Beruflich Dokumente
Kultur Dokumente
History
Etymology
1600, origins
1650–1700
Late baroque
Recorded in 1916.
Victorian era
Twentieth-century
Twenty-first century
When Dudley Buck composed his oratorio
The Light of Asia in 1886, it became the
first in the history of the genre to be based
on the life of Buddha.[4] Several late 20th
and early 21st-century oratorios have
since been based on Buddha's life or have
incorporated Buddhist texts. These include
Somei Satoh's 1987 Stabat Mater,[5] Dinesh
Subasinghe's 2010 Karuna Nadee, and
Jonathan Harvey's 2011 Weltethos.[6] The
21st century also saw a continuation of
Christianity-based oratorios with John
Adams's El Niño and The Gospel According
to the Other Mary. Other religions
represented include Ilaiyaraaja's
Thiruvasakam (based on the texts of Hindu
hymns to Shiva). Secular oratorios
composed in the 21st century include
Nathan Currier's Gaian Variations (based
on the Gaia hypothesis), Richard Einhorn's
The Origin (based on the writings of
Charles Darwin), Jonathan Mills' Sandakan
Threnody (based on the Sandakan Death
Marches), and Neil Hannon's To Our
Fathers in Distress. The oratorio Laudato
si', composed in 2016 by Peter Reulein on
a libretto by Helmut Schlegel, includes the
full Latin text of the Magnificat, expanded
by writings of Clare of Assisi, Francis of
Assisi and Pope Francis.[7][8]
Structure
Oratorios usually contain:
See also
List of oratorios
Passion
Music for the Requiem Mass
Mass (liturgy)
Mass (music)
Oratorio Society (disambiguation)
References
1. Oxford English Dictionary: "A large-
scale, usually narrative musical work
for orchestra and voices, typically on a
sacred theme and performed with
little or no costume, scenery, or
action."
2. Oxford English Dictionary.
3. "The History of Music" . Retrieved
9 February 2012.
4. Smither, Howard E. (2000). A History
of the Oratorio: The Oratorio in the
Nineteenth and Twentieth Centuries ,
pp. 453 and 463. University of North
Carolina Press. ISBN 0807825115
5. The New York Times (3 April 1987).
"Oratorio Merges Christ and Buddha" .
Retrieved 3 May 2013.
6. Clements, Andrew (22 June 2012).
"Weltethos – review" . The Guardian.
Retrieved 3 May 2013
7. Reulein, Peter; Schlegel, Helmut
(2016). Laudato si' / Ein
franziskanisches Magnificat. Limburg
an der Lahn: Dehm Verlag. p. 230.
ISBN 978-3-943302-34-9. ISMN 979-0-
50226-047-7.
8. "Festkonzert zum Jubiläum des
Referates Kirchenmusik / Laudato si'
– Oratorium von Peter Reulein
(Uraufführung)" (in German).
Liebfrauen, Frankfurt. 2016. Retrieved
19 October 2016.
Bukofzer, Manfred F. Music in the
Baroque Era. New York, NY: W.W. Norton
and Co., Inc, 1947.
Smither, Howard. The History of the
Oratorio. vol. 1–4, Chapel Hill, NC: Univ.
of N.C. Press, 1977–2000.
Deedy, John. The Catholic Fact Book.
Chicago, IL: Thomas Moore Press, 1986.
Grove Music Online, ed. L. Macy,
grovemusic.com (subscription access).
Hardon, John A. Modern Catholic
Dictionary. Garden City, NY: Double Day
and Co. Inc., 1980.
New Catholic Encyclopedia. New York:
McGraw-Hill, 1967.
Randel, Don. "Oratorio". The Harvard
Dictionary of Music. Cambridge, MA: The
Belknap Press, 1986.
McGuire, Charles Edward. Elgar's
Oratorios: The Creation of an Epic
Narrative. Aldershot: Ashgate Press,
2002.
McGuire, Charles Edward. "Elgar, Judas,
and the Theology of Betrayal." In 19th-
Century Music, vol. XXIII, no. 3 (Spring,
2000), pp. 236–272.
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