. Step 2: Learn How to Manage Emotion
❏ Employee-engagement survey scores are With HR Data Genre
low overall, but maybe some parts of the
organization should have low engagement Igniting emotion in your story increases the
because their performance is abysmal. likelihood that action will result, and action
Consider analyzing the questions that is needed to drive measurable business
make up various scales or indices in your results. However, not every piece of data
survey data. Pull the questions apart, and should result in action. Some data are simply
sometimes a story emerges; you can find
the middle, the challenge, or the opportu- Igniting emotion in your story increases the like-
nity. Ask yourself if every single question lihood that action will result, and action is
should be scored highly. Does your orga- needed to drive measurable business results.
nization want low-performing employees However, not every piece of data should result
to have high recognition, best friends at in action.
work, and more “stuff”? By digging in the
middle, one can create a conversation that there for updates. The range of action needs
engages leaders and increases the prob- to be determined as well as the character-
ability of taking action. istics of the audience. The desired actions

30 Theresa M. Welbourne
Employment Relations Today DOI 10.1002/ert
Winter 2015

may range from reading reports to spend- Step 3: Be Bold in How You Present
ing resources (e.g., time, money) to make
immediate changes. One way to plan a com- Presentation style, content, and process are
munication with desired action in mind is to a function of the desired story genre and the
consider adding the concept of HR genre to nature of the story or the story arc. How-
data presentations. Three possibilities include ever, for whatever is chosen, bold statements
the documentary, the drama, and the horror are most likely to drive action. Knowing the
story. material, being confident in the point of view,
A documentary genre is about communi- and creating succinct messaging are require-
cating the facts with less attention paid to ments for boldness. It all boils down to pre-
affecting high emotions. There is a middle senting limited amounts of data; use only the
in documentaries also; however, there are data that contribute to the story.
fewer emotional peaks. Documentary example: Being bold is a learned skill, and it does
Update executive team on compensation not happen overnight. One way to obtain this
trends; nothing changed, and the company is skill is to practice using pictures as a way to
doing well. express your story. Rather than arguing over
The second option is the drama, where which charts to put first, second, and third,
a character’s story is identified and told. In find one picture that represents your point of
the drama, we want an emotional reaction, view. Use it as the first page or slide in your
and we obtain it by introducing the story of a presentation. Pictures force one to focus in
person or situation. More or less drama and on the main story. In addition to using a pic-
associated emotion are required based on the ture, name the story.
actions needed. Also, one can pursue both
positive and negative emotions in a drama. Example: Stacking Work Syndrome
Drama example: Organization is losing direc-
tor-level executives. Showcase three to five For one of our clients, we analyzed two years
individuals who were key to project success of survey data, performance data, and demo-
and tell the story about how those individu- graphics. We found increasing turnover and
als left. Include information on bigger trends, lower performance scores in general. We had
but the story is first told through the lens of a two options: (1) present the data and let the
person. executives argue about why turnover is up
The third option mentioned above is the and performance is down, or (2) merge all the
HR horror genre. In this case, one wants information and make a bold statement about
to quickly drive action through a high fear our point of view. We had done option 1
appeal. Horror example: HR VP wants the before, and no action resulted. After conduct-
board to understand that if the budget is ing interviews to supplement the data analy-
not approved for a new initiative to train sis, we walked into a presentation with the
managers, the firm is at risk of losing busi- executive leadership team and boldly claimed
ness. There’s not a lot of time for setup, and that their organization had “Stacking Work
there’s no time to disagree. The communi- Syndrome.” We created the term and put up
cation must be crisp, scary, and with rising only a picture of a person exhausted at work.
action. We talked about what this syndrome looked

Data-Driven Storytelling: The Missing Link in HR Data Analytics 31


Employment Relations Today DOI 10.1002/ert
Employment Relations Today

like, and we never showed a single number. the wheel and working from a place of no
The most effective dialogue our group had confidence because the stories of success are
to date started after this introduction. As a missing. Great storytellers repeat their stories
result, the team asked me to leave the room over and over. Unfortunately, stories that are
(quite politely), and they spent the next hour told tend to be about things that went wrong
working on their top priorities. versus what went right; find a way to keep,
What happened in this meeting? We used share, and tell the inspiring work that you do.
a horror genre to show that their workforce
was in trouble, and if something were not FORMULA FOR SUCCESS
done quickly, they would run into even more
problems. We were able to tap into the emo- If you search the term data-driven storytell-
tions of everyone on that team, most likely ing, you will find a lot of information about
because they all felt a bit exhausted them- visualization tools. New software and ideas
selves. By emotionally connecting, they paid for presenting fancier and more entertaining
attention to the message. The data were in bar charts and pie charts abound. However,
the appendix, but no one needed a math better graphics do not equal storytelling. You
lesson. They believed the delivery team; we have to find the story first, plot the begin-
were bold and confident. ning, middle, and end, and finally create a
compelling and emotionally inspiring tale
Step 4: Do What Great Storytellers if you want to drive action and results. The
Do—Record Your Victories model I continue to use and teach with has
and Share Your Stories four words: data, dialogue, action, and results.
The data must be used to drive dialogue, and
The key to great versus mediocre storytelling then both data and dialogue, together, have
and to having stories help build confidence in the potential to create the type of emotion
the HR team is a simple task. Save and share that leads to retention of the message, action,
stories. There are several pieces of work and ultimately results.
that I have done over the years with clients, HR is getting new data—big, small, and
coaching and helping HR teams create great medium-size data—but if we do not learn
stories. I know that these data-driven stories how to use that data to drive action, then the
led to tremendously positive results in many data we have will be used to compile reports,
cases. Examples include faster success rates which someone will someday find out are
with mergers, radically making alterations not really worth the money or investment
in change-management programs so that being made in the new systems. Data-driven
they were much more effective, increased storytellers can change the future of not just
stock price in newly public firms, and creat- HR but of organizations overall. There are
ing new business opportunities where they lots of good stories within the confines of the
had not existed before. Unfortunately, due buildings; people are interesting, and they
to turnover at the firms and lack of writing are complex. Storytelling can help improve
down or documenting their stories, I am the the business for everyone, in particular, the
only one who seems to know about the work. people who are the actors in your firm’s
Each new batch of employees is reinventing novel.

32 Theresa M. Welbourne
Employment Relations Today DOI 10.1002/ert
Winter 2015

NOTES in health and illness (Chapter 16). Malden, MA: BMJ


Books.
1. For an example, see Newman, T. B. (2004). The power 2. http://www.youtube.com/watch?v=q1a7tiA1Qzo
of stories over statistics: Lessons from neonatal 3. Rock, D. (2009). Your brain at work: Strategies for
jaundice and infant airplane safety. In B. Huwitz, overcoming distress regaining focus, and working smarter
T. Greenhalgh, & V. Skultans (Eds.), Narrative research all day long. New York, NY: HarperBusiness.

Theresa M. Welbourne, PhD, is the FirsTier Banks Distinguished Professor of Busi-


ness and director of the Center of Entrepreneurship at the University of Nebraska,
Lincoln. She is an affiliated professor with the Center for Effective Organizations in
the Marshall School of Business at the University of Southern California, as well as
the founder and CEO of eePulse, Inc. (www.eepulse.com.) eePulse is a human-capital
technology and consulting firm helping firms grow and innovate by optimizing and
directing employee energy at work. With over 30 years working with high-growth and
high-change organizations, her expertise is in the areas of creating organizational and
HR systems to sustain growth. Welbourne’s research and work have been featured in
several publications, including Inc. magazine, the Wall Street Journal, Financial Times,
and BusinessWeek, and published in books and journals. She is a prolific writer and
well-known speaker and consults with numerous organizations in multiple industries.
She was awarded the 2012 Academy of Management Distinguished HR Executive. She
may be contacted at info@eepulse.com.

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Employment Relations Today DOI 10.1002/ert

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